___________________________________________
T he Seou l En gli sh Son gs Proj ec t
Songs for Teaching English in Korea
Bo ok 5
The Sp ok en
Word________________________________________________________
Poet ry a nd Pr os e fo r the Ko re an EF L Cla ss ro om EFL
wit h Ko re an Tra nslat io ns and Aud io CD CD
www.songsproject.com
______________________________ Sep te mb er, 2 005 2005 9
______________________________
Editor Orig inal T ran slations
Roger Counce Yun Hye-yeong Cha Young-kwan Park Sun-mi Dr. Kim
In-churl
Translations
Advisor
Audio Readers
Tim Bennett Desiree Byker Roger Counce Danton Ford Douglas Gress
Robert Harvey Cynthia Stanton Kim Martin Podhurst Zora Riley
Vanessa Rodriguez Yun Hye-yeong Jacco Zwetsloot
Recorded by Kim Jae-jung at Voicewiz Music Studio, Donggyodong,
Seoul , , ,
Printed by Kwan Jung-chun at Hyundai Copy Shop, Namkajwa-dong,
Seoul.
We're told, 'a picture is worth a thousand words.' But I can
show you words that are worth a thousand pictures: The Gettysburg
Address. The Bill of Rights. The Sermon on the Mount. No mere
picture could ever convey the feeling or the profound truths of
these great words, so masterfully put together." . . . , (1791 1-10
), . . -- Mort Crim, Second Thoughts
The Seoul English Songs Project,
Book 5: The Spoken Word
Audi o CD T rac k Li st / Con te ntsIntro duction1. 2. musical
entry - Planxty Fanny Power, Da vid an d Ging er H il de bran d
(:34) Introduction to Book 5 (1:21) . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . .
5
Part 1, Praye3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14.
rs and Bles sings7 7 8 8 9 9 10 10 11 12 13
musical transition into Part 1 - continuation of Planxty Fanny
Power (:19)
.................................. Psalm 23 - The Old Testament,
Psalms (1:03) . . . . . . . . . . . . . . . . . . . . . . . . Shema
Yisrael - The Old Testament, Deuteronomy (:44) . . . . . . . . . .
. . . . . . . The Lord's Prayer - Jesus Christ (:38) . . . . . . .
. . . . . . . . . . . . . . . . . . The Jesus Prayer - Early Church
Tradition (:10) . . . . . . . . . . . . . . . . . . . . A Hindu
Prayer - The Vedas (:26) . . . . . . . . . . . . . . . . . . . . .
. . . . . . . Islamic Peace Prayer - Hazrat Inayat Khan (1:15) . .
. . . . . . . . . . . . . . . . . The 4 Noble Truths of Buddhism
(:49) . . . . . . . . . . . . . . . . . . . . . . . A Bahai Prayer
- Bahaullah (:58) . . . . . . . . . . . . . . . . . . . . . . . . .
. . . The Great Spirit Prayer Ancient American Indian Prayer (1:06)
. . . . . . . . . . An Apache Wedding Blessing - The Apache Nation
(:29) . . . . . . . . . . . . . .introduction to Part 1 (:05)
Part 2, Sho rt S tori es a nd Advice 15. musical transition into
Part 2 - continuation of Planxty Fanny Power (:19)16. introduction
to Part 2 (:05) 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27.
................................ Toy Story - Ray Ring (2:30) . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Take It
From Me - Michael Levine, himself (6:20) . . . . . . . . . . . . .
. . . . . . introduction to The Making of a Country Lawyer (:12) .
. . . . . . . . . . . . . . . The Making of a Country Lawyer -
Gerry Spence, himself (2:33) . . . . . . . . . Johnny Appleseed -
Kemp P. Battle (5:50) . . . . . . . . . . . . . . . . . . . . . . .
Instructions for Life In the New Millenium (1:45) . . . . . . . . .
. . . . . . . . introduction to The Tears of My Soul (:11) . . . .
. . . . . . . . . . . . . . . . . . . The Tears of My Soul - Kim
Hyun-hee (2:28) . . . . . . . . . . . . . . . . . . . . . The
Ghosts of the Paris Boulevard - Paul Harvey (2:39) . . . . . . . .
. . . . . . The Remarkable Miss Neef - Paul Harvey (3:38) . . . . .
. . . . . . . . . . . . . . The Biggest Lies - Duane Vorhees (2:29)
. . . . . . . . . . . . . . . . . . . . . . . .ric Spe eche s and Q
uotes
14 14 15 19 19 20 24 25 25 27 28 30
Part 3, Histo
28. musical transition into Part 3 - continuation of Planxty
Fanny Power (:20) 29. introduction to Part 3 (:06) 30. 31. 32. 33.
34. 35. 36. 37. 38. 39. 40. 41.
................................ Joan of Arc's Mission, from her
testimony (:50) . . . . . . . . . . . . . . . . . . . The
Gettysburg Address - Abraham Lincoln (2:23) . . . . . . . . . . . .
. . . . . . The Iron Curtain Speech - Winston Churchill (1:11) . .
. . . . . . . . . . . . . . . introduction to Gandhi's Beliefs
(:09) . . . . . . . . . . . . . . . . . . . . . . . . . . Gandhi's
Beliefs - Mohandas Gandhi, himself (:39) . . . . . . . . . . . . .
. . . . . . The Parliament Speech Winston Churchill (2:09) . . . .
