Clash! For ensemble (Score in C) Helga Arias Parra
Accellerando within a determinate tempo
GENERAL
* The general score is written in C, parts are transposed
crescendo from-to complete silence
gradual change from one playing technique to another
quarter tones
Acciaccature: always right before the main note or the chord following them (in levare).
PERFORMANCE NOTES
slap tongue: the sound is created as a result of the release of suction in the mouth and the popping sound that the reed produces whichamplifies as it travels through the horn.
Bisbigliando : use alternative fingerings to change tone-colour
Harmonics (overblow the fundamental instead of using the original fingerings)
Sing
Air sounds
key clicks
Key clicks and normally produced note
Change from pitch to air note
Change from pitch to only air stream
Multiphonics: see charts on the score
WOODWIND
bisb.
quarter tone trill
Change from pitch to air note
Change from pitch to only air stream
BRASS
Tubular trill: combination of tubular and normal sounds
Bisbigliando : use alternative fingerings to change tone-colour
Open
Closed
Sing
Air sounds
Half valve H.V.
Split tongue attacks : purse lips togheter and force out the air imitating the double consonant "pt"
Growl: a very rough, dirty sound like an uncotrolled flatterzunge
Slaps
key clicks
bisb.
Gradually changing from strong to light pressure
Gradually changing from tremolando to ord. bowing
Overpressure (sudden)
ST sul tasto
SP sul ponticello
EST estremo sul tasto
ESP estremo sul ponticello
VN vibrato normale
VM vibrato molto
NV non vibrare
flaut. Flautando: bow with very little preasure
STRINGS
2
q = 70
Clash! Helga Arias Parra
q = 70rall.
Flute
Clarinet in Bb
Horn in F
Trumpet in C
Tenor Trombone
Viola
Violoncello
fff
flzpp
§
C§
f ff
flz
pp
mp fflz
sfz f p f
mf
bisb.
fff
flz
pp
G#
f ff
flz
pp
mp f
flz
sfz p f
bisb.
mf
fff
growl
pp
flz ord
open
ff
flz
pp
open
f sfz
flz p mf
bisb.
fff
growl
pp
flz ord
open
growl
ff pp
flz
mp
ord
open
f sfz
flz p
open
mf
bisb.
fff
growl
pp
flz
ord
open
ff
growl
pp
flz
ordopen
f sfz
flz
p
open
mf
vib.
sffz
ff
ESP
fff
ordEST
ESPff ff
ord
EST
f sffz
ESP
EST
p
ord
f
mp
metallico, agressivo
fff
ESP
pp
ord
EST
ESPff
ff
ord EST
f
sffz
ESP
EST
p
ord
f mp
11
q = 50
Fl.
Cl.
Hn.
C Tpt.
Tbn.
Vla.
Vc.
pppp
f pp pp fff
99 5
pp
fff
open
pppp pp mf pp
stacc legato
fff mf ff mf f
ord.
open
pppp mf pp mf
stacc legato f ff
9
open
pppp mf pp mf mf
f ff
pppp
ff pp
pp
fff
9 9
pppp
f
pp
pp
fff9 9
2
14
Fl.
Cl.
Hn.
C Tpt.
Tbn.
Vla.
Vc.
pp
pp
ff p f
pp
ff p f
p ff sfz
p ppp7
p
H.V.
p f pp
ffsfz
p sfz
p mf ppff
pp
*) air sounds
ff sfz
p sfz
9
pp f
p f
pp
*) air sounds
ff sfz
p sfz
pp
ff
p ff
sfz
p
flaut.
ppp5 7
pp
ff
p ff
sfz
p
flaut.
ppp9 7
3
17
Fl.
Cl.
Hn.
C Tpt.
Tbn.
Vla.
Vc.
pp mf
f p
f ff mf
mfpp
ff
3
75
p
slaps
f mf
pf p f
pp
mf f
mf
pp
sfzff
3
5
37
*key clicks + air
p f p
f p
flz
mf
*) Half Valve indeterminate pitch
pp
H.V.
ffp
sffz
* clip off
37 5
*key clicks + air
p f p
f p
flz
mf
mf
*) Half Valve indeterminate pitchH.V.
pp
ff
p
* clip off
sffz
7 5
*) Slaps
p f p
fp
flz
mf
mf
mf
pp ff
* clip off
sffz
3
col legno batt.
p f mf
arco
f p
mf
ff
mf pp
ESP
ff
ppp
3
5
37 9
col legno batt.
p f mf
arco
f p
mf
ff
mf
pp
ESP
ff
ppp
3
5
3 79
4
22
Fl.
