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Page 1: CCDN 231 Lecture 2

everyday+evidence 21.07.10

Page 2: CCDN 231 Lecture 2

the everyday

today I dedicate this lecture claudia persi haines who taught me that every DAY is the source of our everyday,

touti i giorni sonno nostri inspirationi, is the greatest of our inspirations - if we have the eyes to

see it.

Page 3: CCDN 231 Lecture 2

‘the everyday is the most universal and the most unique,

the most social and the most individuated, the most obvious and the best hidden.’

henri lefebvre, 1987

Page 4: CCDN 231 Lecture 2

The everyday exists below the threshold of the noticed and

is everywhere and nowhere at the same time.

georges perec, species of spaces, 1974

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‘the everyday is all the stuff in the world.

what is stuff?

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‘if everyday is the realm of the unnoticed and the overlooked, however, it might be asked just how we can attend to it?

how do we drag the everyday into view?

why should we wish to investigate the everyday in the first place and bring it into view?

Page 7: CCDN 231 Lecture 2

referring back to The banal

The quotidian The obvious

The common The ordinary

The background noise The habitual

how do we speak of these common things, to track them down, to flush them out …

how to give them meaning, a tongue, to let them, finally, speak of what it is,

who we are.

georges perec, species of spaces, 1974

Page 8: CCDN 231 Lecture 2

to understand the effects of history (technology) on our private lives? loss of quilt about popular culture and its pleasures?

referring back to The banal

The quotidian The obvious

The common The ordinary

The background noise The habitual

Page 9: CCDN 231 Lecture 2

to understand the effects of history (technology) on our private lives?

Page 10: CCDN 231 Lecture 2

technology, the birth of…. the ister

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the body is man’s first and most natural instrument. or more accurately, not to speak of instruments,

man’s first and foremost technical object, and at the same time technical means,

is the body.

Marcel Mauss, Techniques of the Body. Economy and Society 2:1 (1973):75.

Page 12: CCDN 231 Lecture 2

technics: the realization of a technical object

in the experience of the object itself.

b.steigler, the ister, 2004

Page 13: CCDN 231 Lecture 2

knowledge of the body

m.jackson, 1983.

Page 14: CCDN 231 Lecture 2

extension B

Page 15: CCDN 231 Lecture 2

thingstuffthingstuffthingstuffthingsstuff

Page 16: CCDN 231 Lecture 2

+evidence

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+evidence a thing or things helpful in forming a conclusion.

something indicative. an outward sign.

Page 18: CCDN 231 Lecture 2

everyday+evidence

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+evidence

can be evident can be suggestive can be predictive

can be a starting point.

Page 20: CCDN 231 Lecture 2

the everyday is the site of a fundamental ambiquity:

It is both where we become alienated and where we can realize our creativity. It is a place where repetition and creativity confront each other.

maurice blanchot, l’homme de la rue, 1992

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mind mapping

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types of evidence

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howard ursuliak

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robert frank

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robert frank

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walker evans

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walker evans

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georges seurat

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jeff wall

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helio melo

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jackson pollack

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ticker tape

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extension B

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beautiful evidence edward r. tufte, 1990

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angela grauerholz http://www.atworkandplay.ca/

Page 40: CCDN 231 Lecture 2

tutor groups

Page 41: CCDN 231 Lecture 2

EXPERIMENTAL DESIGN IDEAS

STUDIO GROUPS T2 2010 MONDAY 14:40-17:30 Nan Sullivan VS 308 AUSTIN, Jimmy BAIN, Emily BROOKER, Jeremy CALDWELL, Simon CAREW, Samantha EMMANUEL, Grace FIRN, Dylan FRASER, Margaret FRENCH, Ryan GRIFFIN, Sam HEDGES, Stephen LEE, Brenda LEVCHENKO-SCOTT, Guram McLACHLAN, Geordie MORRIS, Jess O’DONNELL, Brook PATEL, Vikesh QUIN, Molly REWIRI-CHASTECKY, Tahi SAVILLE -WOOD, Zoe STEWART, Richie WHITE, Cherry

Johann Nortje VS 204 BARRINGTON, Craig BUCKMAN, Alexander CHEN, Shiping CLARKSON, Richard CROSS, Ash GLASGOW, Kathryn HAMPTON, Anna HOLDAWAY, Stephen KLARICICH, Alex MILLAR, Andrew NORTON, Hope O’HARA, Ryan – move to thurs? RAM, Samantha - from thurs RICHARDS, Ben RUSSELL, Kahlivia SARGISSON, Micah SHIRER, Oliver STRACHAN, Mark URE, Eljay WILLIAMS, Charmaine WU, James YAMADA, Atsushi

Craig Johnson VS 221 BARTLETT, Andrew BOTES, Niki BUSH, Jack CHEN, Jushang DIGHT, Sam DORRELL, Amanda GILBERT-MILNE, James GREEN, Laura HANSEN, Sofia HARGREAVES, David LATEGAN, Rudi MAESSEN, Joshua MANGAN, Olivia MOORE, Eamon PATERSON, Debbie PENN, Olivia RAINE, Kate RUTLEDGE, Thom SAMOUNTRY, Nitasa STRETTON, Callan UTTING, Stephen WOLTER, Jess WOOLDRIDGE, Brenda

Page 42: CCDN 231 Lecture 2

EXPERIMENTAL DESIGN IDEAS

STUDIO GROUPS T2 2010 THURSDAY 14:40-17:30 Nan Sullivan VS 221 BENNETT, James BOWERS, Brooke DOWSETT, Simon FRASER, Haydn GUDSELL, Nikki HARGREAVES, Josh HUANG, Jennifer KAMP, Dan LATIMER, Brayden McCALLAM, Matt McKERCHER, Kelly Ann MORLEY, Thom RAY, Elissa RUTTEN, Zachary SEELEY, Chris (course conflict) SMITH, Luke SYMON, Chris TOON, Jonathon WALSH, Nick

Johann Nortje VS 308 BOERRIGTER, Joya BUTLER, Rachel CLELLAND, Daniel DUDSON, Ben EVANS, Victoria HARGREAVES, David needs to move Monday HARRNGTON, Tui HTAIK, Nay Lin HUNTER, Amelia JARVIS, Simon MARSHALL, Nicky McNAB, James MOODY, Gina PLATT-YOUNG, Zoe (course conflict) RAHARUHI, Lana (course conflict) RAM, Samantha move to Monday ROMANOS, Ruby SANSON, Daniel SMITH, Courtney SPREY, Damien WOOSTER, Trent ZIVKOVIC, Emma

Jordan Wisniewski VS 204 ARAHIMI, Mohammad BOKS-WILSON, Hadley, CAMPBELL, Brodie COOPER, Simon COTTON, Ben ELLIOTT, Broughton FITZGERALD-KEARNS, Hannah HART, Jonathan HUNT, Hayden KONG, Sarah LONG, Katie McCUTCHEON, Matt NG, Emma NORTON, Reuben POCOCK, Sam RICKARD, Sam SIMS, Jamie STEPHENS, Jason SYMON, Amanda THOMSON, Briar