Caring for your Collections March 8, 2016 Dr Ware Petznick, Executive Director The Shaker Historical Society
Caring for your CollectionsMarch 8, 2016Dr Ware Petznick, Executive Director
The Shaker Historical Society
Caring for your CollectionsPart of a series of two-hour workshops March 8-11Only time for general principles
1. Resources2. Agents of Deterioration3. Nod to insurance4. Before you treat
1. Examine2. Test3. Go easy first
5. Storage6. Conservator info
Resources
American Institute for Conservationwww.conservation-us.org
Canadian Conservation Institutewww.cci-icc.gc.ca
Heritage Preservation
Intermuseum Conservation AssociationCLEVELAND
Agents of Deterioration 1. Physical Forces
2. Thieves and Vandals
3. Dissociation
4. Fire
5. Water
6. Pests
7. Pollutants
8. Light, Ultraviolet and Infrared
9. Incorrect Temperature
10. Incorrect RH
Agents of Deterioration
•Physical Forces
Agents of Deterioration •Physical Forces
•Thieves and Vandals
• Can you see your best objects through the window?
• Do you have accurate records?
Security You: “The portrait of my 5 great grandmother
has been stolen!” Police: “Can you describe it?” You: It’s always been over the mantel… oil…
primitive Police: “Do you have any photos of it? More
details?” You: UMMMMMMM…..
BE PREPARED for theft, natural disaster… Do you have a prioritized list?DOCUMENT YOUR COLLECTION
Security TAKE GOOD PHOTOS Can include description in photos BE SPECIFIC Dimensions Subject Maker’s marks – author’s signature Collection Marks
Item Value Dimensions SourceSilver candlesticks
$500 12” x 5” Grandma P
Monteith Bowl
$? 25” x 10” Granny
Ask yourself, will a
policeman be able to
identify your object with
the information
you give him/her?
SECURITY/DocumentationItem Value Dimensions Source Maker Distinguishing
marks?Silver candlesticks
$500 12” x 5” Grandma P; it was made for JS Alexander
Paul Storr
Monogrammed P with Alexander armorial crest, silver gilt
Monteith Bowl
$? 25” x 10” Granny James Honey
Sheffield plate with sterling insert engraved with the Armstrong armorial crest, has lion’s heads with ring handles and the curved top is a separate ring
You don’t have to be a curator to describe your collection. Describe what you see. Will your children
know who owned it? Does it have a little note in the drawer?
Agents of Deterioration •Physical Forces
•Thieves and Vandals
•Dissociation
• Losing the story• Misplacing part of a set• Not keeping accurate
records
Agents of Deterioration
•Physical Forces
•Thieves and Vandals
•Dissociation
•Fire
Do you have an emergency plan?
People & pets …Then what if time permits?
Agents of Deterioration•Physical Forces
•Thieves and Vandals
•Dissociation
•Fire
•Water
Not just bathroom…• HVAC units above? Floor
pan?• Pipes in the basement?• Humidity • Bottom shelf or on floor?
Agents of Deterioration •Physical Forces
•Thieves and Vandals
•Dissociation
•Fire
•Water
•Pests
Agents of Deterioration • Wood, leather, fabrics and upholstery materials such
as horsehair can be inviting to insects and other small pests.
• Insects such as woodworm beetles eat their way along the grain inside wood until they mature.
• Mature insects bore their way out of the wood leaving exit holes.
• Active infestations can be identified by exit holes and a fine sawdust called frass appearing under the piece of furniture.
• Active infestations should be isolated as soon as possible and an exterminator and/or conservator should be consulted.
Insects
Photo courtesy of Lauren Cox.
Photo courtesy Paul Messier.
Pests on Paper
Agents of Deterioration •Physical Forces
•Thieves and Vandals
•Dissociation
•Fire
•Water
•Pests
•Pollutants
Pollution – Bad air
Photo courtesy of the Winterthur/University of Delaware Program in Art Conservation.
