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Centre for Digital Scholarship Julia Craig-McFeely FACULTY OF MUSIC, UNIVERSITY OF OXFORD Exultation and despondency: the digital reconstruction of the lost partbooks of John Sadler Among the many examples of Tudor music in Oxford’s libraries is a badly damaged set of partbooks written by schoolmaster John Sadler in the mid 1500s. Acid paper and acid ink has caused burn-through damage to most of the pages in the book, rendering much of the content nearly illegible. The Tudor Partbooks project (a collaboration funded by the AHRC between musicologists at Newcastle University and the University of Oxford) is engaged in restoring Sadler’s books to usability for publication in facsimile form as their fragility means they have not been available to readers since the early 1970s. This talk looks at some of the techniques of digital reconstruction and restoration developed by the Tudor Partbooks team, and some of the difficulties we have encountered, both physical and ethical, in developing this complex process. Register for this talk via http://www.bodleian.ox.ac.uk/bodley/whats-on . Julia Craig-McFeely is DIAMM Research Fellow at the Faculty of Music. She is a director of the Digital Image Archive of Medieval Music , for which she has developed digital restoration techniques to restore damaged manuscripts to readability and a database of manuscript metadata that covers every polyphonic music manuscript prior to 1600. She has published and lectured on English Lute Manuscripts, Early modern scribal identification, digital restoration and imaging techniques for fragile manuscripts, and was the imaging advisor on the pilot project to digitize the Dead Sea Scrolls. As a specialist manuscript photographer she has worked on documents as diverse as the Winchester Bible and the diaries of Imogen Holst. She is a collaborator on a number of international projects in digital humanities. http://blogs.bodleian.ox.ac.uk/digital/2016/01/27/julia-craig-mcfeely/ 13.00–14.00, Friday 5 February 2016 Centre for Digital Scholarship Weston Library RESEARCH UNCOVERED Image: DIAMM of Bodleian Library GB-Ob Mus. e.4, f.28v
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Centre for Digital Scholarship Weston Libraryblogs.bodleian.ox.ac.uk/wp-content/uploads/sites/166/2016/01/Julia... · Centre for Digital Scholarship Julia Craig-McFeely FACULTY OF

May 24, 2020

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Page 1: Centre for Digital Scholarship Weston Libraryblogs.bodleian.ox.ac.uk/wp-content/uploads/sites/166/2016/01/Julia... · Centre for Digital Scholarship Julia Craig-McFeely FACULTY OF

Centre for Digital Scholarship

Julia Craig-McFeelyFACULTY OF MUSIC, UNIVERSITY OF OXFORD

Exultation and despondency: the digital reconstruction of the lost partbooks of John SadlerAmong the many examples of Tudor music in Oxford’s libraries is a badly damaged set of partbooks written by schoolmaster John Sadler in the mid 1500s. Acid paper and acid ink has caused burn-through damage to most of the pages in the book, rendering much of the content nearly illegible. The Tudor Partbooks project (a collaboration funded by the AHRC between musicologists at Newcastle University and the University of Oxford) is engaged in restoring Sadler’s books to usability for publication in facsimile form as their fragility means they have not been available to readers since the early 1970s. This talk looks at some of the techniques of digital reconstruction and restoration developed by the Tudor Partbooks team, and some of the difficulties we have encountered, both physical and ethical, in developing this complex process.

Register for this talk via http://www.bodleian.ox.ac.uk/bodley/whats-on.

Julia Craig-McFeely is DIAMM Research Fellow at the Faculty of Music. She is a director of the Digital Image Archive of Medieval Music, for which she has developed digital restoration techniques to restore damaged manuscripts to readability and a database of manuscript metadata that covers every polyphonic music manuscript prior to 1600. She has published and lectured on English Lute Manuscripts, Early modern scribal identification, digital restoration and imaging techniques for fragile manuscripts, and was the imaging advisor on the pilot project to digitize the Dead Sea Scrolls. As a specialist manuscript photographer she has worked on documents as diverse as the Winchester Bible and the diaries of Imogen Holst. She is a collaborator on a number of international projects in digital humanities.

http://blogs.bodleian.ox.ac.uk/digital/2016/01/27/julia-craig-mcfeely/

13.00–14.00, Friday 5 February 2016Centre for Digital Scholarship

Weston Library

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Bodleian LibraryGB-Ob Mus. e.4, f.28v