Tan g lewcmd 1977
Tanglewood
The Berkshire Music CenterGunther Schuller, Artistic Director
Joseph Silverstein, Chairman of the Faculty
Aaron Copland, Chairman of the Faculty Emeritus
Phyllis Curtin, Artist-in-Residence for Vocal MusicJohn Oliver, Head of Vocal Music Activities
Gilbert Kalish, Head of Keyboard Activities
Dennis Helmrich, Head Vocal CoachDaniel R. Gustin, Administrator
Richard Ortner, Assistant AdministratorHarry Shapiro, Orchestra Manager
James Whitaker, Chief CoordinatorCarol Woodworth, Carol Doty, Secretaries to the Faculty
Lawrence Tarlow, Elizabeth Burnett, Librarians
Festival of Contemporary Musicpresented in cooperation with
The Fromm Music Foundation at Harvard
Fellowship ProgramContemporary Music Activities
Gunther Schuller, Director
Theodore Antoniou, Assistant Director
Betsy Jolas, Jacob Druckman,Yehudi Wyner, Cuest Teachers
The Berkshire Music Centeris maintained for advanced study in music.
Sponsored by the
Boston Symphony OrchestraSeiji Ozawa, Music Director
Thomas D. Perry, Jr., Executive DirectorThomas W. Morris, ManagerMichael Steinberg, Director of Publications
Festival of
ContemporaryMusic
The Berkshire Music CenterIn 1940, the Berkshire Music Center
was established at Tanglewood by the
Boston Symphony Orchestra in fulfill-
ment of the dream of Serge Kousse-
vitzky, its Music Director, to provide an
environment in which young musicians
could continue their professional train-
ing and add to their artistic experience
through the guidance of eminent mu-sicians. The Center was developed un-
der Koussevitzky's leadership until his
death in 1951, when he was succeeded
by Charles Munch. Erich Leinsdorf be-
came the next Music Director in 1963, to
be succeeded in 1970 by a tripartite
directorship comprising two Artistic Di-
rectors, Seiji Ozawa and Gunther Schul-
ler, and Leonard Bernstein as Advisor.
Seiji Ozawa became Music Director of
the Boston Symphony in 1973, and nowhe and Gunther Schuller share respon-
sibilities for the artistic direction of the
Music Center.
Since the founding of the Center, oneof the principal sponsors of composersand contemporary music at Tangle-
wood has been the Koussevitzky MusicFoundation established in 1942 by Serge
Koussevitzky, then Music Director of
the Boston Symphony Orchestra, in
memory of his wife, Natalie.
Twenty Years at Tanglewood
In 1957, when at the invitation of
Aaron Copland, we first came to Tangle-
wood, Serge Koussevitzky's commit-ment to the music of his contemporarieswas already legendary. His espousal of
contemporary music grew out of his
unwavering belief that musical institu-
tions cut off from the creative stream of
their own day must atrophy, that a
musical tradition which is not so muchconcerned with innovation as it is with
preservation is dead.
By coming here, by joining forces with
the Berkshire Music Center, we becomeKoussevitzky's heirs. We received the
legacy of his vision humbly, both as a gift
and also as an obligation, as a precedent
we felt impelled to follow.
In the 1950s the performance of con-
temporary music was still an isolated,
self-contained activity which had little,
if any, connection with organized con-
cert life. Now, in the 1970s, we seem at
last to have reached the point where it is
no longer necessary to insist on the
obvious, that the composers of our time
must be given their rightful place in our
musical life— not because of any moral
imperatives, but because of their im-
portant contributions to music as a liv-
ing art.
And yet it would be foolhardy to deny
that the creative musicians' struggle for
recognition today is still largely a struggle
against the hegemony of the music of the
past perpetuated by the non-composing
musicians of the present. That is some-
thing that the composers of the eigh-
teenth and nineteenth centuries did not
have to contend with.
Happily, we can point to some hope-
ful signs of change. While in the past,
our contemporary music activities atthe
Berkshire Music Center merely coex-
isted with the summer concerts of the
Boston Symphony, we are now entering
a new era in which coexistence is giving
Tanglewood
way to collaboration. Since last year,
owing to two enlightened musicians—Seiji Ozawa and Gunther Schuller— the
Boston Symphony has been making twoof their weekend concerts part of ourannual Festival of Contemporary Music.
