Top Banner
Beazley Archive Classical Art Research Centre Ioannou School for Classical and Byzantine Studies Digital imaging: objects The Beazley Archive, CLAROS and The World of Ancient Art of Ancient Art Donna Kurtz Beazley Archive Donna Kurtz, Beazley Archive Sebastian Rahtz, OUCS Andrew Zisserman, Engineering Science
64

Classical Art Research

Apr 10, 2016

Download

Documents

E. J. Ríos

objects
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Classical Art Research

Beazley ArchiveClassical Art Research CentreIoannou School for Classical and Byzantine Studies

Digital imaging: objects

The Beazley Archive, CLAROS and The World

of Ancient Artof Ancient Art

Donna Kurtz Beazley ArchiveDonna Kurtz, Beazley ArchiveSebastian Rahtz, OUCSAndrew Zisserman, Engineering Science

Page 2: Classical Art Research

Sir John Beazley

1885-1970Photograph by Cecil Beaton

Page 3: Classical Art Research

http://news.bbc.co.uk/1/hi/england/oxfordshire/8347232.stm

Page 4: Classical Art Research
Page 5: Classical Art Research
Page 6: Classical Art Research
Page 7: Classical Art Research
Page 8: Classical Art Research
Page 9: Classical Art Research

Ashmolean Museum, Cast Gallery b tbasement

Page 10: Classical Art Research
Page 11: Classical Art Research
Page 12: Classical Art Research
Page 13: Classical Art Research
Page 14: Classical Art Research
Page 15: Classical Art Research
Page 16: Classical Art Research
Page 17: Classical Art Research
Page 18: Classical Art Research
Page 19: Classical Art Research
Page 20: Classical Art Research
Page 21: Classical Art Research
Page 22: Classical Art Research

CLAROS System Components

BeazleyArchive

DAIArachne

LGPN(Oxford)

LIMC(Paris)Archive Arachne (Oxford)(Paris)

Convert Convert Convert Convert

CIDOC-CRM

Cache

data

CacheIndexQuery

Links back to original data

CLAROSapplication Browser

Other potential applications

application

Page 23: Classical Art Research
Page 24: Classical Art Research
Page 25: Classical Art Research
Page 26: Classical Art Research
Page 27: Classical Art Research
Page 28: Classical Art Research

The place of imagesrepresentation of real-world objects pottery, gems, sculpture

objects as holders of textual sources images of inscriptions and coins

representations of time and place chronological mappingrepresentations of time and place chronological mapping

input and interaction “what is this pottery shape I am showing ?”you?”

first class objects antiquarian photographs

visualization charts, plots, etc

Page 29: Classical Art Research

Behind CLAROS

The CLAROS infrastructure relies upon a set of technology standards: a common ontology − CIDOC CRM conceptual reference model a common approach to data management − RDF

working practices: working practices: federation not aggregation − devolved responsibility collaboration − more than Oxford proportionality and subsidiarity − no attempt at a universal model open data − we are not the only users

and assumptions:p open licensing − no data hoarding no limits − world wide f i t d l t li it d t d i a range of impact models − not limited to academia

Page 30: Classical Art Research

CLAROS initial collaborators Beazley Archive:

150,000 Pottery records and 130,000 images 50 000 Engraved gem and cameo records and 30 000 images 50,000 Engraved gem and cameo records and 30,000 images 900 cast records of classical sculpture and 2000 images 900 Antiquarian photographs

Lexicon of Greek Personal Names: 400,000 recorded individuals. Over 35,000 unique personal names

from 2500 placesp Cologne Research Sculpture Archive

250,000 Sculpture records, 490,000 images German Archaeological Institute:German Archaeological Institute:

1,500,000 photographs Lexicon Iconographicum Mythologiae Classicae (Paris):

100 000 d 180 000 i f th l i l d li i 100,000 records, 180,000 images of mythological and religious iconography from 2,000 museums and collection

Page 31: Classical Art Research

Disparate technologies

Beazley Archive ‘XDB’ – XML data, SQL Server Database, ASP front end, ,

Cologne Research Archive and German Archaeological InstituteInstitute

‘Arachne’ - MySQL database, PHP front end.

LIMCLIMC MySQL database, PHP front end.

LGPNLGPN Ingres relational database, also available as an eXist XML

database serving TEI-XML data. XQuery front end.

Page 32: Classical Art Research

The CLAROS data web approach

No changes to the databases of the individual sources

Semantic differences between data sources are resolved by mapping selected metadata from each source to CIDOC-CRM

Syntactic differences between data sources are resolved by converting the selected metadata to RDF, accessed from a single triple store using SPARQLsingle triple store using SPARQL

CLAROS is a resource discovery service − all results link b k t h t d t bback to host databases

The job of CLAROS is provide cacheing, indexing and queryingservices

Page 33: Classical Art Research

CIDOC Conceptual Reference Model (CRM)

Page 34: Classical Art Research

CIDOC CRM in CLAROS CIDOC CRM Core can describe the complex provenance of

artefacts and their relationships with key events, people, places and timesplaces and times

The CIDOC CRM "E55.Type" system is particularly useful to i f d/d ill d i i i l b hpermit faceted/drill-down queries, e.g. restricting results by the

shape of a pot

We focused initially on the CIDOC CRM Core terms, and employed additional terms as necessary. Some additional RDF vocabulary for time metadata relating to imprecise periods and y g p peras i.e. <claros:not_before> and <claros:not_after>, applied to a <crm:E61.Time_Primitive object>

