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Chapter 1 Creating a Video Montage in Adobe Premiere CS6
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Chapter 1

Feb 25, 2016

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Chapter 1. Creating a Video Montage in Adobe Premiere CS6. Creating a New Project and Exploring the Workspace. The application window is the main window comprised of various panels. The arrangement of panels in the application window is known as the workspace . - PowerPoint PPT Presentation
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Page 1: Chapter 1

Chapter 1

Creating a Video Montage inAdobe Premiere CS6

Page 2: Chapter 1

Creating a New Project and Exploring the Workspace

• The application window is the main window comprised of various panels.

• The arrangement of panels in the application window is known as the workspace.

• The default workspace is called Editing.

Page 3: Chapter 1

Editing Workspace

Source Monitor

Menu bar

Effects Control panel

Project panel

Media Browser panel

Sequence

Zoom controls

Program Monitor

Audio Mixer panel

TimelineTools panel

Creating a New Project and Exploring the Workspace

Page 4: Chapter 1

Creating a New Project and Exploring the Workspace

• Panels can be moved by clicking and dragging the panel tabs.

• As you drag a panel, an area becomes highlighted; this is called the drop zone.

• A custom workspace is one that has been created by the user and is saved with a unique name.

Page 5: Chapter 1

Moving panels in the workspace

Drop Zone

Creating a New Project and Exploring the Workspace

Page 6: Chapter 1

Creating a New Project and Exploring the Workspace

• The Project panel organizes all the assets for your project.

• Digital assets can include video clips, digital images, and audio clips.

• The Timeline panel is where you assemble assets and edit them.

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Creating a New Project and Exploring the Workspace

• The Source Monitor is used to preview assets from the Project panel or the Media Browser before you place them in a sequence.

• The Program Monitor displays the contents of the Timeline—your project in progress.

Page 8: Chapter 1

Creating a New Project and Exploring the Workspace

• The New Project dialog box opens up when you create a new project. It has two tabs:– General tab is where you adjust settings regarding

safe margins and video/audio formats. – Scratch Disks tab provides settings for a variety of

files associated with the video editing process including where they are stored.

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Scratch Disks tab in the New Project dialog box

General tab

File location

Project file name

Scratch Disks tab

Same as Project

Creating a New Project and Exploring the Workspace

Page 10: Chapter 1

Creating a New Project and Exploring the Workspace

• A sequence is where the digital assets are placed and edited. At least one sequence is required in a Premiere Pro project, which is why you are prompted to create one when beginning a project.

• The New Project dialog box opens up when you create a new project.

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Creating a New Project and Exploring the Workspace

• The New Sequence dialog box has three tabs:– Sequence Presets– Settings– Tracks

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New Sequence dialog box

Creating a New Project and Exploring the Workspace

Page 13: Chapter 1

Creating a New Project and Exploring the Workspace

• The Sequence presets tab has a number of categories of sequence settings for commonly used capture devices.

• It is recommended that you choose the preset that matches the settings for your device if it is available.

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Creating a New Project and Exploring the Workspace

• The Settings tab is available to customize settings if there is not a preset available for your device.

• It is recommended that you use the preset that is the closest match to your device and continue with any necessary customizations on the Settings tab.

Page 15: Chapter 1

Creating a New Project and Exploring the Workspace

• The Tracks tab allows you to indicate how many video and audio tracks will be added when the sequence is created; by default, three video tracks and three stereo audio tracks are created.

• Tracks can be added or deleted later.

Page 16: Chapter 1

Importing Assets

• A Premiere Pro CS6 project is a single file that stores all references to digital assets used in the project.

• Digital assets may include video, audio, still images, and Photoshop and Illustrator files.

Page 17: Chapter 1

Importing Assets

• A project file also contains sequences (or timelines); these are where the digital assets are placed and edited.

• Video projects characteristically take up a lot of memory so to help keep the file size down, Premiere Pro creates reference files that point to the original files being imported.

Page 18: Chapter 1

Importing Assets

• The Project panel is your “file cabinet” of assets.

• You can create bins to help organize your Project panel.

