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INTEGRATED MARKETING CAMPAIGN PROPOSAL FOR CITY DANCE PEORIA
Campaign Proposal: a comprehensive approach to an organizations communication
strategies and programs
This integrated marketing and fundraising campaign will introduce City Dance to the
community ofPeoria and its primary audiences of potential patrons and potential donors
Secondary Research: information is gathered from public sources
o Sources of information for analysis of City Dance include:
City Dance Business Plan
Stay Classy
Personal Communication
o Sources of information for Analysis of Industry and Competition include:
U.S. Department of Labor
CNN
www.jumpstartfun.com
www.dddance.com
www.peoriaballet.com
www.sinclairdancestudio.blogspot.com
Media Audit/Introduction
o Analysis of City Dance
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o Analysis of Industry and Competition
Analysis Of City Dance
City Dance is a registered nonprofit 501(c)3 organization (City Dance business plan)
The organization is owned by Tyler and Amanda Relph (City Dance business plan)
The owners have a combined 30 years of dance instructing experience (City Dance business
plan)
City Dance will to provide free or low cost dance and arts mentorships programs to
underprivileged members of Peoria and surrounding communities (City Dance business plan)
The organization will open August, 2012 (City Dance business plan)
Fundraising operations will begin February, 2012 (City Dance business plan)
The fundraising gala featuring prominent local figures and internationally known entertainment
icons will take place June, 2012 (City Dance business plan)
The goal for all fundraising efforts is $5 million dollars (www.stayclassy.org, Retrieved
12/2/2011)
All money raised will be place in an endowment to allow the City Dance to run entirely off the
interest generated (City Dance business plan)
City Dance has partnered with Peorias District 150 school system to provide free dance and
arts mentorship classes to all District 150 students (City Dance business plan)
The organization will operate in The Prairie Building Downtown Peoria; a prominent location
across from the Peoria Civic Center (City Dance business plan)
Hip-Hop and lyrical jazz are the primary dance styles (City Dance business plan)
Secondary styles include tap, ballroom, ballet, and many others (City Dance business plan)
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Arts mentorship programs will be offered in audio production, photography, videography, and
through lessons for various musical instruments (City Dance business plan)
City Dance currently has a very limited brand presence with no website and a limited social
media presence (www.facebook.com, www.twitter.com, Retrieved 12/1/2011)
The City Dance Facebook page currently has 72 likes (www.facebook.com, Retrieved
12/1/2011)
The City Dance Twitter account currently has 29 followers (www.twitter.com, Retrieved
12/1/2011
Previous dance experience has linked City Dance with many famous choreographers including
Tabitha and Napoleon (Americas Best Dance Crew, So You Think You Can Dace) and Wade
Robson (So You Think You Can Dance) (City Dance business plan)
These choreographers, along with many others, have agreed to teach free masters classes on a
monthly basis (City Dance business plan)
Many prominent members of the community of Peoria are already showing their support for
the organization (Personal Communication)
A dance-wear line will be launched simultaneously with the organization in August (City
Dance business plan)
Analysis of Industry and Competition
Dance Studios are $1 billion dollar industry in the United States alone (United States Dept. of
Labor, Retrieved 12/1/11)
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Dance has gained popularity with mainstream media in the past couple of year, with shows like
So You Think You Can Dance, Americas Best Dance Crew, and Dancing with the Stars
gaining top ratings for their networks (www.cnn.com, Retrieved 12/3/2011)
City Dances primary competition includes Kims Academy of Dance, D&D Productions,
Peoria Ballet Academy and Sinclair Dance Studio
Kims Academy of Dance
Located in North Peoria in the Jump Start Gymnastic building (www.jumpstartfun.com,
Retrieved 12/4/2011)
Offers ballet, tap, jazz and tumbling classes (www.jumpstartfun.com, Retrieved
12/4/2011)
No pricing information is available without going through the full registration process
(www.jumpstartfun.com, Retrieved 12/4/2011)
Kims Academy of dance has 100 likes on Facebook (www.facebook.com, Retrieved
12/4/2011)
D&D Productions
Located in North Peoria (http://ddpdance.com, Retrieved 12/4/2011)
Offers tumbling, tap, competitive dance, jazz, and ballet classes (http://ddpdance.com,
Retrieved 12/4/2011)
Established in 1959 (http://ddpdance.com, Retrieved 12/4/2011)
Class prices range from $42 for 1/2 hour lessons to $209 for 7 1/2 hours of lessons
(http://ddpdance.com, Retrieved 12/4/2011)
Currently has 325 Facebook likes (www.facebook.com, Retrieved 12/4/2011)
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Peoria Ballet Academy
Located in North Peoria (www.peoriaballet.com. Retrieved 12/4/2011)
Offers ballet, pointe, tap, musical theater, lyrical, jazz, and yoga classes
(www.peoriaballet.com. Retrieved 12/4/2011)
Most expensive and strict of Central Illinois Dance Studios (www.peoriaballet.com.
Retrieved 12/4/2011)
Trains over 300 students each year (www.peoriaballet.com. Retrieved 12/4/2011)
Associated with the larger Peoria Ballet organization (www.peoriaballet.com. Retrieved
12/4/2011)
Peoria Ballet has 561 likes (www.facebook.com, Retrieved 12/4/2011)
Sinclair Dance Studio
No formal studio location, most classes offered in churches in Bartonville, Ill (http://
sinclairdancestudio.blogspot.com/, Retrieved 12/2/2011)
Offers couples ballroom dancing classes in a variety of styles (http://
sinclairdancestudio.blogspot.com/, Retrieved 12/2/2011)
Classes are either $200 for four lessons or $350 for eight (http://
sinclairdancestudio.blogspot.com/, Retrieved 12/2/2011)
Sinclair Dance Studio periodically posts blogs (http://sinclairdancestudio.blogspot.com/
Retrieved 12/2/2011)
Sinclair Dance Studio has 31 likes on Facebook (www.facebook.com, Retrieved
12/2/2011)
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http://www.facebook.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://www.facebook.com/http://www.peoriaballet.com/http://www.peoriaballet.com/http://www.peoriaballet.com/http://www.peoriaballet.com/http://www.facebook.com/http://www.facebook.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://sinclairdancestudio.com/http://www.facebook.com/http://www.facebook.com/http://www.peoriaballet.com/http://www.peoriaballet.com/http://www.peoriaballet.com/http://www.peoriaballet.com/http://www.peoriaballet.com/http://www.peoriaballet.com/http://www.peoriaballet.com/http://www.peoriaballet.com/http://www.peoriaballet.com/http://www.peoriaballet.com/8/3/2019 City Dance Public Relations Plan
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ORIGINAL RESEARCH
Original research is collected directly from targeted audiences for a specific campaign or
project
Quantitative and qualitative studies were used to gather original research data
The targeted audiences are potential donors and potential patrons of City Dance
This section is divided into five parts:
Analysis of Campaign Situation
Research Questions
Quantitative Data and Findings
Qualitative Data and Findings
Discussion
Analysis of Campaign Situation
The City Dance fundraising campaign will generate funds for the Summer 2012 launch
The minimum fundraising goal is $100,000
The goal for all fundraising efforts is $5,000,000
Currently no fundraising campaigns have taken place
The campaign will establish branding for the organization
All branding functions (website, logo, event promotions, etc.) must be completed prior to
initial contact with any audience
Fundraiser gala will be held in a Downtown Peoria loft space
Urban and city inspired design elements will be blended with a classy gala feel and
performance art to create a unique event environment
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The fundraising gala will be held Friday, April 6, 2012
The final budget for the event is $30,000
Local sponsors and donors will offset event expenses
Food and drinks will be provided through in-kind donations from local restaurants and venders
Integrated marketing communication campaign to promote event and organization will launch
February 1, 2012
Fundraiser will blend many different type of art; including performances / exhibits by:
Chris Jones (You Got Served)
Tabitha DUmo (So You Think You Can Dance, Americas Best Dance Crew)
Chicago Bears Drumline
City Dance Owners/Creative Directors Tyler and Amanda Relph
City Dance instructor Joshua Dick
Performance painter
Local musicians
Local artists
Prominent community members and politicians, including Congressman Aaron Shock, will
attend fundraising event
350 event tickets will be sold
30 local and regional press members will be invited
Approximate budget will be $20,000 - $40,000
Meeting fundraiser goals would establish the gala as the largest arts fundraiser held in Peoria
area
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City Dance is registered as a 501(c)3 organization.
