8/11/2019 Christopher ORiley CANDLER http://slidepdf.com/reader/full/christopher-oriley-candler 1/13 Out of My Hands Christopher O’Riley, piano This program is made possible by a generous gift from the late Flora Glenn Candler, a friend and patron of music at Emory University. EMERSON CONCERT HALL SCHWARTZ CENTER FOR PERFORMING ARTS FRIDAY, MARCH 2, 2012, 8:00 P.M. p h o t o b y D a - H o n g S e e t o o
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Tonight’s performance will be announced byChristopher O’Riley from the stage.
Pieces performed may be selected from,but not limited to, the following:
Tori Amos............................ MotherRadiohead .......................All I Need Nick Drake ................... Place To BeTimothy Woos ............ Here & Now
Pink Floyd .................... Us & ThemElliott Smith ...............Cupid’s TrickScarlatti ............. Sonata in D MinorNirvana ..............Heart-Shaped BoxFrederic Chopin ...............BarcarolleRadiohead ............................ Airbag Radiohead .......Like Spinning Plates
Radiohead .................................Lift Portishead ........................... The RipThomas Ades ....... Darknesse VisibleTears for Fears ...............Mad World Maurice Ravel .....................OndineRadiohead .......................Let DownRadiohead ...........Paranoid Android
Elliott Smith ..............................ByeRadiohead .................................YouRadiohead ...........Fake Plastic TreesRaymond Scott .............Powerhouse
THERE WILL BE ONE BRIEF INTERMISSION ANNOUNCED FROM THE STAGE.
PROGRAM IS SUBJECT TO CHANGE
The Schwartz Center and Friends of Music at Emory invite youto join them for a dessert reception in the Chace Upper Lobbyimmediately following tonight’s performance. All are welcome.
Since the triumphant releasein 2003 of True Love Waits, pianist Christopher O’Riley’sreimagining of works byRadiohead, Elliott Smith, andNick Drake have garneredc r i t i c a l a c c o l a d e s a n di n t e r n a t i o n a l a c c l a i m ,including the only four-star
review ever given by RollingStone to a classical pianist.His latest White Tie Classics/
Mesa-BlueMoon re lease ,Out of My Hands, includesmusic of R.E.M., Portishead,
Cocteau Twins, Pink Floyd, Nirvana, The Bad Plus, The Smiths,
and Tears for Fears, as well as material from Radiohead and anewly released song by Elliott Smith.As host of the popular NPR music program, From the Top,
O’Riley is well-known for his eloquent and compelling musingson music and popular culture. His latest performances stretchthe piano beyond the classical repertoire and into the rich,uncharted territory of contemporary and alt-rock. Announcing
the program from the stage allows O’Riley to share discoveries,such as World Premieres this past season by From the Topalum, Tim Woos (a piece written when he was fifteen years old),Kenneth Fuchs’ set of Falling Canons, inspired by texts drawnfrom Don DeLillo’s 9/11 novel, Falling Man, and David NealLewis’s Tale of Three Kitties. He explores paths in and out of awealth of material with serendipitous inclusions by local artists
such as John Adams’s China Gates, played at San Francisco’sYoshi’s jazz club, and a LACMA performance of Venus in 94, in celebration of California composer Terry Riley’s seventy-fifthbirthday. The music flows seamlessly from one genre to another,from the familiar to the fresh. From Robert Pollard to Rickie Lee Jones to Maurice Ravel; A Perfect Circle to Piazzolla; Thomas
Ades’s Darknesse Visible to Tears for Fears’ Mad World to ToruTakemitsu to Nine Inch Nails.
O’Riley is recognized as one of the leading American pianistsof his generation, touring extensively as a recitalist and chamber
musician and appearing with every major orchestra. He has touredthe United States with the world-famous Academy of St. Martinin the Fields Chamber Orchestra. He has appeared with thephilharmonic orchestras of Los Angeles, New York, Moscow, andthe Royal Philharmonic in London, the Minnesota Orchestra, andthe symphonies of Pittsburgh, Atlanta, Baltimore, Philadelphia,and San Francisco. The illustrious group of conductors with
whom he has collaborated includes Michael Tilson Thomas,Semyon Bychkov, JoAnn Falletta, Krystof Penderecki, KurtMazur, James Gaffigan, Vassily Sinaisky, Christopher Hogwood,Roger Norrington, and Leonard Bernstein.
From early in his career, O’Riley was honored with many awardsat the Leeds, Van Cliburn, Busoni, and Montreal competitions,as well as an Avery Fisher Career Grant. O’Riley studied with
Russell Sherman at the New England Conservatory of Music. Hehas released numerous recordings on a variety of labels includingSony, Harmonia Mundi, and now White Tie Records. O’Rileymakes his home in Cleveland, Ohio.
Stephanie Patton, box office managerKatie Storey Pittman, associate director for programmingMark Teague, stage managerNina Vestal, house managerMatt Williamson, technical coordinator
Center for Creativity and Arts Marketing Team Jessica Cook, marketing manager
Nicholas P. Surbey, communications coordinator
The Flora Glenn Candler Concerts Committee
Richard Patterson, committee chair, Department of PhilosophyMarshall Duke, immediate past chair, Department of PsychologyPatrick Allitt, Department of HistoryBill Eley, Medical Education, School of Medicine
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404.727.5050 • arts.emory.eduin consideration for other members of the audience, please turn off all pagers and phones.Photographs and recordings may not be made during a performance without advance permission.
the cough drops in the lobby are courtesy of Margery and Robert McKay.
Ushers are members of Music at Emory Volunteers; Alpha Phi Omega, a national service andsocial fraternity; and Tri-M Music Honor Society at Lakeside High School. Call 404.727.6640 forinformation about ushering.
Alim Qasimov Ensemble, photo by Christina Johnson; (C) AustralianChamber Orchestra, photo by Jon Frank; (D) Hilary Hahn, violin,photo by Peter Miller; (E) Christopher O’Riley, piano, photo by Wendy Lynch; (F) Dawn Upshaw, soprano, photo by Patrick Ryan
Frequently updated event and program information availableonline at arts.emory.edu.
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Upcoming Music Events
Go to music.emory.edu to view the complete list of spring musicevents. For more information contact the Arts at Emory Box Office at404.727.5050, or visit arts.emory.edu.
Events listed below are presented in Emerson Concert Hall, SchwartzCenter, 1700 N. Decatur Rd., Emory University, unless otherwisenoted. Ticket prices are listed in the following order: Full price/Discountcategory member price/Emory student price (unless otherwise noted asthe price for all students). Visit arts.emory.edu to see if you qualify fora discount.
Sunday, March 4, 7 p.m., First Life by Steve Everett, Vega StringQuartet, Schwartz Center, $20/$15/free for faculty, staff, students,and FOM
Thursday, March 8, 8 p.m., Emory University Symphony Orchestra,Richard Prior, conductor, Schwartz Center, free
Monday, March 19, 8 p.m., Atlanta Youth Wind Symphony,
David T. Kehler, guest conductor, Schwartz Center, free
Wednesday, March 21, 7:30 p.m., Well-Tempered Clavier II, BachBirthday Recital, Timothy Albrecht, organ, Glenn Auditorium, free