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Classification of Triadic Chord Inverstions Using Kohonen Self- Organizing Maps Luis Felipe de Oliviera, Luis Guilherme Pereira Lima, Andre Luiz Goncalves de Oliveria, Rael Bertarelli Gimenes Toffolo
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Classification of Triadic Chord Inverstions Using Kohonen Self-Organizing Maps Luis Felipe de Oliviera, Luis Guilherme Pereira Lima, Andre Luiz Goncalves.

Dec 27, 2015

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Page 1: Classification of Triadic Chord Inverstions Using Kohonen Self-Organizing Maps Luis Felipe de Oliviera, Luis Guilherme Pereira Lima, Andre Luiz Goncalves.

Classification of Triadic Chord Inverstions Using Kohonen

Self-Organizing MapsLuis Felipe de Oliviera, Luis

Guilherme Pereira Lima, Andre Luiz Goncalves de Oliveria, Rael

Bertarelli Gimenes Toffolo

Page 2: Classification of Triadic Chord Inverstions Using Kohonen Self-Organizing Maps Luis Felipe de Oliviera, Luis Guilherme Pereira Lima, Andre Luiz Goncalves.

Schönberg’s Hypothesis

“The second inversion, as he argues, has an ambiguity constitution, being it related to its root position chord and to a chord a fifth above. This ambiguity has been lead to specific harmonic rules in the attempt to characterize the function of this chord.”

Page 3: Classification of Triadic Chord Inverstions Using Kohonen Self-Organizing Maps Luis Felipe de Oliviera, Luis Guilherme Pereira Lima, Andre Luiz Goncalves.

Inversion

• A chord's inversion describes the relationship of its bass to the other tones in the chord. For instance, a C major triad contains the tones C, E and G; its inversion is determined by which of these tones is used as the bottom note in the chord.

Page 4: Classification of Triadic Chord Inverstions Using Kohonen Self-Organizing Maps Luis Felipe de Oliviera, Luis Guilherme Pereira Lima, Andre Luiz Goncalves.

Inversion cont’d

• The term inversion is often used to categorically refer to the different possibilities, although it may also be restricted to only those chords where the bass note is not also the root of the chord (see root position below). In texts that make this restriction, the term position may be used instead to refer to all of the possibilities as a category.

• http://en.wikipedia.org/wiki/Inversion_(music)

Page 5: Classification of Triadic Chord Inverstions Using Kohonen Self-Organizing Maps Luis Felipe de Oliviera, Luis Guilherme Pereira Lima, Andre Luiz Goncalves.

Harmonic Partials

Page 6: Classification of Triadic Chord Inverstions Using Kohonen Self-Organizing Maps Luis Felipe de Oliviera, Luis Guilherme Pereira Lima, Andre Luiz Goncalves.

Kohenen SOM Details

• Input Pattern: 252 Chords (21 for each of the 12 tonalities

• SOM Network 50 X 50 (2500 units)• Neighborhood Radius: starting with 30,

ending at 1.• Learning rate of .1 and neighborhood

learning rate of .037

Page 7: Classification of Triadic Chord Inverstions Using Kohonen Self-Organizing Maps Luis Felipe de Oliviera, Luis Guilherme Pereira Lima, Andre Luiz Goncalves.

Running

1500 iterations, error goes to nothing.

Page 8: Classification of Triadic Chord Inverstions Using Kohonen Self-Organizing Maps Luis Felipe de Oliviera, Luis Guilherme Pereira Lima, Andre Luiz Goncalves.

Topological Map

Page 9: Classification of Triadic Chord Inverstions Using Kohonen Self-Organizing Maps Luis Felipe de Oliviera, Luis Guilherme Pereira Lima, Andre Luiz Goncalves.

3D topology

Page 10: Classification of Triadic Chord Inverstions Using Kohonen Self-Organizing Maps Luis Felipe de Oliviera, Luis Guilherme Pereira Lima, Andre Luiz Goncalves.

SOM Chord Topology