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Brand Activation from Balaji

Apr 06, 2018

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    BRAND PRESENTATION

    ONBalaji Telefilms Ltd.

    By- Group VI

    Ishita Dey

    Nidhi Bharti

    Vikram Mahajan

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    Balaji Telefilms Ltd.

    Came into being on November 10, 1994.

    Headed by Mr. Jeetendra Kapoor who has

    extensive experience in the media and

    entertainment industry.Engaged in the development and

    production of multi lingual and multi

    genre entertainment softwares forvarious T.V channels.

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    Cont.

    Strong brand acceptance and

    recognition amongst industry and

    consumers.Maintains a program library of over

    1,303 hrs of T.V software consisting of

    various portfolios.

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    The core objective of Balaji

    To act as Producers, Distributors,

    Exhibitors, Exploiters, Traders,

    Exporters and Importers of TelevisionFilms and Serials, Video Films, Motion

    Pictures, Feature Films,

    DocumentariesRecording of Programs on any Disc,

    Tape, perforated media or other

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    Cont.

    information storage device in colour or

    otherwise inBlack and White and

    engage in business incidental here to.

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    Professional management

    Production- Mrs. Shobha Kapoor, MDand CEO supported by Chief OperatingOfficer and General Managers and twoBranch Heads for Chennai andBangalore.

    Creative- Ms. Ekta Kapoor assisted by 8Creative Heads and 15 Executive

    Producers.Finance and Corporate Affairs- Mr.

    Ajay Patadia, President;

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    Cont.

    Corporate Affairs & Mr. V. Devarajan,

    Chief Financial Officer supported by

    Asst. V.P(finance) and managers.Marketing- Mr. Rajesh Pavithran, Chief

    Operating Officer supported by teams

    across Delhi, Chennai and Bangalore.

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    Resources available

    Human Resource

    A team of young and dynamic

    professionals

    Total employee strength of 123

    Existing Library

    Over 1,303.50 hours of library content

    Daily soaps- 1146.50 hours

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    Cont.

    Sitcoms- 53.50 hours

    Children programs- 45.50 hours

    Others- 58 hoursTechnology

    Cameras, recorders, sound recording

    equipment, mikes, lights, reflectors,trolleys, cranes, generators.

    State-of-the-art analog & digital

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    Cont.

    cameras, imported SRGB lights.

    Special suites for graphics, animation

    and special effects, content softwaretapes etc.

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    The Market-Indian

    Entertainment IndustryAN OVERVIEW

    The televised Media Industry comprisingof television broadcasting, cabletelevision and the television software

    industry will determine the futuredirection and growth.

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    Cont.

    Television broadcasting

    Direct-to-home mode through satellite

    broadcasting services.Cable television

    Consolidation stage with large cable

    operators like Siticable, Asianet settingup their integrated networks resultingin;

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    Cont.

    Up gradation of technology, popularity

    of satellite channels, increase in

    delivery capabilities and meeting theviewer preference.

    Increased no. of small cities as

    potential market for operators.

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    Cont.

    Television software

    The sheer growth in the no. of

    channels has resulted in an exponentialgrowth of demand for televisionsoftware.

    Increasing focus of the privatechannels on the vast, latent anduntapped potential of viewership.

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    Cont.

    Preferences of Indian audiences for the

    native language programs have

    increased the demand for regionalprograms.

    Non resident Indian population and

    popularity of Indian programs overseas.

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    Balaji Telefilms- Channel

    driving programs

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    Star Plus - TRPs

    4.19

    10.469.53 9.53

    11.07 11.25

    0

    2

    4

    6

    8

    10

    12

    Others Balaji Show Others Others Balaji Show Balaji Show

    8.00 pm 8.30 pm 9.00 pm 9.30 pm 10.00 pm 10.30 pm

    Prime Time

    TRPs

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    Sony TV - TRPs

    0.230.46

    2.79

    2.18

    0.92

    0.55

    0

    0.5

    1

    1.5

    2

    2.5

    3

    Others Others Balaji Show Balaji Show Others Others

    8.00 pm 8.30 pm 9.00 pm 9.30 pm 10.00 pm 10.30 pm

    Prime Time

    TRPs

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    Zee TV - TRPs

    1.43

    0.99 1.04

    0.85

    0.58 0.55

    0

    0.2

    0.40.6

    0.8

    1

    1.2

    1.41.6

    Balaji Show Others Others Others Others Others

    8.00 pm 8.30 pm 9.00 pm 9.30 pm 10.00 pm 10.30 pm

    Prime Time

    TRPs

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    Undisputed Leadership

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    Aggregate TRPs for Top 100 Shows

