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Composing Good Photographs Marc Levoy Computer Science Department Stanford University CS 178, Spring 2010
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Composing Good Photographs

Jan 03, 2017

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Page 1: Composing Good Photographs

ComposingGood Photographs

Marc LevoyComputer Science DepartmentStanford University

CS 178, Spring 2010

Page 2: Composing Good Photographs

“There are no rules for good photographs, there are only good photographs.”

- Ansel Adams

Page 3: Composing Good Photographs

! Marc Levoy

Outline

! the pictorial elements of photography,i.e. the design in the 2D picture frame

• line and form• pattern and texture• tone and color

! pictorial design• symmetry and balance• framing• common compositions

! things we won’t talk about today- situation, storyline, viewpoint, field of view, focus,

lighting, exposure, color balance, post-processing

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Page 4: Composing Good Photographs

! Marc Levoy

Learning good composition

! there are no rules• there are only tools and heuristics

! like describing wine with words, they don’t mean much• they merely give us a framework for thinking about issues

! the best way to learn is to take lots of pictures• think about the issues as you take them• critique your photographs, and have others critique them

! look at good photographs by others• most useful if you’ve also tried the same thing yourself

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Page 5: Composing Good Photographs

! Marc Levoy

Lines as a pictorial element

5

Ansel Adams, Aspens, 1958

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! Marc Levoy

Arrangement of lines

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(Freeman Patterson)

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! Marc Levoy

Lines as a decorative element

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([email protected])

Page 8: Composing Good Photographs

! Marc Levoy

Lines that lead your eye to the subject

8

Hiromu Kira, The Thinker, 1930

(London)

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! Marc Levoy

Lines that lead your eye to the subject

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(Bryan Peterson)

• the lines don’t need to be man-made, or smooth

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Raphael,Galatea, 1513

(Gardner)

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! Marc Levoy

Form - lines with meaning

11

(Bryan Peterson)

first shot

second shot

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! Marc Levoy

Form - lines with meaning

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Edward Weston, Pepper No. 30, 1930

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Georgia O’Keeffe,Grey Line, 1923

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! Marc Levoy

Shape - readily identifiable form

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(Bryan Peterson)

• backlighting draws attention to shape

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! Marc Levoy

Shape - readily identifiable form

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Page 16: Composing Good Photographs

! Marc Levoy

Pattern - repeated forms

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(Bryan Peterson)

first shot

second shot

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! Marc Levoy

Pattern - repeated forms

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Abhaneri Stepwell,Rajasthan, India

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Page 19: Composing Good Photographs

Frederick Evans,The Sea of Steps -Wells Cathedral, 1903

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! Marc Levoy

Rhythm - a looser kind of pattern

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(Freeman Paterson)

Page 21: Composing Good Photographs

Auguste Renoir, Le Moulin de la Galette, 1876

Page 22: Composing Good Photographs

! Marc Levoy

Texture:fine patterns

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• early product of f/64 club• sharp focus, smooth papers• reaction against Pictorialists

Ansel Adams, Boards and Thistles, 1932

Page 23: Composing Good Photographs

! Marc Levoy

Texture

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Edward Weston, Dunes, Oceano, 1936

• co-founder of f/64 club with Ansel Adams

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Frank Lloyd Wright, Fallingwater, 1934

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Frank Lloyd Wright, Fallingwater, 1934

(photographs by Galen Frysinger)

Page 26: Composing Good Photographs

! Marc Levoy

Lighting as an aid to pictorial design

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Fluor Garduño,Basket of Light, Guatemala, 1989

(London)

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Yousuf Karsh,Winston Churchill, 1941

Rembrandt van Rijn,Self Portrait, 1660

Page 28: Composing Good Photographs

Yousuf Karsh,Winston Churchill, 1941

Rembrandt van Rijn,Portrait of Nicolaes Ruts, 1631

Page 29: Composing Good Photographs

! Marc Levoy

Tone as a pictorial element

29Robert Mapplethorpe

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! Marc Levoy

Color as a pictorial element

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warm

cool

(Hedgecoe)

pictorial

(London)

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! Marc Levoy

Color as an accent

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(Hedgecoe)

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! Marc Levoy

Encircled by color

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(Hedgecoe)

Page 33: Composing Good Photographs

Giovanni Bellini, Altarpiece ofS. Zaccaria, Venice, 1505!

