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Collection of poems (divan), Walters Art Museum MS. W.640

Mar 22, 2016

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This is an illuminated and illustrated Safavid copy of the first collection of poetry (Dīvān-i avval or Fātiḥat al-shabāb) by Nūr al-Dīn Jāmī (d. 898 AH / 1492 CE). According to the colophon, is was copied by the illustrious Safavid calligrapher Shāh Maḥmūd Nīshāpūrī (d. 972 AH / 1564-5 CE) (fol. 306a). The codex opens with a double-page illustrated frontispiece (fols. 1b-2a), which is followed by a double-page illuminated incipit (fols. 2b-3a). There are ten additional paintings that appear to date later than the text itself. These paintings are in the style of Isfahan in the eleventh century AH / seventeenth CE. The textblock, which has been trimmed, is bound in lacquer boards decorated with hunting scenes and landscape motifs.
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Page 1: Collection of poems (divan), Walters Art Museum MS. W.640
Page 2: Collection of poems (divan), Walters Art Museum MS. W.640
Page 3: Collection of poems (divan), Walters Art Museum MS. W.640

http://creativecommons.org/licenses/by-nc-sa/3.0/legalcodePublished 2009

The Walters Art Museum600 N. Charles StreetBaltimore, Maryland

21201http://www.thewalters.org/

Page 4: Collection of poems (divan), Walters Art Museum MS. W.640

This document is a digital facsimile of selections from a manuscript belonging to the Walters ArtMuseum, in Baltimore, Maryland, in the United States. It is one of a number of manuscriptsthat have been digitized as part of a project generously funded by the National Endowment forthe Humanities, and by an anonymous donor to the Walters Art Museum. More details aboutthe manuscripts at the Walters can be found by visiting The Walters Art Museum's websitewww.thewalters.org. For further information about this book, and online resources for Waltersmanuscripts, please contact us through the Walters Website by email, and ask for your message tobe directed to the Department of Manuscripts.

NOTE: The pages in this book are ordered from right to left. This means that to view the pages inorder, you should go the last page of the document and read what would be from “back-to-front”for a Western manuscript.

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http://creativecommons.org/licenses/by-nc-sa/3.0/legalcodePublished 2009

The Walters Art Museum600 N. Charles StreetBaltimore, Maryland

21201http://www.thewalters.org/

Page 45: Collection of poems (divan), Walters Art Museum MS. W.640

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fol. 246b:Title: Garden scene with Jāmī reciting his poemsForm: Illustration

fol. 281b:Title: Jāmī recites his poems to a friend who inclines ona cushionForm: Illustration

Provenance Several erased seals and one ownership statement (fol. 1a)

Seal impression with the name Muḥammad Amīn (fol. 3a)

Acquisition Walters Art Museum, 1931, by Henry Walters bequest

Binding The binding is not original.

Perhaps late tenth century AH / sixteenth CE or eleventhcentury AH / seventeenth CE; lacquer boards (with flap)decorated with hunting scenes and landscape motifs;doublures of multicolored filigree work and mirror work

Bibliography Rieu, Charles. Catalogue of the Persian Manuscripts inthe British Museum, vol. 2. (London: British Museum,1879-83), 643.

Richard, Francis. Catalogue des manuscrits persans. (Paris:Bibliothèque nationale, 1989), no. 225.

Simpson, Marianna Shreve, and Massumeh Farhad. SultanIbrahim Mirza's Haft Awrang: A Princely Manuscript fromSixteenth-Century Iran. (Washington, D.C.: Freer Gallery ofArt, 1997), 254-269.

Ibrāhīmī Ḥusaynī, Aḥmad. Calligraphers and Painters:A Treatise by Qāḍī Aḥmad, Son of Mīr-Munshī, circaA.H. 1015 / A.D. 1606, Translated from the Persian byV. Minorsky, with an Introduction by B.N. Zakhoder;Translated from the Russian by T. Minorsky. (Washington,D.C.: Smithsonian Institution, Freer Gallery of Art, 1959),135-8.

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Label: This is the left side of a double-page illuminatedincipit.

fol. 66a:Title: Offering of wine in a landscapeForm: IllustrationLabel: This illustration marks the end of the section ofqaṣīdahs.

fol. 66b:Title: Incipit page with illuminated headpieceForm: Incipit; headpieceLabel: This incipit page with illuminated headpiece,interlinear decoration, and gold-sprinkled marginsintroduces the section on ghazals.

fol. 72b:Title: The poet Jāmī reciting poetryForm: IllustrationLabel: Jāmī, who is seen in the lower right corner in abrown robe, recites his poetry before others.

fol. 90b:Title: The veiled and seated Prophet MuhammadForm: Illustration

fol. 115b:Title: Jāmī and company in a landscapeForm: Illustration

fol. 148b:Title: Court sceneForm: Illustration

fol. 184a:Title: Scholars engaged in discussionForm: Illustration

fol. 198a:Title: Jāmī recites his poemsForm: Illustration

fol. 223b:Title: Jāmī recites his poems for an audience in a palaceForm: Illustration

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Decoration note: Ten illustrations; double-pageillustrated frontispiece (fols. 1b-2a); double-pageilluminated incipit (fols. 2b-3a); headpiece introducingghazals (fol. 66b), panels in the text, framing lines inblue, red, mustard, green, and gold

Decoration Upper board outside:Title: Lacquer bindingForm: BindingLabel: This Safavid lacquer binding is decorated withhunting scenes and landscape motifs. It is attributableto the late tenth century AH / sixteenth CE or eleventhcentury AH / seventeenth CE.