Agents of Deterioration •Physical Forces
•Thieves and Vandals
•Dissociation
•Fire
•Water
•Pests
•Pollutants
•Light, Ultraviolet and Infrared
Sun damages wood, leather, textiles… Art, painting, paperSOLUTION: WINDOW FILM
LIGHT!
Photo courtesy of the National Museum of American Indian, Smithsonian Institution. Photo by Kelly McHugh.
Light
Photo courtesy of the Furniture Conservation, Burghley House
Agents of Deterioration •Physical Forces
•Thieves and Vandals
•Dissociation
•Fire
•Water
•Pests
•Pollutants
•Light, Ultraviolet and Infrared
•Incorrect Temperature
•Incorrect Relative Humidity
TEMP 68F-72FRH 45% - 55%
Agents of Deterioration
Mode Effect
Dimensional Changewarping, dislocation of joints, splitting, breaking of fibers, delamination, loss of surface material, cracking
Chemical Reaction
corrosion of metals, fading of dyes, weeping or crizzling glass (clouding), cystallization and movement of salts, disintegration and yellowing of paper
Biodeterioration mold growth (RH 70% or above), bacteria
TEMP 68F-72FRH 45% - 55%
Examine• Identify materials• Good task lighting• Identify finishes• Don’t add oil to a wax finish• Protect your metal objects with
padding • Protect yourself – gloves / mask• Good ventilation if you use a product• BEST TO JUST DUST
It’s all wood? Is it?• INLAYS – marquetry – can be:• Bone• Glass• Ivory• Leather• Metal• mother-of-pearl• Plastic• Stone (Pietra Dura)• tortoise shell• Stone
• OTHER WOOD VENEERS
It’s all wood? Is it?
Gilded metal mounts often used on French-inspired furniture
Chain is as strong as its weakest link…• Surface can be:• decoratively painted• japanned (built-up layers of
finish, making a raised decoration)
• Gilded• Veneered• Mounts (ormolu)
• Each material has its own optimal environmental condition. Robert Davis High Chest, Skinners
2004
Common sense• Hot skillets can soften a finish
and char the wood. • Leaking potted plants can
watermark the finish, permanently stain the wood, and cause the finish to separate from the wood.
• Insect-infested wood or dried arrangements can introduce powderpost beetles into your house and furniture.
• Use coasters Feeder?
Furniture & Woodwork
To prevent cracks and veneer cleavage, avoid placing furniture near radiators, heat vents or other areas where temperature and humidity fluctuate widely. Use a humidifier if necessary during very dry winter conditions.
Cleaning Steps
MATERIALS? Damage?Minimall
y invasive cleaner
(test it before plunging in!)
Cleaning Steps
MATERIALS?
Need repair?
Just wood
Clean with soft damp cloth– Support wood while handling itCan start with mild solutionsThen move to wax
Murphys Oil
Storage Quarantine with white paper or a sheet
underneath wood furniture or woodwork
Check for beetles
Introduce new environment slowly
Raise up on blocks if in basement
Attics not good storage nor NON HVAC
controlled basements
Keep objects together
What Conservators Do Examine and Assess Document Treat Preventive Care Research Educate client on future management
If a conservator says “leave it with me” and quotes only a price, do NOT leave your heirloom with them. They should assess the piece and tell you exactly what they propose to do before they touch it!
What Conservators Do
The Shaker Historical Society16740 South Park BlvdShaker Heights, OH 44120216.921.1201
Shakerhistory.org
11-5 Tuesday – Friday2-5 Sunday
More Questions?
REMEMBER – any conservation treatment is very
SPECIFIC to the artifact. There are guidelines, but there
is no single answer for all collections questions. Always
proceed with caution.
Thank you! Please share feedback with us in our comments book.