Page 34: Composing Good Photographs

! Marc Levoy

Color as rhythmic accent

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(Hedgecoe)

Page 35: Composing Good Photographs

Peter Paul Rubens, The Judgement of Paris, 1636

Page 36: Composing Good Photographs

Diego Velázquez,Las Meninas, 1656

Page 37: Composing Good Photographs

! Marc Levoy

Pictorial design

! symmetry and balance

! framing

! common compositions

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Page 38: Composing Good Photographs

! Marc Levoy

Symmetry

38(Marc Levoy)

Arcade in Red Fort,Delhi, 2008

Page 39: Composing Good Photographs

! Marc Levoy

Symmetry

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Place du Carrousel,Paris, 2009

(Marc Levoy)

Page 40: Composing Good Photographs

! Marc Levoy

Asymmetry

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(Marc Levoy)

• off-center placement of main subject underscores the asymmetry of the architecture

Montmartre, 2009

Rajasthan, 2008

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! Marc Levoy

Balance

41

• symmetrical background + dynamic, unbalanced foreground

(Freeman Paterson)

Page 42: Composing Good Photographs

Jacque-Louis David, Oath of the Horatii, 1784

Page 43: Composing Good Photographs

! Marc Levoy

Framing

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(Marc Levoy)

Page 44: Composing Good Photographs

! Marc Levoy

More dynamic framing

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Dennis Stock,James Dean,1955

• shadow edges complete the frame• slashing diagonals create tension

(London)

Page 45: Composing Good Photographs

! Marc Levoy

The picture frame

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first shot

(Bryan Peterson)

second shot

Page 46: Composing Good Photographs

Raphael, School of Athens, 1511

Page 47: Composing Good Photographs

! Marc Levoy

Common compositions

! upright equilateral triangle• calm, stability, power

! diagonal• tension, discord, dynamism

! S-curve• motion, sensuality• eye flow

! rule of thirds

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Page 48: Composing Good Photographs

Titian, Madonna of the Pesaro Family, 1526

Raphael, Madonna with the Goldfinch, 1506

Page 49: Composing Good Photographs

Titian, Madonna of the Pesaro Family, 1526

Raphael, Madonna with the Goldfinch, 1506

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Titian, Venus of Urbino, 1538

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Titian, Venus of Urbino, 1538

pendant

Page 52: Composing Good Photographs

! Marc Levoy

Photographic examples

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Edward Weston, Charis Wilson Nude, 1936

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! Marc Levoy

Photographic examples

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Jimmy Sinhttp://www.pbase.com/aloha_lavina/librodo_workshop_malaysia

• diagonal leading to her eye• eye and shoulder use rule of thirds• stems create frame within a frame• partially hidden face creates mystery

Page 54: Composing Good Photographs

! Marc Levoy

Photographic examples

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Jimmy Sinhttp://www.pbase.com/aloha_lavina/librodo_workshop_malaysia

• diagonal leading to her eye• eye and shoulder use rule of thirds• stems create frame within a frame• partially hidden face creates mystery

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! Marc Levoy

S-curve

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(photoinf.com)

large collection of articlesabout photographic composition

Page 56: Composing Good Photographs

! Marc Levoy

S-curve

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Ansel Adams,Tetons and Snake River, 1942

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! Marc Levoy

Pictorial design

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(John Shappell)

(Samuel Schulenburg)

(Jay Bergeson - converted to B&W)

St. Teresa’s Church,Bodega, California

Page 58: Composing Good Photographs

! Marc Levoy

Pictorial design

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Ansel Adams, 1953

(John Shappell)

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! Marc Levoy

Alfred Hitchcock, The Birds (1963)

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Potter’s Schoolhouse andSt. Teresa’s Church, Bodega

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! Marc Levoy

Parting thoughts (from Fredo Durand)

! simplify your picture• avoid cluttered backgrounds

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• reposition yourself

Page 61: Composing Good Photographs

! Marc Levoy

Parting thoughts

! simplify your picture• avoid cluttered backgrounds

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• use a shallow depth of field

Page 62: Composing Good Photographs

! Marc Levoy

Parting thoughts

! simplify your picture• avoid cluttered backgrounds

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• fix it in Photoshop

Page 63: Composing Good Photographs

! Marc Levoy

Parting thoughts

! simplify your picture• avoid cluttered backgrounds

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• or leave it there!

