Conceptualising Community Social Media: The Promise of Cultural Intermediation Dr Jonathon Hutchinson University of Sydney [email protected]@dhutchman International association of media and communication research Community Communication Section Theorizing Alternative, Community and Citizen Media
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Conceptualising Community Social Media: The Promise of Cultural Intermediation
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Conceptualising Community Social Media: The Promise of Cultural Intermediation
Networking power as gatekeeping to include or exclude actors based on their potential to add value or jeopardise the network;
Network power to coordinate the protocols of communication or the rules for participate within the network;
Networked power which are the collective and multiple forms of power, referred to by Castells as ‘states’, within the network; and finally,
Network-making power, critical as it is “(a) the ability to constitute network(s) and to program/reprogram the network(s) in terms of the goals assigned to the network; and (b) the ability to connect and ensure the cooperation of different networks by sharing common goals and combining resources while fending off competition from other networks by setting up strategic cooperation”(Castells, 2011, p. 776).
Network-making power, critical as it is “(a) the ability to constitute network(s) and to program/reprogram the network(s) in terms of the goals assigned to the network; and (b) the ability to connect and ensure the cooperation of different networks by sharing common goals and combining resources while fending off competition from other networks by setting up strategic cooperation”(Castells, 2011, p. 776).
1st characteristic: Common goals
2nd characteristic: Switchers “control the connecting points between various strategic networks” for example “the connection between the political networks and the media networks to produce and diffuse specific political-ideological discourses” (Castells, 2011, p. 777).
Bourdieu (1984) wrote of the ‘new cultural intermediaries’ as those roles concerned with new occupations between consumption and production of cultural products.
Cultural intermediaries are ‘the taste makers defining what counts as good taste and cool culture in today’s marketplace’ (Maguire & Matthews, 2014, 1).
Negus (2002) picked up the cultural intermediary framework to highlight the significance within the market environment, which has recently been appropriated for the media (Maguire & Matthews, 2010), fashion (Skov, 2014), journalism (O'Donnell & Hutchinson, 2015) and advertising (Nixon, 2014), for example.
I continue this trajectory to argue cultural intermediation is useful in assembling and mobilising community social media networks for political purposes