Cl.
Hn.
C Tpt.
Tbn.
Vla.
Vc.
ff p
f p f pp
f ff
ff pp
3 3
7
ff p f
p
f pp pp fmf
mf fff
ff
pp
37
*) air soundsH.V.
sfffz
f p mf p
*) Half valve indeterminate pitch
H.V.
p
f p
sfffz
f p mf p
H.V.
p pp
f
sfffz
f p mf p f pp mf
Gp mf f ff
p pp pp
33 7
ff
ord ESPsfffz
ord
ff p fp
f pp pp fmf p ff
p
3 3
3
9
ff
ord ESP
sfffz
ord
ff p
f p
f pppp f
mf p ff
p
3 3
3
9
5
26
q = 60
poco rall.
Fl.
Cl.
Hn.
C Tpt.
Tbn.
Vla.
Vc.
mf ff p
vib.
mf ff
bisb.
p mf
ppp
mp f p
3
p mf p f
p
pp
ppp mf
f
ppp f mf ff p3 7
ppp f mf
ff p3 7
6
q = 46
28
Fl.
Cl.
Hn.
C Tpt.
Tbn.
Vla.
Vc.
pp
mf
f9
pp mf pp f
9
pp p p mf
7
p mf ff
p mf
p ppp
pp f
f
ppp mf pp ff
3
ppp mf
ppp
7
30
Fl.
Cl.
Hn.
C Tpt.
Tbn.
Vla.
Vc.
p
fff ppp mp
Key ckicks
pp p f9
pp mp pp
fff ppp mp
mf pp
Key ckicks
p f
flz
ff
pp
H.V. (indeted. pitch)
p
ff
flzppp mp
"pt"
* split tongue (approx. pitch)
ppsimile
pp mp
flz
ff ppp
ppp
* slaps (approx. pitch)
ff pp
p
ESP
fff
ppp
ord.
ff
col legno
p
pp
p
mf
col legno
p
pp
8
33
q = 46poco accel.
Fl.
Cl.
Hn.
C. Tpt.
Tbn.
Vla.
Vc.
Key ckicks
ppmf
*) air sounds
mf
*)Key clicks + normal pitch
pp mf
*) air sounds
p f pp
flz3 3 3
mf
H.V.H.V.
pp
flz
*) Keyclick + air
pp mf p f
pp
flz3 6
pp
flz
mf
f
arcofff
mf
ff
flaut.
pppp
EST ord
mf p
f
EST
pp33 3 6
mf
f
arco
fff
mf
ff
flaut.
pppp
EST ord
mf p f pp
EST
3 3
6
9
37
Fl.
Cl.
Hn.
C Tpt.
Tbn.
Vla.
Vc.
f
flz p f pp mf
f
3
3
f
p f
mf ff
3 3 3
ff
mf
ff
3
ff
p
p f
f 3
ff p p f
f
ESP
ff p
ord. f
p mf mf f
3
3 3 3
3
3
ESPff p
ord.
fp mf
mf ff ff
33
3
3 3
10
q = 6042
Meno mosso q = 50
poco accel.
Fl.
Cl.
Hn.
C Tpt.
Tbn.
Vla.
Vc.
ff
* Sing and play p
ff
con sord. vib.
ff
con sord. vib.
ffff
pppp p
ffff
pppp
ESP
p
ESP
mf
ord.
3 3
6
11
53
q = 66
Fl.
Cl.
Hn.
C Tpt.
Tbn.
Vla.
Vc.
mf
p
§
C§
mp
§C§
mff
mp
flz
B
R A
mf
BbB
R mp
f
bisb.
mf
H.V.
pp mf
* tubular trill
p
p
senza sord.
pp
p
* sing and playsenza sord.
pp
vib.
mf
p
mf p pp mf
p pp mf
12
65q = 60molto rall.
Fl.
Cl.
Hn.
C Tpt.
Tbn.
Vla.
Vc.
§C§
mf
§C§
mf f
§
D#ff
R
Ab
F
f
B
f ff
R
B
ff
f mf ff
mf
* Half valve gliss.
f
H.V.
mf ff f
H.V.
ff
mf
mf
p f
ff p ff mf
ff p ff mf
13