CUMBIAMUFFIN ABN 17 632 033 694 Mike Raper [email protected]Carlos Arango [email protected]PHONE +61 416 507 852 MAILING ADDRESS 2/68 Sophia St Surry Hills SYDNEY - AUSTRALIA 2010 WEBSITE www.cumbiamuffin.com FACEBOOK GROUP http://www.facebook.com/#!/pages/ CUMBIAMUFFIN/204710089556401 PROMO AUDIO http://soundcloud.com/cumbiamuffin/ sets/promo-recordings CUMBIAMUFFIN 14th Piece Band Cumbia Orchestra Cumbiamuffin’s wall of sound is unstoppable on the dance floor and with the collective energy of authentic Colombian singers, this orchestra is conquering the local music scene. Put together by Colombian and Australian musicians, this project has the common vision of introducing the purest sounds of traditional Cumbia to the Australian audiences,blended with contemporary caribbean rhythms like Ragga and Reggae, playing the classics that made this genre the most popular rhythm in Latin America during the 80’s, and that now is taking over the world. Since its inception in December 2010, Cumbiamuffin has sold out many well known Sydney venues - including Club 505; The Metro; Paddington Eastside Arts and Club Marconi. Cumbiamuffin has also stretched its considerable musical talents to share stages with Sidestepper (Colombia), Mucho Mambo (AUS), and Watussi (AUS) amongst others. MEDIA COVERAGE Sydney Morning Herald http://www.smh.com.au/entertainment/music/slaves-to-the-colombian-beat-20110820-1j3eu.html Innerwest Courier http://inner-west-courier.whereilive.com.au/news/story/cant-beat-latin-rhythm/
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CompanyThe band consists of 14 people + audio engineer
AUDIOFOH control & PA system
• 40 Channel console Midas, PROFILE, YAMAHA PM5D, DIGICO.• A 1/3 octave graphic equalizers, Klark Teknik DN360, across L/R• A stereo compressor inserted across LR Bus, MANLEY, dBx 160SL or
similar quality.• Multi effects machines for reverbs: T.C. Electronics D2, Lexicon PCM‘s,
Yamaha SPX 1000, SPX 900.• Gate/compression channels inserted according to input list• A CD player And Ipod Input.• One Sure SM 58 in last channel linked to the monitor console.
The P. A. must be a proffesional Audio System. The design and amount of power has to be proportional to the venue’s capacity and regulations, capable of a flat frequency response (20Hz-20Khz +/- 1db) and a sound pressure level of 110 dB SPL A Weighted, without distortion, at the FOH sound desk. No side of stage Mixing or off centre.
Foldback system
• 40 Channel console with 10 aux sends.• Compressors and gates according to input list for drums and vocals
only.• 2 Multi-effects machines
The floor monitors placed as shown in the included stage plot, must all be the same, just as its power and processing. Our preferences are D&B M2 or M4 wedges.
NOTE:The brands and mics mentioned in these specifications are the preferred choice. Understanding that every show can be made in different configurations, we are very interested to discuss the availability of equipment, and any modifications needed. If you are in doubt or wish to contact us,.