Upper board inside:Title: DoublureForm: BindingLabel: This is a doublure of multicolored filigree workand mirror work that is attributable to the late tenthcentury AH / sixteenth CE or eleventh century AH /seventeenth CE.

fol. 1b:Title: Double-page illustrated frontispieceForm: Illustration; frontispieceLabel: This is the right side of a double-page illustratedfrontispiece.

fol. 2a:Title: Double-page illustrated frontispieceForm: Frontispiece; illustrationLabel: This is the left side of a double-page illustratedfrontispiece.

fol. 2b:Title: Double-page illuminated incipitForm: IncipitLabel: This is the right side of a double-pageilluminated incipit.

fol. 3a:Title: Double-page illuminated incipitForm: Incipit

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Origin Iran

Scribe As-written name: Shāh Maḥmūd NīshābūrīName, in vernacular:

Note: Shāh Maḥmūd Nīshāpūrī (d. 972 AH / 1564-5 CE) wasa poet and one of the three greatest Safavid calligraphers (seebibliography).

Form Book

Genre Literary -- Poetry

Language The primary language in this manuscript is Persian.

Colophon 306a:Transliteration: tamma bi-al-khayr /1/ katabahu al-ʿabdShāh Maḥmūd Nishābūrī /2/ ghafara dhunūbahu wa-sataraʿuyūbahu /3/Comment: Gives the name of the scribe only

Support material Paper

Laid paper with gold-sprinkled margins

Extent Foliation: i+306+i

Dimensions 16.5 cm wide by 27.0 cm high

Written surface 7.0 cm wide by 15.5 cm high

Layout Columns: 2Ruled lines: 15Framing lines in blue, red, mustard, green, and gold

Contents fols. 1b - 306a:Title: Dīvān-i JāmīIncipit:

Text note: Codex begins with a preface (fols. 1b-7a)composed in 884 AH / 1479 CE; first qaṣīdah begins onfol. 7aHand note: Written in nastaʿlīq script in black, red, andblue

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Shelf mark Walters Art Museum Ms. W.640

Descriptive Title Collection of poems (divan)

Text title Dīvān-i JāmīVernacular:

Note: One title attribution wrongly reads Tuḥfat al-aḥrār (fol.1a). This is the first edition of the Dīvān, also known asDīvān-i avval or Fātiḥat al-shabāb, with a preface composedin 884 AH / 1479 CE (see the chronostichon on fol. 7a).

Author Authority name: Jami, 1414-1492As-written name: Nūr al-Dīn ʿAbd al-Raḥmān ibn AḥmadJāmīName, in vernacular:

Note: Author dates preferred by cataloger: d. 898 AH / 1492CE

Abstract This is an illuminated and illustrated Safavid copy of thefirst collection of poetry (Dīvān-i avval or Fātiḥat al-shabāb)by Nūr al-Dīn Jāmī (d. 898 AH / 1492 CE). Accordingto the colophon, is was copied by the illustrious Safavidcalligrapher Shāh Maḥmūd Nīshāpūrī (d. 972 AH / 1564-5CE) (fol. 306a). The codex opens with a double-pageillustrated frontispiece (fols. 1b-2a), which is followed bya double-page illuminated incipit (fols. 2b-3a). There areten additional paintings that appear to date later than thetext itself. These paintings are in the style of Isfahan in theeleventh century AH / seventeenth CE. The textblock, whichhas been trimmed, is bound in lacquer boards decorated withhunting scenes and landscape motifs. The binding was alsoexecuted in Iran and is attributable to the late tenth centuryAH / sixteenth CE or eleventh century AH / seventeenth CE.There are several erased seals and one ownership statementon fol. 1a, and a seal impression naming Muḥammad Amīnis found on fol. 3a.

Date 10th century AH / 16th CE

Page 50: Collection of poems (divan), Walters Art Museum MS. W.640

This document is a digital facsimile of selections from a manuscript belonging to the Walters ArtMuseum, in Baltimore, Maryland, in the United States. It is one of a number of manuscriptsthat have been digitized as part of a project generously funded by the National Endowment forthe Humanities, and by an anonymous donor to the Walters Art Museum. More details aboutthe manuscripts at the Walters can be found by visiting The Walters Art Museum's websitewww.thewalters.org. For further information about this book, and online resources for Waltersmanuscripts, please contact us through the Walters Website by email, and ask for your message tobe directed to the Department of Manuscripts.

Page 51: Collection of poems (divan), Walters Art Museum MS. W.640

http://creativecommons.org/licenses/by-nc-sa/3.0/legalcodePublished 2011

A digital facsimile of selections fromWaltersMs. W.640, Collection of poems (divan)

Title: Dīvān-i Jāmī

Published by: The Walters Art Museum600 N. Charles Street Baltimore, MD 21201

http://www.thewalters.org/