Cambridge U nive rsit y Pre ss Index - Assets - Cambridge ...assets.cambridge.org/97805217/64247/index/9780521764247...acousmatic listening, 172–3 acousmatic music, 12–14 see also
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Index
aboriginal Canadians alcohol consumption, 243–5, 255alcohol-free events, 245–8civil twilight, 239–40, 251–6, colonial history, influence of, 244intimacies of country music events, 239,
241–4, 249–51, 255–6power and sound, 48public culture, 240–1, 245–8sociability, spaces of, 63–4, 255social imaginaries of country music events,
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information
analogue and digital technologies, 302–5blackface mask, performance in, 305–11hysterical nature of phonography, 300–2of the phonographic voice, 292–300, 305–11
Ayumee-aawach Oomama-mowan: Speaking to Their Mother (Belmore), 48, 52–3, 74, 87–9
Azerbaijan, 219
Bach, Johann Sebastian, 234–5Badiou, Alain, 295–7Baghdad, use of loud music at Camp Cropper,
280–2Bakari, Mtoro bin Mwinyi, 193ballads, 292–300, 306–8Bang and Olufsen, 122–3banlieue, France, 219–20Barber, Karin, 35–7, 42n. 50Barenboim, Daniel, 236–7Bataille, George, 309BBC radio, 33Beach, Chris, 247beats per minute (BPM), 141–3Bech, Søren, 122–3Beck, Ulrich, 40Beckles Willson, Rachel, 63n. 82Beer, David, 167Beethoven, Ludwig van
Symphony No. 3 ‘Eroica’, 227Symphony No. 9, 217‘Upon listening to a Beethoven symphony’
BRIGHT centre, 259–60community through music, 273–4entrainment, 45–6, 262–5ethnography of, 260–2identity, negotiation of, 65–6musical event time phases, 269–72navigation of the musical space, 269–72performance of song and self, 262–5self, projection of, 265–7socio-musical space, healing in, 259,
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information
civil twilight of aboriginal drinking, 239–40, 251–6,
Clarke, Eric F., x, 53–4, 91classical music, 224, 229–38codecs, 115–25, Cologne, Germany, 213–15, 216commodification of listening
boundaries between public and private, 48–51
MP3 digital audio format, 48–9, 55communitarian privacy, 194–6, 201–2community, 229–38, 273–4composition and soundscapes, 5computer music, 11–14concentration, and music, 154–8conceptual metaphor theory, 53, 102–3concert hall recordings, 96–7Concerto for Audience by Audience (Vautier),
aboriginal country music events, 241–4aboriginal public culture, 240–1, 245–8alcohol consumption, 243–5, 255alcohol-free events, 245–8civil twilight of aboriginal Manitobans,
239–40, 251–6 detention, use in, 281and gospel music, 253–5intimacies of country music events, 239,
241–4, 249–51, 255–6power and sound, 48sociability, spaces of, 63–4, 255social imaginaries of country music events,
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information
analogue and digital technologies, 302–5blackface mask, performance in, 305–11hysterical nature of phonography, 300–2of the phonographic voice, 67–9, 292–300,
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information
auditory environment, control over, 171–5conversations about medical care, 175–8power and sound, 47, 169–70privacy and sound, 170–1, 172–5private made public, 58–9, 183–5private space, 169research background, 169sounds of the body, 171, 174–5, 178–83
‘How Long Has This Been Going On’, 292–300, 305
Howes, David, 7Hub, The 19‘Human Race’ global marketing event, 55–6,
128–31, 146Hungary, 210hymns, 246–8hysterical nature of phonography, 293–4,
Ihde, Don, 13–14, 225–6, 227industrial production, and music, 151–2Ingold, Tim, 6–7n. 7, 44installation art, 15, 43 see also sound
installation artinstrumental sounds
spatial-musical effects, 100–2, 103–4subjectivity in spatial-musical effects, 105
Interdisciplinarity: Reconfigurations of the Social and Natural Sciences (Barry and Born), 1
intermediaries, 9n. 9internet-based music sharing, 26–7interrogation techniques, 282–5, 287–8intimacies of aboriginal country music events,
239, 241–4, 249–51, 255–6iPods
autonomy of music, 230–1children’s use of audio media, 33commodification of listening, 48–9Nike+ Sport Kit, 129, 131–2, 140popularity with runners, 139public/private boundaries, 26–7see also personal music players