This is more than a gesture of good will.
It is an act of faith from which we candraw new impetus in our efforts to
break down the barriers between tra-
ditional music and new music, thus
bringing us closer to a genuine musical
culture that is rooted in the creative
sources of music.
— Paul Fromm, Director
Fromm Music Foundation at Harvard
Contemporary Music at
TanglewoodThe Contemporary Music Program at
the Berkshire Music Center comprisestwo kinds of activity: the study andperformance of contemporary music,
and instruction in composition for a
limited number of composers whoseprevious studies and experiences haveprepared them for work on an advancedlevel. The program is headed byGunther Schuller. Student composersnot only receive instruction from Mr.Schuller and Betsy Jolas, but also
participate in a series of seminarsconducted by Ms. Jolas, Yehudi Wyner,and Theodore Antoniou. Compositionsby the student composers areperformed at various Berkshire MusicCenter concerts, and prepared, as are
the concerts of the Festival of
Contemporary Music, under thesupervision of Mr. Schuller and Mr.Antoniou.
The Festival
The Festival of Contemporary Musicwas initiated in 1963. The generous
support of the Fromm MusicFoundation has made possible this
week-long encounter with contem-porary music— an institution at
Tanglewood, a festival within a Festival.
Its purposes are manifold. It provides
a forum for new ideas and directions in
music and as such has become one of
the most important annual events in the
vital process of maintaining a lively
contact between the composer and the
performer, and in turn, their publics.
Performance exists in effect only as the
result of the composer's creative efforts.
It therefore becomes the obligation of
every performing musician to keep the
life-stream of music — composition—flowing and alive. The young men andwomen who come to Tanglewood as
Fellowship students, performing in
addition to nineteenth century music a
wide variety of contemporary music, are
meeting this challenge as a part of their
professional commitment to music in all
its diversity.
The Fromm Music Foundation andthe Berkshire Music Center provide a
stimulus to these activities by annually
commissioning a number of works byyoung composers who have established
themselves in their field.
The Festival does not claim to becomprehensive or all-permissive, but
has presented over the years a widesampling of contemporary music fromall countries and in all styles andconcepts, ranging from young"unknowns" to the well-established
twentieth century masters.
—Gunther Schuller, Artistic Director
THEODORE PRESSER COMPANYAmerica's oldest music publisher, represents
works by these distinguished contemporarycomposers:
Roger Sessions
composer of
WHENLILACSLASTIN THEDOORYARDBLOOM'D
Betsy Jolas
composer of
TALES OFASUMMER SEA
Richard Wernickrecipient of
the 1977
Pulitzer Prize
And: William Albright, Gilbert Amy, Georges Auric, Sol Berkowitz,
William Bolcom, Pierre Boulez, Louis Calabro, Arthur Cunningham, JohnDowney, James Drew, Jacob Druckman, Maurice Durufle, Donald Erb,
Jack Former, Jean Francaix, Iain Hamilton, Donald Harris, Lejaren Hiller,
Sydney Hodkinson, Henri Lazarof, Robert Hall Lewis, Michio Mamiya,William Mayer, Olivier Messiaen, Marcel Mihalovici, Akira Miyoshi,
Lawrence Moss, Serge Nigg, George Perle, Vincent Persichetti, Jean Rivier,
George Rochberg, Manuel Rosenthal, Claudio Santoro, Jerzy Sapieyevski,
Henri Sauguet, Peter Schickele, William Schuman, Ralph Shapey, Netty
Simons, Ezra Sims, Robert Suderburg, Toru Takemitsu, AlexanderTcherepnin, Hugo Weisgall, Richard Yardumian.
