Captain Tobias Hume The Passion of Musick The Souldiers Song, for bass & ensemble Tobias Hume Nima Ben David 1:59 2 A souldiers Galiard (Poeticall Musicke) Tobias Hume Nima Ben David 1:4 3 3 Fain Would I Change That Note for soprano & ensemble Tobias Hume Nima Ben David 2:4 7 4 Tobacco is like Love Tobias Hume Nima Ben David 1:4 7 5 M.S. Georges delight (Poeticall Musicke) Tobias Hume Nima Ben David 2:2 0 6 Cease Leaden Slumber, the Queens New-yeeres Gift (from Captaine Humes Poeticall Musicke) Tobias Hume Nima Ben David 5:2 1
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Captain Tobias Hume The Passion of Musick
The Souldiers Song, for bass & ensemble
Tobias Hume
Nima Ben David 1:59
2A souldiers Galiard (Poeticall Musicke)
Tobias Hume
Nima Ben David
1:43
3
Fain Would I Change That Note for soprano & ensemble
Tobias Hume
Nima Ben David
2:47
4Tobacco is like Love
Tobias Hume
Nima Ben David
1:47
5
M.S. Georges delight (Poeticall Musicke)
Tobias Hume
Nima Ben David
2:20
6
Cease Leaden Slumber, the Queens New-yeeres Gift (from Captaine Humes Poeticall Musicke)
Tobias Hume
Nima Ben David
5:21
7
The Pashion of Musicke. Sir Christopher Hattons choice
Tobias Hume
Nima Ben David
3:48
8 What Greater Griefe, for soprano & ensemble (from Captaine Humes Poeticall Musicke)
WIR DANKEN DIR GOTT, WIR DANKER DIR (BWV 29) - 0:01Sinfonia for organ obbligato, three natural trumpets, timpani, two oboes, solo violin, two violins, viola and basso continuo in D majornote: after BWV 1006
NACH DIR, HERR, VERLANGET MICH (BWV 150)Sinfonia (Adagio) for two violins, bassoon and basso continuo in B minor - 3:43
AM ABEND ABER DESSELBIGEN SABBATS (BWV 42) Sinfonia for two oboes, two violins, bassoon, violoncello and basso continuo in D major - 6:21
GEIST UND SEELE WIRD VERWIRRET (BWV 35)Sinfonia for two oboes, english horn, organ obbligato, two violins, viola and basso continuo in D minor - 13:01note: after BWV 1059
ICH STEH' MIT EINEM FUSS IM GRABE (BWV 156)Sinfonia (Adagio) for oboe, two violins, viola and basso continuo in F major - 18:18note: after BWV 1056
GEIST UND SEELE WIRD VERWIRRET (BWV 35)Sinfonia for two oboes, english horn, organ obbligato, two violins, viola and basso continuo in D minor - 21:03note: after BWV 1059
DER HERR DENKET AN UNS (BWV 196)Sinfonia (Andante) for two violins, viola, violoncello and basso continuo (organ) in C minor - 24:43
DER HIMMEL LACHT, DIE ERDE JUBILIERET (BWV 31)Sonata (Allegro) for three natural trumpets, timpani, three oboes, english horn, bassoon, two violins, two violas, two violoncellos and basso continuo in C major - 27:25
TRITT AUF DIE GLAUBENSBAHN (BWV 152) Sinfonia (Ouverture à la française - Adagio, allegro ma non presto) for recorder, oboe, viola d'amore, viola da gamba & basso continuo in E minor - 30:00
GOTT SOLL ALLEIN MEIN HERZE HABEN (BWV 169)Sinfonia for two oboes, english horn, organ obbligato, two violins, viola and basso continuo in D major - 33:14note: after BWV 1053
WEINEN, KLAGEN, SORGEN, ZAGEN (BWV 12)Sinfonia (Adagio assai) for oboe, two violins, two violas and basso continuo in F major - 42:18
FALSCHE WELT, DIR TRAU' ICH NICHT (BWV 52)Sinfonia for two horns, three oboes, bassoon, two violins, viola and basso continuo (organ) in F major - 44:52note: after BWV 1046
UNS IST EIN KIND GEBOREN (BWV 142)Concerto for two recorders, two oboes, two violins, viola and basso continuo in A minor - 49:19note: work by Johann Kunhau
WIR MUESSEN DURCH (BWV 146)Sinfonia for organ concertante, two oboes, english horn, two violins, viola and basso continuo in D major - 50:38note: after BWV 1052
HIMMELSKOENIG, SEI WILLKOMMEN (BWV 182)Sinfonia/Concerto (Grave, adagio) for recorder, solo violin, violin, two violas, violoncello and basso continuo (violoncello) in G major - 58:37
ICH LIEBE DEN HOECHSTEN VON GANZEM GEMUETE (BWV 174)Sinfonia/Concerto for two horns, two oboes, english horn, three violins, three violas, three violoncellos and basso continuo (bassoon, violone) in G major - 1.01:04note: after BWV 1048
ICH HATTE VIEL BEKUEMMERNISS (BWV 21)Sinfonia (Adagio assai) for oboe, two violins, viola and basso continuo (organ, bassoon) - 1.06:43
GLEICHWIE DER REGEN UND SCHNEE VOM HIMMEL FAELLT (BWV 18)Sinfonia (Ciaccona) for recorder, four violas, violoncello and basso continuo in G minor - 1.09:46
DIE ELENDEN SOLLEN ESSEN (BWV 75)Sinfonia for natural trumpet, two violins, viola, violoncello and basso continuo in G major - 1.12:46
Accademia Bizantina / Ottavio Dantone (conductor)
Philippe Jarousski for Mazarin1.Maurizio Cazzati: Acclamate de terra, motet Maurizio Cazzati
2. Girolamo Frescobaldi: Capriccio for keyboard in G major (Bauyn MS; CEKM 30/2, No. 9)
3. Francesco Foggia: O quam clemens, motet for 2 sopranos
4. Francesco Turini: Sonata à 3 "sopra la Monica" Francesco Turini
Fugues et caprices à quatre parties
5. François Roberday: Fugue à quatre parties sur un sujet italien François Roberday
6. Claudio Monteverdi: Sancta Maria, succurre miseris, motet for 2 sopranos, SV 328
7. Lodovico Viadana: Canzon francese in risposta
8. Giovanni Paolo Cima: Surge propera, in eco, for chamber ensemble
9. Nicolò Fontei: Laudate pueri, for voice & 3 instruments
10. Maurizio Cazzati: Capriccio e ciaccona, for chamber ensemble
11. Luigi Rossi: Passacaglia Luigi Rossi
In caligine umbrosa, cantata for voice & continuo