Picture Frames/Mirrors/Girandoles
• Avoid hanging paintings on poorly insulated outside walls, over radiators, or above fireplaces since these areas experience wide fluctuations in temperature and humidity
• Dust frame gently with brush or vacuum low with screen over hose nozzle – DO NOT USE A DUST CLOTH OR FEATHER DUSTER
Picture Frames•Make sure the frame, hanging hardware and wires are securely attached and in good condition.•Secure a piece of foam-core board or acid free cardboard to the back of the stretcher with screws to protect the back of the canvas from grime, debris and physical damage.• Avoid handling frame – may have gesso, plaster or special paint finishes that may break. HOLD FROM WIRE
• AVOID LIGHTS
Furniture & Woodwork
•Clean soiled surfaces in good condition with a damp cloth, using cotton swabs in carved areas.•Using paste or butchers wax, lightly wax furniture once or twice a year to protect the surface. Avoid oils and dusting/cleaning sprays, especially those with silicone.
FINISHES
• Modern finishes are made of synthetic resins that resist many solvents
• Antique finishes were derived almost entirely from natural plant resins, can be easily damaged or dissolved by such solvents as water, alcohols, and ketones (acetone).
• They also can be broken down by solutions with a high pH, such as ammonia.
French Polishing – Thin layers of Shellac
OIL FINISHES• Treating the "dry" wood with an oil can have either of two
adverse effects. • If the oil is a drying oil (pressed from any nut or seed such as
linseed, tung, walnut, or any other plant), as it dries it forms a film by the oxidation and cross-linking of its components. Unfortunately, the process doesn't stop when the film is hard but still clear. The oil continues to oxidize and cross-link, eventually becoming dark, soft, gummy, and very difficult to remove without damage to the original finish.
• If the oil is a mineral oil (a distilled fraction of petroleum), it will never dry, but can penetrate into the wood through microscopic fissures in the finish, causing dark streaks.
OIL FINISHES• Most pump or spray polishes contain drying oils or, worse yet,
pure silicone, which cannot be removed with any solvent known to science. Oil soaps contain detergents that may be too harsh for an aged, original finish, and they intentionally leave a film of drying oil. Since the intent of any polish is to brighten the surface of a finish (the polish fills in microscopic scratches and fissures in the finish, temporarily restoring luster and clarity), one wants to use a polish that does not darken and that is easily removable. The best alternative to commercial furniture polishes is a good grade of paste wax. One can buy a can of furniture wax (e.g., Renaissance Wax or Goddard's), but the average paste floor wax (e.g., Johnson's, Behlen's, Butcher's Bowling Alley) contains excellent plant and animal waxes at a fraction of the cost.
FINISHES
• Modern finishes are made of synthetic resins that resist many solvents
• early finishes derived almost entirely from natural plant resins, can be easily damaged or dissolved by such solvents as water, alcohols, and ketones (acetone).
• They also can be broken down by solutions with a high pH, such as ammonia.
French Polishing – Thin layers of Shellac
OIL FINISHES
• Most pump or spray polishes contain drying oils or, worse yet, pure silicone, which cannot be removed with any solvent known to science.
• Oil soaps contain detergents that may be too harsh for an aged, original finish, and they intentionally leave a film of drying oil.
• The best alternative to commercial furniture polishes is a good grade of paste wax. One can buy a can of furniture wax (e.g., Renaissance Wax or Goddard's), but the average paste floor wax (e.g., Johnson's, Behlen's, Butcher's Bowling Alley) contains excellent plant & animal waxes at a lower cost.
FINISHES
• Commercial window cleaners may contain both alcohol and ammonia and should never be used on an early finish.
• When cleaning a mirror, for example, one should spray the cleaner on the cloth, not on the glass, to avoid getting it on the frame.
MS Rau Early Georgian Mirror
Feed Wood? Are you nuts?
• Once cut from the tree, wood cannot be "fed."
• Unless fungal microorganisms have destroyed the majority of the cell walls, wood never ceases to absorb or lose moisture.
• Even wooden objects from tombs of Egyptian pharaohs still have the capability to expand and contract in response to changes in humidity.
Common Furniture Timbers
Georgian: 1700-1815 mahoganyEmpire : 1815-1840 rosewood or mahoganyGothic Revival : 1840-1880 walnutRococo Revival : 1840-70 mahogany or rosewoodRenaissance Revival : 1850-1880 walnutColonial Revival : 1890-1925 oak; mahogany and walnut Mission / Arts and Crafts 1900-1925 oak.