Our new Rental Catalog and individual composer brochures may be obtained by writing to:
THEODORE PRESSER COMPANY* Dept.BK-l« Bryn Mawr, Pemia. 19010
TanglewoodSaturday, 13 August at 2:30
Members of the Berkshire Music Center Fellowship Program
WILLIAM SCHUMAN The Young Dead Soldiers (1975)
Lamentation for soprano, horn, eight winds &nine strings
KAROLOS TRIKOLIDES, conductorCHERYL STUDER, sopranoCHRISTOPHER TILLOTSON, horn
DONALD MARTINO Seven Pious Pieces (1971)
To his ever-loving GodMercy and Love
His Ejaculation to GodThe Soule
Eternitie
Teares—To Death—Welcome what comesNo coming to God without Christ
Members of the Tanglewood Festival Chorus,
JOHN OLIVER, conductor
EDWARD COHEN Elegy
Euridice
Leda
Epilogue
MICHAEL MORGAN, conductorMIKKI SHIFF, mezzo-soprano
INTERMISSION
ELLIOTT CARTER
WALTER PISTON
Brass Quintet (1974)
GUNTHER SCHULLER, conductor
Divertimento for Nine Instruments (1946)
Allegro
Tranquillo
Vivo
BRUNO APREA, conductor
performed in memory of the composer 1894-1976
Commissioned by the Berkshire Music Center and
the Fromm Music Foundation at Harvard;
first performance.
Baldwin pianoAdventKLH
AN IMPORTANT EVENT
FOR MUSIC AND MUSICIANS
IN AMERICA
v^<We are pleased to announce the fonnatiation or V~—_
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EUROPEAN AMERICAN MUSIC CORPORATION
195 Allwood RoadClifton, NJ 07012
201-7772680 212-868-1165
Tanglewood
Sunday, 14 August at 8:30
Members of the Berkshire Music Center Fellowship Program
THEODORE ANTONIOU, conductor
PETER MAXWELL DAVIES Shakespeare Music (1964)
Intrada; Pavan; Galliard; Miserere;
Coranto; Passamezzo; Alman
GILBERT AMY
HENRI LAZAROF
D'un desastre obscure (1971)*
JANICE MEYERSON, mezzo sopranoDAVID HOWARD, clarinet
Third Chamber Concerto (1974)
INTERMISSION
WITOLD LUTOSLAWSKI
YANNIS XENAKIS
Preludes and Fugue,
for thirteen solo strings (1972)*
Persephassa, for six percussionists (1972)
*First performance in the United States.
Baldwin piano
AdventKLH
PERSPECTIVES OFNEW ML/SIC
let7taEditor
Benjamin Boretz
Co-Editor
Elaine Barkin
Announcing the Publication of
a Special Double Issue
SOUNDS AND WORDS
A Critical Celebration of Milton Babbitt at 60
Articles, Commentaries, Compositions by
Stephen Arnold Elaine Barkin Alex Bazelow
Bethany Beardslee-Winham Arthur Berger
Wallace Berry Frank Brickie Benjamin Boretz
Martin Boykan Elliott Carter Edward T. Cone
Carlton Gamer Graham Hair Michael Kassler
Paul Lansky David Lewin Robert Pazur
John Peel Michel Philippot Harold Powers
John Rahn J.K. Randall Charles Rosen
Seymour Shifrin Richard Swift
Christopher Wintle Charles Wuorinen
Vladimir Ussachevsky Mark Zuckerman
and Milton Babbitt
$13.50 one year
$26.00 two years
$38.00 three years
published semi-annually by
Perspectives of New Music, Inc.
Annandale-on-Hudson. N.Y. 12504
TanglewoodMonday, 15 August at 8:30
BOSTON SYMPHONY CHAMBER PLAYERS
ALBAN BERG
ROGER SESSIONS
YEHUDI WYNER
Joseph Silverstein, violin
Burton Fine, viola
Jules Eskin, cello
William Rhein, bass
Doriot Anthony Dwyer, flute
Ralph Gomberg, oboeHarold Wright, clarinet
Sherman Walt, bassoonCharles Kavaloski, hornArmando Ghitalla, trumpetRonald Barron, tromboneEverett Firth, percussion
Gilbert Kalish, guest pianist
Adagio from the Chamber Concerto,
in the version for clarinet, violin andpiano (1925)
Pieces for Piano (1976)
Andante, leggero e grazioso
Molto agitato
Molto adagio
in memory ot Luigi Dallapiccola
Serenade (1958)
NocturneToccata
Capriccio—Aria
Nocturne II
conducted by the composer
INTERMISSION
BETSY JOLAS O Wall, a puppet operafor woodwind quintet (1976)
conducted by the composer
ARNOLD SCHOENBERG Chamber Symphony, Op. 9,
in the quintet version
by Anton Webern (1906-c. 1921
Baldwin pianoDGG and RCA Victor records
TanglewoodTuesday, 16 August at 8:30
BERKSHIRE MUSIC CENTER ORCHESTRA
GUNTHER SCHULLER, conductor
WILLIAM THOMAS McKINLEY Concertino (1976)
BETSY JOLAS 7~a/es of a Summer Sea (1977)t
GEORGE ANTHEIL A Jazz Symphony (1925)
Andante— lulling
Allegretto— capricious
Tempestoso—stormyAdagio molto— pensive
INTERMISSION
ARMIN LOOS Percepts (1969):
ROGER SESSIONS Symphony No. 2 (1944-46)
Molto agitato
Allegretto capriccioso
Adagio tranquillo ed espressivo
Allegramente
*First performance.