• Bins may contain assets, sequences, or other bins.

Page 19: Chapter 1

Project panel

Project panel with bins and assets

Asset preview

Bin

New Bin button

Assets

Importing Assets

Page 20: Chapter 1

Importing Assets

• The Media Browser provides a convenient way to locate, sort, preview, and import assets that you plan to use in your Premiere Pro project.

• It also provides access to the assets that you are using while you edit.

Page 21: Chapter 1

Media Browser

Computerdirectory

Folders and Files

Importing Assets

Page 22: Chapter 1

Importing Assets

• Storyboarding is a way to plan your video by placing clips or digital assets in the order you plan to have them play.

• Icon view shows thumbnails, which are smaller versions of the digital assets you imported.

Page 23: Chapter 1

Return to Parent bin

Organizing a storyboard in Icon view

Preview

List View button

Icon View button

Zoom controls

Importing Assets

Page 24: Chapter 1

Working with the Timeline Panel and Sequences

• A sequence is located in the Timeline panel and is where most editing takes place.

• Adobe Premiere Pro can have multiple sequences and you can place sequences inside other sequences to break your project up into manageable pieces.

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Working with the Timeline Panel and Sequences

• Sequences are comprised of video and audio tracks.

• Tracks are where the clips are assembled, edited, and enhanced with effects and transitions.

Page 26: Chapter 1

Working with the Timeline Panel and Sequences

• A sequence can consist of multiple audio and video tracks, but must contain at least one of each.

• Multiple tracks are used to blend clips together.

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Working with the Timeline Panel and Sequences

• The Timeline panel includes the following features:– Time Ruler– Current-time display– Play head and Current-time Indicator (CTI)– Work area bar– Horizontal Zoom bar

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Current-time display

Timeline panel

Playhead and Current-time Indicator

Video tracksAudio tracks

Horizontal Zoom bar

Timeline ruler

Work area bar

Working with the Timeline Panel and Sequences

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Working with the Timeline Panel and Sequences

• The Time ruler measures the time in the sequence horizontally.

• Icons for markers and In and Out points are also displayed here.

Page 30: Chapter 1

Working with the Timeline Panel and Sequences

• The Current-time display shows the timecode for the current frame.

• Timecodes mark specific frames with unique addresses and are recorded onto videotape during the recording process.

Page 31: Chapter 1

Working with the Timeline Panel and Sequences

• The Current-time Indicator (CTI) indicates the current frame displayed in the Program Monitor.

• The CTI is a light gold triangle in the Time ruler with a vertical red line extending through the video and audio tracks.

Page 32: Chapter 1

Working with the Timeline Panel and Sequences

• The CTI can be moved by clicking and dragging on the gold triangle.

• This can also be used as a preview method, referred to as scrubbing.

Page 33: Chapter 1

Working with the Timeline Panel and Sequences

• The work area bar indicates the area of the sequence that you want to preview or export.

• The brackets on either end, located just below the Time ruler, are adjustable so you can export portions of a large project for preview.

Page 34: Chapter 1

Working with the Timeline Panel and Sequences

• The horizontal zoom bar is the area that corresponds with the visible portion of the Timeline panel and allows you to quickly move to different parts of the sequence.

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Working with the Timeline Panel and Sequences

• The ends of the horizontal zoom bar can be used to increase or decrease the number of visible frames in the viewing area.

• The horizontal zoom bar allows you to adjust the range of time being viewed in the Timeline panel.

Page 36: Chapter 1

Working with the Timeline Panel and Sequences

• To add clips to a sequence on the Timeline panel, simply drag the clip from the Project panel to the sequence.

• If it is an audio clip it needs to be placed on an audio track; all other clips are placed on video tracks.

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Working with the Timeline Panel and Sequences

• You are also able to add clips to a sequence while previewing them on the Source Monitor.

• You can either drag an image from the Source Monitor to a track, or use the Insert button or the Overwrite button on the Source Monitor to place the clip on the sequence.

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Working with the Timeline Panel and Sequences

• Premiere Pro has a command that lets you place images from a storyboard on a sequence in the order that they were organized. This feature is called Automate to Sequence.