Nonprofit status makes all donations and sponsorships tax deductible
Opinions from others about campaign:
Community members think a safe and productive environment for children in
downtown Peoria is needed
Local businesses and government officials will support the organization through
volunteer time and monetary donations
Top figures in the dance industry have voiced support and willingness to teach classes
Who will benefit from the campaign:
Low income families living in Peoria
Potential or current dance students that are not able to afford classes
Dance students looking for top instruction
Community art organizations and supporters
Government officials encouraging start-up arts organizations
How will the campaign benefit City Dance:
Integrated marketing communication campaign will introduce City Dance to all
audiences
Media coverage will spread brand awareness locally and regionally
Involving community members will catalyze support
Fundraiser will generate funds for operation
Research Questions
The following research questions were answered through quantitative and qualitative data:
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What are the frequencies and percentages of public positions among potential
donors and potential patrons?
What is the likelihood of information processing among potential donors and
potential patrons?
What is the likelihood of information seeking among potential donors and
potential patrons?
How do the demographic variables of age and socioeconomic level influence
potential donors and potential patrons?
What is the likelihood of potential donors and potential patrons taking master
classes by famous choreographers?
What is the likelihood potential donors and potential patrons will attend thefundraiser gala?
Quantitative Data and Findings
The first research methodology utilized was quantitative
Quantitative data consist of numeric data than can be statistically analyzed and generalized to
represent trends in larger populations
The most common methods of qualitative studies are: content analysis, surveys, and
experimental design
Content analysis is counting the number of occurrences of a variable in specific
samples
Experimental design requires isolates specific variables to determine relationships
between variables
Surveys ask short, close-ended, easy to tabulate questions that are typically
representative of larger populations
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Finding representative samples of targeted populations is crucial for the validity of both
quantitative and qualitative research
Both qualitative and quantitative research yield data and findings
Data are answers to research questions
Findings are interpretations of data
Explanation of instrument
A survey was distributed and taken by 100 Illinois State University students who
answered as a member of a targeted population
Grunig Questions:
Questions 1, 2, 3, 4 and 5 were Grunig questions
Grunig questions determine problem recognition, levels of constraint,
involvement level, information processing level and information seeking level
The questions determine an audiences knowledge, attitudes and behaviors
toward an organization or a specific campaign situation
Grunig questions allow for a simple ways to create messages designed to reach
specific public positions
Demographic questions
Determine fixed or relatively fixed characteristics of a population
Questions six and seven determined age and socioeconomic level of respondents
Additional questions
Questions eight and nine determined likelihood of each population attending
classes or the fundraiser gala.
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Additional questions are used to gain further insight into specific audience
characteristics
* A sample of the survey instrument is included on the following page
Grunig defines a population as a particular section, group or type of people living in a specific
area
A population also can be a group of people with a shared relationship towards an organization
A public position is an individuals stance on a specific issue
Public positions can be shared by groups of people within populations
Grunig Typology identifies four types of public positions and eight publics
Active - An individual who demonstrates knowledge, attitude and behavior
Aware - An individual who possesses knowledge and attitude, but no behavior
Latent - An individual who does not posses knowledge, attitude or behavior, but may in
the future
Non-Public - An individual who possesses no knowledge, attitude or behavior and
never will
Eight levels of public positions provide frameworks for message targeting
HIPF (active): high problem recognition, low constrained behavior, high involvement
level
HICB (active-aware): high problem recognition, high constrained behavior, high level
of involvement
HIRB (active-reinforcing) low problem recognition, low constrained behavior, high
involvement level
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#____
My name is T.J. Syndram and I am a student in Dr. Moffitts Com 377 class. This survey is a part ofresearch being conducted for a campaign for City Dance. City Dance is a nonprofit dance studio that willopen in downtown Peoria Summer 2012. The organization will offer top quality instruction for free orlittle cost to students. Its goal is to provide a safe, productive environment for students to thrive and grow
in the arts. The initial fundraising and branding campaign will introduce City Dance to the area and raisenecessary startup funds.
Please answer questions as a member of the highlighted audience. Do not answer as an ISU student.
Grunig Questions
____ Indicate a number from 1 - 500 with 1 representing not important and 500 representing veryimportant, how important do you believe the initial City Dance fundraising and branding campaign is?
____ Indicate a number from 1 - 500 with one representing very little and 500 representing a lot, how
much do you feel you can do about the City Dance fundraising and branding campaign?
____ Indicate a number from 1 - 500 with 1 representing not at all and 500 representing very much, howmuch does the City Dance fundraising and branding campaign affect you personally?
____ Indicate a number from 1 - 500 with 1 representing not likely and 500 representing very likely, howlikely would you be to watch a City Dance TV advertisement if it ran during a show you were watching?
____ Indicate a number from 1 - 500 with 1 representing not likely and 500 representing very likely, howlikely would you be to search for a City Dance advertisement?
Demographic Questions
Other Questions
___ Indicate a number from 1-5 with 1 being unlikely and 5 being very likely, how likely would you be toattend free classes with top choreographers such as Tabitha Dumo (So You Think You Can Dance,Americas Next Top Dance Crew)?
___ Indicate a number from 1-5 with 1 being unlikely and 5 being very likely, how likely would you be toattend the fundraiser gala?
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Age:
__ 18-33__ 34-49__ 50-65__ 65 +
Potential PatronPotential Donor
Socioeconomic Level:
__ Blue Collar__ White Collar__ Professional (Teacher, Doctor, etc.)
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HIFB (latent) low problem recognition, high constrained behavior, high involvement
level
LIPF (aware-active) high problem recognition, high constrained behavior, low
involvement level
LICB (latent-aware) high problem recognition, low constrained behavior, high
involvement level
LIRB (latent-non-public) low problem recognition, low constrained behavior, low
involvement level
LIFB (non-public) low problem recognition, high constrained behavior, low
involvement
The primary publics for City Dance are potential donors and potential patrons
Potential donors are a primary audience because they will provide funds needed for City Dance
to thrive
Potential patrons are a primary audience because they directly benefit from services and classes
City Dance will provide
Other publics include:
Government organizations
Area nonprofit organizations
Downtown Peoria and riverfront business owners
Downtown Peoria and riverfront visitors
Peoria Chamber of Commerce
Local arts and entertainment organizations
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Residents of the Greater Peoria Area
Table 1 presents the frequencies and percentages of public positions in potential donors to City
Dance
TABLE I
FREQUENCIES AND PERCENTAGES OF PUBLIC POSITIONS IN POTENTIAL DONORS
TO CITY DANCE
Frequencies (#) Percentages (%)
HIPF (33) 66%
HICB (2) 4
HIRB (3) 6
HIFB --- ---
LIPF (1) 2
LICB (1) 2LIRB (2) 4
LIFB (8) 16
N=50
The HIPF (active) public is dominant with 66%. The HIFB is least dominant with no
data. Most of the public positions are active and non-publics.
Table 2 presents the frequencies and percentages of information processing and
information seeking in potential donors to City Dance
TABLE 2
FREQUENCIES AND PERCENTAGES OF IP AND IS IN POTENTIAL DONORS TO CITY
DANCE
Info Processing Info Seeking
Low (1) 2% (1) 2%
Moderately low (8) 16 (8) 16
Average (6) 12 (6) 12Moderately high (6) 12 (6) 12
High (29) 58 (29) 58
N=50
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TABLE 3
FREQUENCIES AND PERCENTAGES OF DEMOGRAPHICS AND ADDITIONAL
QUESTIONS IN POTENTIAL DONORS TO CITY DANCE
Socioeconomic Level
Frequencies Percentages
Blue Collar (15) 30%
White Collar (18) 36
Professional (17) 34
N=50
Age
Frequencies Percentages18 - 33 (13) 27%
34 - 49 (12) 25
50 - 64 (13) 27
65+ (10) 21
N=48
Likelihood of class attendance
Frequencies Percentages
Low (8) 16%
Moderately low (9) 18Average (9) 18
Moderately high (12) 24
High (12) 24
N=50
Likelihood of fundraiser attendance
Frequency Percentages
Low (2) 4%
Moderately low (7) 14
Average (10) 20
Moderately high (14) 28
High (17) 34
N=50
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High information seeking and processing were dominant among potential donors
at 58%. Low information seeking and processing were least dominant at 2%. Most levels of
information seeking and processing are high and moderately low
Table 3 presents frequencies and percentages of demographic and additional questions in
potential donors to City Dance
The data showed a relatively equal distribution of socioeconomic levels. The data shows
a relatively equal age distribution. The data showed a relatively equal likelihood of attending
classes. High likelihood of attending the City Dance fundraiser was dominant at 34%. Low
likelihood of attending was least dominant at 4%. Most respondents were either high and
relatively high in likelihood to attend.