12. Giovanni Battista Bassani: Recitativo. In caligine umbrosa / Aria. Festinate, o penæ terrenæ / Recitativo. Ah! non conturbate
13. Giovanni Battista Bassari: Aria. Alta gloria, cara vita! / Recitativo. Anhelo spe costante Giovanni Battista Bassari
Henry Purcell -The Complete Secular solo songs
Disc: 11. Draw near, you lovers, song for soprano & bass, Z. 4622. While Thirsis, wrapt in downy sleep, song, Z. 4373. Love, thou canst hear, tho' thou art blind, song, Z. 3964. I lov'd fair Celia, song, Z. 3815. What hope for us remains now he is gone? (On the death of Matthew Locke), song for soprano, chorus & continuo, Z. 4726. Pastora's beauties when unblown, song, Z. 4077. A thousand sev'ral ways I tried, song, Z. 3598. Urge me no more, song, Z. 4269. Farewell, all joys, song, Z. 36810. If music be the food of love, song, Z. 379 (3 settings)11. Amidst the shades and cool and refreshing streams, for soprano & continuo,
Z. 35512. They say you're angry ('The Rich Rival'), song, Z. 42213. Let each gallant heart, song, Z. 39014. Anacreon's defeat ('This poet sings the Trojan Wars'), song, Z. 42315. Ah! how pleasant 'tis to love, for soprano & continuo, Z. 35316. My heart, whenever you appear, song, Z. 39917. On the brow of Richmond Hill, song, Z. 40518. Rashly I swore I would disown, song, Z. 41119. Since the pox or the plague, song, Z. 47120. Beneath a dark and melancholy grove, song, Z. 46121. Musing on cares of human fate, song, Z. 46722. Whilst Cynthia sung, all angry winds lay still, song, Z. 43823. How I sigh when I think of the charms, song for soprano & continuo, Z. 37424. Ye happy swains, whose nymphs are kind, song, Z. 44325. Beware, poor Shepherds, song, Z. 36126. See how the fading glories of the year, song, Z. 47027. Cease, anxious world, your fruitless pain, song for soprano & continuo, Z. 36228. O! fair Cedaria, hide those eyes, song, Z. 402Disc: 21. I love and I must, song, Z. 3822. When her languishing eyes said 'love', song, Z. 4323. Not all my torments can your pity move, song, Z. 4004. Ah! cruel nymph! you give despair for soprano & continuo, Z. 3525. Sylvia, now your scorn give over, song, Z. 4206. Since one poor view has drawn my heart, song, Z. 4167. I resolve against cringing, song, Z. 3868. Gentle shepherds, you that know, song, Z. 4649. If grief has any pow'r to kill, song, Z. 37810. She that would gain a faithful lover, song, Z. 41411. Fly swift, ye hours, song, Z. 36912. Hears not my Phyllis (The Knotting Song), song, Z. 37113. Phyllis, talk no more of passion, song, Z. 40914. Celia's fond, too long I've loved her, song for soprano & continuo, Z. 36415. In vain we dissemble, song, Z. 38516. When my Aemelia smiles, song, Z. 43417. Farewell, ye rocks, song, Z. 46318. What a sad fate is mine, song, Z. 428 (2 versions)19. I take no pleasure in the sun's bright beams, song, Z. 38820. Love's pow'r in my heart shall find no compliance, song, Z. 39521. How delightful's the life of an innocent swain, song, Z. 37322. She who my poor heart possesses, song, Z. 41523. Love arms himself in Celia's eyes, song, Z. 39224. When first my shepherdess and I, song, Z. 43125. Through mournful shades and solitary groves, song, Z. 42426. If music be the food of love, song, Z. 379 (3 settings)
27. Scarce had the rising sun appear'd, song, Z. 46928. Who but a slave can well express, song, Z. 44029. High on a throne of glitt'ring ore (Ode to the Queen), song, Z. 46530. Incassum, Lesbia, incassum rogas (The Queen Epicedium), song, Z. 383Disc: 31. She loves and she confesses too, song, Z. 4132. Amintas, to my grief I see, for soprano & continuo, Z. 3563. Corinna is divinely fair, song, Z. 3654. Amintor, heedless of his flocks, for soprano & continuo, Z. 3575. He himself courts his own ruin, song, Z. 3726. No, to what purpose should I speak, song, Z. 4687. Sylvia, 'tis true you're fair, song, Z. 5128. Lovely Albina's come ashore, song, Z. 3949. Spite of the godhead, pow'rful love, song, Z. 41710. If music be the food of love, song, Z. 379 (3 settings)11. Phyllis, I can ne'er forgive it, song, Z. 40812. Bacchus is a power divine, song, Z. 36013. From silent shades and the Elysian groves (Bess of Bedlam), song, Z. 37014. Let formal lovers still pursue, song, Z. 39115. I came, I saw, and was undone, song, Z. 37516. Who can behold Florella's charms?, song, Z. 44117. Cupid, the slyest rogue alive, song, Z. 36718. If prayers and tears, song, Z. 38019. In Cloris all soft charms, song, Z. 38420. Let us, kind Lesbia, give away, song, Z. 46621. Love is now become a trade, song, Z. 39322. Ask me to love no more, song, for soprano & continuo, Z. 35823. O solitude, my sweetest choice, song, Z. 40624. Olinda in the shades unseen, song, Z. 40425. Pious Celinda goes to prayers, song, Z. 41026. When Strephon found his passion vain, song, Z. 43527. The fatal hour comes on apace, song, Z. 42128. Sawney is a bonny lad, song, Z. 41229. Young Thyrsis' fate, ye hills and groves, deplore (On the death of Thomas Farmer), song for soprano, bass & continuo, Z. 473
Mateo Romero (ca.1575-1637) - Romerico Florido
1. Entre dos mansos arroyos, Romance a 4 7'412. Romerico florido, Folía a 2 3'533. Coraçon, ¿donde estuvistes?, Cancíon a 3 3'454. Hermosas y enjojadas (instrumental) 3'535. A la dulce risa del alva, Folía a 4 3'556-7. ¡Ay, qué me muero de zelos, Letrilla a 3 4'288. Las eridas de Medoro (instrumental) 3'069. Aquella hermosa aldeana, Romance a 4 5'0010. En este inbierno frío, Cancíon a 3 4'0011. Caiase de un espino, Romance a 4 5'5312. Volarás, pensamiento mío, Canción a 3 4'1613. Fatigada navecilla, Romance a 4 2'4014. En una playa amena, Cancíon a 3 6'0815. Pescador, que das al mar, a 4 2'07