. . . . . . . . . . . . . . Eulogy for Everett Dirksen - Richard
Nixon (1:44) . . . . . . . . . . . . . . . . . . Speech to the
Troops at Tilbury - Queen Elizabeth I (1:45) . . . . . . . . . . .
. Speech at the Atlanta Exposition - Booker T. Washington (3:06) .
. . . . . . . . . introduction to Man on the Moon (:11) . . . . . .
. . . . . . . . . . . . . . . . . . . . Man on the Moon - Neil
Armstrong, himself (:10) . . . . . . . . . . . . . . . . . . . The
Declaration of Independence - Thomas Jefferson (1:17) . . . . . . .
. . . .
32 32 32 33 34 34 34 35 37 37 39 39 39
Part 4, Poe ms42. musical transition into Part 4 - continuation
of Planxty Fanny Power (:19) 43. introduction to Part 4 (:04) 44.
45. 46. 47. 48. 49. 50. 51. 52. 53. 54. 55. 56. 57. 58. 59. 60.
61.
..................................... Flanders Fields - John
McCrae (1:00) . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . Slow Dance - anonymous (1:42) . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . The Star Spangled Banner -
Francis Scott Key (:52) . . . . . . . . . . . . . . . . . . . The
Washington Men's Camerata sings The Star Spangled Banner (1:18) . .
. . . . Trees - Alfred Joyce Kilmer (:47) . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . Paul Robeson sings Trees
(2:28) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . introduction to Robert Frost's poems (:09) . . . . . . . .
. . . . . . . . . . . . . . . . . . . The Road Not Taken - Robert
Frost, himself (1:03) . . . . . . . . . . . . . . . . . . . . .
Stopping By Woods On a Snowy Evening - Robert Frost, himself (:58)
. . . . . . Afternoon On a Hill - Edna St. Vincent Millay (:30) . .
. . . . . . . . . . . . . . . . . . . introduction to The Charge of
the Light Brigade (:12) . . . . . . . . . . . . . . . . . . . The
Charge of the Light Brigade - Alfred, Lord Tennyson, himself (1:18)
. . . . . . The Charge of the Light Brigade (audio reader) (1:11) .
. . . . . . . . . . . . . . . . introduction to Walt Whitman
reading America (:10) . . . . . . . . . . . . . . . . . . . .
America - Walt Whitman, himself (:36) . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . America (audio reader) (:46) . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
This Sceptred Isle - William Shakespeare (:57) . . . . . . . . . .
. . . . . . . . . . . . . . I Never Saw A Moor - Emily Dickinson
(:33) . . . . . . . . . . . . . . . . . . . . . . . . .
41 41 42 44 44 44 44 45 45 46 47 48 48 48 49 49 49 50 51
62. musical exit - continuation of Planxty Fanny Power (:34)
Appendix: More Information About the Selections in This Book
............
52
Int ro duc tio n
Abou t the P ro jec t The Seoul English Songs Project is a small
voluntary group of undergraduate and graduate students and Korean
and native English-speaking English teachers currently or formerly
of the Seoul campuses of Myongji University and Hankuk University
of Foreign Studies. . .
We work together to produce better alternative English teaching
materials by adapting and translating English-language materials
that were not originally made for teaching English into forms that
are meaningful and interesting for the Korean EFL classroom. Most
often we work with songs, especially traditional folk songs from
the native English-speaking countries, and sometimes with poems and
prose that would exemplify the history, culture, and society of
those countries. EFL . , , , .
Our work is used solely for educational purposes and shared
freely with other English teachers in Korea for that purpose. No
money is involved so there is no violation of copyright laws. We
are funded by our own membership. . . .
Int rodu cti on t o Th is Bo ok
The Seoul English Songs Project presents, Book 5, The Spoken
Word. 5 The Spoken Word . The Spoken Word is in 4 parts: Prayers
and Blessings, Short Stories and Advice, Historic Speeches and
Quotes, and Poems. The Spoken Word , , , 4 . The audio CD for this
book contains voice recordings to accompany the written poetry and
prose in the book. The reader can follow along, reading and
listening together. When possible, the voice recordings have been
taken directly from the authors' own recordings. Otherwise, project
participants (who live and work here in Seoul, South Korea) have
taken the role of voice actors, reading the works of the
-5 -
religions of the world, short stories, advice offered to the
world, some of the most noteworthy comments from history, and a few
poems--both famous and obscure. CD . CD . ( ) . , , , , ( ) . All
Korean translations in the book are the original translations of
the Project, except where noted. . The Spoken Word is produced and
edited by Roger Counce. The translators are Cha Young-kwan, Park
Sun-mi, and Yun Hye-yeong. The translation advisor is Kim Inchurl.
The voices are those of Tim Bennett, Desiree Byker, Roger Counce,
Danton Ford, Douglas Gress, Robert Harvey, Cynthia Stanton Kim,
Martin Podhurst, Zora Riley, Vanessa Rodriguez, Yun Hye-yeong, and
Jacco Zwetsloot.
The Spoken Word , , . , , , , , , , , , , , , .The Project
members and participants invite you to listen and read, and to use
this book and CD as raw material in your own teaching of English as
a foreign language. CD .
-6 -
1: Pra yer s a nd B le ss in gs1:
~~~~~~~~~~~~~~~~
track 5
Psalm 23, A Psal
m of David
23 ,
--David's confidence in God's Grace-- Read by Michael York
The LORD is my shepherd; I shall not want. , .
