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©opyright Guidelines for Digital Media Nancy E. Adams, M.L.I.S. University Librarian IANAL
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Page 1: Copyright guidelines for digital media

©opyright Guidelines for Digital Media

Nancy E. Adams, M.L.I.S. University Librarian

IANAL

Page 2: Copyright guidelines for digital media

What we’ll cover:

•Copyright basics•Fair use guidelines for educators•Claiming copyright for your work •“Copyleft”: sources of freely usable content

Page 3: Copyright guidelines for digital media

2 kinds of works:Copyright-protected

©

Public Domain

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Copyright is the right to:

•Reproduce•Distribute•Publicly display or perform•Prepare derivative works

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Copyright Infringement ≠ Plagiarism

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Copyrighted works must be used:

By permission Could involve paying licensing fee

$$

OR Within Fair Use Guidelines

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Fair Use Guidelines

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4 Fair Use FactorsP

urposeA

mountN

ature of the useE

ffect

Title 17, U.S. Code, Section 107: http://www.copyright.gov/title17/92chap1.html#107

Fair Use Checklist: http://copyright.iupui.edu/checklist.pdf

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Fair Use Guidelines for

Educational Multimedia http://www.utsystem.edu/ogc/intellectualproperty/ccmcguid.htm

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Fair Use Best Practices

• Refer to your institutional policy. • Refer to the license terms, if any. • Link out to content rather than downloading a copy.• Remember that material on the Internet may not have

been posted in accordance with copyright guidelines. • Document your fair use decisions. • Cite your sources and include copyright ownership

information if original source includes it. • Use only the portion required for educational purposes.• Exercise your fair use rights to the fullest extent.

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Claiming copyright for your work

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What must I do to claim copyright as a

creator?•Create an “original” work

•Fix it in a “tangible medium” of expression

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For additional protection…

•Place a copyright notice on your work to protect against claims of “innocent infringement”.

© 2009, Nancy Adams

•Register your work with the Copyright Office of the Library of Congress (fee charged).

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Is your work “made for hire?”

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Copyleft

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Creative Commons

•An organization promoting creators to share some of their benefits of copyright with others.

•http://www.creativecommons.org

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Scenario 1:

An instructor uploads a copy of large sections of a recently-published book into the course management system to use for a required reading. Only current students of that institution can access it via a password. The same excerpt is used semester after semester.

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Scenario 2:

A teacher creates a short tutorial using Camtasia, and uses an image from a licensed database that the school owns. She makes the tutorial available on the open Internet.

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Scenario 3:

A media literacy professor uses a clip from the movie Aladdin to analyze media representation of the Middle East. She embeds the clip in the password-protected course management system.

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Scenario 4:

A librarian digitizes the entire DVD of the movie, Traffic, and stores it on the password-protected campus media distribution system. After the class views it, the librarian leaves it on the system. Now, anyone at the University with a password can view the DVD.