"("Commissioned by the Fromm Music Foundation at Harvardfor the 1977 Festival of Contemporary Music; first performance.
Baldwin piano
TanglewoodWednesday, 17 August at 8:30
Members of the Berkshire Music Center Fellowship Program
ALEXANDER GOEHR Lyric Pieces, Op. 36 (1976)*
Con forza
Sostenuto ma non troppo lento
Vivo ma pesante
Largo pesante
Largamente ma non troppo lento
Scherzando
MAXIMIANO VALDES, conductor
THEODORE ANTONIOU Three Likes for solo clarinet (1973)
JOHN FULLAM
MICHAEL MARTIN Composition for Nine Instruments (1977)t
GUNTHER SCHULLER, conductor
INTERMISSION
YOSHIHISA TAIRA Hierophonie V (1974)*
NANAO YAMAMOTO, conductor
SERGE GARANT Offrandes III (1973)
THEODORE ANTONIOU, conductor
*First performance in the United States.
tCommissioned by the Berkshire Music Center and the Fromm Music Foundation
at Harvard; first performance.
Baldwin piano
Berkshire Music CenterFellowship Program 1977
Violins
Diane Bischak, Detroit, Michigan
Craig Burket, Englewood Cliffs, New Jersey
Alan H. Scovell Fellowship
Nicole Bush, Sherman Oaks, California
Diane Cataldo, Arlington, Massachusetts
Adams Supermarket Fellowship
Karen Clarke, Missoula, MontanaJolan Friedhoff, Portland, OregonFromm Fellowship
Kim Golden, Chicago, Illinois
Michael Hanson, Portland, OregonLee Savings Bank Fellowship
Carol Heffelfinger, Kansas City, Missouri
Leonard Bernstein Fellowship
Peter jaffe, Berkeley, California
Philip Johnson, Folsom, Pennsylvania
Fromm Fellowship
Martha Lewis, Lynchburg, Virginia
Martha McPherson, Tallahassee, Florida
Margaret Boyer Fellowship
Philip Middleman, Louisville, Kentucky
Rosamund Sturgis Brooks Memorial
Fellowship
Mayumi Ohira, San Francisco, California
Mary O'Reilly, Jamaica Plain, Massachusetts
Charles Pikler, Norwich, Connecticut
Hon. and Mrs. Peter I. B. Lavan Fellowship
Wendy Plank, Brightwaters, New York
Berkshire County Savings Bank Fellowship
Martha Royer, Wayne, Pennsylvania
Wendy Scheidemantle, Nanuet, New York
Seiji Ozawa Fellowship
Randi Schonning, Ottawa, Ontario
Alex Shum, Hong KongLeonard Bernstein Fellowship
Semmy Stahlhammer, Stockholm, SwedenU.S. Components, Inc. Fellowship
Kathryn Stepulla, Southgate, Michigan
Richard L. Kaye Fellowship
Arthur Zadinsky, Newhall, California
Fromm Fellowship
Violas
Katherine Askew, Houston, Texas
Bradley Fellowship
Marshall Fine, Newton, Massachusetts
Paul Frankenfeld, Long Beach, California
Frederick Brandi Trust Fellowship
Stephanie Fricker, Rhinecliff, New Jersey
Arthur M. Abell Fellowship
Carol Hutter, Binghamton, New York
Berkshire Fagle Fellowship
Virginia Izzo, Jamaica Plain, Massachusetts
Red Lion Inn Fellowship
Lynn Johnson, Great Neck, New York
Marian Voorhees Buttenheim Fellowship
Betsy London, Cambridge, Massachusetts
Berkshire Bank and Trust CompanyFellowship
Marie Peebles, Hamilton, Ontario
Union Federal Savings Fellowship
Meredith Snow, Port Jefferson, New York
Fromm Fellowship
Julie Westgate, Falcon Heights, Minnesota
Leonard Bernstein Fellowship
Cellos
Timothy Butler, Washington, D.C.
