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Critical Media How we know what we know?
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Page 1: Critical media

Critical Media

How we know what we know?

Page 2: Critical media

Critical Media

Firstly lets explore the different types of media: Old media.

• Print media• Motion pictures• Sound recordings• Broadcast media

Which could include cave drawings, speech, smoke signals, letters, books (Ott & Mack, 2014).

Page 3: Critical media

New media

• Internet• Mobile phones• Social networking• Digital television• E-books• Photography

Page 4: Critical media

Old media

Historically mass media was not very portable.

• If you wanted to see a film, you had to go to the theater.

• The size and weight of books made mobility limited, you had to carry then around and transport them to various countries (Ott & Mack, 2014).

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New Media – social media

• How big is networking and social media?

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Social Media Today

• In one day 700,000 people will join Facebook.

• Facebook uses share, like and tag 1 billion pieces of information a day.

• The virtual game Farmville will sell 1 million in digital farming equipment in a day.

• 65 Million users access facebook through their phones.

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Social Media Today

• In one day 900,000 iphones and 160,000 android devices will be sold.

• Twitter has 64 million tweets a day.• Utube Is the second most used

search engine in the world.• Utube has 24 hours of video

uploaded every minute.

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The power of the media

- What impact does it have on our daily lives?

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ORT AND IT HAS BEEN ARGUED THAT IT WAS THE NAZIS WHO PIONEERED THE USE OF WHAT WAS STILL A RELATIVELY NEW TECHNOLOGY. A FEW MONTHS AFTER THE BREAK OUT OF WORLD WAR II, GERMAN PROPAGANDISTS WERE TRANSMITTING NO LESS THAN ELEVEN HOURS A DAY OF PROGRAMS, OFFERING MOST OF THEM IN ENGLISH AS WELL (CHESTER, 1969).

Before television, radio was the way everyone found out what was happening in the rest of the world.

This was highlighted in World War II

Page 10: Critical media

The radio was an important tool of the Nazi propaganda effort and it has been argued that it was the Nazis who pioneered the use of what was still a relatively new technology. A few months after the break out of World War II, German propagandists were transmitting no less than eleven hours a day of programs, offering most of them in English as well (Edward, 1969).

Page 11: Critical media

On Sunday, October 30, 1938, millions of radio listeners were shocked when radio news alerts announced the arrival of Martians. They panicked when they learned of the Martians' ferocious and seemingly unstoppable attack on Earth. Many ran out of their homes screaming while others packed up their cars and fled.

Though what the radio listeners heard was a portion of Orson Welles' adaptation of the well-known book, War of the Worlds by H. G. Wells, many of the listeners believed what they heard on the radio was real (Rosenburg, 2014).

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If you were watching the news and the presenter said a major world war

had just broken out - would you doubt it?

Page 13: Critical media

The power of the media

Gender issues• In the 1960’s Betty Friedan looked at

what women’s magazines were telling woman. They reinforced traditional gender differences and inequalities (Mendes and Carter, 2008).

Page 14: Critical media

The power of the media

Gender issues• Television portrayed women in a

narrow range of roles which tend to revolve around domestic settings and as subordinate (Tuchman, 1978).

Page 15: Critical media

Racial Issues

• Information technology has traditionally been the instrument of the powerful. Newspapers, radio, television ad the internet are used worldwide to incite racial and ethnic hatred and justifies the denial of human rights to millions of poor people ( Njubi, 2007).

Page 16: Critical media

Racial Issues

• Films from the United States ad Europe demonized Africans and justified colonial oppression (Njubi, 2007).

• Radio stations controlled by colonial governments promoted white supremacy by disseminating racist propaganda (Njubi, 2007).

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Racial Issues

“In the 21st century the capacity to communicate will almost certainly be a human right”

Nelson Mandela

(Njubi, 2007).

Page 18: Critical media

What I know

• There are some things we know through someone or something such as a parent or friend, teacher, museum, textbook, photograph, film, television, or on the internet.

• This type of information is MEDIATED meaning it has come to us via some indirect channel or medium (Ott & Mack, 2014).

Page 19: Critical media

What I know

Therefore the majority of what I know is mediated?

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Critical Media

• Karl R. Popper (1962) said we must gain and differentiate knowledge by testing solutions to problems. He called this method as critical, because scholars questioned the works of others (Fuchs, 2011).

We can do the same with media?

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Information overload and discernment?

‘The vast banks of knowledge, information and databases on virtually any topic that are available to anyone, anytime anywhere – mean there is a critical need to develop skills with which to discern misinformation, disinformation, truth from fiction, trustworthy from unauthenticated information’ (Burbules & Callister, 2000).

Page 22: Critical media

The good news

Power can work both ways

The media are not only structures of domination and fields for the exertion of domination but also potential tools that are used for struggling against domination and organizing and communicating protest (Fuch, 2011).

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Critical Media

So how can I be critical?

Analyze the information presented in the media and ask:Who has created this piece of media information and what is the agenda (if any)?

What political, cultural and social viewpoint is the creator coming from?

Who stands to benefit from this information?

What potentially is the other viewpoint?

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References

• A day in the life of social media by DBACH Healthcare retrieved from https://www.youtube.com/watch?v=iReY3W9ZkLU

• Burbles, N., & Callister, T. (2000). Watch IT: The risky promises and promising risks of new information technologies in education. Found in Luke, C. (2007). As seen on TV or was that my phone? New media literacy. Policy Futures in Education. Volume 5 (1), p 50 -58.

• Chester, Edward (1969). Radio, Television, and American Politics. Sheed and Ward: New York. p. 342.

• Fuchs, C. (2011). Routledge advances in sociology: Foundations of critical media and information studies. Florence, USA: Routledge.

• Mendes, K., & Carter, C. (2008). Feminist and gender media studies: A critical overview. Sociology Compass 2 (6), p 1701 – 1718.

• Njubi, F. (2007). Critical arts: South-North cultural and media studies. Retrieved from www.tandfonline.com/loi/rcrc20

Page 25: Critical media

References

• Ott, B., & Mack, R. (2014). Critical media studies: An introduction. Second Edition. John Wiley and sons.

• Rosenburg, J. (2014). War of the worlds radio broadcast causes panic. Retrieved from http://history1900s.about.com/od/1930s/a/warofworlds.htm

• Tuchman. (1978). The symbolic annihilation of women by the mass media. New York: Oxford University Press.