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By Philip Lawson Digital Imaging 5 •The Basics - Scanning and Printing •The Master Image •Working with Layers •Working with Channels Black and White
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By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Jan 14, 2016

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Page 1: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

By

Philip

Lawson

Digital Imaging 5•The Basics - Scanning and Printing•The Master Image•Working with Layers•Working with Channels•Black and White

Page 2: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Greyscale• By Black and White we really mean

a Monochromatic Greyscale Image• Or a Duotone• Or a Line Drawing

Page 3: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Greyscale Printing• Printing Greyscale images is

Problematic• Printing in Colour Inks leads to

– Colour casts– Lack of decent blacks

• Printing in Black Ink leads to– Lack of decent gradation

• Best to use Greyscale Ink Printers– Differing density inks and– Differing dot sizes

Page 4: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Greyscale• By Black and White we really mean

a Monochromatic Greyscale Image• Or a Duotone• Or a Tritone• Or a Line Drawing

Page 5: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Creating Greyscale 1• Scan in Monochrome• “Image->Mode->Greyscale”• “Image->Adjust->Desaturate”• Copy a Channel to a New Greyscale

Image

Page 6: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Creating Greyscale 2• Create a new Layer and Flood fill

with Filter Colour of your choice• Create a Hue/Saturation Adjustment

Layer and set Saturation to –100%• Manipulate Opacity to

obtain desired effect• Flatten Layers• Change Mode to Greyscale

Page 7: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Adjusting Greyscale: Before• Almost all accurate adjustment is

done to Greyscale images with the Levels tools

Page 8: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Adjusting Greyscale: After 1• Trim Dynamic Range and Contrast

Page 9: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Adjusting Greyscale: After 2• Trim Printer Dynamic Range (Output

levels)

Page 10: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Adjusting Greyscale: After 3• Curves can be used for greater

precision or special effects

Page 11: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Tones 1• Toned prints can be made from

Greyscale images converted back to Colour

• Then Overlay a Colour Layer and Blend

Page 12: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Tones 2• Alternatively, convert Greyscale to

Duotone and select ink colour and transfer function

• Use dark/dense inks

Page 13: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Duotones 1• Duotones (and others) do not create

extra channels

Page 14: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Duotones 2• Colours are mixed according to the

precise transfer functions created• Double click to edit function or

colour

Page 15: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Line Art and Liths 1• Good Line Art requires very high

resolution scans• Line Art should ideally only be Black

and White – no Greys• Convert to Bitmap

– very poor

Page 16: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Line Art and Liths 2• Add a Threshold Adjustment Layer

for much greater Control

Page 17: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

Line Art and Liths 3• For more effects play with Blend

Modes and Opacity of Adjustment Layer

Page 18: By Philip Lawson Digital Imaging 5 The Basics - Scanning and Printing The Master Image Working with Layers Working with Channels Black and White.

End of Black and White

Photographs courtesy of Janet Edwards