    Shows Balaji Shows Others' Shows

    Prime Time 170.26 93.94

    Non-Prime Time 42.74 110.49

    Total 213 222.01

    Prime Time Ratings

    Balaji Show s

    64%

    Others' Show s

    36%

    Non-Prime Time Ratings

    Balaji Show s

    28%

    Others' Show s

    72%

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    Diversified channelpresence

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    41 0 12 3 10 5 21 7 10

    65 0 11 6 31 7 4 12

    85 1 7 7 000000

    0 20 40 60 80 100

    Percentage

    FY01

    FY02

    FY03*

    Year

    Star, Sony & Zee Sahara Gemini TV Udaya TV Sun TV

    DD Metro DD National Metro Gold SABe TV Vijay TV

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    Balaji SWOT Analysis

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    Strengths

    Twelve years experience in producing

    all genres of TV content.

    Promoters associated with the mediaindustry for more than 3 decades.

    Knowledgeable and experienced board.

    A team of Executive Producers tocreate quality content.

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    Cont.

    A library of owned programs with re-

    run value.

    Skilled in-house airtime marketingexpertise.

    Relationship with broadcasters on

    different platforms.

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    Cont.

    Relationships with the top advertising

    spenders in India.

    Presence in both markets- hindi as wellas regional.

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    Weakness

    Yet to develop its presence on regional

    platforms other than south Indian.

    Lack of adequate resources forpropelling full fledged growth.

    Not invested much in in-house

    production equipment and hardware.

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    Opportunities

    Expected growth in TV ad-spend.

    Cable and satellite channels are

    proliferating, providing alternativeplatforms.

    DTH will provide new opportunities forcontent providers.

    Growing international markets forIndian content.

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    Cont.

    Internet provides opportunities for

    showcasing and distributing content.

    Value addition will form new digitaltechnology.

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    Threats

    Change in viewing habits of the Indianpeople.

    Competition from other contentproviders.

    Piracy of creative ideas and concepts.

    Shift in sponsorships.

    Policy changes by Doordarshan andGovernment authorities.

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    Cont.

    Technology shifts which may involve

    expensive retaining of talent.

    Emergence of large content corporatesthrough industry consolidation.

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    The Business Flow

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    Diversified Business Model

    Across Program -20 programs on air. Noprogram accounts for over 15% of

    revenues.Channels- Program supply to keybroadcasters: Star, Sony, Zee, Gemini,Udaya, Sahara (next, Sun).

    Genres- Family Drama, Thriller,Comedy, Children programs.

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    Cont.

    Languages- Hindi, Tamil, Telugu,

    Kannada (next, Malayalam).

    Forms of Content supply- Daily /Weekend (next, Television movies).

    Time Bands- Programs run across time

    bands like afternoon and eveningprime time (next, morning).

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    Suggested Future Strategies

    Strengthening Sponsored Programming

    More programs on Udaya T.V and

    Gemini T.V.

    Entry into Tamil Nadu, Kerala and West

    Bengal markets.

    Further penetration into Doordarshannetwork.

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    Cont.

    Exploitation of software library

    Expanding prime time slots

    7:00 p.m. to 8:30 p.m.and 11:30 p.m.

    to 12:00 on main line channels

    Tapping overseas media market.

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    Cont.

    Expanding satellite channel presence

    More programming for Star, Sony, Zee

    and Sahara T.V.

    Small budget movies.

    A balanced mix of programs insponsored and commissioned category,

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    Cont.

    to optimize its risk-revenue profile.

    To diversify further into other regional

    market.To improve production efficiencies and

    economies of scale & to improve theoperating margins by investing instudios, production and postproduction equipments.

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    Cont.

    To increase focus on tapping export

    and remake opportunities.

    To tap web casting opportunities-putting software on internet.

    Investment in R&D along with creative

    conceptualization.

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    Balaji Telefilms Financial

    Year 04 Update

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    Rs (In Million) Q1FY04 Q1FY03

    % Change

    YoY Q4FY03

    % Change

    YoY

    Total Revenues 446.0 397.8 12.1% 445.3 0.1%

    Operating Profit 212.2 212.8 -0.3% 199.2 6.5%

    Profit Before Tax 221.6 203.4 8.9% 202.1 9.6%

    Profit After Tax 141.5 126.8 11.6% 119.7 18.2%

    EPS (Annualised) (Rs) 2.8 2.5 2.3

    Key RatiosOperating Profit Margin (%) 47.6% 53.5% 44.7%

    PAT Margin (%) 31.7% 31.9% 26.9%

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    The Story So Far

    Balaji is the largest fiction basedcontent producer in India.