Table 4 presents the frequencies and percentages of public positions in potential patrons
of City Dance
TABLE 4FREQUENCIES AND PERCENTAGES OF PUBLIC POSITIONS IN POTENTIAL PATRONS
OF CITY DANCE
Frequencies (#) Percentages (%)
HIPF (21) 42%
HICB (6) 12
HIRB (1) 2
HIFB (3) 6
LIPF (7) 14
LICB (3) 6
LIRB (1) 2LIFB (6) 12
N=50
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The HIPF (active) public was dominant with 42%. The HIRB (active-reinforcing) and
LIRB (latent-nonpublic) were least dominant with 2% each. Most of the public positions were
active and aware active.
Table 5 presents the frequencies and percentages of information processing and
information seeking in potential patrons of City Dance
TABLE 5
FREQUENCIES AND PERCENTAGES OF IP AND IS IN POTENTIAL PATRONS OF CITY
DANCE
Info Processing Info Seeking
Low --- ---
Moderately low (2) 4% (14) 28%
Average (8) 16 (15) 30
Moderately high (11) 22 (5) 10
High (29) 58 (16) 32
N=50
High information processing was dominant among potential patrons with 58%. Low and
moderately low information processing was least dominant with no data and 4% respectively.
Most of the audience was high or moderately high in information processing.
A relatively equal distribution of information seeking was seen in both audiences. Low
Information seeking was least dominant with no data.
Table 6 presents the frequencies and percentages of demographics and additional questions in
potential patrons of City Dance
Blue collar was the dominant socioeconomic level among potential patrons at 44%.Professional was least dominant at 24%. Most people were either blue collar or white collar
workers.
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TABLE 6
FREQUENCIES AND PERCENTAGES OF DEMOGRAPHICS AND ADDITIONAL
QUESTIONS IN POTENTIAL PATRONS OF CITY DANCE
Socioeconomic Level
Frequencies Percentages
Blue Collar (22) 44%
White Collar (16) 32
Professional (12) 24
N=50
Age
Frequencies Percentages18 - 33 (17) 34%
34 - 49 (17) 34
50 - 64 (8) 16
65+ (8) 16
N=48
Likelihood of class attendance
Frequencies Percentages
Low (8) 16%
Moderately low (3) 6Average (14) 28
Moderately high (10) 20
High (15) 30
N=50
Likelihood of fundraiser attendance
Frequency Percentages
Low (7) 14%
Moderately low (12) 24
Average (12) 24
Moderately high (11) 22
High (8) 16
N=50
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The dominant age ranges of potential patrons are 18-34 and 35-49. The least dominantage ranges were 50-64 and 65+. Most respondents were 18-34 or 35-49.
High and average likelihoods of class attendance were dominant at 30% and 28%
respectively. Moderately low was least dominant at 6%. Most respondents had high, moderately
high, or average likelihoods of attending. The data showed a relatively equal distribution in
likelihood of fundraiser attendance
Qualitative Data and Findings
Qualitative data are detailed information that is interpreted using words rather than numbers
Primary methods of conducting qualitative research are textual analysis, focus groups,
interviews and participant observation
Textual analysis is the interpretation of messages based on content
Participant observation is watching audience behavior without manipulating variables
Interviews are asking specific, usually open-ended, questions and recording and interpreting
response
Focus groups ask questions similar to interviews. An emphasis on the dynamics and effects of
group behavior is a major focus of study
Target audiences were split into two focus groups for this study
Group one consisted of three potential donors
Group two consisted of three potential patrons
Questions 1 through 5 were about the image of City Dance
Questions 6 through 10 were about nonprofit fundraising?
Questions 11 through 15 were about City Dance branding
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Questions 16 through 20 were about the industry and community
Both groups were asked the following set of questions:
Image
Are you familiar with City Dance?
Do believe there is a need for a nonprofit dance studio in Peoria?
Do you believe City Dance will provide a positive environment for students?
Would you consider City Dance a valuable asset to the community?
Does the qualifications of instructors at City Dance give it instant credibility?
Fundraising
What factors influence you when donating to nonprofits?
Would you consider donating to City Dance?
What are some examples of events you consider to be effective fundraisers?
Do you believe the ease of online donation is better than large scale fundraisers?
Does the social climate and popularity of an organization influence your willingness to
donate?
Branding
How important is the brand of a nonprofit to its success?
What are some examples of nonprofits you believe have strong brands on a national or
local scale?
Do you believe positioning City Dance as a relevant, urban hip hop studio will be
effective in reaching inner city Peoria residents?
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What channels (TV ads, social media, radio, etc.) do you believe would be most
effective in reaching target audiences?
Has a nonprofit organization used powerful branding to gain your time or money
donation?
Industry / Community
Do you believe local dance studios offer an adequate number of classes catered to lower
income families?
Do you believe people would be interested in a new hip-hop studio in Peoria?
Do you think an increased level of popular culture interest in dance (So You Think You
Can Dance, Dancing With The Stars, etc.) will directly affect interest in City Dance?
Do you believe the popularity of dance will rise over the next five years?
The first general finding demonstrated awareness was not high, but both populations saw the
need and value of City Dance
I havent heard of the organization yet, but that makes sense because it isnt running
yet.
I believe Peoria needs something like that to get started.
Bringing in all those famous dancers would definitely get peoples interest.
The second general finding demonstrated innovation was crucial to fundraising success
Online donation is really great! Even my church does it these days.
I think TOMS shoes fundraises in a new and cool way.
Traditional methods are still important. People need to be pressured.
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The third general finding showed personal connection and branding are equally important for
gaining support
I think having a great logo is nice, but I care if the organization is doing something I
enjoy.
In this day and age, you cant afford to have bad branding. Not even for a nonprofit.
I really only donate time or money if my friends or family are as well
People want to follow something that is cool.
The fourth general finding proved popular culture influence on the industrys popularity
There are so many shows and movies coming out about dance now.
I really didnt care too much for dance until the past year or so.
I definitely like So You Think You Can Dance more than American Idol
Its hard to imagine people can learn to move like that
The fifth general finding showed a great interest in free dance classes
I think if the instructors are good, no one could turn that down.
It could almost work as a community center in a way
The kids of Peoria would love that!
Discussion
What are the frequencies and percentages of public positions among potential donors and
potential patrons?
Quantitative data shows the dominant public position in both populations is active
Qualitative data shows audiences would be primarily active when City Dance opens
What is the likelihood of information processing among potential donors and potential patrons?
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Quantitative data shows high degree of information processing likelihood in both
populations
Qualitative data further supports high information processing
What is the likelihood of information seeking among potential donors and potential patrons?
Quantitative data shows high information seeking among potential donors and a
relatively equal distribution among potential patrons
Qualitative data did not address information seeking
How do the demographic variables of age and socioeconomic level influence potential donors
and potential patrons?
Quantitative data shows potential donors to have a relatively equal age distribution and
potential patrons to be a younger audience.
What is the likelihood of potential donors and potential patrons taking master classes by
famous choreographers?
Quantitative data show a high likelihood among potential patrons and a relatively equal
distribution among potential donors
Qualitative data show a general interest for those with the skill or ability
What is the likelihood potential donors and potential patrons will attend the fundraiser gala?