He maketh me to lie down in green pastures; He leadeth me beside
the still waters.
He restoreth my soul; .
He leadeth me in the paths of righteousness for his name's sake.
, ,
Yea, though I walk through the valley of the shadow of death, I
will fear no evil: for thou art with me; Thy rod and thy staff they
comfort me. . .
Thou preparest a table before me in the presence of mine
enemies; Thou anointest my head with oil; my cup runneth over. , ,
.
Surely goodness and mercy shall follow me all the days of my
life; And I will dwell in the house of the LORD for ever. , .
--The Bible, Old Testament, King James Version. King James .
-7 -
track 6
She ma Y israe l Read by Martin Podhurst
Hear, O Israel: the Lord our God, the Lord is One. Blessed is
the Name of His glorious kingdom for all eternity. You shall love
the Lord your God, with all your heart, with all your soul and with
all your might. Let these matters that I command you today be upon
your heart. Teach them thoroughly to your children and speak of
them while you sit in your home, while you walk on the way, when
you retire and when you arise. Bind them as a sign upon your arm
and let them be tefillin between your eyes. And write them on the
doorposts of your house and upon your gates., . . . . . . . .
--Deuteronomy 6:4-9 and Jewish tradition 6 4 -9
track 7
The Lord 's Prayer Read by Jacco Zwetsloot
Our Father, Who art in heaven, Hallowed be thy name. , .
Thy Kingdom come. Thy will be done, On earth as it is in heaven.
. .
Give us this day our daily bread. And forgive us our
trespasses
-8 -
As we forgive those who trespass against us. . .
And lead us not into temptation, But deliver us from evil. ,
.
For Thine is the Kingdom, and the power and the glory, forever
and ever. Amen. . .
--The Bible, New Testament, King James Version. King James .
track 8
Th e Je su s Prayer () Read by Vanessa Rodriguez
Lord Jesus Christ, Son of God, have mercy on me, a sinner. ,
.
track 9
A Hindu Prayer Read by Douglas Gress
May the Wind breathe healing upon us, prolong our life-span, and
fill our hearts with comfort! . , !
You are our father, O Wind, our friend and our brother. Give us
life that we may live., , . .
From that immortal treasure, O Lord, which is hidden in your
abode, impart to us that we may live. , .
--The Vedas
-9 -
track 10
Islam ic P ea ce Prayer Read by Jacco Zwetsloot
Send Thy peace O Lord, which is perfect and everlasting, that
our souls may radiate peace. , . . .
Send Thy peace O Lord, that we may think, act, and speak
harmoniously. , . , , .
Send Thy peace O Lord, that we may be contented and thankful for
Thy bountiful gifts. , . .
Send Thy peace O Lord, that amidst our worldly strife, we may
enjoy Thy bliss. , . .
Send Thy peace O Lord, that we may endure all, tolerate all, in
the thought of Thy grace and mercy. , . , .
Send Thy peace O Lord, that our lives may become a Divine vision
and in Thy light, all darkness may vanish. , . , .
Send Thy peace O Lord, our Father and Mother, that we Thy
children on Earth may all unite in one family. , , . .
--Hazrat Inayat Khan
track 11
Th e Fo ur N oble T ru th s of Bud dh is m () Read by Robert
Harvey
Accept suffering as part of life. ().
Suffering is caused by desire.
- 10 -
().
A way to nirvana, total letting go, exists.( ) ().
The way out is the eight-fold path of Buddhism: ():
right understanding, right directed thought, (), (),
right speech, right action, (), (),
right livelihood, right effort, (), (),
right mindfulness, and right concentration. (), ().
track 12
A Baha 'i Prayer for
Uni ty
Read by Danton Ford
O my God! O my God! ! !
Unite the hearts of Thy servants, and reveal to them Thy great
purpose. , .
May they follow Thy commandments and abide in Thy law. , .
Help them, O God, in their endeavor, and grant them strength to
serve Thee., , .
O God! Leave them not to themselves, but guide their steps by
the light of Thy knowledge, and cheer their hearts by Thy love.! ,
, .
Verily, Thou art their Helper and their Lord. .
--Bahaullah--
- 11 -
track 13
Th e Great Sp ir it Prayer
....Ancient American Indian Prayer....
Read by Martin Podhurst
Oh, Great Spirit, whose voice I hear in the wind, whose breath
gives life to all the world, hear me; I need your strength and
wisdom., , , . . .
Let me walk in beauty, and make my eyes ever behold the red and
purple sunset. , .
Make my hands respect the things you have made and my ears sharp
to hear your voice. , .
Make me wise so that I may understand the things you have taught
my people. .
Help me to remain calm and strong in the face of all that comes
toward me. .
Let me learn the lessons you have hidden in every leaf and rock.
.
Help me seek pure thoughts and act with the intention of helping
others. .
Help me find compassion without empathy overwhelming me. .
I seek strength, not to be greater than my brother, but to fight
my greatest enemy - myself. .
Make me always ready to come to you with clean hands and
straight eyes. So when life fades, as the fading sunset, my spirit
may come to you without shame. . , .
- 12 -
track 14
An Ap ache We ddin g Ble ss ing Read by Desiree Byker
Now you will feel no rain, for each of you will be shelter for
the other. , .
Now you will feel no cold, for each of you will be warmth for
the other. , .
