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Page 1: Chris A Creative Inspiration Slot Final
Page 2: Chris A Creative Inspiration Slot Final

“Freestyle semiotics”: an experimental film

Page 3: Chris A Creative Inspiration Slot Final

Codes of commerce?

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Codes of eschatology?

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Codes of honest protest?

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Codes of demagoguery?

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Codes of post modern pastiche?

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Codes of economicdestitution?

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Codes of contemporary art?

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Codes of culture jamming?

Page 11: Chris A Creative Inspiration Slot Final

•Semiosis happens best when a need to communicate

•Context is everything, without it = aberrant decoding

•Open texts without cluescan always be misconstrued

•People can be threatened by a sense of the unknown

•Intrigue, intoxication, and a rhetoric are not enough

•Semioticians are lonely, atomized, isolated, outliers

•We’re much stronger when we communicate together

•Cannot be passive, expecting others to be interested

Some learnings from this approach

Page 12: Chris A Creative Inspiration Slot Final

•How do you explain semiotics when you are

asked?(the best examples)

•How can semiotics brand itself in the best way?

(what are the main image problems)

•How can coming together help us do we think?

(initiatives, commitments, brand ideas)

Some questions for Semiofest attendees