Chord Construction Uke M. Bagneski Cdom7 (or C7) Chord C Dominant Scale: 0 c 0 2 d 0 e C=root 0 c 0 e 0 g 1 Bb 3 g c 1st + 3rd + 5th + 7th 0 c 0 a 0 0 0 1 - Cdom7 1 f 3 4 4 = 30 1 Bb O O O so there are many forms of the Cdom7 chord.--> 0 c 7 O vi Cdom7 0 7 6 c 3 Notes an octave (8) apart are interchangable, 6 10 g 1 Bb e 7 e 3 g 3 3 4 3 Cdom7 iii Cdom7 3 4 5 6 0 3 Bb 6 Bb Music engraving by LilyPond 2.14.2—www.lilypond.org
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Chord Construction UkeM. BagneskiCdom7 (or C7) Chord
C Dominant Scale:
0
c
02
d
0
e
C=root»Ò 0
c
0
e
0
g
1
Bb
3
g c
1st + 3rd + 5th + 7th
0
c
0
a
000
1
-
Cdom7
1
f
3¾ 44
+ = 30
1
Bb
OOO
so there are many forms of the Cdom7 chord.-->
0
c
7
O
vi
Cdom7
0
76
c
»Ò
3
Notes an octave (8) apart are interchangable,
6
¾ 10
g
1
Bbe
7
e
3
g
3343
Cdom7iii
Cdom7
3
45
60
3
Bb
6
Bb
Music engraving by LilyPond 2.14.2—www.lilypond.org
A musical staff is a set of five horizontal lines containing notes, rests, and musical symbols. When notes are found off the staff, they’re placed on ledger lines.
• Measures
A measure is a section of the staff that comes between two bar lines (or barlines). Each measure satisfies the time signature; music written in 4/4 time will have four quarter-note beats per measure.
• Double Bar Lines
A double bar line is used to separate different sections of a song, and may mark the transition into a different time signature, key signature, or overall style.
A bold double bar line is a final bar line, and marks the end of a song or movement.
Note: The plural of staff is “staves.” In British English, a singular staff is called a “stave.”
A time signature is a fraction found at the beginning of a piece of music, after the clef and key signature. Time signatures regulate rhythm by organizing beats in two ways:
• The top number shows how many beats occur in each measure.• The bottom number shows the length of the beats: A 4 means each beat is a quarter note long;
a 2 indicates a half note, etc.
Therefore, a 4/4 time signature has four beats per measure, with each beat equalling the length of a quarter note. A 3/4 time signature has three quarter-note beats per measure.
Common Time
4/4 time is also called “common time” because, you guessed it, it’s so common. You’ll see it a lot, so keep in mind:
1. It may be written 4/4, or with a c-shaped half-circle (this symbol does not stand for common time; learn its true meaning).
2. It’s also called “quadruple meter” or “imperfect time.”3. Cut common time is represented by the signature 2/2, or with a symbol similar to a cent sign.
Cut time changes the rhythmic feel, but is mathematically equal to 4/4 meter.
Time signatures organize beats, but the speed of a song depends on its tempo.
The following musical symbols define the pattern or order of a song:
1. Repeat Barlines A passage between two repeat barlines is played at least two times in a row. After the repetitions are played, the song continues onto the following measures:
• If the right (or “end”) repeat is on the very last measure, the song will end after the repetitions are completed.
• If there is no left (or “begin”) repeat, the song will repeat from the beginning.
2. Volta Brackets Numbered brackets change the ending of each repeated passage:
• 1st Ending: The first time the passage is played, bracket 1 is played.• 2nd Ending: The second time around, the notation in bracket 2 is played.
A composition can contain any number of volta brackets (also called “time bars” or “endings”).
Segno and coda marks belong to a system used to express complex repetitions:
1. D.C., or Da CapoIndication to repeat from the beginning, and is seen two ways:
• D.C. al fine : Repeat from the beginning, and end the song at the word fine.• D.C. al coda : Repeat from the beginning; play until you reach a coda (or the phrase al
coda), then jump forward to the next coda sign to continue playing.
