“Terracotta Jar”, 2nd-3rdCentury AD1 Re·lief(Noun): [French, from Middle French, from Italian rilievo relievo]a :a mode of sculpture in which forms and figures are distinguished from asurrounding plane surfaceb :sculpture or a sculptural form executed inthis modec :projecting detail, ornament, or figures. (Merriam WebsterDictionary) Said to be from Tarentum (South Italy), “the molded figures on the body of this container can be identified as Dionysus standing and Silenus riding on a donkey. The jar is a rare, but not unheard of, example of eastern pottery imported into Italy”. (Metropolitan Museum of Art) Relief I consider “Relief” as a word that describes a piece of art, be it a sculpture, painting, panel, wall, or print, of which the surface plane surrounding an image has been eitherraised or lowered, giving the object a two-dimensional appearance.
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1 Re·lief (Noun): [French, from Middle French, from Italian rilievo relievo] a :
a mode of sculpture in which forms and figures are distinguished from a surrounding plane surface b : sculpture or a sculptural form executed in this mode c : projecting detail, ornament, or figures. (Merriam Webster Dictionary)
Said to be from Tarentum (South Italy), “the moldedfigures on the body of this container can be identified
as Dionysus standing and Silenus riding on a donkey.The jar is a rare, but not unheard of, example of easternpottery imported into Italy”. (Metropolitan Museum of
Art)
Relief
I consider “Relief”
as a word that describes a piece of art, be it a sculpture, painting,panel, wall, or print, of which the surface plane surrounding an
image has been either raised or lowered, giving the object a two-dimensional appearance.
“Bottle of Vieux Marc, Glass, Guitar, and Newspaper”, 1913
A plane is a “three-dimensional form that has length and width but minimal thickness. Depending on the material used, planes can be transparent or opaque,rigid or flexible. Complex surfaces and enclosures can be constructed using folded or bent planes and when slotted together, planes can be used to create a variety of sturdy forms.” (Stewart 194)
Plane
This is an example of an AnalyticCubism piece of art created by PabloPicasso. Cubism asks the viewer to
consider the basic problem of how itis that we perceive objects and cometo actually know and understandtheir physicality. In this work, Picasso
explores how forms can exist in space
through different angles and viewpoints that are interwoven through a series of overlapping planes.
I consider a “Plane”
to be a one-or two-dimensional building block, which whencombined with other basic design elements, create a three-dimensional object.
Personal Photograph – “The Art Institute of Pittsburgh”
1 Form (Noun): 10 c : the structural element, plan, or design of a work of art d : a visible and measurable unit defined by a contour : a bounded surface or volume. (MWD)
This is a photograph of the lobby that I took during my first visit tothe Art Institute of Pittsburgh thispast July. I felt this picture hasseveral elements that wereindicative of “Form”, and made for
an excellent illustration of such.
For example, the crown molding, thelight fixtures, columns, and table –
each three-dimensional –
containheight, width, and depth.
I consider “Form”
to be an element of
art, encompassing objects or pieces
that are three-dimensional (versesshape which encompasses flat or two-dimensional objects). However, Ithink form also means the entirety of visible elements of a given object
and the context, or way in whichthey are brought together,
2 Contrast (Noun): 1 a : juxtaposition of dissimilar elements (as color, tone, or emotion) in a work of art b : degree of difference between the lightest and darkest parts of a picture 2 : the difference or degree of difference between things having similar or comparable natures 3 : a person or thing that exhibits differences when compared with another.(MWD)
I felt this photograph of a room in
the Hard Rock Hotel in Las Vegas,
Nevada, was an excellent example ofthe use of contrast in Interior Design.The bright bold blue hue of a muralspanning from wall-to-wall, contrastsgreatly against the neutral palette of
the room and creates a sense of
excitement as well as a focal point of
visual interest.
I consider “Contrast”
to be an elementof design that can create visual
interest, excitement, or create a focalpoint through the emphasizing of
differences by two or more opposingfactors, whether they be through anobject’s shape, emotion, movement,scale, texture, or color. For example,large and small, angular and
curvilinear, light and dark, bright and dull, or even the contrasting useof modern and traditional design in a home.