Stéphanie de Failly, violonTatiana Babut du Marès, flûte à becRodrigo Calveyra, cornet à bouquin et flûte à becFrançois Joubert-Caillet, dessus et taille de violeMargaux Blanchard, basse de violeLucile Boulanger, alto de violeThomas Dunford, vihuelaVincent Flückiger, vihuelaMarie Bournisien, harpe chromatiqueThierry Gomar, percussions
Léonardo García Alarcón, direction et orgue
Johann Heinrich Schmelzer (c.1620-1680) - Sonatas
Sonatas
1 SONATA IV a sei* 0:002 SONATA VIII a cinque* 4:11 3 SONATINA IV a due** 7:15
4 SONATA V a sei* 10:38 5 SONATA "PASTORALE" a tre*** 14:03
6 SONATA IX a cinque* 17:48 7 SONATA VI a sei* 21:46
8 SONATA "LANTERLY" a tre*** 24:54 9 SONATA XI a tre** 30:26 10 SONATA X a tre** 35:40
11 SONATA XII a tre** 40:08 12 SONATA III a sei* 46:10
13 SONATINA VI a due** 50:25 14 SONATA VII a cinque* 54:14
20. Overture in E major for 2 oboe d'amore, 2 violins, viola & continuo, GWV
439~Menuet 1 & 2(2:27)
Listen
21. Overture in E major for 2 oboe d'amore, 2 violins, viola & continuo, GWV
439~Tombeau(4:17)
Listen
22. Overture in E major for 2 oboe d'amore, 2 violins, viola & continuo, GWV
439~Menuet 1 & 2(3:01)
Listen
23. Sinfonia in G major, for 2 horns, 2 violins, viola & continuo, GWV 578~Allegro(2:28)
Listen
24. Sinfonia in G major, for 2 horns, 2 violins, viola & continuo, GWV
578~Andante(1:50)
Listen
25. Sinfonia in G major, for 2 horns, 2 violins, viola & continuo, GWV 578~Menuet 1 &
2(2:49)
Giovanni Gabrieli The Cantatas and Sonatas from Sacrae Symphoniae
1. Canzon duodecimi toni a 10 C.1792. Canzon primi toni a 8 C.1703. Canzon primi toni a 10 C.1764. Toccata quinti toni C.S25. Canzon duodecimi toni a 10 C.1796. Canzon quarti toni a 15 C.1857. Canzon duodecimi toni a 10 C.1778. Toccata C.D169. Sonata pian' e forte a 8, alla bassa C.17510. Canzon septimi toni a 8 C.17111. Toccata C.D1512. Canzon septimi toni a 8 C.17213. Canzon in echo duodecimi toni a 10 C.18014. Canzon duodecimi toni a 8 C.17415. Toccata C.D13
16. Canzon septimi et octavi toni a 12 C.18217. Sonata octavi toni a 12 C.18418. Canzon in echo duodecimi toni a 10, per concertar con l'organo C.18119. Intonazione noni toni C.247b20. Canzon noni toni a 8 C.17321. Canzon noni toni a 12 C.183
HIS MAJESTYS SAGBUTTS AND CORNETTS
Giovanni Gabrieli (c.1553-1612) - Sonate e Canzoni
1. Canzon septimi toni a 8* 0:002. Canzon V a 7** 04:333. Canzon primi toni a 10* 08:144. Canzon noni toni a 8* 11:255. Canzon VIII a 8** 14:406. Canzon X a 8** 20:197. Ricercar del primo tono 24:528. Canzon duodecimi toni a 10* 28:109. Canzon seconda*** 33:5510. Canzon in echo duodecimi toni a 10 accomodata per concertar con l'organo* 36:5111. Canzon septimi toni a 8* 41:3612. Canzon VI a 7** 45:3413. Canzon duodecimi toni a 8* 50:2314. Canzon XI a 8** 54:4015. Sonata octavi toni a 12* 58:5716. Canzon XII a 8** 1:02:5617. Canzon XIV a 10** 1:06:5818. Canzon XVI a 12** 1:11:02
* Sacrae Symphoniae, 1597** Canzoni e sonate, 1615*** Canzoni per sonare, 1608 Jan Willem Jansen, Liuwe Tammingaaux orgues de San Petronio, Bologna
Girolamo Frescobaldi (1583-1643) - CanzonasIL PRIMO LIBRO DELLE CANZONI a una, due, tre e Quattro voci per sonare con ogni sorte di stromenti (1628)
CD 1 (65'24)
1 Canzona XXXII 2'54- a quattro, due canti e due bassi detta l'Altogradina2 Canzona XIII 3'33- a due canti detta la Bianchina3 Canzona XXIV 2'19- a tre, due bassi e canto detta la Nobile4 Canzona II 3'03- a canto solo detta la Bernardinia5 Canzona XXIII 3'21- a due, canto e basso detta la Franciotta6 Canzona VIII 4'07- a basso solo detta l'Ambitiosa7 Canzona XXXI 4'04- a quattro, due canti e due bassi detta l'Arnolfinia8 Cantona III 3'12- a canto solo detta la Lucchesina09 Canzona XXVII 3'00 - a tre, due canti e basso detta la Lanciona10 Canzona X 3'17 - a due canti detta la Henricuccia11 Canzona XIX 3'40- a due canto e basso detta la Capriola12 Canzona XIV 3'23 - a due bassi detta la Marina 13 Canzona XXXV 3'16- a quattro, canto, alto, tenore e basso detta l'Alessandrina
14 Canzona XXXIV 2'55- a quattro, due canti e due bassi detta la Sandoninia15 Cantona XV 3'56- a due bassi detta la Lievoratta16 Canzona XXVIII 2'27- a tre, due canti e basso detta la Lanberta17 Canzona VI 4'06- a basso solo detta l'Altiera18 Canzona XXII 4'16 - a due, canto e basso detta la Nicolina19 Canzona XI 3'31- a due canti detta la Plettenberger
CD 2 (67'40)
1 Canzona XXXVII 3'34- a quattro, canto, alto, tenore e basso detta la Sardina2 Canzona IX 2'58 - a due canti detta la Gualterina3 Canzona XXIX 3'03- a tre, due canti e basso detta la Boccellina4 Canzona IV 3'03- a canto solo detta la Donatina5 Canzona XVIII 3'03- a due, canto e basso detta la Casotti6 Canzona V 3'23- a basso solo detta la Tromboncina7 Canzona XXXIII 2'32- a quattro, due canti e due bassi detta la Novellina8 Cantona XVII 4'50- a due bassi detta la Diodata9 Canzona XX 2'49- a due, canto e basso detta la Liparella10 Canzona XVI 3'16- a due bassi detta la Samminiata11 Canzona XXXVI 3'06- a quattro, canto, alto, tenore e basso detta la Capponcina12 Canzona XXVI 3'23- a tre, due bassi e canto detta la Moricona13 Canzona VII 3'08- a basso solo detta la Superba14 Canzona XII 2'57- a due canti detta la Todeschina15 Cantona I 3'42- a canto solo detta la Bonvisia16 Toccata 3'09