2. D.S., or Dal SegnoIndication to repeat from the last segno; seen two ways:
• D.S. al fine : Repeat from the last segno, and end the song at the word fine.• D.S. al coda : Repeat from the last segno; play until you reach the first coda, then skip to
Chorus:[G] Here comes the sun [Cmaj7] here comes the [A7] sun and I say[G] It's all right {C++G++D+|+G++D+++}
[G] Little darling it's been a [Cmaj7] long cold lonely [D] winter[G] Little darling it feels like [Cmaj7] years since it's been [D] here
Chorus
[G] Little darling the smile's re[Cmaj7] turning to their [D] faces[G] Little darling it seems like [Cmaj7] years since it's been [D] here
Chorus
[G] [D]{Bb++F++} [C] [G] [D][Bb] Sun [F] sun [C] sun here it comes [G] [D][Bb] Sun [F] sun [C] sun here it comes [G] [D][Bb] Sun [F] sun [C] sun here it comes [G] [D][Bb] Sun [F] sun [C] sun here it comes [G] [D][Bb] Sun [F] sun [C] sun here it comes [G] [D] [Dsus7] [D] {D7+}
[G] Little darling I feel that [Cmaj7] ice is slowly [D] melting[G] Little darling it seems like [Cmaj7] years since it's been [D] clear
Chorus 2X
Outro: [G] It's all right {C++G++D+|+G++D+++|Bb++F++C+++G----}
Standard Joe Strum: Versatile 4/4 time, medium tempo
Easy Joe Strum: Allows more time for chord changes
MiniJoe Strum: Easier to do fast (Bad Moon Risin' Chorus)
Fancy Joe Strum: Nice for Latin and Schmaltzy Pop Tunes
Mack the Knife – Bobby DarinTraditional Irish Lullaby
Oh, the [C] shark, babe, has such [Dm] teeth, dearAnd it [Dm] shows them pearly [C] whiteJust a [Em] jackknife has old Mack [Dm] Heath, babeAnd he [Dm] keeps it, ah, out of [C] sight
Ya know when that [C] shark bites with his [Dm] teeth, babeScarlet [Dm] billows start to [C] spreadFancy [Em] gloves, oh, wears old Mac [Dm] Heath, babeSo there's [Dm] never, never a trace of [C] red
Now on the [C] sidewalk, huh, huh,whoo sunny [Dm] morning, un huhLies a [Dm] body just oozin' [C] life, eekAnd someone's [Em] sneakin' 'round the [Dm] cornerCould that [Dm] someone be Mack the [C] Knife?
There's a [C] tugboat, huh, huh, down by the [Dm] river dontcha knowWhere a [Dm] cement bag's just a'drooppin' on [C] downOh, that [Em] cement is just, it's there for the [Dm] weight, dearFive'll get ya ten old [Dm] Macky's back in [C] town
Now d'ja [C] hear 'bout Louie [Dm] Miller? He disap-[Dm]peared, babeAfter drawin' out all his hard-earned [C] cashAnd now [Em] MacHeath spends just like a [Dm] sailorCould it [Dm] be our boy's done somethin' [C] rash?
Now Jenny [C] Diver, ho, ho, yeah, Sukey [Dm] TawdryOoh, Miss Lotte [Dm] Lenya and old Lucy [C] BrownOh, the [Em] line forms on the [Dm] right, babeNow that [Dm] Macky's back in [C] town
Mac the Knife
Bits and Pieces
0
00
0
0
2
Cmaj7
++ ++0
+2
++++
0
0
0
0
C6
++0
0
0
0
+
44¾
44b»
Ò0
0
0
0
0
C6
+++++
0
0
0
++++�3
0
0
0
��� �3
0
0
OOO
�
C
���
0
3
0
0
0
�
C is boring, so instead play ==>
����
0
2
++++
0
+++
0
3
0
0
0
��
0
0
OOOO
0
2
Cmaj7OOO
++++
3
+Dm7
1
2
2
3
1
2
2
++++++++
22
+++2
1
2
5
¾
b»
Ò2
2
2
1
2
Dm6
++++
Dm6
1
2
2
++++0
1
2
2
����
2
1
0
DmO
����
2
++
2
2
1
0
Dm is boring, so instead play ==>
����
2
2
++++
1 1
2
++3
2
2
1
0
����
1
2
2 2
3
Dm7
++++
5
4
++++
4
4
3
+3
3
4
4
+++ +
4
3
5
Em7
+++9
¾
b»
Ò
+
4
4
3
3
Em6
+++ +3
3
4
4
+++
4
4
2
3
����
4
4
����2
4
4
3
Em
����Em is boring, so instead play ==>
2
3
4
4
3
���� +
3
5
4
4
+++ +
4
4
3
3
Em6
+++
iii
++++
Em7
2
4
4
3
5
Music engraving by LilyPond 2.14.2—www.lilypond.org