Page 64: Composing Good Photographs

! Marc Levoy

Parting thoughts

! simplify your picture• avoid cluttered backgrounds• get close to your subject

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Page 65: Composing Good Photographs

! Marc Levoy

Parting thoughts

! simplify your picture• avoid cluttered backgrounds• get close to your subject• fill the frame

65(Bryan Peterson)

Page 66: Composing Good Photographs

! Marc Levoy

Parting thoughts

! simplify your picture• avoid cluttered backgrounds• get close to your subject• fill the frame

! avoid compositional errors• don’t center objects needlessly

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(John Shaw)

Page 67: Composing Good Photographs

! Marc Levoy

Parting thoughts

! simplify your picture• avoid cluttered backgrounds• get close to your subject• fill the frame

! avoid compositional errors• don’t center objects needlessly• keep the horizonal level, or make it wildly unlevel

67 (http://www.fotofinish.com/resources/centers/photo/takingpictures.htm)

Page 68: Composing Good Photographs

! Marc Levoy

Parting thoughts

! simplify your picture• avoid cluttered backgrounds• get close to your subject• fill the frame

! avoid compositional errors• don’t center objects needlessly• keep the horizonal level, or make it wildly unlevel• avoid accidental alignments

68(http://www.fotofinish.com/resources/centers/photo/takingpictures.htm)

Page 69: Composing Good Photographs

! Marc Levoy

Parting thoughts

! simplify your picture• avoid cluttered backgrounds• get close to your subject• fill the frame

! avoid compositional errors• don’t center objects needlessly• keep the horizonal level, or make it wildly unlevel• avoid accidental alignments• sweep the frame to check for trouble

- cropped element, distracting object, non-parallel line

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(Fredo Durand)

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! Marc Levoy

Fredo Durand (MIT)

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http://people.csail.mit.edu/fredo/Photos/Links/

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! Marc Levoy

Fredo Durand (MIT)

! http://people.csail.mit.edu/fredo/Photos/Favorites/

! http://people.csail.mit.edu/fredo/Photos/Links/

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Page 72: Composing Good Photographs

! Marc Levoy

Fredo Durand (MIT)

! http://people.csail.mit.edu/fredo/Photos/Favorites/

! http://people.csail.mit.edu/fredo/Photos/Links/

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! Marc Levoy

! http://people.csail.mit.edu/fredo/Photos/Favorites/

! http://people.csail.mit.edu/fredo/Photos/Links/

Fredo Durand (MIT)

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Page 74: Composing Good Photographs

! Marc Levoy

Fredo Durand (MIT)

! http://people.csail.mit.edu/fredo/Photos/Favorites/

! http://people.csail.mit.edu/fredo/Photos/Links/

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Page 75: Composing Good Photographs

! Marc Levoy

Slide credits

! Fredo Durand

! London, Stone, and Upton, Photography (ninth edition), Prentice Hall, 2008.

! Peterson, B., Learning to See Creatively, Watson-Guptill, 1988.

! Peterson, B., Understanding Exposure, Watson-Guptill, 2004.

! Peterson, B., Understanding Digital Photography, Watson-Guptill, 2005.

! Patterson, F., Photographing the World Around You, Key Porter Books, 1994.

! Adams, A., Examples: The Making of 40 Photographs, Little, Brown, and Co., 1983.

! Hedgecoe, J., The New Manual of Photography, Doris Kindersley, 2003.

! Tanser and Kleiner, Gardner’s Art Through the Ages (10th ed.), Harcourt Brace, 1996.

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