    Multi-lingual programming.Presence across premier channels.

    Content strength:

    62 shows of quality viewing per week 14 Balaji shows featuring in Top 20

    shows in hindi satellite channels

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    Cont.

    Produced over 52 serials of different

    genre, translating into over 5200 hrs

    (around 10400 episodes of hr) ofprogramming.

    A library of over 3000 hrs of

    programming.

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    The Success Strategies

    Identification of right concept at right

    time.

    Focus on Indian blend and womenstrata.

    Focus on daily soaps.

    Right mix of programs on DD andprivate channels.

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    Cont.

    Right mix of hindi and regional

    programs.

    Restricting core competence totelevision software production and no

    dalliances with non core activities.

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    Mass Media For Balaji

    Owing to the nature of servicesprovided, the Balaji communication

    process is largely restricted to Businessto Business.

    The target audience for thiscommunication is:

    Primary: Television Channel Heads,Investors etc.

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    Cont.

    Secondary: The viewers; comprising ofteenagers, housewives, and a certain

    category of the male population.

    Thus the communication for Balaji wouldlargely comprise of

    Public Relation activities

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    Cont.

    Events

    Sponsorships

    Outdoor Media like hoardings

    Social Advertisements for television

    Promotional films/ Documentaries

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    The Media Plan

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    Public Relations

    Location : Delhi and Mumbai

    Month : May-June, 2006

    Procedure : Articles in productionjournals and financials

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    Sponsorships

    Event 1 : Abby Awards

    Location : JW Marriott, Mumbai

    Month : December 2006

    Duration : 2 days

    Approx. Cost : Rs. 1,00,00,000

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    Cont.

    (Part Sponsorship)

    Event 2 : AIDS fund raising event

    Location : India Gate, Delhi

    Month : January 2007

    Approx. Cost : Rs. 15,00,000

    O td h di

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    Outdoor- hoardings

    (Before launch of a new show)

    Hoarding size : 1020

    Location : Gurgaon and Mumbai (primelocations)

    Month : February 2007

    Duration : 1 month

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    Cont.

    Gurgaon

    1 hoarding per week = Rs. 50,000

    10 hoardings per month = Rs. 20,000,00

    Mumbai

    1 hoarding per week = Rs. 2,000,00

    10 hoardings per month = Rs. 80,000,00

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    Social Advertisements

    Social ad production Girl Child Welfare

    Channels : NDTV India, Star Plus, Sony,

    and DoordarshanDuration of ad : 10 secs

    Duration of campaign : Twice a week for

    each channel from June September2006

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    Cont.

    1 ad once a week, per channel : Rs.

    50,000

    For twice a week : Rs. 1,00,000For 1 month : Rs. 4,00,000

    For 4 months : Rs. 16,00,000

    Thus, for 5 channels : 16,00,000 X 5

    = Rs. 80,00,000

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    Promotional Film For Balaji

    In house film covering technical and

    creative finesse of Balaji Telefilms, to

    be forwarded to various channel CEOs.

    15 mins. film shot with in- house

    equipment : Rs. 2,00,000

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    The Sum Total

    Thus, total spends from Rs. 3 crores :

    Sponsorships = 100,00,000 + 15,00,000

    Hoardings = 20,00,000 + 80,00,000

    Social ad = 80,00,000

    Promotional film = 2,00,000

    Sum Total = Rs. 2,97,00,000

    Remaining Amount = Rs. 3,00,000

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    Acknowledgements

    The Delhi School of Communication

    Prof. Ramola Kumar; Dean, DSC

    Ms. Shalini Singh; Business Executive-Maxus

    Mr. Manasvi Rasgotra; Project Director

    Nestle

    Mr. Ashish Dutta; Consultant

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    Cont.

    Mr. Pradeep Aeri; Director- Aeri

    Creatives

    Team Members

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    Leveraging communication to provide marketing solutions.

    Thank You !

    187, DDA SFS, POCKET 1 & 2, SECTOR-3 ,DWARKA, NEW DELHI-110075 (INDIA)TEL:(091-11)-25086201, 25086202 e-mail: [email protected]

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    Over To You