Iras Cotis, 221Islam
acoustemology of, 187, 192–4communitarian privacy, 194–6, 201–2Enlightenment enunciation of secular
Europe, 208Eurovision Song Contest, 219minarets in Switzerland, 220–3public religion, emergence of, 209, 210,
213–16public space, multiaccentuality of, 186–8,
196–8sermons on cassettes, 42, 59–60
Index348
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information
naming in, 298public religion, emergence of, 209, 210
justice, 310–11
Kabul ‘dark prison’, 285–7Kaluli people, 8, 46–7Kaprow, Allan, 77Karageorghis, Costas I., 140Karajan, Herbert von, 217Kenya see Mombasa, Kenyakhutbas (weekly Islamic public sermons),
Latour, Bruno, 9n. 9, 171Lauer, Josh, 134Le Corbusier, 75League of Automatic Composers, 19Lefebvre, Henri
concrete space, 188n. 3power and sound, 47production of space, 23, 26, 84–5rhythmanalysis, 21–2sound art, genealogy of, 15
leisure, music as a symbol of, 163–5Leitner, Bernhard, 84‘Lejla’, 219n. 9Leppert, Richard, 27–8, 33, 49Lessing, Gotthold Ephraim, 208, 217Leyshon, Andrew, 22lifeworlds, sound in, 57–60Lippard, Lucy R., 74, 88listening
acousmatic listening, 172–3auditory environment, 154–8, 167, 171–5body as site, 83–5commodification of, 48–51, 55diagnostic listening, 135–8expert listeners, 120–5headphone listening, 138–40Islamic call to prayer, 192–3listening test subjects, 120–5listening tests, 54, 112, 113–20MP3 digital audio format, 55participatory listening, 192–3political modulation through MP3 format,
111–13, 125–7public engagement in listening experiences,
82–3public performances, 28–9‘tuning’ the running experience, 130–1, 140–5
listening tests listening test subjects, 120–5political modulation of the listening experi-
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information
Meel, Juriaan van, 165Mendelssohn, Felix, 207–8Mendelssohn, Moses, 205–8Menow, Nelson, 246, 250–1mental health care
BRIGHT centre, 259–60community through music, 273–4ethnography of BRIGHT musical sessions,
260–2identity, negotiation of, 65–6musical event time phases, 269–72navigation of the musical space, 269–72performance of song and self, 262–5self, projection of, 265–7socio-musical space, healing in, 259, 272–4‘stands’ taken for illumination of identity,
267–9, 272–3Métis people, 240–1, 243, 247Middleton, Richard, xii, 67–9, 297, 299Miller, Neal, 135Milner, Greg, 305Minard, Robin, 73minimalist art, 15Mitchell, Juliet, 293, 303–4Mitchell, Timothy, 49, 51mobile music players see iPods; personal music
playersMohawk land dispute, 48, 52–3, 74, 87–9Mol, Annemarie, 59, 181Mombasa, Kenya
Monias, Ernest, 247, 254Moore, Allan F., 98motion and music, 226–9Moving Picture Experts Group
(MPEG), 111n. 2, 112, 113–20MP3 digital audio format
characteristics of, 111, 112–13, 125–6commodification of listening, 48–9, 55listening test subjects, 120–5listening tests, 54, 112, 113–20mediated music, design of, 54–5
Index350
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information
political modulation of the listening experience, 111–13, 125–7
Muniesa, Fabian, 49n. 79music
and alterity, 61–4auditory dimensions of space, 224–6auditory perception of space, 10, 92–5BitTorrent distribution of, 31entrainment, 44–7in everyday lifeworlds, 57–60fragments and movement between spaces,
20–4space in recorded music, 95–100spatiality of, 13, 226–9spatial-musical effects, 53–4, 90–2,
104–10subjectivity, mediation of, 40–7subjectivity in spatial-musical effects, 53–4,
90, 104–10see also country music; detention, use of
music and sound in; mediation of music and sound; music therapy; recorded music and sound; religious music; workplaces, music in
Music for Magnetic Tape Project, 76music sharing, 26–7music therapy
BRIGHT centre, 259–60community through music, 273–4entrainment, 45–6, 262–5
ethnography of BRIGHT musical sessions, 260–2
identity, negotiation of, 65–6musical event time phases, 269–72navigation of the musical space, 269–72performance of song and self, 262–5self, projection of, 265–7socio-musical space, healing in, 259,
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information
Parmegiani, Bernard, 12participatory audio events, 37–40patients’ experiences of hospital
