British and American Cultural Studies Theories and Methods Course instructor: Univ.-Prof. Stefan L. Brandt (English and American Studies) University of Vienna Summer Term 2012 Selected Bibliography Agger, Ben. Cultural Studies as Critical Theory. London and Washington, DC: Falmer Press, 1992. Adorno, Theodor W. The Cultural Industry: Selected Essays on Mass Culture. London: Routledge, 1991. Adorno, Theodor W. Aesthetic Theory. 1970. Trans. C. Lenhart. London: Routledge, 1970. ---, and Max Horkheimer. The Dialectic of Enlightenment. 1947. London: Verso, 1979. Ahmed, Akbar, S. Postmodernism and Islam. London: Routledge, 1992. Althusser, Louis. For Marx. London: Allen Lane, 1977. ---. “Ideology and Ideological State Apparatuses.” Lenin and Philosophy and Other Essays. 1970. Trans. Ben Brewster. London: New Left Books, 1971. Allen, R., ed. Channels of Discourse, Reassembled. London: Routledge, 1992. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. 2 nd ed. London and New York, NY: Verso, 1991. Anderson, Perry. Considerations on Western Marxism. London: Verso, 1979. ---. In the Tracks of Historical Materialism. London: Verso, 1984. Ang, Ien. Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Methuen, 1985. ---. Desperately Seeking the Audience. London: Routledge, 1990. Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. 3 rd ed. San Francisco: Aunt Lute Books, 2007. ---, ed. Making Face, Making Soul, Haciendo Caras: Creative and Critical Perspectives by Women of Color. San Francisco: Auntlute Foundation, 1990. Appignanesi, Richard, ed. Introducing Cultural Studies. New York, NY: Totem Books, 1998. Aronowitz, Stanley. The Crisis in Historical Materialism: Class, Politics and Culture in Marxist Theory. London: Macmillan, 1981. ---. How Class Works: Power and Social Movement. New Haven: Yale University Press, 2003. Art and Popular Culture. January 9 th , 2012. Jan Willem Geerinck. Accessed on May 2 nd , 2012. <http://art andpopularculture.com/Hyperreality> Ashcroft, Bill, et al. Post-Colonial Studies: The Key Concepts. London and New York, NY: Routledge, 2007. Auslander, Philip. “Just Be Your Self: Logocentrism and différance in Performance Theory.” From Acting to Performance (1997): 28-38. Back, Les. New Ethnicities and Urban Culture: Racism and Multiculture in Young Lives. London: UCL Press Ltd. Badmington, Neil. “Theorizing Posthumanism.” Cultural Critique. Issue on Posthumanism 53 (Winter 2003): 10- 27. Bagdikian, B.H. The New Media Monopoly. Boston: Beacon Press, 2004. Bakhtin, M.M. Problems of Dostoevsky’s Poetics. 1929. Ed. and Trans. C. Emerson. Minneapolis: University of Minnesota Press, 1963. ---. Rabelais and His World. Trans. H. Iswolsky. Bloomington: Indiana University Press, 1965.
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British and American Cultural Studies Theories and Methods
Course instructor: Univ.-Prof. Stefan L. Brandt (English and American Studies)
University of Vienna
Summer Term 2012
Selected Bibliography Agger, Ben. Cultural Studies as Critical Theory. London and Washington, DC: Falmer Press, 1992. Adorno, Theodor W. The Cultural Industry: Selected Essays on Mass Culture. London: Routledge, 1991. Adorno, Theodor W. Aesthetic Theory. 1970. Trans. C. Lenhart. London: Routledge, 1970. ---, and Max Horkheimer. The Dialectic of Enlightenment. 1947. London: Verso, 1979. Ahmed, Akbar, S. Postmodernism and Islam. London: Routledge, 1992. Althusser, Louis. For Marx. London: Allen Lane, 1977. ---. “Ideology and Ideological State Apparatuses.” Lenin and Philosophy and Other Essays. 1970. Trans. Ben
Brewster. London: New Left Books, 1971. Allen, R., ed. Channels of Discourse, Reassembled. London: Routledge, 1992. Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. 2nd ed.
London and New York, NY: Verso, 1991. Anderson, Perry. Considerations on Western Marxism. London: Verso, 1979. ---. In the Tracks of Historical Materialism. London: Verso, 1984. Ang, Ien. Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Methuen, 1985. ---. Desperately Seeking the Audience. London: Routledge, 1990. Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. 3rd ed. San Francisco: Aunt Lute Books, 2007. ---, ed. Making Face, Making Soul, Haciendo Caras: Creative and Critical Perspectives by Women of Color. San
Francisco: Auntlute Foundation, 1990. Appignanesi, Richard, ed. Introducing Cultural Studies. New York, NY: Totem Books, 1998. Aronowitz, Stanley. The Crisis in Historical Materialism: Class, Politics and Culture in Marxist Theory. London:
Macmillan, 1981. ---. How Class Works: Power and Social Movement. New Haven: Yale University Press, 2003. Art and Popular Culture. January 9th, 2012. Jan Willem Geerinck. Accessed on May 2nd, 2012. <http://art
andpopularculture.com/Hyperreality> Ashcroft, Bill, et al. Post-Colonial Studies: The Key Concepts. London and New York, NY: Routledge, 2007. Auslander, Philip. “Just Be Your Self: Logocentrism and différance in Performance Theory.” From Acting to
Performance (1997): 28-38. Back, Les. New Ethnicities and Urban Culture: Racism and Multiculture in Young Lives. London: UCL Press Ltd. Badmington, Neil. “Theorizing Posthumanism.” Cultural Critique. Issue on Posthumanism 53 (Winter 2003): 10-
27. Bagdikian, B.H. The New Media Monopoly. Boston: Beacon Press, 2004. Bakhtin, M.M. Problems of Dostoevsky’s Poetics. 1929. Ed. and Trans. C. Emerson. Minneapolis: University of
Minnesota Press, 1963. ---. Rabelais and His World. Trans. H. Iswolsky. Bloomington: Indiana University Press, 1965.
---. The Dialogic Imagination. 1934-41. Ed. M. Holquist. Trans. C. Emerson and M. Holquist. Austin: University of Texas Press, 1981.
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