Now there is no more loneliness. .
Now you are two persons, but there is only one life before you.
.
May your days together be good and long upon the earth. .
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~
- 13 -
2: Sho rt S to rie s an d Ad vic e2:
~~~~~~~~~~~~~~~~~~
track 17
"Toy Story"
Reprinted from the article of the same name, subtitled, "Toward
a General Theory of Perpetual Motion" by Ray Ring on page 70 of the
August/September 2003 issue of American Heritage magazine. 2003 8/9
70 .
Read by Martin Podhurst
On a Saturday afternoon the week before Christmas in 1935, I
walked along Nassau Street in Princeton, New Jersey, looking at the
displays in shop windows and daydreaming about a certain high
school girl. I soon reached the F.W. Woolworth five-and-dime, the
only self-service store in Princeton at the time.1935 , , Nassau .
F.W. Woolworth .
Displayed in the front window was a toy, a little wheeled cart
on a steeply inclined ramp. The cart was attached to a cord that
ran over a pulley at the top of the ramp; at the end of the cord
was a counterweight. Perched above the top of the ramp was a hopper
full of sand. When the cart was empty, the counterweight pulled it
to the top of the ramp, where it tripped a lever to start sand
funneling into it. Once the cart filled up, it became heavier than
the counterweight and rolled back down the ramp, shutting off the
sand flow from the hopper as it departed. When the cart hit the
bottom of the track, it did so with enough force to tip-dump the
sand. Then the counterweight pulled it back up the ramp for a
refill. This went on and on. . . . . , . . .
I stood for several minutes studying the fascinating toy. Soon I
sensed that someone was standing beside me, and when I glanced to
my right, I saw a slightly bent man with a mustache and gray,
frizzy hair. He was wearing an open-collared white shirt, baggy
khaki pants without a belt or suspenders, and ankle-high tennis
- 14 -
shoes without socks. He seemed underdressed for December. . , .
. 12 .
I knew who this was. He had come to Princeton to hold a post at
the Institute for Advanced Study, and I had seen his picture in
newspapers and magazines, and on newsreels. I was afraid that he
might say something that my 15-year-old brain wouldn't understand.
. , . 15 .
For a while he just stood there watching the toy. Then, just as
I feared, he started talking to me. . .
"This is fascinating, isn't it?"" , ?"
"Yes, sir," I said, "it certainly is."", ." .
"The people who invent these modern toys are ingenious," he
said. "This clever little machine nearly accomplishes perpetual
motion." Then Albert Einstein turned and walked away." . ." . .
--Ray Ring is retired and lives in Rawlins, Wyoming.-- .
track 18
Excerpts from Take It From Me by Michael Levine --Practical and
Inspiring Career Advice From the Celebrated and the
SuccessfulMichael Levine TAKE IT FROM ME --
* Richar d Ne lson Boll es , author of What Color is Your
Parachute? ? Richard Nelson Bolles.
The single greatest thing I've learned from studying successful
job hunters (and career changers) for twenty-five years is that the
essence of successful job-hunting is having alternatives; ( ) 25 ,
.
--alternative ways of describing what you do,-- ,
--alternative avenues of job-hunting,-- ,
--alternative leads to a job,-- ,
- 15 -
--alternative target organizations that you're going after,--
,
--alternative ways of approaching employers.--
The problem with unsuccessful job hunters is that they often
pursue a plan that has no alternative. You must not follow in their
footsteps if you want your job hunt to be successful. . .
* Dwayne O. And rea s, Chairman of the Board/CEO, Archer Daniels
Midland Company Archer Daniels Midland Company There are no
guarantees of success in life, but I've found five golden rules
that can help you get where you want to go: , 5 :
Rule One -- Invest in yourself. The smartest investment you can
make is to build your own asset base--the skills and capabilities
that come with further education and experience. Accumulating
capital will help you more than you think., . . . .
Rule Two -- Demand the best from yourself in everything you do.
Keep asking, "How could I have done this better?" We all fall short
of perfection, but if you shoot for 100 percent, you'll get 80
percent and be far ahead of the rest of the pack., . ? . , 100 , 80
.
Rule Three -- Learn from mistakes. You'll make plenty of them;
we all do. But mistakes can be valuable learning experiences if you
analyze why they happened and how you might have avoided them. Each
mistake is a learning experience., . . . . .
Rule Four -- Be flexible. My own career was forever changed for
the better because of incidents I could have never anticipated. So
don't stick too rigidly to a career plan; leave yourself open to
opportunities that will arise, and be prepared for them. Take
advantage of accidents., . . . . .
Rule Five -- Get involved. Be multidimensional. Your career can
only be enhanced by taking an active part in political and
community life, and by communication with your family and
associates.
, . . .
- 16 -
* Phylli s Dill er , comedienne There is no such thing as
failure--only people who quit. . .
* Joyce D. Broth ers , Ph.D., psychologist, syndicated columnist
,
Stand your ground. It will be worth it! Accept that all of us
can be hurt, and that all of us can--and surely will at
times--fail. Other vulnerabilities, like being embarrassed or
risking love, can be terrifying, too. I think we should follow a
simple rule: if we can take the worst, take the risk. . . . , , . .
.
* Ed McMah on , television personality TV Success breeds
success--once you've had a good night, you can't wait to do it the
next night. Initial success causes you to even be more confident,
pleased with yourself the next time around. . , . .