Quantitative data show a high likelihood among both potential donors and patrons
Qualitative data show a very high interest in a unique and creative fundraiser to
establish City Dance as a premier arts organization
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BASIC STRATEGIES
Basic strategies are the kinds of information and underlying appeals featured in messages
Basic strategies do not include specific words or visualization factors
Two major frameworks
Organization centered: information created based on what an organization wants
targeted populations to know
Audience centered: information intended to appeal to the audience
Goals are any effect or change in targeted audiences desired by an organization
Two types of goals are used primarily:
Change goals directly reference an organizations desired change
Appeal goals first seek an audiences attention before suggesting change
Objectives are the types and amount of information presented to an audience
The four types of goals are: image, demographic, Grunig, and additional goals
Image goals target perception of an organizations image
Demographic goals feature any type of objective consistent with the goal
Demographic goals are targeted at specific populations with relatively fixed shared
characteristics
Grunig goals seek to move members of a public position to a higher level of
involvement
Additional goals address any desired change in a population not addressed in other
types of goals
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Cognitive dissonance theory suggests populations pay attention to messages they find
interesting even if they do not agree with content
Selective perception theory suggests populations chose messages they expose themselves to
Two points of analysis for this section
Basic strategies for Potential Donors
Basic strategies for Potential Patrons
Basic Strategies for Potential Donors
Image goal: Establish City Dance as the leading arts provider for Peorias inner-city youth
Knowledge Objective: twenty pieces of information about District 150 cutting all arts
and physical education from schools
Knowledge Objective: forty pieces of information about the variety of arts programs
offered by city dance
Knowledge Objective: ten pieces of information about the pricing structure that ensures
inner-city youth can attend for cheap or free based on need
Knowledge Objective: seven pieces of information about competing dance studios not
offering affordable pricing to inner-city students
Knowledge Objective: fifty pieces of information on partnerships with government
organizations, schools, area businesses and other nonprofits
Attitude Objective: ten pieces of information about how the Downtown Peoria location
will give City Dance an advantage in reaching inner-city youth
Attitude Objective: thirty pieces of information on how donating to City Dance is a
valuable contribution to the Peoria community
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Attitude Objective: twenty pieces of information on how the experience of City Dance
instructors establish the organization as a leader among local dance studios
Rationale: Establishing City Dance as a leader among the arts community is the first step in
gaining support of potential donors. This population must first recognize the legitimacy of the
organization before they would be interested in donating money. Knowledge and attitude
objectives are important for this population.
Demographic Goal: Persuade members of white collar and professional populations to attend
gala fundraiser
Knowledge Objective: thirty pieces of information as an event preview
Attitude Objective: fifteen pieces of information about how attending the fundraiser
will positively impact the community of Peoria
Behavior Objective: 20 pieces of information persuading population to purchase tickets
and attend gala
Rationale: Research showed that members of white collar and professional populations were
most inclined to attend the fundraiser gala. Providing the information needed to attend the
fundraiser would be effective in reaching these population.
Grunig Goal: Move members of the non-public position to latent status
Knowledge Objective: ten pieces of background information about City Dance
Knowledge Objective: twenty pieces of information about the lack of arts in Peoria
Knowledge Objective: ten pieces of information about the rise of crime in Peoria
Knowledge Objective: fifteen pieces of information about student need for a creative
outlet
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Rationale: The non-public population has no knowledge, attitude or behavior about City Dance.
Knowledge objectives give population members a basis on which they can build to higher levels
of involvement.
Grunig Goal: Maintain high level of active public positions
Knowledge objective: twenty pieces of information on the importance of continued
support
Knowledge Objective: fifty pieces of information on the estimated impact of City
Dance
Attitude Objective: ten pieces of information on why City Dance is a great charity to
support
Attitude Objective: twenty pieces of information on benefits of the community City
Dance offers its students
Behavior Objective: twenty pieces of information on volunteer benefits and opportunities
for volunteering
Behavior Objective: fifteen pieces of information on attending the gala fundraiser
Behavior Objective: twenty-five pieces of information on being a City Dance advocate
in communities
Behavior Objective: ten pieces of information on becoming a part of the City Dance
mentorship program
Rationale: The active population possesses knowledge, attitude and behavior about City Dance.
All three must be addressed to ensure the active position remains at that ideal status. Ensuring
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continuing support and knowledge of the expansion and continued effectiveness of the
organization will help achieve this goal.
Additional Goal: Encourage participations in classes offered to non-students
Knowledge Objective: fifteen pieces of information about programs with no age
restrictions
Knowledge Objective: twenty pieces of information about health benefits of dance
Knowledge objective: seven pieces of information about specific instructors and classes
offered
Attitude Objective: ten pieces of information on how anyone can dance regardless of
ability
Attitude Objective: ten pieces of information on the fun of dancing with friends
Behavior Objective: fifteen pieces of information on attending dance classes
appropriate for skill level
Behavior Objective: seven pieces of information on inviting friends
Rationale: The primary audience for City Dance programs is youth under 18 years old. This
leaves all research participants as secondary audiences. Educating this population about the
possible options for involvement will allow members to view the full scope of class involvement.
Additional Goal: Encourage sponsorship of programs or events
Knowledge Objective: ten pieces of information on monetary and volunteer resources
needed for operation
Knowledge Objective: fifty pieces of information on opportunities for sponsorship
Attitude Objective: twenty pieces of information on benefits of sponsorship
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Attitude Objective: ten pieces of information on how sponsorship is a way to make a
lasting impression on the organization
Behavior Objective: ten pieces of information on reaching tiers of sponsorship
Behavior Objective: ten pieces of information on sponsoring equipment and space for
City Dance operations
Rationale: Potential Donors are the primary source of funding for the organization. Providing
opportunities to do so is crucial in allowing City Dance to function at the high level necessary to
establish themselves as market leaders. Knowledge, attitude and behavioral objectives are used
to gain these major donations.
Basic Strategies for Potential Patrons
Image goal: Establish City Dance as the leading arts provider for Peorias inner-city youth
Knowledge Objective: twenty pieces of basic information about City Dance location
and programs
Knowledge Objective: ten pieces of information on the partnership with local schools
and nonprofits
Knowledge Objective: twenty pieces of information about differences between City
Dance and competitors
Attitude Objective: fifty pieces of information about how City Dance is relevant to
modern culture
Behavior Objective: thirty pieces of information on reasons to join a class
Behavior Objective: twenty pieces of information about how to get involved in
mentorship programs
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Rationale: Patrons will be the primary audience and beneficiaries of City Dance upon opening.
Ensuring they are targeted with messages that firmly establish the organization as a relevant
organization that is able to connect with the youth of the community will determine how
effective the organization will be. Knowledge and attitude information will establish credibility
for City Dance before it opens
Demographic Goal: Establish a relevant presence among the under 18 year old population
Knowledge Objective: thirty pieces of information on programs for area youth
Knowledge Objective: ten pieces of information on instructor experience
Knowledge Objective: ten pieces of information on hip-hop and other upcoming dance
styles
Knowledge Objective: twenty pieces of information on opportunity for involvement in
local arts scene
Knowledge Objective: ten pieces of information on the unique and engaging studio
design
Attitude Objective: ten pieces of information on how dance is cool
Attitude Objective: ten pieces of information on how dance is becoming more
prominent in American culture
Behavior Objective: twenty pieces of information on how to register for classes
Behavior Objective: ten pieces of information on participating in workshops without
committing to formal programs
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Rationale: The majority of students will be outside the populations researched for this campaign.
Students will look to see how effectively City Dance reaches them and integrates modern culture
and technology into an effective campaign.
Grunig Goal: Maintain active public position
Knowledge Objective: ten pieces of information on upcoming programs at City Dance
Knowledge Objective: ten pieces of information on how the community is supporting
City Dance operations
Attitude Objective: ten pieces of information on how dance or other arts programs are a
great use of free time
Attitude Objective: ten pieces of information on how City Dance is a fun environment
to spend time in
Behavior Objective: twenty pieces of information on how to sign up for multiple
programs or classes
Behavior Objective: ten pieces of information on how to spread skills learned at City
dance into the community
Behavior Objective: twenty pieces of information on how to get friends involved at
City Dance
Behavior Objective: five pieces of information on pre-registering for future programs
Behavior Objectives: twenty pieces of information on registering for master classes
with top choreographers
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Rationale: Knowledge, attitude and behavior appeals must be used to maintain an active status.
