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Rise of the Rise of the Byzantine Era Byzantine Era Christianity goes mainstream Christianity goes mainstream
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Page 1: Byzantine part 2

Rise of the Rise of the Byzantine EraByzantine Era

Rise of the Rise of the Byzantine EraByzantine Era

Christianity goes mainstreamChristianity goes mainstreamChristianity goes mainstreamChristianity goes mainstream

Page 2: Byzantine part 2

We need a church! What to use?We need a church! What to use?We need a church! What to use?We need a church! What to use?

Roman Basilicas fit the requirements of the growing Christian followers

were suited for Christian worship as congregation could sit and listen to the deacon

Roman Basilicas fit the requirements of the growing Christian followers

were suited for Christian worship as congregation could sit and listen to the deacon

Apse

Nave

Page 3: Byzantine part 2

The parts of a Roman BasilicaThe parts of a Roman BasilicaThe parts of a Roman BasilicaThe parts of a Roman Basilica

CampanileSide Aisle

Apse

Altar

ColumnsTransept

Nave

AtriumCovered Walkway

Page 4: Byzantine part 2

St. Paul Outside the Walls, Interior View

(Begun 368, reconstructed 1823)

Nave

Apse

Altar

Example of a Roman Basilica ChurchExample of a Roman Basilica ChurchExample of a Roman Basilica ChurchExample of a Roman Basilica Church

a triumphal arch separates the nave from the apse (symbol of Christ’s victory over eternal death)

this plan became the basis for European Cathedrals in later years

a triumphal arch separates the nave from the apse (symbol of Christ’s victory over eternal death)

this plan became the basis for European Cathedrals in later years

Page 5: Byzantine part 2

• mosaics of coloured glass and gold cover the walls and triumphal arch

• 80 granite columns in four

rows

• floor is decorated with inlaid marble

designs

• frescos also used in Basilicas but few remain (minature

murals that illustrated,

enhanced and clarified the written word of the bible)

Page 6: Byzantine part 2

“St. Apollinare in Classe” 470, Ravenna“St. Apollinare in Classe” 470, Ravenna

• exteriors were very conservative in appearance (simple red brick)

Outside View of Roman Basilica Outside View of Roman Basilica ChurchChurch

Outside View of Roman Basilica Outside View of Roman Basilica ChurchChurch

Page 7: Byzantine part 2

Fighting...back and forth and back Fighting...back and forth and back and forth...and forth...

Fighting...back and forth and back Fighting...back and forth and back and forth...and forth...

Constantine dies and the Roman Empire soon becomes split into Eastern and Western Empires

Constantine dies and the Roman Empire soon becomes split into Eastern and Western Empires

EasternEmpire

WesternEmpire

Page 8: Byzantine part 2

Barbarian InvasionsBarbarian Invasions!!Barbarian InvasionsBarbarian Invasions!!

Page 9: Byzantine part 2

In the first half of the 5th Century Rome is attacked by the Visigoths, Huns, and Vandals leaving the once proud city in ruins

the Empire is now focused around Constantinople

Page 10: Byzantine part 2

MonasteriesMonasteriesMonasteriesMonasteries

Monasteries are established as a refuge from worldly disorder

e.g. The Benedictine order was established by St. Benedict and was charged with the responsibility of copying and preserving important religious manuscripts and papers

Monasteries are established as a refuge from worldly disorder

e.g. The Benedictine order was established by St. Benedict and was charged with the responsibility of copying and preserving important religious manuscripts and papers

Page 11: Byzantine part 2

Mosaics: Roman vs. Mosaics: Roman vs. ByzantineByzantine

Mosaics: Roman vs. Mosaics: Roman vs. ByzantineByzantine

Roman mosaics used polished, coloured natural stone

Roman mosaics used polished, coloured natural stone

Page 12: Byzantine part 2

Byzantine MosaicByzantine MosaicByzantine MosaicByzantine MosaicByzantine mosaics used brightly coloured glass (tessarae) pressed into wet plaster

Byzantine mosaics used brightly coloured glass (tessarae) pressed into wet plaster

*this uneven texture causes the mosaic to glitter

Mosaic from St. Paul Outside the Walls

Page 13: Byzantine part 2

Early Christian SculptureEarly Christian SculptureEarly Christian SculptureEarly Christian Sculpturevery little sculpture was made in the early Christian church, most of which has been destroyed

stone sarcophagi were carved in relief (Roman development) but subject matter was Christian

very little sculpture was made in the early Christian church, most of which has been destroyed

stone sarcophagi were carved in relief (Roman development) but subject matter was Christian

Page 14: Byzantine part 2

The Good Shepherd, 3rd Century, Marble, Half life

size

Roman Pastoral God,Aristaeus

early Christian work still has Roman influence (natural rather than symbolic form)

Christ is a beardless Roman-looking youth

early Christian work still has Roman influence (natural rather than symbolic form)

Christ is a beardless Roman-looking youth

Page 15: Byzantine part 2

Chalice of AntiochChalice of Antioch350-500 CE, Silver and Gilt, 19 cm high 350-500 CE, Silver and Gilt, 19 cm high

