CHICAGO REVIEW - Monoskop...Chicago Review is a quarterly of art-work, book reviews, drama, essays, poetry, prose fiction. Manuscripts, subscriptions and communications should be addressed

CHICAGO REVIEW

anthology of concretism

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THE

CHICAGO REVIEW

Complete Library Bound Set

Volumes 1-18

1946-1966

AMS REPRINT

COMPANY

56 East 13th Street, New York, N.Y. 10003



CU ICAGO REVIEW INDEX ISSUE VOLUME 19 NUMBER 4 SEPTEMBER 1967

Cover painting: Nela Arias-Misson

3 Seiichi Niikuni (Japan) 8 Adriano Spatola (Italy)

12 H ans j?rg Mayer (Germany) 22 Aram Saroyan (U.S.A.) 28 Maurizio Nannucci (Italy) 32 Burkhardt (Germany) 34 Heinz Gappmayr (Germany) 36 Author unknown 48 Alain Arias-Misson (Spain) 50 Heinz Gappmayr (Germany) 58 Seiichi Niikuni (Japan) 62 Jiri Valoch (Yugoslavia) 64 Timm Uhlrichs (Germany) 66 John Furnival (England) 72 Frans Vanderlinde (Holland) 74 Henri Chopin (France) 76 Maurizio Spatola (Italy) 78 Emmett Williams (U.S.A.) 80 Arrigo Lora-Totino (Italy) 82 Pedro Xisto (Brazil) 86 Emmett Williams (U.S.A.) 88 Carlo Belloli (Italy) 90 Arrigo Lora-Totino (Italy) 93 Timm Uhlrichs (Germany) 95 Dick Higgins (England) 97 Gerhard R?hn (Germany)

100 Edwin Morgan (England) 104 Jiri Valoch (Yugoslavia) 106 Dom Sylvester Houedard (England) 109 Kitasono Katu? (Japan) 112 Emmett Williams (U.S.A.) 114 Carlo Belloli (Italy) 118 Mary Ellen Solt (U.S.A.) 120 John Furnival (England) 122 Jean Francois Bory (France) 137 Mary Ellen Solt (U.S.A.) 137 Jaroslav Molina (Yugoslavia) 144 Note 145 Index



CHICAGO REVIEW . Volume 19 . No. 4 . 1967

Editor Eugene Wildman

Editorial Assistant Linda Haase

Fiction Editor James Lichon

Poetry Editor Iven Lourie

Business Managers Cecily Johnson Marilyn Weltz

Associate Editors Rachel Karlin

Juliet McGrath

Eloise Morris

Judith Ruskamp

John Scanlon

Sol Sepsenwol

Irene Skala

Chicago Review is a quarterly of art-work, book reviews, drama, essays, poetry,

prose fiction. Manuscripts, subscriptions and communications should be addressed

to Chicago Review, University of Chicago, Chicago, Illinois, 60637. Editorial offices

are at 5757 South Drexel Avenue, Chicago, Illinois, 60637. U.S.A. Micro

film edition from University Microfilms, 313 N. First Street, Ann Arbor, Michigan, U.S.A. Printed by the University of Chicago Printing Department.

Distributors in U.S.A.: Periodical Distributors, Inc., New York; Capitol News

Company Inc., Boston; and L-S Distributors, San Francisco. Agent in England: B. H. Blackwell, Broad Street, Oxford.

Subscriptions: $3.50 for one year, $6.50 for two years, domestic. $4.00 and $7.50

foreign.

Second-class postage paid at Chicago, Illinois. Copyright ? 1967 by Chicago Review. All rights reserved.

Chicago Review is a charter member of the Association of Literary Magazines of

America.



Seiichi Niikuni 3

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28 Maurizio Nannucci



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Origin unknown 36 (adapted from antologia noigandres 5)



