Top Banner
Copyright Clarity... Fair Use for Digital learning Kristin Hokanson
81
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Copyright Clarity #NYSCATE11

Copyright Clarity...

Fair Use for Digital learning

Kristin Hokanson

Page 2: Copyright Clarity #NYSCATE11

★ Gain knowledge about how copyright and fair use apply to digital learning.

★ Develop confidence in sharing information and ideas about copyright/fair use with colleagues.

★ Recognize how media literacy pedagogy depends on the use of copyrighted materials from mass media and popular culture

★ Identify resources for teaching about copyright and fair use that are effective with students and colleagues

Goals

Page 3: Copyright Clarity #NYSCATE11
Page 4: Copyright Clarity #NYSCATE11
Page 5: Copyright Clarity #NYSCATE11

ways that students use copyrighted

materials in their creative & academic

work

Page 6: Copyright Clarity #NYSCATE11

Illustration Digital Storytelling

Critical Analysis Remix

What makes these effective learning experiences for students?

Page 7: Copyright Clarity #NYSCATE11

Technology makes it easy to:

ü Use and shareü Copy ü Modify & Repurposeü Excerpt & Quote Fromü Distribute

Page 8: Copyright Clarity #NYSCATE11

Owners forcefully assert their rights

to:

ü Restrictü Limitü Charge high feesü Discourage useü Use scare tactics

Page 9: Copyright Clarity #NYSCATE11

See no Evil Close the Door Hyper-Comply

How do Teachers Cope?

Page 10: Copyright Clarity #NYSCATE11

Image: 'fuzzy copyright'www.flickr.com/photos/58764797@N00/1384247192

Page 11: Copyright Clarity #NYSCATE11
Page 12: Copyright Clarity #NYSCATE11

It’s time to replace old knowledge

withaccurate knowledge

Page 13: Copyright Clarity #NYSCATE11

To promote creativity, innovation and the spread of knowledge

Article 1 Section 8U.S. Constitution, 1787

Page 14: Copyright Clarity #NYSCATE11

EVERYTHING IS COPYRIGHTED

Page 15: Copyright Clarity #NYSCATE11

Crea%ve  ControlThe Copyright Act grants five rights to a copyright owner:

1. the right to reproduce the copyrighted work;

2. the right to prepare derivative works based upon the work;

3. the right to distribute copies of the work to the public;

4. the right to perform the copyrighted work publicly; and

5. the right to display the copyrighted work publicly.

Page 16: Copyright Clarity #NYSCATE11

The ResultCopyright Confusion

Page 17: Copyright Clarity #NYSCATE11

OWNERS USERS

Copyright Law Balances Rights of Owners and Users

Page 18: Copyright Clarity #NYSCATE11

EVERYTHING IS COPYRIGHTED

…BUT THERE ARE EXEMPTIONS

Page 19: Copyright Clarity #NYSCATE11

--Section 107 Copyright Act of 1976

The Doctrine of Fair Use

Page 20: Copyright Clarity #NYSCATE11

--Section 107 Copyright Act of 1976

The  Doctrine  of  Fair  Use

For  purposes  such  as  cri%cism,  comment,  

news  repor%ng,  teaching  

Page 21: Copyright Clarity #NYSCATE11

--Section 107 Copyright Act of 1976

The Doctrine of Fair Use

Fair use of copyrighted materials is allowed when the benefits to society

outweigh the private costs to the copyright holder

Fair use prevents copyright law from becoming

a form of private censorship

Page 22: Copyright Clarity #NYSCATE11

The  Doctrine  of  Fair  Use“It not only allows but encourages socially beneficial uses of copyrighted works such as teaching, learning, and scholarship. Without fair use, those beneficial uses— quoting from copyrighted works, providing multiple copies to students in class, creating new knowledge based on previously published knowledge—would be infringements. Fair use is the means for assuring a robust and vigorous exchange of copyrighted information.”

