1 Chris Ebbert Achieving Beauty in a Product
5Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
6Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
ErgonomicsHapticsAerodynamicsLife CycleManufacturing Constraints
16Chris Ebbert
FunctionErgonomicsHapticsAerodynamicsLife CycleManufacturing Constraints
Physical needs
18Chris Ebbert
FunctionErgonomics
HapticsAerodynamicsLife CycleManufacturing ConstraintsPhysical Feedback
20Chris Ebbert
FunctionErgonomicsHaptics
AerodynamicsLife CycleManufacturing Constraints
Managing the effect of elements
22Chris Ebbert
FunctionErgonomicsHapticsAerodynamics
Life CycleManufacturing Constraints
Managing the afterlife
23Chris Ebbert
FunctionErgonomicsHapticsAerodynamicsLife Cycle
Manufacturing ConstraintsWorking within the framework of the possible
24Chris Ebbert
FunctionErgonomicsHapticsAerodynamicsLife Cycle
Manufacturing ConstraintsWorking within the framework of the possible
27Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
28Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
29Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Relationships of size
30Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Relationships of size
31Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
32Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Relationships of position
33Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Relationships of position
34Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
35Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
How mirror-like a surface is
36Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
How mirror-like a surface is
37Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
38Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
A centered line
39Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
A centered line
40Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
41Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Accelerated line
42Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Accelerated line
43Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
44Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Consistency
45Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Consistency
46Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
47Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
How materials meet
48Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
How materials meet
49Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
50Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Implications of direction
51Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Implications of direction
52Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Implications of direction
53Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Implications of direction
54Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
55Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
How well you can see through it
56Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
How well you can see through it
57Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
58Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Specks of grandeur
59Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Specks of grandeur
60Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
61Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
anchors
62Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
anchors
63Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
64Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Accents of darkness
65Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Accents of darkness
66Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
67Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
What you see from above
68Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
What you see from above
69Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
70Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
What you see against the light
71Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
What you see against the light
72Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
73Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Gender specific impression
74Chris Ebbert
Form
Function
ProportionCompositionReflectivityRadiiCurvesSurfacesSeamsDynamics
OpacityHighlightsShadowsShadow LinesFootprintSilhouetteMasculinity/ Femininity
Gender specific impression
76Chris Ebbert
A product is considered beautiful when…
…society largely agrees at the time…society largely agrees even after a long time
…its maker can explain why it’s beautiful, even if nobody else sees it… experts agree it’s beautiful, even if society disagrees
77Chris Ebbert
A product is considered beautiful when…
…society largely agrees at the time…society largely agrees even after a long time
…its maker can explain why it’s beautiful, even if nobody else sees it… experts agree it’s beautiful, even if society disagrees
78Chris Ebbert
A product is considered beautiful when…
…society largely agrees at the time…society largely agrees even after a long time
…its maker can explain why it’s beautiful, even if nobody else sees it… experts agree it’s beautiful, even if society disagrees
79Chris Ebbert
A product is considered beautiful when…
…society largely agrees at the time…society largely agrees even after a long time
…its maker can explain why it’s beautiful, even if nobody else sees it… experts agree it’s beautiful, even if society disagrees
80Chris Ebbert
A product is considered beautiful when…
…society largely agrees at the time…society largely agrees even after a long time
…its maker can explain why it’s beautiful, even if nobody else sees it… experts agree it’s beautiful, even if society disagrees
81Chris Ebbert
A product is considered beautiful when…
…society largely agrees at the time…society largely agrees even after a long time
…its maker can explain why it’s beautiful, even if nobody else sees it… experts agree it’s beautiful, even if society disagrees
The Problem with that is:We cannot plan this.
82Chris Ebbert
A product is considered beautiful when…
…society largely agrees at the time…society largely agrees even after a long time
…its maker can explain why it’s beautiful, even if nobody else sees it… experts agree it’s beautiful, even if society disagrees
The Problem with that is:We cannot plan this.
Build Appreciation instead.
86Chris Ebbert
A quality that causes an interest or desire in something
shiny curiosity
colours
gradientswonder
desire
88Chris Ebbert
Providing a perceptual experience of pleasure or satisfaction
Providing a perceptual experience of pleasure or satisfaction
Zaha Hadid
118Chris Ebbert
A person's…
• behaviours• attitudes• emotions
about using a product, system, or service.
Includes …
• practical, • experiential, • affective
… aspects of interaction and ownership.
(If systems: perceptions of…
• Utility• Ease of Use• Efficiency)
119Chris Ebbert
A person's…
• behaviours• attitudes• emotions
about using a product, system, or service.
Includes …
• practical, • experiential, • affective
… aspects of interaction and ownership.
(If systems: perceptions of…
• Utility• Ease of Use• Efficiency)
120Chris Ebbert
A person's…
• behaviours• attitudes• emotions
about using a product, system, or service.
Includes …
• practical, • experiential, • affective
… aspects of interaction and ownership.
(If systems: perceptions of…
• Utility• Ease of Use• Efficiency)
121Chris Ebbert
A person's…
• behaviours• attitudes• emotions
about using a product, system, or service.
Includes …
• practical, • experiential, • affective
… aspects of interaction and ownership.
(If systems: perceptions of…
• Utility• Ease of Use• Efficiency)
125Chris Ebbert
Cult: group with socially deviant and novel beliefs and practices;
Followership; irrational.
153Chris Ebbert
Haptics we can plan for:
Surface Touch(hardness, roughness, texture, temperature)
Weighting(balance, force of activation)
Resonance(vibration, rigidity)
154Chris Ebbert
Haptics we can plan for:
Surface Touch(hardness, roughness, texture, temperature)
Weighting(balance, force of activation)
Resonance(vibration, rigidity)
155Chris Ebbert
Haptics we can plan for:
Surface Touch(hardness, roughness, texture, temperature)
Weighting(balance, force of activation)
Resonance(vibration, rigidity)
156Chris Ebbert
Haptics we can plan for:
Surface Touch(hardness, roughness, texture, temperature)
Weighting(balance, force of activation)
Resonance(vibration, rigidity)
157Chris Ebbert
Haptics we can plan for:
Surface Touch(hardness, roughness, texture, temperature)
Weighting(balance, force of activation)
Resonance(vibration, rigidity)
158Chris Ebbert
Haptics we can plan for:
Surface Touch(hardness, roughness, texture, temperature)
Weighting(balance, force of activation)
Resonance(vibration, rigidity)
159Chris Ebbert
Haptics we can plan for:
Surface Touch(hardness, roughness, texture, temperature)
Weighting(balance, force of activation)
Resonance(vibration, rigidity)
160Chris Ebbert
Haptics we can plan for:
Surface Touch(hardness, roughness, texture, temperature)
Weighting(balance, force of activation)
Resonance(vibration, rigidity)
161Chris Ebbert
Haptics we can plan for:
Surface Touch(hardness, roughness, texture, temperature)
Weighting(balance, force of activation)
Resonance(vibration, rigidity)
162Chris Ebbert
Haptics we can plan for:
Surface Touch(hardness, roughness, texture, temperature)
Weighting(balance, force of activation)
Resonance(vibration, rigidity)
163Chris Ebbert
Haptics we can plan for:
Surface Touch(hardness, roughness, texture, temperature)
Weighting(balance, force of activation)
Resonance(vibration, rigidity)
164Chris Ebbert
Haptics we can plan for:
Surface Touch(hardness, roughness, texture, temperature)
Weighting(balance, force of activation)
Resonance(vibration, rigidity)
178Chris Ebbert
Aggression – angularity – higher weight Friendliness – soft shapes – lighter weight
Which is more manly?