ALVARO SIZA. la Piscina Leca, Palmeria, Portugal - 1966 PETER VESCH. Earth House State, Dietikon, Switzetland MAYA LIN. Storm King Wave Field, Mountainville, NY- 2009 ++meant to have as little impact as possible +use of rigid geometry in the ameobic coastline +juxtaposition and integration between man-made and natual surfaces or materials +division of space creates negative space or void +vesch wants to “subor- dinate to nature” +no removing or bring- ing earth to site +environ. friendly con- struction, using natural thermal properties +natural or organic forms that vesch believes are better to be in +supposed to mimic a set of waves to actual scale +10-15’ tall and up to 40’ between trough +want to recreate dynamic sense of being at sea, cannot see adja- cent waves +experience of inhabit- ing each compartmen- tal space appeals to me void solid sculpture garden overlapping program performance space circulation seating GROUND MANIPULATION GARRETT AKOL. ENVD3100 PRECEDENTS