--Carrie Russell, American Library Association

Page 23: Copyright Clarity #NYSCATE11

The effective use of copyrighted materials enhances the teaching

and learning process.

Page 24: Copyright Clarity #NYSCATE11
Page 25: Copyright Clarity #NYSCATE11

Context & Situation

Page 26: Copyright Clarity #NYSCATE11

Is this Use of Copyrighted Materials a Fair Use?

•Did the unlicensed use “transform” the material taken from the

copyrighted work by using it for a different purpose than that of the

original, or did it just repeat the work for the same intent and value as the

original? 

•Was the material taken appropriate in kind and amount, considering the

nature of the copyrighted work and of the use?

Page 27: Copyright Clarity #NYSCATE11

Bill Graham Archives vs. Dorling Kindersley, Ltd. (2006)

Page 28: Copyright Clarity #NYSCATE11

An Example of Transformative Use

The purpose of the original: to generate publicity for a concert

The purpose of the new work: to document and illustrate the concert events in historical context

Page 29: Copyright Clarity #NYSCATE11

Educational Fair Use Guidelines

Page 30: Copyright Clarity #NYSCATE11
Page 31: Copyright Clarity #NYSCATE11
Page 32: Copyright Clarity #NYSCATE11
Page 33: Copyright Clarity #NYSCATE11
Page 34: Copyright Clarity #NYSCATE11

The effective use of copyrighted materials enhances the teaching

and learning process.

Page 35: Copyright Clarity #NYSCATE11

Does following “rules” for Educational Guidelines

require students to thinkcritically about the

Copyrighted materials they are using?

Page 36: Copyright Clarity #NYSCATE11

Does following “rules” for Educational Guidelines

require students to thinkcritically about the

Copyrighted materials they are using?

Page 37: Copyright Clarity #NYSCATE11
Page 38: Copyright Clarity #NYSCATE11

Excerpts from:http://www.ted.com/talks/larry_lessig_says_the_law_is_strangling_creativity.html

http://www.youtube.com/watch?v=TPAO-lZ4_hU An anthropological introduction to YouTube

Page 39: Copyright Clarity #NYSCATE11

Does requiring students to useONLY Creative Commons content

require students to thinkcritically about the

Copyrighted materials they are using?

Page 40: Copyright Clarity #NYSCATE11

Does requiring students to useONLY Creative Commons content

require students to thinkcritically about the

Copyrighted materials they are using?

Page 41: Copyright Clarity #NYSCATE11

Codes of Best Practices

Page 42: Copyright Clarity #NYSCATE11
Page 43: Copyright Clarity #NYSCATE11

http://mediaeducationlab.com/video-overview

Page 44: Copyright Clarity #NYSCATE11

Context & Situation

A team of elementary educators shows the Disney movie The Little Mermaid to three classes of Grade 3 students on the day before winter break in the school auditorium.

Page 45: Copyright Clarity #NYSCATE11

Fair Use Reasoning tells me...

•Claim Fair Use

•Ask permission

• Buy a License

•Use another Copyright Friendly source

Page 46: Copyright Clarity #NYSCATE11

Context & Situation

A team of elementary educators shows the Disney movie The Little Mermaid to three classes of Grade 3 students on the day before winter break in the school auditorium.

Page 47: Copyright Clarity #NYSCATE11

Discuss

Page 48: Copyright Clarity #NYSCATE11

Practice exercising yourFair Use Muscles...

•Did the unlicensed use “transform” the material taken from the

copyrighted work by using it for a different purpose than that of the

original, or did it just repeat the work for the same intent and value as the

original? 

•Was the material taken appropriate in kind and amount, considering the

nature of the copyrighted work and of the use?

Page 49: Copyright Clarity #NYSCATE11

Fair Use Reasoning tells me...