Giving new ways to support the organization and get involved gives members of the Potential
Patron population new reasons to participate in City Dance Programs.
Grunig Goal: Move non-public positions to latent status
Knowledge Objective: twenty pieces of information about the estimated impact of City
Dance operations
Knowledge Objective: ten pieces of information about how involvement in the arts
discourages gang violence
Knowledge Objective: twenty pieces of information on perceptions of community
members about the lack of a safe environment for youth to get involved in
Knowledge Objective: Hip-hop is a scene local youth are involved in
Rationale: Non-public positions require knowledge objectives because the population is not
adequately informed to form attitudes or behaviors. Providing information about the youth of the
community and direct benefits of City Dance programs will give the population information
needed to form attitudes and determine their problem recognition level
Additional Goal: Demonstrate the value of fundraising for individual tuition
Knowledge Objective: ten pieces of information on pricing structure
Knowledge Objective: ten pieces of information on cost of operations
Knowledge Objective: ten pieces of information on importance of fundraising
Knowledge Objective: twenty pieces of information on individual fundraising
opportunities
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Attitude Objective: twenty pieces of information on how students gain more from
classes they have invested in personally
Behavior Objective: ten pieces of information on how students can begin fundraising
Rationale: Many students will come from low-income homes where affording any tuition is too
much of a burden on the household. Educating students on the importance of taking
responsibility for their tuition and empowering them with simple programs will give students the
ability to feel a sense of accomplishment and support City Dance simultaneously.
Additional Goal: Show Potential Patrons the benefit of City Dance programs in the community
Knowledge Objective: ten pieces of information on networking opportunities
Knowledge Objective: ten pieces of information on participating in event fundraisers
Knowledge Objective: twenty pieces of information on opportunities available in each
program
Attitude Objective: ten pieces of information on the value of each skill taught at City
Dance
Behavior Objective: twenty pieces of information on specific places offering positions
for skills taught at City Dance
Rationale: Communicating the value of programs will allow Potential Patrons to understand why
City Dance will be a beneficial use of time. Knowledge, attitude and behavior objectives all can
be used to effectively tie real world experience and opportunity to classes taught
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MESSAGE STRATEGIES
Message strategies are the actual words and visualization factors used in messages
Research and basic strategy content are used in creating messages
Word messages
Copy platform: word or phrase used as an identifying and unifying element in messages
Copy points: pieces of information that support goals or objectives
Visualization factors
Logo
All other visual
Classified as print, broadcast and virtual
Message design consists of both words and visualization elements
Four points of analysis are used for message strategies:
Copy platform
Copy points for potential patrons
Copy points for potential donors
Visualization factors
Copy Platform
Copy platform:
Copy platforms are consistent messages used across all campaigns as an identifying
tactic
The phrase used typically supports an organizations mission
Effective copy platform quickly captures the attention of even disinterested audiences
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Copy platforms are usually located near the organizations logo
City Dance currently has no copy platform
New copy platform will be Bringing Arts Back
Copy platform will provide basis for campaign sub-slogan Bringing ___ Back
Sample Copy Points for Potential Donors
Image goal: Establish City Dance as the leading arts provider for Peorias inner-city youth
Knowledge Objective: forty pieces of information about the variety of arts programs
offered by city dance
Copy Point: City Dance offers exciting programs in dance, photography, videography,
graphic design, and audio production.
Attitude Objective: ten pieces of information about how the Downtown Peoria location
will give City Dance an advantage in reaching inner-city youth
Copy Point: Our location in the Prairie Building is convenient for students throughout the
Peoria area.
Demographic Goal: Persuade members of white collar and professional populations to attend
gala fundraiser
Knowledge Objective: thirty pieces of information as an event preview
Copy Point: The red carpet fundraiser gala will blend various forms of art into an
experience unlike anything previously held in Peoria.
Behavior Objective: 20 pieces of information persuading population to purchase tickets
and attend gala
Copy Point: Tickets for the gala are $200 and are available at www.citydancepeoria.org.
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Grunig Goal: Move members of the non-public position to latent
Knowledge Objective: twenty pieces of information about the lack of arts in Peoria
Copy Point: Unfortunately, nearly every nonprofit arts organization has been forced to
close their doors in light of heavy economic pressure.
Knowledge Objective: fifteen pieces of information about student need for a creative
outlet
Copy Point: Students involved in artistic organizations are 59% less likely to be involved in
gang violence.
Grunig Goal: Maintain high level of active population
Knowledge objective: twenty pieces of information on the importance of continued
support
Copy Point: The success of City Dance efforts is directly dependent on the support of our
donors.
Attitude Objective: twenty pieces of information on benefits of the community City
Dance offers its students
Copy Point: Students are given a safe, productive environment to be creative and escape
from negative social pressure.
Additional Goal: Encourage participations in classes offered to non-students
Knowledge Objective: fifteen pieces of information about programs with no age
restrictions
Copy Point: Many master classes are open to anyone regardless of age or ability level
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Attitude Objective: ten pieces of information on how anyone can dance regardless of
ability
Copy Point: Dancing is about a willingness to learn, all ability levels are welcomed.
Additional Goal: Encourage sponsorship of programs or events
Knowledge Objective: fifty pieces of information on opportunities for sponsorship
Copy Point: Even the speaker system can be sponsored in five year increments.
Behavioral Objective: ten pieces of information on reaching tiers of sponsorship
Copy Point: Gold level sponsorship offers a variety of incentives throughout the year.
Copy Points for Potential Patrons
Image goal: Establish City Dance as the leading arts provider for Peorias inner-city youth
Knowledge Objective: twenty pieces of basic information about City Dance location
and programs
Copy Point: City Dance is located in Downtown Peoria and offers a variety of arts
programs to inner-city youth.
Attitude Objective: fifty pieces of information about how City Dance is relevant to
modern culture
Copy Point: Incorporating the latest technology and music sets City Dance apart from all
competition.
Demographic Goal: Establish a relevant presence among the under 18 year old population
Knowledge Objective: ten pieces of information on instructor experience
Copy Point: The instructors at City Dance have a combined 40 years of instructing
experience
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Knowledge Objective: twenty pieces of information on opportunity for involvement in
local arts scene
Copy Point: Local business are eager to partner with City Dance alumni as they graduate
from the program
Grunig Goal: Maintain Active population
Knowledge Objective: ten pieces of information on upcoming programs at City Dance
Copy Point: September 2012 will feature a master session by famous choreographers
Tabitha and Napoleon
Attitude Objective: ten pieces of information on how City Dance is a fun environment
to spend time in
Copy Point: Monster energy drinks sponsored the studio after hanging out for a day.
Grunig Goal: Move non-public positions to latent
Knowledge Goal: twenty pieces of information about the estimated impact of City
Dance operations
Copy Point: Local officials estimate City Dance could decrease youth violence by up to
10%
Knowledge Goal: Hip-hop is a scene local youth are involved in
Copy Point: The underground hip-hop scene features thousands of students attending local
concerts
Additional Goal: Demonstrate the value of fundraising for individual tuition
Knowledge Objective: ten pieces of information on pricing structure
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Copy Point: While there is a monthly tuition for all programs, many students qualify for
assistance from the student scholarship fund.
Knowledge Objective: ten pieces of information on importance of fundraising
Copy Point: City Dance gives students a variety of opportunities to fundraise throughout
the semester.
Additional Goal: Show Potential Patrons the benefit of City Dance programs in the community
Knowledge Objective: ten pieces of information on participating in event fundraisers
Copy Point: Students will be given the opportunity to showcase their skills at fundraising
events in front of influential community members.