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50 Heinz Gappmayr



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74 Henri Chopin



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78 Emmett Williams



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86 Emmett Williams



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water colorless color transparent water voice and voice water sea drop

sphere a hand water vertical sky a mouth water plain river a house water

thread rock a flower water rain face a child water clouds atmosphere goods

well echo a village water ice crystal an eskimo water sun leaves a

woman water boat silence a man water sky medusa moon water horizon

eye fish water ship water men water palm sun voices voices sun palm

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water a man silence boat water a woman leaves sun water an eskimo

crystal ice water a village echo wall water goods atmosphere clouds water a

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88 Carlo Belloli



acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua acqua



















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acqua un uomo silenzio barca acqua una donna foglie sole acqua un esquimese cristallo ghiaccio acqua un villaggio eco pozzo acqua d?i atmosfera nubi acqua un bimbo volto pioggia acqua un fiore roccia filo acqua una casa fiume piano acqua una bocea cielo verticale acqua una mano sfera goccia mare acqua voce e voce

percorso acqua trasparente colore incolore acqua acqua acqua acqua acqua acqua



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90 Arrigo Lora-Totino



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uepea

schwelgen um sich nicht reden zu h?ren

tun uepea

schweigen um sich nicht reden zu

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schwel gen



to keep silent in order not to hear oneself speak

to speak in order not to hear oneself keep silent

Timm Uhlrichs 93



?nstant juan, a description

uanj naju njau anju

ujan aunj jaun jnau

janu ujna unja unaj

uajn aujn ajun ajnu

anuj nauj nuaj nuja

njua jnua juna juan



Dick Higgins 95



uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuduuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu uuuuuuuuuuuuuuuuu



you

Gerhard R?hk 97



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wand wand wand wand wild wild

hand wild

hand hand wild

wund



wall

picture

hand

wild

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100 Edwin Morgan



ASTRODOME

fAs real grass withers in the Astrodome (at Houston, Texas), it has been replaced by Astrograss.1

(news item)

all is not grass that astrograss that astrograss is not all grass that grass is not all astrograss astrograss Is not all that grass is that astrograss not all glass not all astrograss is that glass all that glass Is not astrograss that is not all astrograss glass that glass is not all flbreglass not all that flbreglass Is glass flbreglass is not all that glass Is that not all flbreglass glass that flbreglass is not all grass glass is not all that flbreglass is all astrograss not that glass

all is not grass that fibregrass



ORIGINAL SIN AT THE WATER HOLS

asp on

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S a spf.



ARCHIVES

generation upon generation upon generation upon generation upon generation upon generation upon generation upon

generation upon

generation upon

generation upon

generation upon

generation upon

generation upon

generation upon

generation upon generation upon generation upon

generation upon

generation upon

g neratlon upon

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g nerat on up n

g nerat n up n

g nerat n p n

g erat n p n

g era n p n

g era n n

g er n n

g r n n

g n n

S n S



voice

104 JiRi Valoch



h s h 1 a a 1

all a salh hlas

all a 1 a a 1

h s h 1 a a 1

a 11 a salh hlas

a 11 a 1 a a 1

h s h 1 1

a a

salh hlas a a

1 1 h s h

1 a a 1 alla

salh hlas alla

1 a a 1 h s h

1 a a 1 a 11 a

salh hlas alla

1 a a 1 h s h



106 Dom Sylvester Houedard



mmmmmmmm mmmmmm m

m m m

mmmmmm m

m mmmmmm m mmmmmm m mmmmmm

m mmmmmm mmmmmmmm

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kitasono katue 109



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118 Mary Ellen Solt



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Note: The aim of this anthology has not been comprehensiveness, nor

even (primarily) selectivity. Above all the objective was to illustrate

some of the effects that could be produced by this new kind of poetry, to put together

a concrete Book.

Book is an invention that is ideally suited for narrative material, therefore the problem

was to make it work also for non-narrative mate

rial. The Book had to become an environment, had to be made trans

formable, out of its structure as a book, into a kinetic and generative art object.

None of this would have been possible without the help of Alain

Arias-Misson, who undertook to contact poets in all parts of the world,

and who allowed himself to be used as a sort of postal clearing house.

Leonard Shaykin, who has been travelling in Europe, helped set up the

initial correspondence. There has been a great deal of omission of extremely important poets.

Some of this was due to production difficulties; other omissions resulted

from the mystique which the organic concept eventually became. How

much was due to editorial ignorance will be left to the judgment of

those who are qualified. Mr. Hiroaki Morino, the ceramicist at the University of Chicago's

Midway Studios, was kind enough to do, with the five and dime brush

made available to him, the calligraphy work accompanying the poems of Seiichi Niikuni and Kitasono Katu?. The customary Notes on

Contributors has been dispensed with for this issue because it was felt

that its relevance for a primarily American audience would be even less

than usual.

?Eugene Wildman



anthology of concretism

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