Chalice of AntiochChalice of Antioch350-500 CE, Silver and Gilt, 19 cm high 350-500 CE, Silver and Gilt, 19 cm high

Inner plain silver cup sits in outer ornate shell

When first re-discovered after WWI, it was thought to be the “Holy Grail” (the cup that Christ drank from at the last supper)

Two figures of Christ on each side (one youthful, one mature)

Apostles, animals and birds are woven into vines, branches, leaves and grapes -- all symbolic of Christ’s work

Eagle is a symbol of immortality

Inner plain silver cup sits in outer ornate shell

When first re-discovered after WWI, it was thought to be the “Holy Grail” (the cup that Christ drank from at the last supper)

Two figures of Christ on each side (one youthful, one mature)

Apostles, animals and birds are woven into vines, branches, leaves and grapes -- all symbolic of Christ’s work

Eagle is a symbol of immortality

Page 16: Byzantine part 2

Chalice of Antioch, Chalice of Antioch, detaildetail

Chalice of Antioch, Chalice of Antioch, detaildetail

Page 17: Byzantine part 2

DaDa. . DaDa Da!!!! Justinian saves the day!! Da!!!! Justinian saves the day!!DaDa. . DaDa Da!!!! Justinian saves the day!! Da!!!! Justinian saves the day!!in 527 Justinian ascends the throne of the Eastern Roman Empire (Byzantine Empire), recaptures most of southern Italy and establishes Ravenna on the east coast as the new center of power

his reign begins the Golden Age of Byzantine culture and art and during this time an amazing number of churches are constructed in Ravenna

in 527 Justinian ascends the throne of the Eastern Roman Empire (Byzantine Empire), recaptures most of southern Italy and establishes Ravenna on the east coast as the new center of power

his reign begins the Golden Age of Byzantine culture and art and during this time an amazing number of churches are constructed in Ravenna

Roman Empire at Justinian’s rise to power (527)

Roman Empire at Justinian’s Death (527)

Ravenna

Page 18: Byzantine part 2

San Vitale, Exterior, 525-547, Ravenna

Page 19: Byzantine part 2

large Octagonal Church with Dome over center

mosaics under arches illustrate biblical and contemporary events

large Octagonal Church with Dome over center

mosaics under arches illustrate biblical and contemporary events

San Vitale - Interior, 525-547, Ravenna

Page 20: Byzantine part 2

Look at that mosaic madness!!! All out of tiny pieces of glass!Look at that mosaic madness!!! All out of tiny pieces of glass!

Page 21: Byzantine part 2

Semicircle depicts two stories from the life of Abraham

Look at how clear the images are, easy to read and interpret.

With only a select few in the population able to read, these images were key in telling the story of the Bible.

Page 22: Byzantine part 2
Page 23: Byzantine part 2

Emperor Justinian and Attendants, mosaic, San Vitale

How would you describe how these figures look? ___________________

Where do you see Christian symbols in this piece? (if you look closely and you know what to look for, there are at least 6)

Emperor Justinian and Attendants, mosaic, San Vitale

How would you describe how these figures look? ___________________

Where do you see Christian symbols in this piece? (if you look closely and you know what to look for, there are at least 6)

Page 24: Byzantine part 2

halo informs us that Justinian is God’s holy representativestylized, tall figures but faces are somewhat natural (most likely portraits)costumes hide figure beneath, and are very stylizedlarge eyes stare from almond shaped facesfigures seem to float and pose for the viewermonogram of Christ on shieldgold background symbolizes the holiness and perfection of heaven

halo informs us that Justinian is God’s holy representativestylized, tall figures but faces are somewhat natural (most likely portraits)costumes hide figure beneath, and are very stylizedlarge eyes stare from almond shaped facesfigures seem to float and pose for the viewermonogram of Christ on shieldgold background symbolizes the holiness and perfection of heaven

Page 25: Byzantine part 2

following a revolt in 532, Justinian rebuilds Constantinople including the large Basilica Hagia Sophia (Church of Holy Wisdom)

**minarets were added in 1453 when the Moslems conquered Constantinople and changed the church into a Mosque

following a revolt in 532, Justinian rebuilds Constantinople including the large Basilica Hagia Sophia (Church of Holy Wisdom)

**minarets were added in 1453 when the Moslems conquered Constantinople and changed the church into a Mosque

Hagia Sophia

Page 26: Byzantine part 2

Future Architects take note: The Future Architects take note: The Design of Hagia SophiaDesign of Hagia Sophia

Future Architects take note: The Future Architects take note: The Design of Hagia SophiaDesign of Hagia Sophia

One of the most celebrated architectural masterpieces OF ALL TIME!!!

Incredible dome seems to float thanks to the pendentives that hold it up (no obvious big pillars

Known for its “mystical” light quality

designed by architects Anthemius of Tralles and Isidorus of Miletos (don’t worry, you don’t have to memorize those names :) )

structural challenge of placing a dome on a square structure in an aesthetically pleasing way

four concave triangles (pendentives) solve the problem and provide a graceful transition to the piers below...this had NEVER been tried on any other building before!!