Attitude Objective: ten pieces of information on the value of each skill taught at City
Dance
Copy Point: Photographers teaching in the mentorship program offer students internships
in professional projects
Visualization Factors
Visualization factors are all elements in a message that are not words
The two major categories of visualization factors are print and broadcast media
A logo is a visualization factor used as a unifying image
The logo typically contains the name of the organization and is used by the organization in all
or most messages
Logos are rarely changed or adapted
City Dance has no current logo
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City Dance is having a graphic designer design a logo featuring graffiti elements in orange and
grey
Print Media:
Blank Space:
Begin using blank space in most messages
Crowded / Sparse Message Components:
Begin using sparse message design for disinterested publics
Begin using crowded message design for interested public
Most messages will contain sparse messages design as the organization is introduced
Color:
Begin using blue, grey, black and white as primary colors
Begin using yellow, red, and green as secondary colors
Use green or blue message design that requires action
Type of paper
Material for sponsorship booklets should be hardbound with thick, high quality paper
Posters and flyers should be printed on high quality, glossy card stock
Many messages will be found online and do not require the use of paper
All other materials should use high quality paper
Font and Size of Print
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Prominent headings will be individually designed by graffiti artists and graphic
designers on retainer
Bebas Neue will be used for subheadings
Most copy will be in Helvetica
Important copy will be all capitalized
Graphic Design
Most messages will use graphic design elements
A cityscape will be depicted on many messages
Graffiti will be used in many messages
Bright colors in traditionally dull urban environments will be used
An urban feel will dominate the appearance of all design
Photography
Quality photography will be central to campaign messages
Interactive photographs of the studio will be used as a preview for prospective patrons
or donors
Large photographs will be prominently featured during fundraising events
Photography of staff, students, the community, the studio, and many other subjects will
be used in messages
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Celebrities and Other Persons:
Congressman Aaron Shock will be present at fundraiser gala and be featured showing
support for City dance in messages
Baseball stars Jim Thome and Ben Zobrist will attend the fundraiser gala
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Prominent choreographers Tabitha and Napoleon (So You Think You Can Dance,
Americas Top Dance Crew) and Wade Robson (So You Think You Can Dance) will
have their work performed at the fundraiser gala
The Chicago Bears Drum line will perform at the fundraiser gala
Christopher Jones (You Got Served) will perform at the fundraiser gala
All prominent government officials will attend the fundraiser gala
Exaggerated and Unexpected Images:
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Images of dancers superimposed on Peoria skyline are exaggerated
Images of colors coming from dancers or city are exaggerated
Images of violence in Peoria will be unexpected
Emotional or Rational Appeals:
Many messages will have emotional appeals for the students that are unable to be
involved in arts due to poverty
Portrayals of poor living conditions will be present as emotional appeals
The hope City Dance will provide will be an emotional appeal used
Providing tax deductible ways to donate are rational appeals
Broadcast Media:
Length of Messages
Public service announcement will be :60 seconds long
City Dance story video will have 2:30 minute and 5:00 minute versions
Choreographer story videos will be 2:00 minutes long
Sample dance videos will be 3:00 minutes long
Event promotional videos will be 1:00 minute long
Studio opening videos will be :30 or 1:00 minute long
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Movements from Shot to Shot
All videos will be shot in high definition with a cinematic feel
Most videos will reflect the fact pace of the studio with a lot of movement
Videos with serious content will be slower paced
Celebrities and Other Persons
Aaron Shock will be featured in the story videos
Owners Tyler and Amanda Relph will be featured in most videos
City Dance instructor and choreographer, Joshua Dick, will be featured in some videos
Music and Sound Effects
Most videos will feature hip-hop music relevant at the time of screening
To Build a Home by The Cinematic Orchestra will be used for story videos
Exaggerated and Unexpected Images
Intense sequences of violence in Peoria will be featured in story videos
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COMMUNICATION SELECTION STRATEGIES
Communication selection strategies are specifics methods or channels used in delivering
messages
Personal communication selections: organizations directly reach targeted audiences
Includes focus groups, seminars, dance classes, direct mail, social media, and all
interpersonal communication
Advantages of personal communication:
Typically most persuasive
Relatively inexpensive
Direct control over audiences experience with the message
Memorable if properly utilized
Disadvantages:
Limited reach
Media communication selections: organizations utilize a third party to reach targeted
audiences through specific mediums
Advantages of media communication:
Greater reach with fewer messages
Multiple appeals may be present in each message
Large selection of possible mediums allow for a variety of channels utilized
Disadvantages of media communication:
Limited personal appeal
Not as targeted as personal communication selections
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Expensive
A good communication selection mix effectively blends personal and media communication
selections to compliment each other in reaching campaign objectives
Frequency is the number of times a message is repeated when reaching targeted audiences
Reach is the number of members of a targeted population exposed to a message at one time
Personal and media communication channels will be utilized in the City Dance integrated
marketing campaign
Points of analysis
Communication selections for potential donors
Communication selection for potential patrons
Sample messages
Media plan
Communication Selections for Potential Donors
Television Spots
Mass media
Frequency
Will run on WEEK, WMBD, FOX, WGN
Advantages: focused on target geographic market, large Central Illinois reach,
memorable emotional appeals in messages
Disadvantages: expensive, not personal, significantly larger population than targeted
public
Radio Spots
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Mass media
Frequency
Radio spots featured on primarily talk, jazz, classical and oldies station to reach an older
demographic
Advantages: relatively inexpensive, geographically focused, appeals to auditory learners
Disadvantages: short air times, small radio audiences, audio messages may not be
memorable
Press Releases / Kits
Mass medium
Frequency
Advantages: Free or inexpensive, potential to reach major networks and markets with
messages, trusted, third-part source
Disadvantages: impossible to predict media interest
Billboards
Mass Media
Frequency
Located in Downtown Peoria and on surrounding highways
Advantages: Will reach large numbers of Peoria drivers, strong visual impact, constant
source of promotion
Disadvantages: Must attract the interest of people with short attention spans
Magazines
Mass media
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Frequency
Featured advertisements in magazines specific to Peoria includingNumero andArts and
Culture
Advantages: Geographically targeted, readers and subscribers have interest in arts, can be
paired with a feature article
Disadvantages: limited circulation, expensive to place in larger magazines
Sponsorship Booklets
Personal communication
Reach
Sent or given to all significant potential donors throughout Central Illinois
Includes information on how to sponsor and the programs and benefits of City Dance
Advantages: can be specific to individual people, provides specific steps for fundraising,
only reaches members in the targeted audience
Disadvantages: Does not allow for two way communication, costly to individualize,
finding ideal targets is a lengthy process
Website
Media Channel
Frequency
Targeted specifically to potential donors
Launched prior to fundraiser gala
Advantages: Infinitely customizable, relevant and necessary media channel, can provide
large amounts of information in a variety of formats