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Ordering

Automate To Sequence dialog box

Working with the Timeline Panel and Sequences

Page 40: Chapter 1

Working with the Timeline Panel and Sequences

• The Selection tool:– is used to select menu items and objects in the

Premiere Pro workspace.– is used for selecting clips in a sequence and in the

project.

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All tracks to the right are selected, including scenic15.jpg

Automate To Sequence dialog box

Track Select tool

Working with the Timeline Panel and Sequences

Page 42: Chapter 1

Working with the Timeline Panel and Sequences

• The Ripple Delete command removes a clip from the sequence without leaving any gaps if the clip being removed is located between two other clips.

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Working with the Timeline Panel and Sequences

• The Program Monitor plays back the clips you are assembling in the active sequence on the Timeline panel for you to preview.

Page 44: Chapter 1

Applying Video Transitions

• A transition is used to move from one clip to the next in your sequence.

• Transitions can add additional interest to your video and can be as simple as phasing out one image and phasing in another.

Page 45: Chapter 1

Applying Video Transitions

• After you find the transition you want to apply on the Effects panel, simply drag the transition to the vertical line between two clips, known as the cut line, and release the mouse button.

• By default, the transition is placed centered on the cut, which is the space between two clips.

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Applying Video Transitions

• You can place or align the transition in one of three ways: Center at Cut, End at Cut, or Start at Cut. By default, the transition is placed centered on the cut, which is the space between two clips.

Page 47: Chapter 1

End at Cut icon

Three alignment options for placing a transition

Center at Cut icon Start at Cut icon

Applying Video Transitions

Page 48: Chapter 1

Applying Video Transitions

• When working with transitions, it is a good idea to change to the Effects workspace.

• Different options are available on the Effect Controls panel for each transition.

Page 49: Chapter 1

Applying Video Transitions

• Some transitions have edge selectors, which are arrows that change the orientation or direction of a transition.

• Start and End sliders can be changed with the three alignment settings.

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Applying Video Transitions

• The Show Actual Sources setting displays the starting and ending frames of the clips.

• The Border Width setting adjusts the width of the optional border on the transition. The default border width setting is 0.0.

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Applying Video Transitions

• The Border Color setting specifies the color of the transition’s border.

• The Reverse setting plays the transition backward.

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Applying Video Transitions

• The Anti-aliasing Quality setting adjusts the• smoothness of the transition’s edges.• The Custom setting changes settings specific

to the transition.• Most transitions do not have custom settings.

Page 53: Chapter 1

Show/Hide Timeline View button

Additional transition options on the Effect Controls panel

Alignment drop-down menu

Edge selectors would be located here if

available

Show Actual Sources

Border Width

Border Color

ReverseAnti-aliasing

Quality

Custom

Slider

Applying Video Transitions

Page 54: Chapter 1

Working with Motion Effects

• A keyframe is a snapshot of how you want a clip to look at a specified time, and is defined on the Effect Controls timeline.

• When working with keyframes you always need to define at least two keyframes: a start point and an end point.

Page 55: Chapter 1

TimelineWorking with keyframes on the Effect Controls panel

Horizontal Zoom bar

Add/Remove Keyframe button

Keyframe navigators

Show/Hide Timeline View button

Toggle animation icon

Working with Motion Effects

Page 56: Chapter 1

Working with Motion Effects

• A basic effect that provides a lot of impact is to fade an image in and out.

• Fading is created by applying the Opacity effect.

Page 57: Chapter 1

Working with Motion Effects

• Opacity adjusts the level of transparency on a scale of 0% to 100%.

• If you set the Opacity at 0% your clip is completely transparent; at 100% it has no transparency.

Page 58: Chapter 1

Examples of Opacity

100% opacityImages layered, with picture from

upper-right set at 50% opacity 100% opacity

Working with Motion Effects

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Working with Motion Effects

• The Program Monitor provides another option to work with applying motion effects.

• The Motion properties—Position, Scale, and Rotate—are spatial in nature and therefore easier to manipulate on the Program Monitor.