One of the most celebrated architectural masterpieces OF ALL TIME!!!

Incredible dome seems to float thanks to the pendentives that hold it up (no obvious big pillars

Known for its “mystical” light quality

designed by architects Anthemius of Tralles and Isidorus of Miletos (don’t worry, you don’t have to memorize those names :) )

structural challenge of placing a dome on a square structure in an aesthetically pleasing way

four concave triangles (pendentives) solve the problem and provide a graceful transition to the piers below...this had NEVER been tried on any other building before!!

Page 27: Byzantine part 2

The marvel of The marvel of pendentives...pendentives...The marvel of The marvel of pendentives...pendentives...

See how the pendentives seem to disguise how the massive weight of the dome is held up? Very light and

airy as a result....

Page 28: Byzantine part 2

Pier Pendentive

Floor plan of Hagia SophiaFloor plan of Hagia SophiaFloor plan of Hagia SophiaFloor plan of Hagia Sophia

Enormous piers that hold up the dome allow walls to have windows which let in light

Enormous piers that hold up the dome allow walls to have windows which let in light

Page 29: Byzantine part 2

Pier Pendentive

Floor plan of Hagia SophiaFloor plan of Hagia SophiaFloor plan of Hagia SophiaFloor plan of Hagia Sophia

Enormous piers that hold up the dome allow walls to have windows which let in light

Enormous piers that hold up the dome allow walls to have windows which let in light

Page 30: Byzantine part 2

80 m long, 40 m wide, dome is 60 m high (50 on the inside...that is the length of two basketball courts, end to end)

largest interior space in the world at the time

originally walls were covered with Byzantine mosaics

completed in less than 6 years

80 m long, 40 m wide, dome is 60 m high (50 on the inside...that is the length of two basketball courts, end to end)

largest interior space in the world at the time

originally walls were covered with Byzantine mosaics

completed in less than 6 years

Page 31: Byzantine part 2

Christ between the Virgin and Saint John the Baptist, mosaic, 1261

mosaics either scraped off or covered over by Muslims after conversion to Islam

today Hagia Sophia is a museum of Byzantine art

Christ appears compassionate and loving, face is realistic, robes and book are stylized and unnatural (restored in 1933)

mosaics either scraped off or covered over by Muslims after conversion to Islam

today Hagia Sophia is a museum of Byzantine art

Christ appears compassionate and loving, face is realistic, robes and book are stylized and unnatural (restored in 1933)

Hagia Sophia MosaicsHagia Sophia MosaicsHagia Sophia MosaicsHagia Sophia Mosaics

Page 32: Byzantine part 2

Enthroned Madonna and Child, 13th Century, Egg Tempera on panel, 122 x 77

cm

Enthroned Madonna and Child, 13th Century, Egg Tempera on panel, 122 x 77

cmsome mural painting was done near the end of the Byzantine Empire (iconostasis)

egg tempera was combined with gold to produce brilliant backgrounds

realistic gentle face and hands

poses are symbolic

robes appear flat, and use oriental-styled sunbursts

perspective and foreshortening is wrong

child is out of proportion—like a miniature adult

some mural painting was done near the end of the Byzantine Empire (iconostasis)

egg tempera was combined with gold to produce brilliant backgrounds

realistic gentle face and hands

poses are symbolic

robes appear flat, and use oriental-styled sunbursts

perspective and foreshortening is wrong

child is out of proportion—like a miniature adult

Page 33: Byzantine part 2

The Fall of the Roman The Fall of the Roman EmpireEmpire

The Fall of the Roman The Fall of the Roman EmpireEmpire

7th Century – Islam is on the rise and soon Africa and the Near East are overrun by Arab armies

11th Century – the Turks occupy a large part of Asia Minor, and the remaining elements in Southern Italy fall to the Normans

in 1453 the Turks conquer Constantinople itself

7th Century – Islam is on the rise and soon Africa and the Near East are overrun by Arab armies

11th Century – the Turks occupy a large part of Asia Minor, and the remaining elements in Southern Italy fall to the Normans

in 1453 the Turks conquer Constantinople itself

Page 34: Byzantine part 2

To sum up...To sum up...To sum up...To sum up...

Roman Basilica plan used for churches

Barbarian tribes drive Roman Empire out of Rome

Justinian re-conquers area and makes Ravenna the new capital

Roman Mosaics - natural stone / Byzantine Mosaics - pieces of glass

Hagia Sophia in Constantinople an architectural marvel

Byzantine mosaics develop a very distinctive style. Used to illustrate biblical stories

Roman Basilica plan used for churches

Barbarian tribes drive Roman Empire out of Rome

Justinian re-conquers area and makes Ravenna the new capital

Roman Mosaics - natural stone / Byzantine Mosaics - pieces of glass

Hagia Sophia in Constantinople an architectural marvel

Byzantine mosaics develop a very distinctive style. Used to illustrate biblical stories