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Disadvantages: Expensive, time consuming to maintain
Communication Selections for Potential Patrons
Television Spots
Mass media
Frequency
Will run on WEEK, WMBD, FOX, WGN
Messages focused on the opening of City Dance and programs/benefits offered
Advantages: focused on target geographic market, large Central Illinois reach,
memorable emotional appeals in messages
Disadvantages: expensive, not personal, significantly larger population than targeted
public
Social Media
Mass media / Personal
Frequency / Reach
Prominent presence on Twitter, Facebook and YouTube
Advantages: free, large and active user base, high levels of engagement, ability to target
audiences
Disadvantages: Must be constantly maintained, creating good, sharable content can be
expensive
Radio Spots
Mass media
Frequency
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Radio spots featured on popular and rap music stations like KISSFM, WBNQ, and Power
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Advantages: relatively inexpensive, geographically focused, appeals to those already
involved in music styles primarily targeted, partnerships with radio stations lends
credibility to messages
Disadvantages: short air times, may be lost in large numbers of advertisements
Press Releases / Kits
Mass medium
Frequency
Advantages: Free or inexpensive, potential to reach major networks and markets with
messages, trusted, third-part source
Disadvantages: impossible to predict media interest
Billboards
Mass Media
Frequency
Located in Downtown Peoria and on surrounding highways
Focused on the August opening of City Dance
Advantages: Will reach large numbers of Peoria drivers, strong visual impact, constant
source of promotion
Disadvantages: Must attract the interest of people with short attention spans
Magazines
Mass media
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Frequency
Featured advertisements in magazines specific to Peoria includingNumero andArts and
Culture
Advantages: Geographically targeted, readers and subscribers have interest in arts, can be
paired with a feature article
Disadvantages: limited circulation, expensive to place in larger magazines
Mobile App
Media Channel
Frequency
Provides a constant information source on latest City Dance news and activities
Serves as primary platform for YouTube dance tutorials
Advantages: Free for users, provides a simple format for many types of information,
gives City Dance an opportunity to be first movers in a market not currently targeted by
dance studios
Disadvantages: Initial development fees are expensive, must keep content current with
the YouTube channel
Website
Media Channel
Frequency
Targeted specifically to potential donors
Launched prior to City Dance grand opening
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Advantages: Infinitely customizable, relevant and necessary media channel, can provide
large amounts of information in a variety of formats
Disadvantages: Expensive, time consuming to maintain
Television Spots
Mass media
Frequency
Will run on WEEK, WMBD, FOX, WGN
Advantages: focused on target geographic market, large Central Illinois reach,
memorable emotional appeals in messages
Disadvantages: expensive, not personal, significantly larger population than targeted
public
Radio Spots
Mass media
Frequency
Radio spots featured on primarily talk, jazz, classical and oldies station to reach an older
demographic
Advantages: relatively inexpensive, geographically focused, appeals to auditory learners
Disadvantages: short air times, small radio audiences, audio messages may not be
memorable
Press Releases / Kits
Mass medium
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Frequency
Advantages: Free or inexpensive, potential to reach major networks and markets with
messages, trusted, third-part source
Disadvantages: impossible to predict media interest
Billboards
Mass Media
Frequency
Located in Downtown Peoria and on surrounding highways
Advantages: Will reach large numbers of Peoria drivers, strong visual impact, constant
source of promotion
Disadvantages: Must attract the interest of people with short attention spans
Magazines
Mass media
Frequency
Featured advertisements in magazines specific to Peoria includingNumero andArts and
Culture
Advantages: Geographically targeted, readers and subscribers have interest in arts, can be
paired with a feature article
Disadvantages: limited circulation, expensive to place in larger magazines
Sponsorship Booklets
Personal communication
Reach
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Sent or given to all significant potential donors throughout Central Illinois
Includes information on how to sponsor and the programs and benefits of City Dance
Advantages: can be specific to individual people, provides specific steps for fundraising,
only reaches members in the targeted audience
Disadvantages: Does not allow for two way communication, costly to individualize,
finding ideal targets is a lengthy process
Website
Media Channel
Frequency
Targeted specifically to potential donors
Launched prior to fundraiser gala
Advantages: Infinitely customizable, relevant and necessary media channel, can provide
large amounts of information in a variety of formats
Disadvantages: Expensive, time consuming to maintain
Sample Messages
This section contains four sample messages, two for each population
Potential Donors
Sample message 1: City Dance Story Video
Video will be prominently featured on website and shared through social
media sources
Matt Blick of Cellar Webs will do all shooting and editing
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The video tells the story of City Dance with a visual impact tied to the
actual social impact of the organization
Sample Message 2: Social Media
Facebook and Twitter pages appeal to large portions of the population
Potential Patrons:
Sample Message 3: Poster
Depiction of an urban warehouse adorned with graffiti
Message appeals to both those who think Peoria has become run down
and those who believe graffiti is art and are looking for a safe place to
express their art
Poster will be placed throughout schools and popular gathering places in
Peoria and surrounding communities
Sample Message 4: Mobile App
Mobile app will be available for iPhone, Android and Blackberry users
Features the YouTube dance tutorials popularized by City Dance
Appeals to those who like to keep up with the latest organizational news
and classes at any time
The four sample messages can be found at the end of this section
Media Plan
This campaign has 1,276 pieces of information required in the objectives
Each objective will be addressed by one or more communication selection
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Communication selections: television spots, radio spots, billboards, apps, t-shirts, social media
platforms, posters, brochures, postcards, magazine advertisements, gorilla marketing
initiatives, public service announcements, direct mail, press releases and press kits
Each selection should positively reinforce all others and the basic and message strategies
outlined in previous sections of the campaign
Time Frame: four months; May 2012 - August 2012
Placement patterns: methods and patterns of message distribution
Continuous: message runs every day
Social media, billboards, video, and the app will utilize a continuous pattern
Flighting: messages are intermittent throughout campaign duration
Television spots, radio spots, and magazine advertisements will utilize a flighting
pattern
Pulsing : messages use a combination of continuous and flighting patterns. This may mean
a message can run multiple times or not at all on a given day
1. Plan television ad #1
2. Produce television ad # 1
3. Run television ad # 1
4. Plan television ad # 2
5. Produce television ad # 2
6. Run television ad # 2
7. Plan television ad # 3
8. Produce television ad # 3
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9. Run television ad # 3
10. Plan press kit
11. Produce press kit
12. Run press kit
13. Plan press release # 1
14. Produce press release # 1
15. Run press release # 1
16. Plan press release # 2
17. Produce press release # 2
18. Run press release # 2
19. Plan press release # 3
20. Produce press release # 3
21. Run press release # 3
22. Plan press release # 4
23. Produce press release # 4
24. Run press release # 4
25. Plan blog # 1
26. Produce blog # 1
27. Run blog # 1
28. Plan blog # 2
29. Produce blog #2
30. Run blog # 2
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31. Plan blog # 2
32. Produce blog # 3
33. Run blog # 3
34. Plan blog # 4
35. Produce blog # 4
36. Run blog # 4
37. Plan blog # 5
38. Produce blog # 5
39. Run blog # 5
40. Plan YouTube video # 1
41. Produce YouTube video # 1
42. Run YouTube video # 1
43. Plan YouTube video # 2
44. Produce YouTube video # 2
45. Run YouTube video # 2
46. Plan YouTube video # 3
47. Produce YouTube video # 3
