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Color Theory 2012 - 2

Apr 05, 2018

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    Color and Design

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    Web Site Components

    Technology

    Interaction

    Visual Design

    Content

    Site Architecture

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    Color

    Color choice defines web site at a glance

    Powerful and persuasive tool Color is free!

    In web design only

    Cost of color plays big role in print

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    Color and Mood

    Commonly accepted psychological effects

    Yellow = Happy Red = Energizing

    Individual tastes

    Based on complex emotional responses

    Not logical Black is depressing to some people, dramatic to others

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    Color and Mood

    Age Children and teens have different color tastes

    than adults

    Gender Men and women prefer different colors

    Culture Cultures around world have different feelings and

    associations with colors

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    Color Theory

    Primary colors

    Red, Yellow, Blue

    Any color of rainbow canbe made from primarycolors, plus black andwhite

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    The Color Wheel

    Secondary colors

    Generated from mixing

    adjacent primary colors

    Tertiary colors

    Generated from mixingadjacent secondary and

    primary colors

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    Color Theory

    Mixing all primary,secondary, and tertiary

    colors creates brown

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    Color Theory

    Black, white, andshades of gray are true

    neutrals Black and white cannot

    be created by mixingany other colors

    Can get gray by mixingopposing colors oncolor wheel Complementary colors

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    Color Attributes

    Hue (chroma)

    Technical term for a specific color Each separate wedge of color wheel

    Can be mixed to create other hues

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    Color Attributes

    Value

    The lightness or darkness of a color Tint

    Mixing white with a hue

    Shade

    Mixing black with a hue

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    Value

    High-key

    Light in value Tints such as pink

    Low-key

    Dark in value

    Shades such as burgundy

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    Color Attributes

    Saturation

    Level of purity or intensity of a hue Fully-Saturated Hue

    Has not been mixed with black, white, gray, or itscomplimentary color

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    De-Saturating a Hue

    Mixing a hue with gray or complimentary

    color Result is a tone

    toned down

    Less intense

    Sophisticated, earthy, rich

    Drab, dull, grungy

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    Color Attributes

    Temperature

    Colors can feel warm or cool Warm

    Yellow, orange, red

    Cool

    Purple, blue, green

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    Designing Cautions

    If designing on LCD screen

    Check colors on other monitors early in designprocess

    LCD screens have brighter and more saturatedpalette

    Viewing angle on LCD alters way colors appear

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    Choosing a Color Scheme

    Most important thing you can do to build

    appeal, mood, and ambiance for your site Some organizations have set colors you

    cannot deviate from

    Select colors from logo, add additional tints or

    shades for variety

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    Whats Your Mood?

    Fully-saturated hues

    Vivid, intense, child-like

    Tones and shades

    Sophisticated

    Tints

    Babies, femininity

    Colors havinguncommon names are

    seen as being morecomplex andsophisticated

    Mauve

    Salmon Grayish-green with blue

    undertones

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    Which Colors Portray Your Mood?

    Limit to 1-3 colors

    Difficult to unify large number of colors Repetition of color unifies a page

    Every color you use should appear in more thanone place on page

    Repeat colors throughout site Reassures visitors they are in right place

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    Using Color-Coding Schemes

    Should be of approximately same value and

    saturation Express same mood

    Part of unified, site-wide color scheme

    Keep other site characteristics consistent

    Layout, graphics, navigation

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    Color Proportions

    Dont use equalamounts of each color Page will look boring,

    lacking focal point

    3 color scheme: Background color 60%

    Header, graphics thatneed some emphasis30%

    Most striking, mostemphasis 10%

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    Monochromatic Scheme

    Tints and shades of a single hue

    Unified, harmonious, professional Can be dull if poorly used

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    Complimentary Color Scheme

    Two colors opposing each other on traditional colorwheel

    Fully-saturated complimentary colors Vibrant, jarring, attention getting, creates tension and

    illusion of movement

    Often used by sports teams

    Not a good idea for background/text

    Can be tamed by using tints, shades, tones Pale lettuce green/baby pink

    Burgundy/dark forest green

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    Two colors opposing each other on traditional colorwheel

    Fully-saturated complimentary colors

    Vibrant, jarring, attention getting, creates tension andillusion of movement

    Not a good idea for background/text

    Can be tamed by using tints, shades, tones Pale lettuce green/baby pink

    Burgundy/dark forest green

    Complimentary Color Scheme

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    Triad Color Scheme

    Three evenly spaced colors on color wheel

    Bold, vibrant, jarring, but not as much ascomplimentary colors

    Often used in childrens sites

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    Analogous Color Scheme

    Several colors adjacentto each other on color

    wheel

    Citrus hues of yellow,orange, green

    Harmonious, stylish,

    pleasing

    Warm colors

    Cozy, inviting

    Appear closer to viewer

    Cool colors

    Sophisticated,professional

    Appear to recede fromviewer

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    Inspiration for Color Schemes

    Fashion

    Home dcor

    High-end sites

    Television ads

    Clothing

    Catalogs

    Opening credits of amovie

    Fabric stores

    Art books

    Window displays

    Box of crayons

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    Color Contrast

    Degree of difference between various colorattributes

    Used to emphasize some items while de-emphasizing others

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    Color Contrast

    Hue Complimentary colors have greatest contrast

    Value Lighter colors contrast with darker colors

    Saturation

    Highly saturated colors contrast with lowsaturated color

    Temperature Warm colors contrast with cool colors

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    Color Contrast

    For maximum legibility:

    Foreground elements (text) should contrast inVALUE with background elements

    Black text on white background

    NOT black on navy background

    Should always be able to remove all color fromdesign and still be able to read it

    This is why black text on a white background is so popular andeffective. Theres a high degree of contrast.

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    Color Contrast

    For maximum legibility:

    Foreground elements (text) should contrast inVALUE with background elements

    Black text on white background

    NOT black on navy background

    Should always be able to remove all color fromdesign and still be able to read it

    This is why black text on a white background is so popular andeffective. Theres a high degree of contrast.

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    Color Contrast

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    Contrast with Text

    Simultaneous Contrast occurs when a color like red is foregrounded on blue. Note how the text appears to slightly vibrate.

    This would get annoying real quick.

    Honestly, this is just painful. Do not make your readers strugglewith this!

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    Background Colors

    Need to have sufficient value contrastbetween foreground and background

    Dark text on light background

    Print media

    Black backgrounds

    Overused, but when done well can be stunning

    Dark gray is newest trend

    Mercedes, Jonathan Yuen (self promotesinteractive web site)

    http://www.mbusa.com/index.dohttp://www.jonathanyuen.com/http://www.jonathanyuen.com/http://www.mbusa.com/index.do
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    Color and Accessibility

    10% of male population is color blind

    Ensure there is sufficient value contrastbetween foreground and background

    So that hue is irrelevant for legibility

    View in grayscale to test

    Color alone should never be only clue tomeaning

    Navigation links

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    Thank You

    Any ????????????