•Claim Fair Use

•Ask permission

• Buy a License

•Use another Copyright Friendly source

Page 50: Copyright Clarity #NYSCATE11

Teach kids to reasonhttp://copyrightconfusion.wikispaces.com

Page 51: Copyright Clarity #NYSCATE11

Other Resourceshttp://mediaeducationlab.com

Page 52: Copyright Clarity #NYSCATE11
Page 53: Copyright Clarity #NYSCATE11
Page 54: Copyright Clarity #NYSCATE11

Other Examples?

Page 55: Copyright Clarity #NYSCATE11

Elementary School Case Study: P.S. 124 The Silas B. Dutcher SchoolBrooklyn, NY

Video Case Studies

High School Case Study: Upper Merion Area High School King of Prussia, PA

College Case Study: Project Look Sharp at Ithaca CollegeIthaca, NY

Page 56: Copyright Clarity #NYSCATE11

56

Page 57: Copyright Clarity #NYSCATE11

57

Page 58: Copyright Clarity #NYSCATE11

58

Page 59: Copyright Clarity #NYSCATE11

59

Page 60: Copyright Clarity #NYSCATE11

60

Page 61: Copyright Clarity #NYSCATE11

61

Page 62: Copyright Clarity #NYSCATE11

62

Page 63: Copyright Clarity #NYSCATE11

63

Page 64: Copyright Clarity #NYSCATE11

64

Page 65: Copyright Clarity #NYSCATE11

65

Page 66: Copyright Clarity #NYSCATE11

But what if....

Page 67: Copyright Clarity #NYSCATE11

67

Page 68: Copyright Clarity #NYSCATE11

68

Page 69: Copyright Clarity #NYSCATE11

69

Page 70: Copyright Clarity #NYSCATE11

70

Page 71: Copyright Clarity #NYSCATE11

71

Page 72: Copyright Clarity #NYSCATE11

72

Page 73: Copyright Clarity #NYSCATE11

73

Page 74: Copyright Clarity #NYSCATE11

74

Page 75: Copyright Clarity #NYSCATE11

75

Page 76: Copyright Clarity #NYSCATE11

1. RIPPING.  Criminalizes  the  use  of  technology,  devices,  or  services  intended  to  circumvent  digital  rights  management  (DRM)  soBware  that  controls  access  to  copyrighted  works.  

2. ONLINE  TAKEDOWNS.  Protects  Internet  Service  Providers  against  copyright  liability  if  they  promptly  block  access  to  allegedly  infringing  material  (or  remove  such  material  from  their  systems)  if  no%fied  by  copyright  holder;  offers  a  counter-­‐no%fica%on  provision  if  use  is  exempted  under  fair  use  

Digital Millennium Copyright Act of 1998

Page 77: Copyright Clarity #NYSCATE11
Page 78: Copyright Clarity #NYSCATE11

The Results of our Advocacy

Users may unlock DVDs protected by the Content Scrambling System when circumvention is for the purpose of criticism or comment using short sections, for educational, documentary or non-profit use.

Page 79: Copyright Clarity #NYSCATE11

1. RIPPING.  Criminalizes  the  use  of  technology,  devices,  or  services  intended  to  circumvent  digital  rights  management  (DRM)  soBware  that  controls  access  to  copyrighted  works.  

2. ONLINE  TAKEDOWNS.  Protects  Internet  Service  Providers  against  copyright  liability  if  they  promptly  block  access  to  allegedly  infringing  material  (or  remove  such  material  from  their  systems)  if  no%fied  by  copyright  holder;  offers  a  counter-­‐no%fica%on  provision  if  use  is  exempted  under  fair  use  

Digital Millennium Copyright Act of 1998

Page 80: Copyright Clarity #NYSCATE11
Page 81: Copyright Clarity #NYSCATE11

Join our Online Communityhttp://copyrightconfusion.wikispaces.com

visit the Media Education Lab for teaching resources & to download The Code of Best Practices

http://mediaeducationlab.com/copyright

CONTACT ME- with your storiesKristin Hokanson

[email protected]://khokanson.net