- per spinettina e violino17 Toccata 2'01 - per spinettina sola, over liuto18 Canzona XXI 2'39- a due, canto e basso detta la Tegrimuccia19 Canzona XXX 3'43- a quattro, due canti e due bassi detta la Cittadellia20 Canzona II 2'12 - (bis) a canto solo21 Canzona XXV 2'32 - a tre, due bassi e canto detta la Garzoncina22 Canzon ultima 1'32- detta la Vittoria
L. Boccherini - Complete Cello Concertos, Julius Berger
Cello Concerto No. 12 in E flat majorCello Concerto No. 7 in G major, G. 480 - 16:00Cello Concerto No. 2 in A major, G. 475 - 33:50Cello Concerto No. 11 in C major, G. 573 - 46:44Cello Concerto No. 6 in D major, G. 479 - 1:03:27Cello Concerto No. 9 in B flat major, G. 482 - 1:20:51Cello Concerto No. 4 in C major, G. 477 - 1:41:26Cello Concerto No. 3 in D major, G. 476 - 1:58:42Cello Concerto No. 5 in D major, G. 478 - 2:16:03Cello Concerto No. 1 in E flat major, G. 474 - 2:33:49Cello Concerto No. 8 in C major, G. 481 - 2:53:47Cello Concerto No. 10 in D major, G. 483 - 3:10:03
2 Boccherini - String Quintets with Contrabass (G337-G339 & G223)
Quintet in B flat Op 39.1 G337 Quintet in F Op 39.2 G338 - 14:12Quintet in D Op 39.3 G339 - 32:47Quartet in G major, Op.44.4 G223 ("La Tiranna") - 50:33
Leo - Cello concertos (Anner Bylsma)
Concerto for violoncello n.2 in D MajorConcerto for violoncello n.5 in F Major 14:15Concerto for violoncello n.4 in A Major 27:41Concerto for violoncello n.3 in D Major 43:13Concerto for violoncello n.1 in A Major 56:45Sinfonia Concertata (Concerto n.6) in C Minor 1:09:15
Gaspar Sanz - "Instrucción de música sobre la guitarra española" - Hopkinson Smith
Clarines y Trompetas: 0:00Marizàpalos: 2:36La Esfachata de Napoles: 7:00La Minona de Portugal: 8:25La Minona de Cataluna: 9:27La Coquina Francesa: 10:05Zarabanda: 11:08Passacalles por segundo tono: 13:10Jiga al Aire Ingles: 20:14Pavanas con Partidas al Aire Espanol: 22:09Jàracas I: 25:05Fuga: 27:26Matachìn: 28:34La Tarantela: 30:17Preludio o Capricho Arpeado: 32:25Zarabanda Francesa: 35:41Preludio y Fantasia: 37:53 Clarìn de los Mosqueteros del Rey de Francia: 42:35Foliàs: 44:47Jàracas II: 47:16Passacalles por quarto tono punto alto: 50:04Lantururù: 56:01
Canciòn: 57:41Canarios: 59:02
Boccherini: String Quintets, op. 10
Quintet I in A Major G.265Quintet II in E Flat Major G.266Quintet III in C Minor G.267Quintet IV in C Major G.268Quintet V in E Flat MajorQuintet VI in D Major G.270
Takashi Yoshimatsu - Pleiades Dances, Kyoko Tabe
Pleiades Dances III, Op. 35Pleiades Dances IV, Op. 50 12:26Pleiades Dances V, Op. 51 27:04Pleiades Dances I, Op. 27 42:02Pleiades Dances II, Op. 28 55:15
CHARPENTIER - MISERERE MOTETS
MARC-ANTOINE CHARPENTIER
"MOTETS"
I. "Pour la seconde fois que le Saint Sacrement vient au mesme reposoir" (H. 372)
II. "Pour le Saint Sacrement au reposoir" (H. 346)
Choeurs et Orchestre de La Chapelle RoyalePhilippe Herreweghe
Enregistrement mai 1985 au Studio 103 de la Maison de Radio France.
Jean Patrice Brosse - Balbastre – Sonatas
La d'HericourtLa SegurLa BoullongneLa LugeacLa SuzanneLa MalesherbeLa Berryer ou La LamoignonLa Laporte
Johann Sebastian Bach - Concerti - Cafe Zimmermann
Concerto pour clavecin en Ré Mineur, BWV 1052: I. AllegroConcerto pour clavecin en Ré Mineur, BWV 1052: II. AdagioConcerto pour clavecin en Ré Mineur, BWV 1052: III. AllegroConcerto pour hautbois d'amour en La Majeur, BWV 1055: I. AllegroConcerto pour hautbois d'amour en La Majeur, BWV 1055: II. LarghettoConcerto pour hautbois d'amour en La Majeur, BWV 1055: III. Allegro ma non tantoConcerto pour violon en Mi Majeur, BWV 1042: I. Allegro
Concerto pour violon en Mi Majeur, BWV 1042: II. AdagioConcerto pour violon en Mi Majeur, BWV 1042: III. Allegro AssaiConcert Brandebourgeois No. 5 en Ré Majeur, BWV 1050: I. AllegroConcert Brandebourgeois No. 5 en Ré Majeur, BWV 1050: II. AffettuosoConcert Brandebourgeois No. 5 en Ré Majeur, BWV 1050: III. Allegro
Pierre Henry: L'homme à la caméra (1993)Pierre Henry (* 1927): L'homme à la caméra, musica elettronica per il film muto "L'uomo con la cinepresa" di Dziga Vertov (1993) ---
I. Entrée des spectateursII. Jeux des musiciensIII. Coeur et rail IV. L'Hangar d'avionsV. Mine IVI. LocomotionVII. CalèchesVIII. CortègeIX. PompiersX. ArtisanatXI. Central téléphoniqueXII. Mine IIXIII. Eau + machinesXIV. SportXV. GymnastiqueXVI. Motos et manègeXVII. BastringueXVIII. Grande virtuosité
1 Sonata per Chiesa et CameraJohann Heinrich Schmelzer3:38In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest2 Introitus: Terribilis est locus iste
Johann Heinrich Schmelzer2:41Missa Alleluja à 363 KyrieHeinrich Ignaz Franz von Biber2:514 GloriaHeinrich Ignaz Franz von Biber6:38In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest5 AllelujaJohann Heinrich Schmelzer2:14Missa Alleluja à 366 CredoHeinrich Ignaz Franz von Biber9:37In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest7 Offertorium: Stetit Angelus iuxta aram templiJohann Heinrich Schmelzer2:36Missa Alleluja à 368 Sanctus - Osanna - Benedictus - OsannaHeinrich Ignaz Franz von Biber5:099 Agnus DeiHeinrich Ignaz Franz von Biber2:38In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest10 Communio: Passet invenit sibi domumJohann Heinrich Schmelzer1:3711 Sonata 12 (from Sacroprofanus concentus musicus)Johann Heinrich Schmelzer4:36In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest12