Page 60: Chapter 1

Working with Motion Effects

• When working with Motion Effects controls you need to create only one keyframe.

• Additional keyframes are created automatically at the location of the CTI.

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Applying motion effects on the Program Monitor

HandlesHorizontal Zoom

controlTransform button Rotate cursor

Working with Motion Effects

Page 62: Chapter 1

Designing and Inserting Titles

• Titling is an important way to enhance your message and to provide credit by adding text to the video montage.

• Titling allows you to bring a stronger message or meaning to your video montage through the addition of quotes.

Page 63: Chapter 1

Designing and Inserting Titles

• The Titler is a free-floating window that is made up of a group of panels that are all related to creating titles.

Page 64: Chapter 1

Titler window

Title Styles panel

Title Tools panelTitle Properties

panelTitle panel

Title Actions panel

Designing and Inserting Titles

Page 65: Chapter 1

Designing and Inserting Titles

• Premiere Pro offers the option to create a title from either the File menu or the Title menu.

• If you choose to create a title from the Title menu you can choose among three types of titles: Default Still, Default Roll, or Default Crawl.

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Designing and Inserting Titles

• A title that has fixed text is called still.• Titles in which text moves vertically over the

footage are called rolls.• If the text moves horizontally, it is referred to

as a crawl.

Page 67: Chapter 1

Roll/Crawl Options dialog box

Title Type

Designing and Inserting Titles

Page 68: Chapter 1

Designing and Inserting Titles

• After titles are created, they can be changed into one of the three available types: still, roll, or crawl.

• You can also choose to apply a template after you create a title.

Page 69: Chapter 1

Designing and Inserting Titles

• The Title panel is where you can make basic formatting decisions such as Font family, Font style, Font size, and Alignment options.

• More advanced options can be found on the Title Properties panel.

Page 70: Chapter 1

Title panel

Title tab Font family Font size Alignment options Show Background Video button

New Title Based on Current Title

Roll/Crawl options

TemplatesFont styles

Kerning LeadingTabs stops Background Video

Timecode

Designing and Inserting Titles

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Designing and Inserting Titles

• While working with the Title Properties panel, if you create a format you really like you can save it as a style and add it to the Title Styles panel.

• The style you create then becomes part of the Style library in Premiere Pro and is available to you in all projects that you create.

Page 72: Chapter 1

Designing and Inserting Titles

• Styles are a great way to keep a consistent look and feel when working in a project without having to remember all the settings you chose to make the style.

Page 73: Chapter 1

Title Styles panel

New Style command

Styles

Designing and Inserting Titles

Page 74: Chapter 1

Exporting a Movie

• Export or encode your movie so that other people will be able to view it.

• You can export to videotape, create a file for viewing on a computer or the Internet, or put your project on a DVD or Blu-ray disc with or without menus and other features.

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Exporting a Movie

• You need to consider a few options when you export a movie for others to view on another computer or the Internet.

• Reducing file size is important for storage, transmission, and effective playback.

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Exporting a Movie

• Codecs (compressor/decompressors, also known as encoder/decoders) make video Web-friendly.

• A streaming video is also referred to as live streaming video.

• Streaming video occurs when a video is played much like a traditional live broadcast on television, accept that it is affected by the bandwidth that is available.

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Exporting a Movie

• Buffering (delay before the video begins to play) may occur when the bandwidth does not meet the required need of the video that is playing; that is, the video pauses until the bandwidth becomes sufficient again.

• Progressive downloadable video plays the movie without interruption.

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Exporting a Movie

• You have two options for exporting a file from the Export Settings dialog box: you can choose either the Queue button or the Export button.

• The Queue button launches the Adobe Media Encoder application using the designated export settings; this application then renders and saves the file.

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Exporting a Movie

• The Export button uses the export settings designated in the Export Settings dialog box.

• An Encoding dialog box launches showing the approximate time it will take to export the file.

Page 80: Chapter 1

Adobe Media Encoder dialog window

Start QueueFile queue list

Preview

Output name/path

Exporting a Movie