48. Run YouTube video # 3
49. Plan YouTube video # 4
50. Produce YouTube video # 4
51. Run YouTube video # 4
52. Plan YouTube video # 5
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53. Produce YouTube video # 5
54. Run YouTube video # 5
55. Plan YouTube video # 6
56. Produce YouTube video # 6
57. Run YouTube video # 6
58. Plan magazine ad # 1
59. Produce magazine ad # 1
60. Run magazine ad # 1
61. Plan magazine ad # 2
62. Produce magazine add # 2
63. Run magazine add # 2
64. Plan billboard # 1
65. Produce billboard # 1
66. Run billboard # 1
67. Plan billboard # 2
68. Produce billboard # 2
69. Run billboard # 2
70. Plan brochure # 1
71. Produce brochure # 1
72. Run brochure # 1
73. Plan poster # 1
74. Produce poster # 1
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75. Run poster # 1
76. Plan poster # 2
77. Produce poster # 2
78. Run poster # 2
79. Plan event invitation # 1
80. Produce event invitation # 1
81. Run event invitation # 1
82. Plan event invitation # 2
83. Produce event invitation # 2
84. Run event invitation # 2
85. Plan media invitation # 2
86. Produce media invitation # 2
87. Run media invitation # 2
88. Plan sponsor booklet #1
89. Produce sponsor booklet # 1
90. Run sponsor booklet # 1
91. Plan sponsor booklet # 2
92. Produce sponsor booklet # 2
93. Run sponsor booklet # 2
94. Plan t-shirt # 1
95. Produce t-shirt # 1
96. Run t-shirt # 1
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97. Plan t-shirt # 2
98. Produce t-shirt # 2
99. Run t-shirt # 2
100.Plan radio # 1
101.Produce radio # 1
102.Run radio # 1
103.Plan radio # 2
104.Produce radio # 2
105.Run radio # 2
106.Plan radio # 3
107.Produce radio # 3
108.Run radio # 3
109.Plan radio # 4
110.Produce radio # 4
111.Run radio # 4
112.Plan radio # 5
113.Produce radio # 5
114.Run radio # 5
115.Plan mobile app # 1
116.Produce mobile app # 1
117.Run mobile app # 1
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# 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
1 x x - - - - - - - - - - - - - -
2 - - x x - - - - - - - - - - - -
3 - - - - x x x x - - - - - - - -
4 - - - - x x - - - - - - - - - -
5 - - - - - - x x - - - - - - - -
6 - - - - - - - - x x x x - - - -
7 - - - - - - - - x x - - - - - -
8 - - - - - - - - - - x x - - - -
9 - - - - - - - - - - - - x x x x
10 x x - - - - - - - - - - - - - -
11 - - x x - - - - - - - - - - - -
12 - - - - x x x x x x x x x x x x
13 x - - - - - - - - - - - - - - -
14 - x - - - - - - - - - - - - - -
15 - - x x x x - - - - - - - - - -
16 - - - - x - - - - - - - - - - -
17 - - - - - x - - - - - - - - - -
18 - - - - - - x x x x - - - - - -
19 - - - - - - - - x - - - - - - -
20 - - - - - - - - - x - - - - - -
21 - - - - - - - - - - x x x x - -
22 - - - - - - - - - - - - x - - -
23 - - - - - - - - - - - - - x - -
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# 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
24 - - - - - - - - - - - - - - x x
25 - - x - - - - - - - - - - - - -
26 - - - x - - - - - - - - - - - -
27 - - - - x x x x x x x x x x x x
28 - - - - x - - - - - - - - - - -
29 - - - - - x - - - - - - - - - -
30 - - - - - - x x x x x x x x x x
31 - - - - - - x - - - - - - - - -
32 - - - - - - - x - - - - - - - -
33 - - - - - - - - x x x x x x x x
34 - - - - - - - - x - - - - - - -
35 - - - - - - - - - x - - - - - -
36 - - - - - - - - - - x x x x x x
37 - - - - - - - - - - x - - - - -
38 - - - - - - - - - - - x - - - -
39 - - - - - - - - - - - - x x x x
40 x x x - - - - - - - - - - - - -
41 - - x x - - - - - - - - - - - -
42 - - - - x x x x x x x x x x x x
43 - - - - x - - - - - - - - - - -
44 - - - - - x - - - - - - - - - -
45 - - - - - - x x x x x x x x x x
46 - - - - - - x - - - - - - - - -
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# 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
47 - - - - - - - x - - - - - - - -
48 - - - - - - - - x x x x x x x x
49 - - - - - - - - x - - - - - - -
50 - - - - - - - - - x - - - - - -
51 - - - - - - - - - - x x x x x x
52 - - - - - - - - - - x - - - - -
53 - - - - - - - - - - - x - - - -
54 - - - - - - - - - - - - x x x x
55 - - - - - - - - - - - - x - - -
56 - - - - - - - - - - - - - x - -
57 - - - - - - - - - - - - - - x x
58 x x x - - - - - - - - - - - - -
59 - - - x - - - - - - - - - - - -
60 - - - - x x x x x x - - - - - -
61 - - - - - - x x x - - - - - - -
62 - - - - - - - - - x - - - - - -
63 - - - - - - - - - - x x x x x x
64 - x - - - - - - - - - - - - - -
65 - - x - - - - - - - - - - - - -
66 - - - x x x x x x x x x x x x x
67 - - - - - - - - x - - - - - - -
68 - - - - - - - - - x - - - - - -
69 - - - - - - - - - - x x x x x x
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# 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
70 x - - - - - - - - - - - - - - -
71 - x x x - - - - - - - - - - - -
72 - - - - x x x x x x x x x x x x
73 - - x - - - - - - - - - - - - -
74 - - - x - - - - - - - - - - - -
75 - - - - x x x x x x - - - - - -
76 - - - - - - - - x - - - - - - -
77 - - - - - - - - - x - - - - - -
78 - - - - - - - - - - x x x x x x
79 x - - - - - - - - - - - - - - -
80 - x - - - - - - - - - - - - - -
81 - - x x x x - - - - - - - - - -
82 - - x - - - - - - - - - - - - -
83 - - - x - - - - - - - - - - - -
84 - - - - x x x x - - - - - - - -
85 x - - - - - - - - - - - - - - -
86 - x - - - - - - - - - - - - - -
87 - - x x x x - - - - - - - - - -
88 x x x - - - - - - - - - - - - -
89 - - - x - - - - - - - - - - - -
90 - - - - x x x x x x x x x x x x
91 - - - - - x x x - - - - - - - -
92 - - - - - - - - x - - - - - - -
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# 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
93 - - - - - - - - - x x x x x x x
94 - x - - - - - - - - - - - - - -
95 - - x x - - - - - - - - - - - -
96 - - - - x x x x x x x x x x x x
97 - x - - - - - - - - - - - - - -
98 - - x x - - - - - - - - - - - -
99 - - - - x x x x x x x x x x x x
100 x x x - - - - - - - - - - - - -
101 - - - x - - - - - - - - - - - -
102 - - - - x x x - - - - - - - - -
103 - - x x x - - - - - - - - - - -
104 - - - - - x x - - - - - - - - -
105 - - - - - - - x x x - - - - - -
106 - - - - - x x x - - - - - - - -
107 - - - - - - - - x x - - - - - -
108 - - - - - - - - - - x x x - - -
109 - - - - - - - - x x x - - - - -
110 - - - - - - - - - - - x x - - -
111 - - - - - - - - - - - - - x x x
112 x x x x - - - - - - - - - - - -
113 - - - - x x x x - - - - - - - -
114 - - - - - - - - x x x x x x x x
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BUDGET
The budget presents estimated costs and figures for the campaign
Two points of analysis
Budget figures
Cost benefit analysis
Budget Figures
Categories Unit Costs Total Cost
01. Administrative and staff salaries
(1) Thomas Syndram (Public Relations Specialist ) $3,500. /mo $14,000
(2) Bruce Kennedy (Account Executive) 1,800. /mo 7,200
(3) Kristen Syndram (Programs Director) 1,500. /mo 6,000
Subtotal: 27,200
02. Temporary or part time staff
(1) Michelle Ketcham (Day of Event Supervisor) $25. /hr $5,000
Subtotal: 5,000
03. Fringe benefits
(1) Thomas Syndram (10%) $350. /mo $1,400
(2) Bruce Kennedy (5%) 90. /mo 360
(3) Kristen Syndram (5%) 75. /mo 300
(4) Michelle Ketcham (2%) .5 /hr 100
Subtotal: 2,160
04. Contracted personal services
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Categories Unit Costs Total Cost
(1) Ty Silzer (Graphic Design) $3,000 $3,000
(2) Sean Hagwell (Photography) 5,000 5,000
(3) Matt Blick (Videography) 3,000 3,000
(4) Joseph Roberts (Graphic Design) 1,500 1,500
Subtotal: 12,500
05. Production
(1) Typesetting $0.00 $0.00
(2) Printing (Direct Main, Fact Sheet, Posters) 0.00
(3) Duplication of sound tapes (radio 0.50 200
(4) Duplication of videotapes 0.50 300
Subtotal: 500
06. Media Budget
(1) Television (30 second commercial) $1,500 $30,000
(2) Radio 200 $5,000
(3) Magazine 2,000 4,000
(4) Blog 0.00 0.00
(5) Social Media 0.00 0.00
(6) Mobile App 1,000 1,000
(7) Billboard 1,000 10,000
(8) Press Kit 0.00 0.00
(9) Website 50 200
Subtotal: 50,200
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Categories Unit Costs Total Cost
07. Traffic / distribution costs
(1) TV spot $200 $200
(2) Radio spot 100 100
(3) Direct mail 5,000 5,000
Subtotal: 5,300
08. Travel costs
(1) Hotel and air fare (for celebrities to attend event) $1,200 $12,000
(2) Per diem 100 1,000
Subtotal: 13,000
09. Communications costs
(1) Local phone service $200 /mo $800
(2) Air courier service 400 400
(3) Postage 300 300
Subtotal: 1,500
10. Supplies and materials
(1) Clerical $1,000 $1,000
Subtotal: 1,000
11. Capital equipment
(1) Audiovisual equipment $10,000 $10,000
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Categories Unit Costs Total Cost
(2) Video production software 500 500
(3) Adobe creative suite 250 250
Subtotal: 10,750
13. Event
(1) Catering $5,000 $5,000
(2) Venue rental 2,500 2,500
(3) Audiovisual rental 5,000 5,000
(4) General event expenses 20,000 20,000
Subt