* P ete Roz ell e, former NFL Commissioner NFL Always give your
best and a little more from the very beginning of your work life.
You will be surprised at the recommendations and elevated hirings
that follow through your career. . . .
* Francis G. "Buck" Ro ge rs , former IBM executive IBM The
secret to any business success is to understand the customers'
problems and to provide solutions so to help them be profitable and
feel good about the transaction. .
* Bill Cosby , actor, comedian , I don't know the key to
success, but the key to failure is trying to please everybody. .
.
* Je rr e Stead , President, AT&T AT&T
Taking educated risks? Making mistakes? Yes, indeed. I've always
believed that the best work culture regards risk taking. It's a
culture in which people have the right to be wrong and it's okay to
make a mistake. But when you make a mistake,- 17 -
make sure you can identify it to someone else, talk to them
about it, and put the appropriate resources into correcting it.
Secondly, learn from your experience and don't make the same
mistake again. ? ? . . . , , . , .
* Micha el Ko rda , author, publishing executive, Simon &
Schuster, Simon & Schuster
To succeed, it is necessary to accept the world as it is and
rise above it. , .
* N els on Mand ela , President of South Africa The secret to
success is to learn to accept the impossible, to do without the
indispensable, and to bear the intolerable. , , .
* Be ve rly Sills , opera singer You may be disappointed if you
fail, but you'll be doomed if you don't try. , .
* H. Way ne Huiz enga , CEO, Blockbuster Entertainment,
Blockbuster Entertainment
To achieve success you need firm beliefs. I firmly believe that
any person in order to survive and achieve success must have a
sound set of beliefs on which he premises all actions. . .
* Bo b Dylan , singer/songwriter , What's money? A man is a
success if he gets up in the morning and gets to bed at night and
in between does what he wants to. ? , , .
* Bo b Costas , NBC sports broadcaster NBC My only advice would
be to think of success in personal terms and not be constrained by
narrow prevailing notions of success that might limit you. Identify
a
legitimate set of goals that have meaning to you, then pursue
them with determination and integrity. . ,
- 18 .
* Wo ody Al len , actor/writer/director // Eighty percent of
success is showing up. 80 .
tracks 19, 20
Excerpt from
Th e Making Of A C
oun try Lawyer by Gerry Spence,
taken from the book on tape of the same title, read by the
author, Gerry Spence. .
The following is a transcript from side 3 of the book-on-tape
edition of The Making of a Country Lawyer, published in 1996 by
Audio Renaissance Tapes, Los Angeles, California, USA, which is an
abridgement of Gerry Spence's book of the same title. The excerpt
is based on material from pages 222-225 of the book, published in
1996 by St. Martin's Press. Audio Renaissance Tapes 1966 3 . Gerry
spence . St. Martin's Press 1996 222 225 .
The law school of the University of Wyoming in Laramie was
perhaps the smallest, least prestigious of all university law
schools in America. The floors were old, wooden, and creaky. No
pictures hung on the wall. The rooms reflected neither care nor
repair. It was a place utterly without vice, charm, or character.
Its contents and surroundings accurately reflected the law. Nothing
in these premises suggested that the law was either enlightening or
interesting, alive or growing. I was to discover it was none of
these.Laramie . , , . . . , . . , , . .
On the first day of law school in September of 1949, the dean
spoke to the freshman class, a disparate bunch of 35 students. Most
were intellectual, powerful muscle-headed, cigarette-smoking, thick
glasses-wearing types. Most had never read a poem. Most had never
sung a song or cared to. In the next few minutes in his welcoming
address, the dean informed us that half of us would be gone by the
end of
the first quarter; that law was a science as much as physics and
chemistry; that the practice of law was a business, nothing more
and nothing less; that lawyers are not knights riding around on
white chargers seeking that Holy Grail called Justice; that real
lawyers develop sound billing skills, drive Buicks, and maintain
the status quo;- 19 -
and that to be lawyers we had to learn to think like
lawyers.1949 9 35 . , , , . . . . ; ; ; ; Buick ; .
Think like lawyers. I wondered how a lawyer was supposed to
think. Logically, without passion, I suppose. Drive out all
feeling, for law was a science and science was feeling-less. . . ,
. . .
In the years that followed I was to learn that the professors'
world was insular and arrogant. Justice, to them, was a sentimental
idea that popped into the rhetoric of politicians and invaded
stodgy old documents like the Constitution. Justice was just a
phrase--"Equal Justice For All" carved over the doors of buildings
like the United States Supreme Court. In the science of law one
could not abide such subjective concepts as justice any more than
one could talk about love as a component to a chemical formula. Law
was law, and like science law could not be understood by the
unscientific mind. I therefore set out to think like a lawyer,
however in hell one was supposed to achieve that skill. . , , . . .
. , . . .
track 21
"How Jo hnny A pp le see d Br ou gh t Ap pl e Blos so ms to th e
We st"from Great American Folklore, compiled by Kemp P. Battle .
Kemp P. Battle
Read by Douglas Gress
Of all the tales that Pennsylvanians tell, I think they like
best the story of a strange fellow who rode into Pittsburgh on the
lazy-board1) of a Conestoga wagon back in 1794. He said his name
was Jonathan Chapman, and he built himself a log cabin on1) la zy b
oa rd -- the driver's seat on the side of a Conestoga wagon
- 20 -
Grant's Hill. , 1794 (lazy-board) . , .
