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chap2 - CMU · Figure 7.41 (a) The Mona Lisa and (b) the central portion of its power spectrum. (c) Mona, with her high spatial frequencies removed. (d) Mona

Jul 23, 2020

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Page 1: chap2 - CMU · Figure 7.41 (a) The Mona Lisa and (b) the central portion of its power spectrum. (c) Mona, with her high spatial frequencies removed. (d) Mona
Page 2: chap2 - CMU · Figure 7.41 (a) The Mona Lisa and (b) the central portion of its power spectrum. (c) Mona, with her high spatial frequencies removed. (d) Mona
Page 3: chap2 - CMU · Figure 7.41 (a) The Mona Lisa and (b) the central portion of its power spectrum. (c) Mona, with her high spatial frequencies removed. (d) Mona
Page 4: chap2 - CMU · Figure 7.41 (a) The Mona Lisa and (b) the central portion of its power spectrum. (c) Mona, with her high spatial frequencies removed. (d) Mona

just introduces a shift in the δ axis, which is irrelevant.

Page 5: chap2 - CMU · Figure 7.41 (a) The Mona Lisa and (b) the central portion of its power spectrum. (c) Mona, with her high spatial frequencies removed. (d) Mona
Page 6: chap2 - CMU · Figure 7.41 (a) The Mona Lisa and (b) the central portion of its power spectrum. (c) Mona, with her high spatial frequencies removed. (d) Mona
Page 7: chap2 - CMU · Figure 7.41 (a) The Mona Lisa and (b) the central portion of its power spectrum. (c) Mona, with her high spatial frequencies removed. (d) Mona

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back to interference problem:

Page 8: chap2 - CMU · Figure 7.41 (a) The Mona Lisa and (b) the central portion of its power spectrum. (c) Mona, with her high spatial frequencies removed. (d) Mona

AA

k

2

22

Single Slit Diffraction

Page 9: chap2 - CMU · Figure 7.41 (a) The Mona Lisa and (b) the central portion of its power spectrum. (c) Mona, with her high spatial frequencies removed. (d) Mona
Page 10: chap2 - CMU · Figure 7.41 (a) The Mona Lisa and (b) the central portion of its power spectrum. (c) Mona, with her high spatial frequencies removed. (d) Mona

A

h

h

h

Page 11: chap2 - CMU · Figure 7.41 (a) The Mona Lisa and (b) the central portion of its power spectrum. (c) Mona, with her high spatial frequencies removed. (d) Mona

A

A-

R

Page 12: chap2 - CMU · Figure 7.41 (a) The Mona Lisa and (b) the central portion of its power spectrum. (c) Mona, with her high spatial frequencies removed. (d) Mona

A

A

A

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Page 13: chap2 - CMU · Figure 7.41 (a) The Mona Lisa and (b) the central portion of its power spectrum. (c) Mona, with her high spatial frequencies removed. (d) Mona