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Bruno Maderna Vittorio Sermonti E…musicologia.unipv.it/dipartimento/pdf/flyer.pdf · non furono licenziati a stampa, sebbene Maderna abbia depositato le musiche della commedia musicale
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Bruno Maderna Vittorio Sermonti
E�:N@>EEBGH�;>EO>K=>adattamento radiofonico da Carlo Gozzi
Mentre la fortuna de E�:n`^eebgh�;^eo^k]^%�ÛZ[Z�Ûehlh-Û\Z�]^e�Lb`ghk�<Zkeh�@hssb%�gh[be^�o^g^mh��!*0/."�]nkZ�Zg\hkZ�h``b�`kZsb^�Zee�hi^kZ�]b�\hfiZ`gb^�m^ZmkZeb%�g^eeZ�critica letteraria e in altre forme artistiche (come il corto-f^mkZ``bh�]�ZgbfZsbhg^�ÛkfZmh�EnmmZssb"%�ik^llh\a®�l\h-nosciuta è invece la produzione radiofonica che, a parti-re dal medesimo testo, fu realizzata da Bruno Maderna e Obmmhkbh�L^kfhgmb�^�f^llZ�bg�hg]Z�]ZeeZ�K:B�]b�FbeZgh�g^e�*2.1'� <^gmkh� Zkmblmb\h� ^� \nemnkZe^� ]�^\\^ee^gsZ%� eZ� l^]^�K:B�fbeZg^l^�hlibmZoZ�ZeehkZ�ngh�mkZ�b�ib½�ZoZgsZmb�\^gmkb�]b�fnlb\Z�^e^mmkhgb\Z�]^e�fhg]h%�eh�Lmn]bh�]b�?hgheh`bZ�Musicale, laboratorio per la produzione di musica elettro-Z\nlmb\Z�]�Zkm^�^�]�nlh�_hg]Zmh�]Z�En\bZgh�;^kbh�^�;kngh�FZ]^kgZ'� Ikhikbh� jn^lm�nembfh� _n� Znmhk^� ]^ee^� fnlb\a^�i^k�jn^lmZ�ÛZ[Z�kZ]bh_hgb\Z%�l\kbmm^�i^k�ng�^gl^f[e^�]b�]b^\b�lmknf^gmb4�[kZgb�\a^�`nZk]Zgh�mnmmb%�i^k�ebg`nZ``bh%�stile ed immediatezza, ad un referente comune: Mozart e be�lnh�m^Zmkh'�Be�m^lmh�_n�bgo^\^�Z]ZmmZmh�Zee^�^lb`^gs^�]^e�nuovo mezzo da Vittorio Sermonti, che ne curò inoltre eZ� k^`bZ� kZ]bh_hgb\Z'� <hf^� ¯� \hlmnf^� i^k� e^� ikh]nsbh-gb�kZ]bh_hgb\a^%�fnlb\a^�^�m^lmh�]^�E�:n`^eebgh�;^eo^k]^�non furono licenziati a stampa, sebbene Maderna abbia depositato le musiche della commedia musicale presso il proprio editore Suvini Zerboni di Milano. Queste fonti fZghl\kbmm^%�bglb^f^�ZeeZ�k^`blmkZsbhg^�]^eeZ�kZ]bh\hff^-]bZ� ]^ihlbmZmZ� g^`eb� Zk\abob� ]^eeZ� K:B%� g^e� +)))� _nkhgh�mkZl\kbmm^%�lmn]bZm^�̂ �kbikh]hmm^�]Z�:g`^eZ�B]Z�=^�;^g^]b\-tis in un volume della sua tesi di dottorato (dedicata alla lmhkbZ�]^eeZ�fnlb\Z�i^k�kZ]bh�bg�BmZebZ"%�]bo^gnmh�bg�l^`nbmh�eZ� [Zl^� i^k� e�^]bsbhg^� Z� lmZfiZ� ]^� E�:n`^eebgh� ;^eo^k-de%�\nkZmZ�]ZeeZ�lm^llZ�:'�B'�=^�;^g^]b\mbl%�ZmmnZef^gm^�bg�ik^iZkZsbhg^�i^k�e^�>]bsbhgb�Lnobgb�S^k[hgb'�Ikhikbh�]Z�jnb�gZl\^� be�ikh`^mmh�]^ee�:llh\bZsbhg^�]^`eb�Lmn]^gmb�]b�Fnlb\heh`bZ�̂ �;^gb�<nemnkZeb�]^ee�Ngbo^klbm¨�]b�IZobZ�!l^]^�]b�<k^fhgZ"�]b�kbihkmZk^�bg�l\^gZ�jn^lm�hi^kZ�\hgl^koZg-]hg^� e�hkb`bgZkbZ� o^lm^� kZ]bh_hgb\Z�'� :eeh� li^mmZmhk^� lb�onhe^� h__kbk^� be� ibZ\^k^� ]^ee�Zl\hemh� ]b� ng� m^Zmkh� ]^`eb�hk^\\ab��!;^kbh"%�jnZlb�\hf^�l^�Zl\hemZll^�eZ�k^`blmkZsbh-g^�kZ]bh_hgb\Z�hkb`bgZe^%�Z``bng`^g]h�be�lheh�ibZ\^k^�]^e-eZ�oblmZ'�Lne�iZe\h�li^Zd^k�bg�Z[bmb�Zggb�<bgjnZgmZ�k^\bm^-ranno al microfono il testo, mentre i “musici che sonano” kb^l^`nbkZggh�b�[kZgb�fZ]^kgbZgb'�Ghg�lb�_Zk¨�nlh�lheh�]b�oh\b� ^� lmknf^gmb%� fZ� lb� kb\hkk^k¨� mZehkZ� Zee�^e^mmkhgb\Z� ^�Z]�Zemkb�Z\\hk`bf^gmb�_hgb\b�i^k�kbikhihkk^�]Ze�oboh�jn^b�iZkmb\heZkb�^__^mmb�]b�fnlb\Z�^e^mmkhgb\Z��\a^%�Zee�^ih\Z%�^kZgh�lmZmb�k^ZebssZmb�ik^llh�eh�Lmn]bh�]b�?hgheh`bZ'