It's a long time for a story to carry by word of mouth, but
there are some people who say he told it around Pittsburgh that he
had been born in Boston in the year of the Battle of Bunker Hill
[1776] and that the first thing his baby eyes ever saw was a branch
of apple blossoms outside the window of his home. If that is true,
the sight must have influenced the whole rest of his life, for as
soon as he had his house built in Pittsburgh he planted a big apple
orchard. There, on the hill now known as Pittsburgh's Hump, the
bees in Jonathan Chapman's hives made honey from the apple blossoms
and Jonathan gave it away to his neighbors because, he said, the
bees didn't charge him anything for it. . , , . , . , , . , . .
In the twelve years he lived in Pittsburgh an idea kept growing
in Jonathan Chapman's brain until it got a powerful hold on him. He
would take a load of apple seeds westward to the pioneers on the
frontier so that they might have flowering, fruitful orchards like
his own. Some folks say he would never have really got started with
that load, that the idea would have stayed an idea, if Jonathan's
girl hadn't jilted him. I met an old lady once who said of him, "He
wasn't quite right in the head, you know; my grandmother called him
'love-cracked.'"12 . . , , , . . , .
Whatever the truth about that may be, in 1806 Jonathan loaded
two canoes with apple seeds and started down the Ohio River. When
he got to the Muskingum he followed that to White Woman Creek, and
he finally ended up along Licking Creek where his load of seeds ran
out. Behind him farmers were rejoicing in their seedlings--soon to
be waving orchards--and they talked about the strange man who had
brought them. They called him Johnny Appleseed.
, 1806 . . . .
- 21 -
Johnny went back to the Pennsylvania cider mills2) to get more
seeds. They're still talking about him around Shadeland and
Blooming Valley and Coolspring--the queer, blue-eyed man with long
hair hanging to his shoulders, barefooted, wearing ragged clothes.
When he had disposed of a second load and come back to Pennsylvania
for seeds again, his appearance had changed still more. On his head
as a cap he wore a tin kettle in which, when he needed it, he
cooked his food. His only garment now, winter or summer, was a
coffee sack with holes cut in it for his arms and legs. . . . .
.
Strange stories came out of the western wilderness. .
Hostile Indians treated Johnny Appleseed kindly and helped him
on his way. .
A trapper had come upon Johnny Appleseed playing with three bear
cubs while their mother looked on placidly. .
Johnny Appleseed was entertaining frontier families by showing
them how he could stick pins and needles through his flesh without
hurting himself. .
Johnny Appleseed knew direction by instinct and never carried
compass in the trackless woods. .
Johnny Appleseed did not feel the cold of winter and could walk
barefoot in belowzero weather without freezing his toes. ( 18 )
.
Johnny Appleseed had saved the people living in the fort at
Mansfield, Ohio, from massacre by Indians by running sixty miles
through the dense woods in five hours to obtain aid.2) ci der --
apple juice produced by crushing apples. "Hard" cider is alcoholic,
fermented byadding yeast.
. .
ci der mi ll -- a mill where such cider is produced
- 22 60 5 .
Hundreds of Ohio acres were abloom with pink blossoms now, and
Pennsylvania seeds had reached the banks of the Wabash. Everywhere
Johnny Appleseed was welcomed by the grateful farmers. When he sat
down at table with them, he would not eat until he was sure that
there was plenty of food for the children. After he had eaten he
would stretch himself out on the floor, take out the Bible he
carried in the coffee sack, and read aloud what he called, "news
fresh from heaven"--the Sermon on the Mount3). His voice, one good
housewife said, was "loud as the roar of wind and waves, then soft
and soothing as the balmy airs that quivered the morning glory
leaves about his gray beard." . . . , . . , . .
One day he trudged along for twenty miles to reach the home of a
friend near Fort Wayne, Indiana. He sat down on the doorstep to eat
his evening meal of bread and milk. He read aloud from the Bible
for a while. Then he went to sleep, stretched out on the floor, and
he did not wake up. 20 . . . , .
When news reached Washington, old Sam Houston4), Texas Sam
Houston, made a speech about Johnny Appleseed in the American
Congress. He said: "This old man was one of the most useful
citizens of the world in his humble way. Farewell, dear old
eccentric heart. Your labor has been a labor of love, and
generations yet unborn will rise up and call you blessed." , . . .
, .
3) The Se rmon on the Mo un t -- related in the Bible, Matthew
chapters 5-7, Jesus taught hisdisciples, while a great crowd
gathered to listen. -- 5-7 .
4) Sa m Ho us ton -- 1793-1863; American statesman; famed as
leader of the Texas military thatfought and gained independence
from Mexico; first President of the Republic of Texas; later
Senator from Texas to the U.S. Congress; namesake of the city of
Houston, Texas. . . . . .
- 23 -
This is just what the farmers who own apple orchards along
Johnny Appleseed's path over a territory of a hundred thousand
square miles have been doing ever since. And all the folks in
western Pennsylvania bless Johnny Appleseed, too, for they know
that when spring comes to the land now known as the Middle West
hundreds of thousands of Ohio and Indiana acres will be pink and
white with Pennsylvania apple blossoms. , 10 . . , .
track 22
Ins truct ion s for Life in t he N ew Mil leni um Read by Martin
Podhurst
1.
Take into account that great love and great achievements involve
great risk. .
