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Performance Practice Review Volume 4 Number 2 Fall Article 10 Contributors/End Maer Follow this and additional works at: hp://scholarship.claremont.edu/ppr Part of the Music Practice Commons is End Maer is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusion in Performance Practice Review by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. (1991) "Contributors/End Maer," Performance Practice Review: Vol. 4: No. 2, Article 10. DOI: 10.5642/perfpr.199104.02.10 Available at: hp://scholarship.claremont.edu/ppr/vol4/iss2/10
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  • Performance Practice ReviewVolume 4Number 2 Fall Article 10

    Contributors/End Matter

    Follow this and additional works at: http://scholarship.claremont.edu/ppr

    Part of the Music Practice Commons

    This End Matter is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusionin Performance Practice Review by an authorized administrator of Scholarship @ Claremont. For more information, please [email protected].

    (1991) "Contributors/End Matter," Performance Practice Review: Vol. 4: No. 2, Article 10. DOI: 10.5642/perfpr.199104.02.10Available at: http://scholarship.claremont.edu/ppr/vol4/iss2/10

    http://scholarship.claremont.edu/ppr?utm_source=scholarship.claremont.edu%2Fppr%2Fvol4%2Fiss2%2F10&utm_medium=PDF&utm_campaign=PDFCoverPageshttp://scholarship.claremont.edu/ppr/vol4?utm_source=scholarship.claremont.edu%2Fppr%2Fvol4%2Fiss2%2F10&utm_medium=PDF&utm_campaign=PDFCoverPageshttp://scholarship.claremont.edu/ppr/vol4/iss2?utm_source=scholarship.claremont.edu%2Fppr%2Fvol4%2Fiss2%2F10&utm_medium=PDF&utm_campaign=PDFCoverPageshttp://scholarship.claremont.edu/ppr/vol4/iss2/10?utm_source=scholarship.claremont.edu%2Fppr%2Fvol4%2Fiss2%2F10&utm_medium=PDF&utm_campaign=PDFCoverPageshttp://scholarship.claremont.edu/ppr?utm_source=scholarship.claremont.edu%2Fppr%2Fvol4%2Fiss2%2F10&utm_medium=PDF&utm_campaign=PDFCoverPageshttp://network.bepress.com/hgg/discipline/523?utm_source=scholarship.claremont.edu%2Fppr%2Fvol4%2Fiss2%2F10&utm_medium=PDF&utm_campaign=PDFCoverPagesmailto:[email protected]

  • Contributors

    MALCOLM S. COLE is Professor of Musicology at the University ofCalifornia, Los Angeles. Currently he is investigating Viennese magicoperas contemporary with Zauberflote.

    DONALD GILL authored the entries on bandore, colascione,gallichone, (early) guitar, mandola, mandore, vihuela, and viola da manofor the New Grove.

    JAMES HAAR, Professor of Music at the University of North Carolinaat Chapel Hill, has recently co-authored with Iain Fenlon a volume onsources of the madrigal in the early 16th century.

    GEORGE HOULE, Professor of Music at Stanford University, hasrecently prepared an edition and study of Ockeghem's Missa cuiusvis toni(to be published by Indiana University Press) and an article for theFestschrift for Leonard Ratner.

    CHARLES JACOBS, Distinguished Professor of Music in the CityUniversity of New York, has authored numerous studies concerning16th-century Spanish music.

    LEWIS E. PETERMAN, JR. directs the Collegium Musicum at SanDiego State University and has special expertise in the performance ofhistorical recorders and viols.

    226

  • Le Ballet des FacheuxBeauchamp's Musicfor Moliere's ComedyBy George Houle

    Pierre Beauchamp's collaboration withMoliere resulted in a small masterpiece, thecome'die-ballet Les Facheux (The Bores),the music for which is published here forthe first time.Publications of the Early Music Institutepaper $15.00

    Dance and the MusicofJ.S.BachBy Meredith Little and Natalie JenneLittle and Jenne present all the dance formsused by Bach, providing information fromchoreographies, harmony, theorists'writings, and the music of other 17th- and18th-century composers.Music; Scholarship and Performance$35.00

    Accompaniment onTheorboand HarpsichordDenis Delairs Treatise of 1690A Translation with Commentaryby Charlotte MattaxDenis Delair's Traits d'accompagnementpour k thec-rbe, et le clavessin is one of theearliest French manuals on basso continuorealization. Respected and well known in itsday, it is equally valuable now for Baroqueperformance practice.Publications of the Early Music Institutepaper $14.95

    A New Treatise onAccompanimentWith the Harpsichord,the Organ, and with OtherInstrumentsBy Monsieur de Saint LambertTranslated and edited byJohn S. PowellSaint Lambert's 1707 treatise is a methodbook specifically designed for theaccompanist rather than the solo performer.It offers practical suggestions for simplifyingthe accompanist's job and describes ways ofcreating not merely a correct but an artisticaccompaniment.Publications of the Early Music Institutepaper 814.95

    At bookstores or from

    INDIANAUNIVERSITY

    BioomingtoruINCredit card orders call-.

    1-8OO-842-6796

    IUP163Pert. Practice Review

  • THEJOURNALOF MUSICOLOGY

    A Quarterly Review of Music History,Criticism, Analysis, and Performance Practice

    Now in its seventh year, the Journal of Musicologycontinues to provide comprehensive coverage of thecurrent state of the art

    The Journal of Musicology is an indispensableresource both for research and for remaining intouch with new and sometimes controversial turnsof musicological thought.

    Subscriptions: $24.00 Individuals; $46.00 Institutions;$18.00 Students (Outside U.S., add $4.00)

    Order from: University of California PressJournals DepartmentBerkeley, CA 94720

  • spatbeasteRnbistoRicaL

    society

    The Southeastern Historical Keyboard Societyis a non-profit, regional organization committed to the promo-tion of interest in and the study of early keyboard instruments,principally harpsichord, clavichord, fortepiano, and organprior to 1860, and the music intended for these instruments.

    SEHKS provides a forum for all aspects of early keyboardmusic through its meetings and publications. Membership isopen to all interested persons including performers, builders,musicologists, educators, composers, and enthusiasts.

    Activities of the organization include...

    • Annual Conclaves offering concerts, lectures, demonstra-tions, and exhibits of instruments and music.

    • Publications consisting of a semiannual Newsletter tokeep the membership informed of activities and concernsof the organization, and special events of interest withinthe region, and the Early Keyboard Journal. Included inthe Journal are scholarly papers, book reviews, a catalogof antique keyboard instruments in the Southeast, and,beginning in volumes 6-7, an early keyboard bibliography.

    • Competitions to encourage young performers and togenerate interest in new compositions for the harpsichord.

    For more information and a membership application, write tothe Southeastern Historical Keyboard Society, P. 0. Box32022, Charlotte, NC 28232-2022.

  • Hie interpreter should be like the moon, which simply reflects the

    light of the sun.

    Der Interpret soil sein wie der Mond, der nur das Lichi der

    Sonne wiedergfbt

    Goethe, Anweisungen

    Performance Practice ReviewContributors/End MatterContributors/End Matter