-
Performance Practice ReviewVolume 4Number 2 Fall Article 10
Contributors/End Matter
Follow this and additional works at:
http://scholarship.claremont.edu/ppr
Part of the Music Practice Commons
This End Matter is brought to you for free and open access by
the Journals at Claremont at Scholarship @ Claremont. It has been
accepted for inclusionin Performance Practice Review by an
authorized administrator of Scholarship @ Claremont. For more
information, please [email protected].
(1991) "Contributors/End Matter," Performance Practice Review:
Vol. 4: No. 2, Article 10. DOI:
10.5642/perfpr.199104.02.10Available at:
http://scholarship.claremont.edu/ppr/vol4/iss2/10
http://scholarship.claremont.edu/ppr?utm_source=scholarship.claremont.edu%2Fppr%2Fvol4%2Fiss2%2F10&utm_medium=PDF&utm_campaign=PDFCoverPageshttp://scholarship.claremont.edu/ppr/vol4?utm_source=scholarship.claremont.edu%2Fppr%2Fvol4%2Fiss2%2F10&utm_medium=PDF&utm_campaign=PDFCoverPageshttp://scholarship.claremont.edu/ppr/vol4/iss2?utm_source=scholarship.claremont.edu%2Fppr%2Fvol4%2Fiss2%2F10&utm_medium=PDF&utm_campaign=PDFCoverPageshttp://scholarship.claremont.edu/ppr/vol4/iss2/10?utm_source=scholarship.claremont.edu%2Fppr%2Fvol4%2Fiss2%2F10&utm_medium=PDF&utm_campaign=PDFCoverPageshttp://scholarship.claremont.edu/ppr?utm_source=scholarship.claremont.edu%2Fppr%2Fvol4%2Fiss2%2F10&utm_medium=PDF&utm_campaign=PDFCoverPageshttp://network.bepress.com/hgg/discipline/523?utm_source=scholarship.claremont.edu%2Fppr%2Fvol4%2Fiss2%2F10&utm_medium=PDF&utm_campaign=PDFCoverPagesmailto:[email protected]
-
Contributors
MALCOLM S. COLE is Professor of Musicology at the University
ofCalifornia, Los Angeles. Currently he is investigating Viennese
magicoperas contemporary with Zauberflote.
DONALD GILL authored the entries on bandore,
colascione,gallichone, (early) guitar, mandola, mandore, vihuela,
and viola da manofor the New Grove.
JAMES HAAR, Professor of Music at the University of North
Carolinaat Chapel Hill, has recently co-authored with Iain Fenlon a
volume onsources of the madrigal in the early 16th century.
GEORGE HOULE, Professor of Music at Stanford University,
hasrecently prepared an edition and study of Ockeghem's Missa
cuiusvis toni(to be published by Indiana University Press) and an
article for theFestschrift for Leonard Ratner.
CHARLES JACOBS, Distinguished Professor of Music in the
CityUniversity of New York, has authored numerous studies
concerning16th-century Spanish music.
LEWIS E. PETERMAN, JR. directs the Collegium Musicum at SanDiego
State University and has special expertise in the performance
ofhistorical recorders and viols.
226
-
Le Ballet des FacheuxBeauchamp's Musicfor Moliere's ComedyBy
George Houle
Pierre Beauchamp's collaboration withMoliere resulted in a small
masterpiece, thecome'die-ballet Les Facheux (The Bores),the music
for which is published here forthe first time.Publications of the
Early Music Institutepaper $15.00
Dance and the MusicofJ.S.BachBy Meredith Little and Natalie
JenneLittle and Jenne present all the dance formsused by Bach,
providing information fromchoreographies, harmony,
theorists'writings, and the music of other 17th- and18th-century
composers.Music; Scholarship and Performance$35.00
Accompaniment onTheorboand HarpsichordDenis Delairs Treatise of
1690A Translation with Commentaryby Charlotte MattaxDenis Delair's
Traits d'accompagnementpour k thec-rbe, et le clavessin is one of
theearliest French manuals on basso continuorealization. Respected
and well known in itsday, it is equally valuable now for
Baroqueperformance practice.Publications of the Early Music
Institutepaper $14.95
A New Treatise onAccompanimentWith the Harpsichord,the Organ,
and with OtherInstrumentsBy Monsieur de Saint LambertTranslated and
edited byJohn S. PowellSaint Lambert's 1707 treatise is a
methodbook specifically designed for theaccompanist rather than the
solo performer.It offers practical suggestions for simplifyingthe
accompanist's job and describes ways ofcreating not merely a
correct but an artisticaccompaniment.Publications of the Early
Music Institutepaper 814.95
At bookstores or from
INDIANAUNIVERSITY
BioomingtoruINCredit card orders call-.
1-8OO-842-6796
IUP163Pert. Practice Review
-
THEJOURNALOF MUSICOLOGY
A Quarterly Review of Music History,Criticism, Analysis, and
Performance Practice
Now in its seventh year, the Journal of Musicologycontinues to
provide comprehensive coverage of thecurrent state of the art
The Journal of Musicology is an indispensableresource both for
research and for remaining intouch with new and sometimes
controversial turnsof musicological thought.
Subscriptions: $24.00 Individuals; $46.00 Institutions;$18.00
Students (Outside U.S., add $4.00)
Order from: University of California PressJournals
DepartmentBerkeley, CA 94720
-
spatbeasteRnbistoRicaL
society
The Southeastern Historical Keyboard Societyis a non-profit,
regional organization committed to the promo-tion of interest in
and the study of early keyboard instruments,principally
harpsichord, clavichord, fortepiano, and organprior to 1860, and
the music intended for these instruments.
SEHKS provides a forum for all aspects of early keyboardmusic
through its meetings and publications. Membership isopen to all
interested persons including performers, builders,musicologists,
educators, composers, and enthusiasts.
Activities of the organization include...
• Annual Conclaves offering concerts, lectures, demonstra-tions,
and exhibits of instruments and music.
• Publications consisting of a semiannual Newsletter tokeep the
membership informed of activities and concernsof the organization,
and special events of interest withinthe region, and the Early
Keyboard Journal. Included inthe Journal are scholarly papers, book
reviews, a catalogof antique keyboard instruments in the Southeast,
and,beginning in volumes 6-7, an early keyboard bibliography.
• Competitions to encourage young performers and togenerate
interest in new compositions for the harpsichord.
For more information and a membership application, write tothe
Southeastern Historical Keyboard Society, P. 0. Box32022,
Charlotte, NC 28232-2022.
-
Hie interpreter should be like the moon, which simply reflects
the
light of the sun.
Der Interpret soil sein wie der Mond, der nur das Lichi der
Sonne wiedergfbt
Goethe, Anweisungen
Performance Practice ReviewContributors/End
MatterContributors/End Matter