auditory environment, control over, 171–5conversations about medical care, 175–8power and sound, 47, 169–70privacy and sound, 170–1, 172–5private made public, 58–9, 183–5private space, 169research background, 169sounds of the body, 171, 174–5, 178–83
commodification of listening, 48–9popularity of, 138–40public/private boundaries, 26–7, 48–51subjectivity, mediation of, 41, 43–4see also iPods
phenomenology and publicness/privacy of music, 24–31and social mediation, 33–4social phenomenology, 7–9see also Bourdieu, Pierre; Feld, Steven;
Schutz, Alfredphonographic voice
analogue and digital technologies, 302–5blackface mask, performance in, 305–11fidelity of, 67–9, 292–300, 305–11hysterical nature of phonography, 300–2
Piekut, Benjamin D., 15n. 16, 19n. 20, 26n. 28Pink Floyd, 53, 100–2, 103–4Pirate Bay, 31pitch space, 9–11place
as historical reminder, 189–90and space, 7n. 8, 229–31
Poème électronique (Varèse), 51–2, 74–5Poland, 229Polar, 138, 141–2political modulation of the listening
experience, 111–13, 125–7politics of space
auditory dimensions of space, 225and identity, 61–4mediated music and sound, design
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information
making of, 25n. 26musical and sonic publics, 35–40social mediation of, 35–40
punishment, acoustical, 285–7
radio aboriginal country music events, 241–2, 250factory workers in Second World War, 33office-based work settings, music in, 159public/private boundaries, 3, 30–1
Ranville, Stirling, 247rap music, 37, 143, 281Rebelo, Pedro, 16n. 18recorded music and sound
analogue technologies, 302–5auditory perception of space, 10, 92–5blackface mask, performance in, 305–11
Index 353
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information
social phenomenology, 7–9 see also Bourdieu, Pierre; Feld, Steven; Schutz, Alfred
sociality, 69Society for Private Musical Performances
(SPMP), 63, 232–3socio-musical space
BRIGHT centre, 259–60community through music, 273–4ethnography of BRIGHT musical sessions,
260–2healing in, 259, 272–4identity, negotiation of, 65–6musical event time phases, 269–72navigation of the musical space, 269–72performance of song and self, 262–5self, projection of, 265–7‘stands’ taken for illumination of identity,
acoustical punishment, 285–7auditory perception of space, 10, 92–5
of the body, 171, 174–5, 178–83design of, 51–7in everyday lifeworlds, 57–60interdisciplinary scholarship, 4‘masking’ of, 114–15mediation elements, 19–20ontological politics, 197–201power and sound, 47–8, 169–70, 289–91power modalities, 47–51as private experience, 24–31as public experience, 24–31, 58–9publics, 35–40social mediation of, 14, 31–5sonic-social-technological assemblages, 69sonic-spatial practices, 1–9sounding human relations, 277–80, 281–2,
286–7and space, 5–9subjectivity, mediation of, 40–7see also detention, use of music and sound
in; hospital soundscapes; mediation of music and sound; urban soundscapes
Sound Chair (Leitner), 84sound installation art
body as site of, 83–5emergence of, 81–3Fluxus and, 15, 52, 77–81literature on, 73n. 1Mohawk land dispute, 48, 52–3, 74, 87–9music projected into space, 74–7origins, 15sculpture, sound as, 79–81socially and politically constituted space,
51–3, 73–4, 85–9sonic publics of, 37–40spatialisation in, 14–20subjectivity and, 43
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information
Vienna as ‘city of music’, 229fin de siècle, 231–3, 294Ringstrasse, 226
Vienna Philharmonic Orchestra, 226Villa, Dana, 39
virtual space nature of, 95psychic space, 102–4recorded music, 53, 100–2, 103–4, 228–9subjectivity in spatial-musical effects,
104–10voice
analogue and digital technologies, 302–5blackface mask, performance in, 305–11hysterical nature of phonography, 300–2Nike+ Sport Kit, 131, 143–4phonographic voice, fidelity of, 67–9,
292–300, 305–11subjectivity and affect, 43subjectivity in spatial-musical effects,
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information
Cambridge University Press978-0-521-76424-7 - Music, Sound and Space: Transformations of Public and Private ExperienceEdited by Georgina BornIndexMore information