Red Lion Inn Fellowship
Catherine Giles, London, England
The English-Speaking Union/Youth &Music Fellowship
Douglas Ischar, Boston, Massachusetts
WCRB, Boston Fellowship
Nancy Keevan, Bogota, Columbia
Fromm Fellowship
Martha Kiefer, Bethesda, Maryland
Country Curtains, Inc. Fellowship
Edwm Lee, Albuquerque, New Mexico
First Agricultural National Bank of
Berkshire County Fellowship
Julia Lichten, New Haven, Connecticut
Abe and Alice Marcus Fellowship
Freya Oberle, Jamaica Plain, Massachusetts
Fromm Fellowship
Tanglewood
Michael Peebles, Hamilton, Ontario
Edgar Stern Memorial Fellowship
Steven Shumway, Lawrence, Kansas
Morris Finkelstein Memorial Fellowship
Wyatt Sutherland, Jeffersonville, Indiana
Basses
Robert Caplin, Canaan, New York
Stanley Chappie Fellowship
Stephen D'Amico, San Mateo, California
C. D. Jackson Master Award Fellowship
Jonathan Jensen, Winnipeg, Manitoba
Fromm Fellowship
Keith Post, Wichita, Kansas
Leo Wasserman Foundation Fellowship
Jonathan Storck, East Setauket, New York
Leonard Bernstein Fellowship
Stephen Tramontozzi, Belmont,
Massachusetts
R. Amory Thorndike Fellowship
Flutes
Tyra Gilb, Berkeley, California
Stanley Chappie Fellowship
Marie Herseth, Bothell, Washington
The Frelinghuysen Foundation Fellowship
Wendy Rolfe, New York, New York
Dr. and Mrs. Alexander B. Russell
Fellowship
Jacqueline Rosen, Carmel, California
Leonard Bernstein Fellowship
Debra Wendells, Seattle, Washington
Fromm Fellowship
OboesSandra Apeseche, Dearborn, Michigan
Augustus Thorndike Fellowship
William Bennett, New Haven, Connecticut
Leonard Bernstein Fellowship
Margot Golding, Fort Wayne, Indiana
Ida and Eugene Schnell Fellowship
Jean Landa, Washington, D.C.
Leonard Bernstein Fellowship
Avinoam Yosselevitch, Civataim, Israel
Leonard Bernstein Fellowship
Clarinets
Katherine Betts, New Haven, Connecticut
John M. Nalle Fellowship
Michael Corner, Los Angeles, California
Beinecke Fellowship
John Fullam, Baldwin, New York
U. S. Components, Inc. Fellowship
Diane Heffner, Jamaica Plain, Massachusetts
David Howard, Los Angeles, California
Leonard Bernstein Fellowship
Bassoons
Matthew Karr, Toledo, Ohio
Kandell Fellowship
Dennis Michel, Lacey, Washington
Susan Nigro, Chicago, Illinois
Fromm Fellowship
Richard Sharp, Jamica Plain, Massachusetts
Braden Toan, Tappan, New York
Beinecke Fellowship
Horns
Laurel Bennert, Stony Brook, New York
Stephen and Persis Morris Fellowship
Roger Kaza, Beaverton, OregonKirk Laughton, St. Catherine's, Ontario
C. D. Jackson Master Award Fellowship
Lawrence Ragent, San Mateo, California
Christopher Tillotson, New York, New York
Stuart Haupt Fellowship
Richard Todd, Brea, California
Fromm Fellowship
Robert Ward, Schenectady, New York
Koussevitzky Music Foundation
Fellowship
Trumpets
Dennis Alves, Cumberland, Rhode Island
Richard Henly, Havertown, Pennsylvania
Fromm Fellowship
Timothy Morrison, Beaverton, OregonKimberly-Clark Foundation Fellowship
Larry Scofield, Lincolnwood. Illinois
Carol Warner, St. Clair Shores, Michigan
Beinecke Fellowship
Trombones
Mitchell Arnold, Fairfax, Virginia
Donald Sanders, Jamaica Plain,