Deus in adiutorium intendeJohann Heinrich Schmelzer0:1913 Dixit DominusJohann Heinrich Schmelzer2:08In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest14 Domus meaJohann Heinrich Schmelzer0:1615 ConfiteborJohann Heinrich Schmelzer4:22In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest16 Haec est domus DominiJohann Heinrich Schmelzer0:2517 Beatus virJohann Heinrich Schmelzer3:01In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest18 Bene fundata estJohann Heinrich Schmelzer0:1519 Laudate pueriJohann Heinrich Schmelzer3:23In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest20 Lapides pretiosiJohann Heinrich Schmelzer0:2821 Laudate DominumJohann Heinrich Schmelzer2:21Caelestis urbs Jerusalem (Hymnus)22 Prima pars
Giovanni Pierluigi da Palestrina1:4623 Fantasia 2 (organo)Johann Jacob Froberger3:50Caelestis urbs Jerusalem (Hymnus)24 Seconda parsGiovanni Pierluigi da Palestrina2:14In dedicatione ecclesiae: Proprium und Vesper vom Kirchweihfest25 O quam metuendusJohann Heinrich Schmelzer0:3826 MagnificatJohann Heinrich Schmelzer
Heinrich Schütz (1585-1672) – Schwanengesang
1. Psalm 119. Aleph und Beth. "Wohl denen, die ohne Wandel leben" SWV 482 2. Psalm 119. Gimel und Daleth. "Tue wohl deinem Knechte, daß ich lebe" SWV4833. Psalm 119. He und Vav. "Zeige mir, Herr, den Weg deiner Rechte" SWV 484 4. Psalm 119. Dsaïn und Chet. "Gedenke deinem Knechte an dein Wort" SWV 485 5. Psalm 119. Thet und Jod. "Du tust Guts deinem Knechte" SWV 486 6. Psalm 119. Caph und Lamed. "Meine Seele verlanget nach deinem Heil" SWV487 7. Psalm 119. Mem und Nun. "Wie habe ich dein Gesetze so lieb" SWV 488 8. Psalm 119. Samech und Aïn. "Ich hasse die Flattergeister" SWV 489 9. Psalm 119. Pe und Zade. "Deine Zeugnisse sind wunderbarlich" SWV 490 10. Psalm 119. Koph und Resch. "Ich rufe von ganzem Herzen" SWV 49111. Psalm 119. Schin und Tav. "Die Fürsten verfolgen mich ohn Ursach" SWV 492 12. Psalm 100. "Jauchzet dem Herren, alle Welt" SWV 49313. Deutsches Magnificat. "Meine Seele erhebt den Herren" SWV 494
Paul Hillier ( con )The Tapiola Chamber Choir
Theatre of Voices - Monastic Song: 12th Century Monophonic Chant (Full Album)
1.Abélard: O quanta qualia 0:002. Abélard: Virgines caste 6:143. Abélard: Planctus cigne "Clangam filii" 14:354. Quis dabit 17:485. O monialis 21:076. Rex obiit 24:487. Plange, castella 28:148. Abélard: Deprofundis 31:159. Abélard: Epithalamica 42:3510. Abélard: Planctus David "Dolorum solatium" 51:05
Carl Philipp Emanuel Bach Cembalo Concertos H 409,H 411,H 421
1. Concerto for Harpsichord in G minor, Wq 6/H 409 by Carl Philipp Emmanuel Bach
Performer: Miklós Spányi (Harpsichord) Conductor: Péter Szüts Orchestra/Ensemble: Concerto Armonico Period: Classical Written: 1740; Berlin, Germany
Date of Recording: 10/1995 Venue: Angyalföld Reformed Church, Budapest Length: 24 Minutes 55 Secs.
2. Concerto for Harpsichord in A major, Wq 8/H 411 by Carl Philipp Emmanuel Bach Performer: Miklós Spányi (Harpsichord) Conductor: Péter Szüts Orchestra/Ensemble: Concerto Armonico Period: Classical Written: 1741-1742; Berlin, Germany
Date of Recording: 10/1995 Venue: Angyalföld Reformed Church, Budapest Length: 20 Minutes 30 Secs.
3. Concerto for Harpsichord in D major, Wq 18/H 421 by Carl Philipp Emmanuel Bach Performer: Miklós Spányi (Harpsichord) Conductor: Péter Szüts Orchestra/Ensemble: Concerto Armonico Period: Classical Written: 1745; Berlin, Germany
Date of Recording: 10/1995 Venue: Angyalföld Reformed Church, Budapest Length: 21 Minutes 26 Secs.
Carl Philipp Emanuel Bach Harpsichord Concertos H 405, H 403,H 404,Spanyi
Concerto for harpsichord, strings & continuo in G major, H. 405, Wq. 3
1No. 1, Allegro di molto Carl Philipp Emanuel Bach
7:10
2No. 2, Adagio Carl Philipp Emanuel Bach
6:40
3No. 3, Allegro Carl Philipp Emanuel Bach
6:01
Concerto for harpsichord, strings & continuo in A minor, H. 403, Wq. 1 (formerly BWV Anh. 189)
4No. 1, Allegretto Carl Philipp Emanuel Bach
6:19
5No. 2, Andante Carl Philipp Emanuel Bach
7:01
6No. 3, Presto Carl Philipp Emanuel Bach
4:42
Concerto for harpsichord, strings & continuo in E flat major, H. 404, Wq. 2
7No. 1, Allegro non molto Carl Philipp Emanuel Bach
7:33
8No. 2, Largo Carl Philipp Emanuel Bach
8:06
9 No. 3, Allegro assai 8:19
Carl Philipp Emanuel Bach
Jean-Philippe Rameau (1683 - 1764)
"Les Surprises De L'amour" (SUITE EN CONCERT, 1757-1758)
I. Ouverture (Vif - Adagio - Gai)II. Ritournelle - Entree Des Crotoniates - Air Tendre Pour Venus Et Les Graces -- SarabandeIII. Entree Des Jeux, Amour Et Plaisirs - Menuet - Air Pour Les Sybarites - Passepied - Gavotte I & IiIV. Rigaudon - Loure - Passepieds I & Ii - Tambourins - Air Pour Les GladiateursV. Entree Des Suivants De L'amour Et De Bacchus - Gigue En RondeauVI. Mouvement De Chaconne -- ContredanseVII. Annonce De Chasse - Descente De Diane - Sommeil D'endymion - Air Pour Diane -- MajestueusementVIII. Rondeau - Sarabande - Annonce De Chasse - Airs I & IiIX. Entree Des Sirenes -- GavotteX. Sommeil D'anacreonXI. Gavotte Tendre Pour Les Graces - Sortie Des Bacchantes - Entree
Les Musiciens Du LouvreMarc Minkowski
Recording: July 1987, Palais Barberini, Rome, Italy.