2.
When you lose, don't lose the lesson. , .
3.
Follow the three Rs: respect for self, respect for others, and
responsibility for all your actions. (the three Rs) : , , .
4.
Remember that not getting what you want is sometimes a wonderful
stroke of luck. .
5.
Learn the rules so you know how to break them properly. .
6.
Don't let a little dispute injure a great friendship. .
7.
When you realize you've made a mistake, take immediate steps to
correct it. , .
8.
Spend some time alone every day. .
9.
Open your arms to change, but don't let go of your values. .
10.
Remember that silence is sometimes the best answer. .
- 24 11.
Live a good, honorable life. Then when you get older and think
back, you'll be able to enjoy it a second time. . , .
12.
A loving atmosphere in your home is the foundation for your
life. .
13.
In disagreements with loved ones, deal only with the current
situation. Don't bring up the past. . .
14.
Share your knowledge. It's a way to achieve immortality. . .
15.
Be gentle with the earth. .
16.
Once a year, go some place you've never been before. , .
17.
Remember that the best relationship is one in which your love
for each other exceeds your need for each other. .
18.
Judge your success by what you had to give up in order to get
it. .
19.
Approach love and cooking with reckless abandon. .
tracks 23, 24
Excerpt from
The Tear s of My So ul by Kim Hyun-hee, taken from the book on
tape of the same title, read by Sun Yun Cho. .
During my last year in high school I was accepted by the Biology
Department of Kim Il Sung University. Only the children of
high-ranking government officials could attend.
. .
I had trouble keeping up with my studies, because most of my
spare time was spent doing mandatory farm work in the nearby
countryside. My father then- 25 -
suggested that I transfer to Pyongyang Foreign Language College,
which also seemed to guarantee a good job after graduation,
particularly for a woman. My father arranged for me to take the
entrance exam, which I passed, and I enrolled as a major in the
Japanese language. . . . , . . , .
It was a fateful decision. Had I not studied Japanese, and had I
not transferred to Pyongyang, I would never have been recruited as
an agent. At the time, of course, I had no idea. . , , . .
As required, I did my military training. We would be taken to
boot camps in the countryside, spending long days learning to shoot
rifles and march in columns. It was a grueling life. We were poorly
fed, and many of us lost weight. Women were drilled more strictly
and more frequently than men. I resented the double standard, but
in the end I felt equal in prowess to any man. By the end of our
service we were marching twenty miles [33 kilometers] at a stretch
while carrying thirty-pound [13.6 Kg] packs. We were adept at
firing machine guns, pistols, and could even drive tanks. We threw
hand grenades, operated antiaircraft guns in mock air raids, and
learned to fire antitank missiles. . . . . . ( ) , . 30 (13.6 ) ,
20 (33 ) . , , . , , .
I felt enormous relief returning to college in Pyongyang and
worked hard trying to catch up in my studies. Men and women were
not allowed to date, but a few brave souls would sometimes take the
risk. Those caught were expelled, and some were even deported to
labor camps. Physical exams were required at regular intervals,
which for women included a gynecological checkup. This way the
authorities could be sure we were still virgins. . , . , . ,
. .
Looking back, I wonder how I found the time to sleep. It seems a
miracle that I learned Japanese at all, but in fact I began to be
fluent and earned top marks.- 26 , . , .
--convicted North Korean saboteur Kim Hyun Hee, from the English
edition of her autobiography The Tears of My Soul, 1991 -- , 1991
.
2 Stories from the
Collection of P
aul Harvey
2
track 25
"Th e Gho st s of th e Paris
Boul evard"
Read by Tim Bennett
In 1839, Louis Daguerre, the inventor of photography, took a
photograph, apparently from the highest window of a Paris building.
The scene shows a beautiful Paris boulevard stretching into the
distance. On the sidewalk below, a man stands with one foot on a
bootblack's platform. He is the first person ever to be
photographed.1839 . . . .
There is something else intriguing about this Paris cityscape,
something almost unearthly. .
One appreciates the exquisite detail in the picture from that
distance, even the brickwork in the buildings and the tile-work on
the roofs. Everything in the photograph is in clear detail except
the man, who is a bit blurry. . .
Yet, with the exception of that one tiny, lonely figure on the
corner, the entire boulevard, a half-mile or more plainly visible
in the gleaming sunlight, is completely devoid of life. .
The shadows cast by the trees suggest that it is neither early
morning nor late afternoon. The boulevard should be filled with
people walking, shopping; with horsedrawn carriages, delivery
wagons, and even children and dogs playing. But there is
- 27 -
no one except for that one man. . , , . .
Pervading that ancient daguerreotype is an eerie calm, as though
someone had dropped a neutron bomb. Except for that one man. () .
.
The Paris boulevard photographed by Louis Daguerre was, in fact,
teaming with real, live, flesh-and-blood people and horses and
carriages and dogs and birds. Yet the early daguerreotype process
was so slow that only stationary objects could be captured on the
plate, like that one man patiently waiting for his boots to be
brushed. , , , . .
History honors him as the first person ever photographed, only
because he was standing still! . !
track 26
"T he Remarkable Mi
ss Neef"
Read by Cynthia Stanton Kim
In 1961 Tom was a respectable young businessman in his native
Amsterdam in the Netherlands. And he was in need of a private
secretary.1961 .
After a long procession of unpromising applicants, a bright,
charming young lady came to his office. .