Page 35: Classical Art Research
Page 36: Classical Art Research

The CIDOC route to 2nd century BC Ath i hAthenian amphoraeE22.Man-Made_Object

P2.has typeP2.has_typeE55.Type

P127.has_broader_term "Amphora"

P108I.was produced byP108I.was_produced_byE12.Production

P4.has_time-spanE52.Time-Span

P82.at some time withinP82.at_some_time_withinE61.Time_Primitive ;not_before "-0300"not_after "-0200"

P16I.was used for6 as_used_ oE7.Activity P2.has_type "Object"P7.took_place_at

E53.PlaceP87.is_identified_by

E48.Place_Name "Athens"

Page 37: Classical Art Research
Page 38: Classical Art Research

Each data partner may create their own i t finterface, e.g.:

Page 39: Classical Art Research
Page 40: Classical Art Research

Some ongoing partner projects MILARQ (Oxford)

investigate performance issues with complex queries in RDF Metamorphoses (Oxford)

establish a working co-reference system for name, place and date information

develop and document import for into the CLAROS RDF database provide web-based tools for geo-temporal cross-searching and

visualization of the databasevisualization of the database STAR/Stellar (Glamorgan)

extraction of semantic data from unstructured text (archaeological report)report)

Zoology (Oxford) flyweb, semantic web, and text mining projects

O f d R E j t Oxford Roman Economy project adding new types of economic data

Page 41: Classical Art Research

Lessons

We are in a very different state from 10 years ago, withmapping and satellite services from Google and othersmapping and satellite services from Google and others semantic web technologies which deliver on their promiseWeb 2.0 approaches which let us write exciting interfaces

i i ti f f t d t an increasing assumption of free access to data an expectation of data for computers, not just humans

CLAROS is an exemplar virtuous virtual collaboration with no centre and no boundaries, a club anyone can join

We demonstrate that the RDF approach based on a wide-ranging ontology is not exotic, constraining or hard to use

Page 42: Classical Art Research

Challenges Deliver a system in which searching for “Athens” does not take

5 minutes to respond (there are a lot of references to Athens…)

Join data relating to places in a more formal way linking via a common gazetteermodelling changes of name and location across time understanding degrees of accuracy in provenance claims

Establish appropriate interfaces across the spectrum SPARQL endpoint for deep accessRESTful URIs for common data queries Explorer style data exploration Explorer-style data explorationDynamic data-driven visualizations for teaching Intelligent Companions to formulate queriesRich mobile-delivered resources for museum visitors Linked community-led collections

Page 43: Classical Art Research

Visual Access to Classical ArtVisual Access to Classical Art Archives within CLAROSArchives within CLAROS

Relja Arandjelović and Andrew ZissermanDepartment of Engineering ScienceDepartment of Engineering Science

University of Oxford

Page 44: Classical Art Research

The Objective …

To enable an image archive to be searched on its visual content with the same ease and success as a Google search of the web (text documents).

The Beazley Vase Archive

??

Visually defined query

Currently: 111 thousand images

Page 45: Classical Art Research

Example Search results

queryq y

?

Results are:

• immediate• unaffected by scale and image rotation (affine transformations)• unaffected by scale and image rotation (affine transformations)• for exact matches only

Page 46: Classical Art Research

Upload query image from a file or web page or a mobile phone

Matches in the Beazley vase archive

Query from URLQ y

?

http://arthur.robots.ox.ac.uk:8084/

Page 47: Classical Art Research

Meta-information for matches

Page 48: Classical Art Research

How it works

Representation: bag of (visual) words

• Visual words are ‘iconic’ image patches or fragments

ImageCollection of visual words

Page 49: Classical Art Research

Visual vocabulary unaffected by scale and viewpointy y p

The same visual wordThe same visual word

Page 50: Classical Art Research

Image representation using visual words

Use efficient Google like search on visual words

Page 51: Classical Art Research

The Arachne Classical Sculptures Archive

Retrieve images from the collection using only visual information

?

Visually defined query

Currently: 89 thousand images 21 thousand objects

Page 52: Classical Art Research

Example Search results

query

?

Page 53: Classical Art Research

Upload query image from file or URLSearch results

Query from URLQuery from URL

?

Page 54: Classical Art Research

Visual search for the archivist• Check visually if an item is already in the archive, or check f d li t t ifor duplicate entries

• For example, in the Beazley vase archive …

Method:• use each image in turn as a query for retrieval

• determine if all the matching vases have the same id

Page 55: Classical Art Research

Example:

2 copies with different IDs, and different fabric

Page 56: Classical Art Research

Image Classification• previously: search for exact matching vase

now: classify vase by its shape

Visually defined query

• now: classify vase by its shape

“It is an amphora

Data … and here are similar objects in the archive”

What is this?

Page 57: Classical Art Research

Shape Representationoriginal image foreground

separationsilhouette

representationtvector

X11X2..

x1x2

.Xn

x• No representation of patterns or surface markings

• 100-dimensional “vase shape space”100 dimensional vase shape space

Page 58: Classical Art Research

Vase shape space

Page 59: Classical Art Research

Compute three nearest neighbours for each vasequery

classify shape

all three are neck amphoraeneck-amphorae

“judge me by the company I keep”

“vase shape space”

Page 60: Classical Art Research

Step by step demonstration: Step 1: upload image

Page 61: Classical Art Research

Step by step demonstration: Step 2: classify shape

Page 62: Classical Art Research

Step by step demonstration: Step 3: matches in CLAROS

Page 63: Classical Art Research

Future DevelopmentsShort term (this year): 3D retrieval

p

Medium term: classification of decorations

“Herakles and the lion”Herakles and the lion

Longer term: predict artist/age

Page 64: Classical Art Research