George Frideric Händel (1685 † 1759)
Serenata Parnasso in Festa, HWV73The festival on Parnassus for the wedding of Thetis and Peleus
Libretto: Anonymous
First premiere 13 March 1734, King's Theatre (Haymarket), Londra
01. Part 1 No 01. Overture: Un poco allegro - Più allegro - Allegro02. Part 1 No 02. Aria: Verginelle (Clio)03. Part 1 No 03. Coro: Corriamo pronte ad ubbidir04. Part 1 No 04. Recitative: Germane, figlio amato (Apollo/Clio/Calliope/Orfeo/Clori/Euterpe/Marte)
05. Part 1 No 05. Solo e Coro: Deh! cantate un bell'amor (Apollo)06. Part 1 No 06. Recitative: Ma prima che s'avanzi (Apollo)07. Part 1 No 07. Aria: Spira al sen' celeste ardore (Orfeo)08. Part 1 No 08. Aria: Gran Tonante, Giove immenso (Apollo)09. Part 1 No 09. Coro: Già vien da lui il nostro ben10. Part 1 No 10. Recitative: Spettacolo gradito (Clio)11. Part 1 No 11. Aria: Con un vezzo lusinghiero (Clio)12. Part 1 No 12. Recitative: Rimembranza gradita (Apollo)13. Part 1 No 13. Duetto: Sin le grazie nel bel volto (Apollo/Clio)14. Part 1 No 14. Recitative: Ma di sì belle fiamme (Clio)15. Part 1 No 15. Aria: Quanto breve è il godimento (Clio)16. Part 1 No 16. Recitative: Vada in oblio memoria sì funesta (Apollo)17. Part 1 No 17. Coro: Cantiam a Bacco in sì lieto dì18. Part 1 No 18. Aria: Del nume Lieo (Marte)19. Part 1 No 19. Aria: Sciolga dunque al balla al canto (Apollo)20. Part 1 No 20. Coro e Soli: S'accenda pur di festa il cor (Clio/Calliope/Apollo)21. Part 1 No 21. Coro: Replicati al ballo al canto22. Part 2 No 01. Soli e Coro: Nel petto sento un certo ardor (Calliope/Euterpe/Clori/Clio)23. Part 2 No 02. Recitative: Qual tetra nube, Orfeo (Apollo)24. Part 2 No 03. Aria: Torni pure un' bel splendore (Apollo)25. Part 2 No 04. Recitative: Ogn'un mi siegua, e godi (Clio)26. Part 2 No 05. Aria: Nel spiegar sua voce al canto (Clio)27. Part 2 No 06. Recitative: E non s'udiran mai (Clori)28. Part 2 No 07. Coro: O quanto bella gloria29. Part 2 No 08. Aria: Tra sentier di amene selve (Clori)30. Part 2 No 09. Coro: O quanto bella gloria31. Part 2 No 10. Recitative: Che mai facesti Orfeo? (Calliope)32. Part 2 No 11. Aria: Già le furie vedo ancor' (Calliope)33. Part 2 No 12. Accompagnato: Dopo d'aver perduto il caro bene (Orfeo)34. Part 2 No 13. Aria: Ho perso il caro ben' (Orfeo)35. Part 2 No 14. Coro: S'unisce al tuo martir36. Part 2 No 15. Recitative: Figlio, diletto Orfeo (Apollo)37. Part 2 No 16. Duetto: Cangia in gioia il tuo dolor (Apollo/Clio)38. Part 2 No 17. Recitative: Di Nettuno seguaci (Apollo)39. Part 2 No 18. Coro: Coralli e perle vogliamo offrir40. Part 3 No 01: Sinfonia41. Part 3 No 02. Recitative: Io che degli avi eccelsi (Marte)
42. Part 3 No 03. Coro e Solo: Si parli ancor di trionfar (Marte)43. Part 3 No 04. Recitative: O stirpe gloriosa (Orfeo)44. Part 3 No 05. Aria: Da sorgente rilucente (Orfeo)45. Part 3 No 06. Recitative: Dall'opre illustri dei genitor (Calliope)46. Part 3 No 07. Aria: Sempre aspira eccelso core (Calliope)47. Part 3 No 08. Recitative: Delle dotte germane (Apollo)48. Part 3 No 09. Aria: Non tardate Fauni ancora (Apollo)49. Part 3 No 10. Coro: Accorriam senza dimora50. Part 3 No 11. Recitative: Sia degli eccelsi sposi (Clio)51. Part 3 No 12. Aria: Circondin lor' vite (Clio)52. Part 3 No 13. Recitative: Con un' spirito divoto (Euterpe)53. Part 3 No 14. Aria: Han' mente eroica (Euterpe)54. Part 3 No 15. Recitative: Di virtù, di valor, pietà, e clemenza (Apollo)55. Part 3 No 16. Solo e Coro: Lunga serie d'alti eroi (Apollo)
Choir of The King's Consort:Soprano: Ildiko Allen, Julie Cooper, Susan Gilmour-Bailey, Kirsty Hopkins, Rebecca OutramCountertenor: Ian Aitkenhead, Stephen Carter, David Clegg, Richard Wyn RobertsTenor: Daniel Auchincloss, Malcolm Bennett, Nicholas Mulroy, Tom PhilipsBass: Benjamin Davies, Charles Pott, Richard Savage, Andrew Westwood
Performer:Violin I: Matthew Truscott, Tuomo Suni, Hannah Tibell, Elizabeth McCarthy, Daniel EdgarViolin II: William Thorp, Jean Paterson, Rebecca Miles, Nia LewisViola: Jane Rogers, Dorothea Vogel, Malgosia Ziemkiewicz
Cellos: Jonathan Manson, Lucy ScotchmerDouble Bass: Christine Sticher, Timothy AmherstRecorder: Rebecca Miles, Katy BircherFlutes: Katy Bircher, Rachel MossOboes: Alexandra Bellamy, Hannah Mclaughlin, Frances NorburyBassoon: Zoe ShevlinTrumpet: Grispian Steele-Perkins, Neil BroughHorns: Gavin Edwards, Joseph WaltersTimpani: Adrian BendingTheorbo: Richard Sweeney, Lynda SayceHarpsichords: Robert Howarth, Matthew Halls
The King's ConsortConductor: Matthew Halls
Johann Sebastian Bach - Café Zimmermann (Ouvertures and concertos)
1. Ouverture No. 3 en Ré Majeur, BWV 1068: I. Ouverture 2. Ouverture No. 3 en Ré Majeur, BWV 1068: II. Air 3. Ouverture No. 3 en Ré Majeur, BWV 1068: III. Gavottes I et II 4. Ouverture No. 3 en Ré Majeur, BWV 1068: IV. Bourrée 5. Ouverture No. 3 en Ré Majeur, BWV 1068: V. Gigue 6. Concerto pour clavecin en Fa Mineur, BWV 1056: I. Allegro 7. Concerto pour clavecin en Fa Mineur, BWV 1056: II. Adagio 8. Concerto pour clavecin en Fa Mineur, BWV 1056: III. Presto 9. Concerto Brandebourgeois No. 6 en Si Bémol Majeur, BWV 1051: I. 10. Concerto Brandebourgeois No. 6 en Si Bémol Majeur, BWV 1051: II. Adagio ma non tanto 11. Concerto Brandebourgeois No. 6 en Si Bémol Majeur, BWV 1051: III. Allegro 12. Concerto pour trois clavecins en Ré Mineur, BWV 1063: I. 13. Concerto pour trois clavecins en Ré Mineur, BWV 1063: II. Alla siciliana 14. Concerto pour trois clavecins en Ré Mineur, BWV 1063: III. Allegro
MÚSICA EN LA CORTE DE CARLOS V - Concierto de Orphénica Lyra
Intérprete: Orphénica Lyra - Director: José Miguel Moreno.