Massachusetts
The Olivia Foundation Fellowship
Stephen Wilson, Chicago, Illinois
Arthur Smith, New York, New York
Koussevitzky Music Foundation
Fellowship
TubaCraig Fuller, Columbus, Ohio
Leo L. Beranek Fellowship
Percussion
John Boudler, Buffalo, New York
Mead Corporation Fellowship
Jeffrey Fischer, Acton, Massachusetts
Selly A. Fisemann Memorial Fellowship
Neil Grover, Bellmore, New York
Patrick Hollenbeck, Binghamton, New York
Leonard Bernstein Fellowship
James Saporito, Ridgewood, New Jersey
Richard Wind, Panorama City, California
Koussevitzky Music Foundation Fellowship
Harps
Diane Evans, South Euclid, Ohio
Stanley Home Products Fellowship
Grace Paradise, Asbury Park, New Jersey
Kathleen Hall Banks Fellowship
Keyboard
Martin Amlin, Dallas, Texas
Ada Holding Miller/National Federation
of Music Clubs Fellowship
Elizabeth DiFelice, Tonawanda, New York
Beinecke Fellowship
Christopher O'Riley, Pittsburgh, Pennsylvania
Asher ). Shuffer Memorial Fellowship
William Rothstein, Milwaukee, Wisconsin
Wulsin Fellowship
Judith Lynn Stillman, Fresh Meadows,New York
Carlotta M. Dreyfus Fellowship
Alys Terrien-Queen, Framingham,
Massachusetts
Wulsin Fellowship
Janice Weber, Ridgewood, New Jersey
Koussevitzky Music Foundation Fellowship
Barbara Weintraub, Sarasota, Florida
Wulsin Fellowship
Guitar
David Ethan Sussman, Boston, Massachusetts
Conductors
Bruno Aprea, Rome, Italy
Gertrude Robinson Smith Fellowship
Michael Morgan, Washington, D.C.
Dr. Merrill H. Ross Memorial Fellowship
Karolos Trikolides, Athens, Greece
Samuel Antek Memorial Fellowship
Maximiano Valdes, Santiago, Chile
Omar Del Carlo Fellowship
Nanao Yamamoto, Tokyo, Japan
Koussevitzky Memorial Fellowship
Singers
Kathryn Asman, New York, New York
Ben Holt, Washington, D.C.
Hodgkinson Fellowship
Jennifer Leigh, Denver, Colorado
Thomas H. Lloyd, New Haven, Connecticut
Janice Meyerson, Omaha, Nebraska
Leonard Bernstein Fellowship
Elizabeth Parcells, Grosse Pointe Farms,
Michigan
High Fidelity/Musical America Fellowship
Kim Scown, Jamaica Plain, Massachusetts
Mikki Shiff, Coral Gables, Florida
Berkshire Life Insurance CompanyFellowship
Dean Shoff, Groveton, New Hampshire
Seven Hills Fellowship
Cheryl Studer, Knoxville, Tennessee
Florence Herzog Arginteanu Fellowship
Sanford Sylvan, Syosset, New York
C. D. Jackson Master Award Fellowship
Kathy Wright, Rocky Mount, North Carolina
Vocal Coaches
Nancy Engleken, Goff, Kansas
Country Curtains, Inc. Fellowship
Susan Almasi Mandel, Princeton, New Jersey
Wulsin Fellowship
Jeffrey Stevens, Cambridge, Massachusetts
C. D. Jackson Master Award Fellowship
Composers
Gisele Barreau, Paris, France
Margaret Lee Crofts Fellowship
Aram Gharabekian, Forest Hills, New York
Matthew Harris, New Rochelle, New York,
ASCAP-Rudolf Nissim Fellowship
in Composition
Marjorie Merryman, Somerville,
Massachusetts
Rodney Rogers, Scottsdale, Arizona
Albert Sarko, Birmingham, Michigan
Bruno Maderna Memorial Fellowship
David Schimmel, Norman, Oklahoma
Margaret Lee Crofts Fellowship
Jan Swafford, Chattanooga, Tennessee
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