- Nuria Rial (Soprano)- Carlos Mena (Contratenor)- Guido Balestracci (Viola de gamba soprano)- Alba Fresno (Viola de gamba tenor)- Ventura Rico (Viola de gamba bajo)- Eligio Quinteiro (Guitarra)- Fernando Paz (Flautas)- Pedro Estevan (Percusión)- José Miguel Moreno (Vihuela y dirección)
[Concierto celebrado el 20 de septiembre de 2000, en la iglesia de Saint-Leu, Amiens (France), dentro del "XIII Festival des Cathédrales de Picardie"].
TEMAS: [Dado que los temas no vienen reflejados en los títulos de crédito del concierto, he tenido que sacarlos de oído. La mayoría están basados en el "Libro de música para vihuela, intitulado Orphénica Lyra" de Miguel de Fuenllana, lo cual ha facilitado bastante la tarea; pero aún así ... pueden haber errores]
- Diego Pisador : Romance de Abindarráez: "La mañana de San Juan" ("Libro de música de vihuela", S. XVI)
- Cristóbal de Morales- Fuenllana : De Antequera sale el moro ("Orphénica Lyra", S. XVI)
- Claudin de Sermisy- Fuenllana: Tan que vivray ("Orphénica Lyra", S. XVI)
- Anónimo : Rodrigo Martínez ("Cancionero de Palacio", S. XV/XVI)
- Diego Ortiz : Dos 'Recercadas' ("Tratado de Glosas", S. XVI)
- Anónimo : Al alva venid ("Cancionero de Palacio", S. XV/XVI)
- Luys de Narváez : Diferencias sobre Guárdame las Vacas ("Los seys libros del Delphin"; S. XVI)
- Anónimo : Dindirindin ("Cancionero de Montecassino", S. XV)
- Mateo Flecha "El Viejo" : Buscad d' hoy más (Ensalada "La Justa") ("Las Ensaladas de Flecha", S. XVI)
- Mateo Flecha "El Viejo" : Ande, pues, nuestro apellido (Ensalada "La Bomba") ("Las Ensaladas de Flecha", S. XVI)
- Giacomo Fogliano : L' amor, dona, ch' io te porto ("Cancionero de Palacio", S. XV/XVI)
- ¿Alonso Mudarra : Romanesca? ("Tres libros de música en cifra para vihuela", S. XVI)
- Diego Ortiz : Recercada segunda sobre el passamezzo moderno ("Tratado de Glosas", S. XVI)
- Mateo Flecha "El Viejo" : ¡Assí, assí, cuerpo de nos! (Ensalada "El Iubilate") ("Orphénica Lyra", S. XVI)
- Juan Vásquez- Fuenllana : Duélete de mi señora ("Orphénica Lyra", S. XVI)
- Juan Vásquez- Fuenllana : De los álamos vengo ("Orphénica Lyra", S. XVI)
- Juan Vásquez- Fuenllana : Morenica dame un beso ("Orphénica Lyra", S. XVI)
- Juan del Encina : Más vale trocar ("Cancionero de Palacio", S. XV/XVI)
- Juan del Encina : Si habrá en este baldrés ("Cancionero de Palacio", S. XV/XVI)
- Alonso Mudarra: Fantasía X que contrahaze la harpa en la manera de Ludovico ("Tres libros de música en cifra para vihuela", S. XVI)
- Anónimo : A los maytines era ("Cancionero de la Colombina", S. XV)
- Anónimo : Niña y viña ("Cancionero de la Colombina", S. XV)
- Juan del Encina : Oy comamos y bebamos ("Cancionero de Palacio", S. XV/XVI)
... (Bises)...
TEATRO D' AMORE - Concierto de N. Rial, P. Jaroussky, C. Pluhar y L' Arpeggiata
[Concierto celebrado en la Gran Sala del Arsenal de Metz, el 7 de octubre de 2009, dentro del XXX Festival de Ambronay (Francia)]
Intérpretes: L' Arpeggiata (Christina Pluhar: Tiorba y dirección)- Nuria Rial (Soprano)- Philippe Jaroussky (Contratenor)
TEMAS:
- Claudio Monteverdi: Toccata
- Barbara Strozzi: L' Eraclito amoroso
- Pandolfo Mealli: La Vinciolina
- CLAUDIO MONTEVERDI:* Ohime, ch'io cado* Pur ti miro* Damigella, tutta bella
- Tarquinio Merula: Ciaccona
- Giovanni Legrenzi: Lumi potete piangere
- CLAUDIO MONTEVERDI:* Quel sguardo sdegnosetto* Adagati, Poppea
- Domenico Maria Melli: Dispiegate, guance amate
- Andrea Falconiero: Battalla de Barabaso yerno de Satanás
- Giovanni Felipe Sances: Presso l' onde tranquille
Portraits for Harpsichord,Olivier Baumont on Original Benoist Stehlin 1750
1. Prelude by Claude-Béninge Balbastre
Performer: Olivier Baumont (Harpsichord) Period: Classical Written: France
2. La boucon by Jean Barrière Performer: Olivier Baumont (Harpsichord)
3. Pièces de clavecin, Book 1: La Monmartel ou La Brunoy by Claude-Béninge Balbastre Performer: Olivier Baumont (Harpsichord) Period: Classical Written: by 1759; France
4. Prelude by Antoine Forqueray Performer: Olivier Baumont (Harpsichord)
5. Pièces de viole: Suite no 4 in G minor - 7th movement, La Latour by Antoine Forqueray Performer: Olivier Baumont (Harpsichord) Period: Baroque Written: France
6. Pièces de clavecin, Book 3: no 7, La de la Tour by Jacques Duphly Performer: Olivier Baumont (Harpsichord) Period: Baroque Written: by 1756; France
7. Le devin du village: Je vais revoir ma charmante maitresse...Quand on sait aimer et plaire by Jean-Jacques Rousseau Performer: Olivier Baumont (Harpsichord)
8. Pièces de clavecin, Book 4: Ordre 20 in G major/G minor - La Princesse Marie by François Couperin Performer: Olivier Baumont (Harpsichord) Period: Baroque Written: by 1730; Paris, France
9. La Dauphine by Jean-Philippe Rameau Performer: Olivier Baumont (Harpsichord) Period: Baroque Written: 1747; France
10. Prelude by N. Racot de Grandval Performer: Olivier Baumont (Harpsichord)
11. Pièces de clavecin en concerts: 5th Concert - no 2, La Cupis by Jean-Philippe Rameau Performer: Olivier Baumont (Harpsichord) Period: Baroque Written: by 1741; France
12. Menuet du Dauphin by Anonymous Performer: Olivier Baumont (Harpsichord)
13. Platée: Contredanse by Jean-Philippe Rameau Performer: Olivier Baumont (Harpsichord)
14. Prelude by Claude-Béninge Balbastre Performer: Olivier Baumont (Harpsichord) Period: Classical Written: France
15. Les Festes de Passy by Jean-Baptiste Parant Performer: Olivier Baumont (Harpsichord)
16. Pièces de clavecin en concerts: 3rd Concert - no 1, La Lapoplinière by Jean-Philippe Rameau Performer: Olivier Baumont (Harpsichord) Period: Baroque Written: by 1741; France
17. Titon et l'Aurore: Gavottes 1 and 2 by Jean-Joseph Cassanéa de Mondonville Performer: Olivier Baumont (Harpsichord)
18. Titon et l'Aurore: Air gracieux by Jean-Joseph Cassanéa de Mondonville Performer: Olivier Baumont (Harpsichord)
19. Titon et l'Aurore: Air by Jean-Joseph Cassanéa de Mondonville Performer: Olivier Baumont (Harpsichord)
20. Praeludium by Anonymous Performer: Olivier Baumont (Harpsichord)
21. La de Latour by Anonymous Performer: Olivier Baumont (Harpsichord)
Antonio Soler Sonatas for Harpsichord,Gilbert Rowland, 1:18:04
Antonio Soler Cembalo Works,Gilbert Rowland, 1:17:551 Sonata in C major(without Rubio number) 5:202 Sonata No. 130 in G minor 6:283 Sonata No. 121 in C major 3:17Sonata No. 63 in F major4 Cantabile 8:445 Allegro 5:256 Intento 4:06Sonata No. 67 in D major7 Andante con moto 7:318 Rondón:Allegro 4:179 Non presto 5:0910 Sonata No. 125 in C minor 3:5711Sonata No. 44 in C major 6:0512Sonata No. 107 in F major 4:5013Sonata No. 79 in F sharp major14Cantabile 6:5615 Allegro 5:40
Johan Helmich Roman - Lilla Drottningholmsmusiken
01 Suite D Major (BeRi 2 1,2) Spicco Allegro Da Capella02 Suite D Major (BeRi 2 1,2) Allegretto03 Suite D Major (BeRi 2 1,2) Andantino04 Suite D Major (BeRi 2 1,2) Larghetto05 Suite D Major (BeRi 2 1,2) Allegro Non Tanto Da Capo06 Suite D Major (BeRi 2 1,2) Andante07 Suite D Major (BeRi 2 1,2) Vivace08 Suite D Major (BeRi 2 1,2) Allegro Swedish National Museum Chamber Orchestra; Claude Génetay
09 Cantata Piante Amiche Aria Andante Largo10 Cantata Piante Amiche Recitativo11 Cantata Piante Amiche Aria Allegro Swedish National Museum Chamber Orchestra; Claude Génetay, Pia Maria Nilsson (soprano)
12 Suite G Minor (BeRi 7) Poco Adagio13 Suite G Minor (BeRi 7) Allegro14 Suite G Minor (BeRi 7) Allegretto15 Suite G Minor (BeRi 7) Allegro16 Suite G Minor (BeRi 7) Andante17 Suite G Minor (BeRi 7) Allegretto18 Suite G Minor (BeRi 7) Allegro19 Suite G Minor (BeRi 7) Allegretto Non Tanto Da Capo20 Suite G Minor (BeRi 7) Andante Swedish National Museum Chamber Orchestra; Claude Génetay
Ode No. 1: Indoctum se dulce bibentiOde No. 2: Die VergnügungOde No. 3: Die TugendOde No. 4: Der SchäferOde No. 5: An den SchlafOde No. 6: Der fröhliche AusgeberOde No. 7: Wahre VorzügeOde No. 8: Das LachenOde No. 9: TrinkliedOde No. 10: Der Mittelstand zwischen Reichtum und ArmutOde No. 11: Vernünftige LustOde No. 12: Der WeinOde No. 13: JugendlustOde No. 14: Die schlechte MahlzeitOde No. 15: An DorisOde No. 16: Ein guter MutOde No. 17: Lob des WeinsOde No. 18: Das vergnügte SchäferlebenOde No. 19: Die ZufriedenheitOde No. 20: Die GenügsamkeitOde No. 21: Das GesundheittrinkenOde No. 22: Der FreundOde No. 23: Das Landleben Ode No. 24: Der Sonderling
Jean-Philippe Rameau La Princesse de
Antonio Vivaldi Concertos,Europa Galante Fabio Biondi
The Secret JS Bach,Hogwood1. Chromatic Fantasia And Fugue ('Rust' Version BWV 903A)2. Chromatic Fantasia And Fugue ('Rust' Version BWV 903A)3. Adagio In G Major (BWV 968)4. Fugue In G Minor (After BWV 1000)5. Allemande In G Minor (BWV 836)6. Menuet 1 (BWV 841)7. Menuet 3 (BWV 843)8. Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767)9. Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767)10. Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767)11. Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767)12. Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767)13. Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767)14. Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767)15. Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767)16. Partite Diverse Sopra Il Corale O Gott, Du Frommer Gott (BWV 767)
17. Partita In A Minor (After BWV 1004, Arr. Mortensen) Allemanda18. Partita In A Minor (After BWV 1004, Arr. Mortensen) Corrente19. Partita In A Minor (After BWV 1004, Arr. Mortensen) Sarabanda: 20. Partita In A Minor (After BWV 1004, Arr. Mortensen) Giga21. Partita In A Minor (After BWV 1004, Arr. Mortensen) Ciaccona