She was Miss Neef. Her references were impressive, her typing
and her shorthand were more than adequate, and beyond her obvious
secretarial talents was the aura of personal stability Tom had been
looking for. Miss Neef was hired on the spot.
. . . .
She was an executive's dream. When she answered the phone, she
projected polite
- 28 -
authority. When, in the course of business Miss Neef was faced
with minor emergencies, she was always calm and her solution to
each problem was always quick and direct. . . .
Miss Neef was tireless. At the end of a long day, when even her
young employer was completely exhausted, Miss Neef was fresh,
energetic, and as ready to cope with her responsibilities as she
had been before her usually brief lunch break. . . .
Weeks became months and months became years, and during the
busiest seasons Miss Neef did the work of two. She was a one-woman
miracle, a credit to her employer and a major contributor to his
professional success. . . .
Then in 1973, the day came that Tom had secretly dreaded for
twelve years. Miss Neef wished to retire as Tom's secretary.1973 12
. .
Tom would miss his secretary, but he wanted to accept the bad
news as gracefully as possible. As he thought about the splendid
job she had done during those twelve years--really more than anyone
could have expected from one person--Tom decided that Miss Neef
should have a generous retirement party. . 12 . .
It was then, at the party, that Tom learned the rest of the
story, because shortly after the guest of honor arrived--the guest
of honor arrived again! And the mystery of Miss Neef's boundless
energy was not a mystery anymore. . . .
For twelve years Tom was sure that his one secretary had been
doing the work of two, but in fact two had been doing the work of
one, so efficiently, for twelve years, that Tom never suspected.12
.
- 29 .
Two sisters, sharing the same job. Each worked half time. They
split the paycheck. They were identical twins. . . .
track 27
Th e Bi gg es t Lie s
Read by Desiree Byker, Roger Counce, Danton Ford, and Vanessa
Rodriguez
When you read the lies listed below, try to identify: .
1. Who is telling this lie (Who is the speaker)? ( )?
2. Who is the liar talking to (Who is the listener)? ( )?
3. What is the nature of the lie -- What is the speaker's
motivation in telling this lie? -- ?
(1) Sorry dear, not tonight. I have a headache., . . .
(2) It's delicious, but I can't eat another bite. .
(3) Your hair looks just fine. .
(4) Now can I go out to play? I've finished my homework. ? .
(5) The doctor will call you right back. .
(6) I already sent it. The delivery is on the truck. . .
(7) Go ahead and tell me. I promise I won't get mad. . .
(8) The puppy won't be any trouble, Mom. I promise I'll take
care of it
- 30
myself. , . .
(9) The baby is just beautiful. .
(10) I'm a social drinker and I can quit anytime I want to. .
.
(11) So glad you dropped by! I wasn't doing a thing. . .
(12) Put the map away. I know exactly how to get there. . .
(13) You don't look a day over 40. .
(14) I'll do it in a minute. .
(15) You don't need it in writing. You have my personal
guarantee. . .
(16) The reason I'm so late is I ran out of gas. .
(17) The ever-present line on a post card: "Having a great time.
Wish you were here." : . .
(18) The three biggest lies: "I did it." "I didn't do it." "I
can't remember." : . . .
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~
- 31 -
3: Hi st or ic S pe eche s a nd Quo te s3:
~~~~~~~~~~~~~~~~~~~~~
track 30
Joan of Arc'
s Te sti mony Ab ou t Her M is si on Read by Zora Riley
My mother had told me that my father often dreamed that I would
run away with a band of soldiers. That was more than two years
after I first heard the voices. . .
***
***Because of these dreams, my father and mother watched me
closely and kept me in great subjection. And I was obedient in
everything. , . .
But since God had commanded me to go, I must do it. And since
God had commanded it, if I had a hundred fathers and a hundred
mothers, and if I had been a king's daughter, I would have gone. .
, , .
-- Joan of Arc, February, 1429 , 1429 2
track 31
Abra ham L incoln 's Getty sb urg Ad dres s
Read by Roger Counce
Four score and seven years ago our fathers brought forth on this
continent a new nation, conceived in liberty, and dedicated to the
proposition that all men are created equal. 87 .
- 32 -
Now we are engaged in a great civil war, testing whether that
nation, or any nation so conceived and so dedicated, can long
endure. We are met on a great battlefield of that war. We have come
to dedicate a portion of that field, as a final resting place for
those who here gave their lives that that nation might live. It is
altogether fitting and proper that we should do this. , , . . .
.
But, in a larger sense, we cannot dedicate -- we cannot
consecrate -- we cannot hallow -- this ground. The brave men,
living and dead, who struggled here, have consecrated it, far above
our poor power to add or detract. The world will little note, nor
long remember what we say here, but it can never forget what they
did here. It is for us the living, rather, to be dedicated here to
the unfinished work which they who fought here have thus far so
nobly advanced. It is rather for us to be here dedicated to the
great task remaining before us -- that from these honored dead we
take increased devotion to that cause for which they gave the last
full measure of devotion -- that we here highly resolve that these
dead shall not have died in vain - that this nation, under God,
shall have a new birth of freedom -- and that government of the
people, by the people, for the people, shall not perish from the
earth. , . , , . , . , . , . , , , .
---President Abraham Lincoln, November 19, 1863 (1863 11 19
)
track 32
Wi ns ton Ch urch ill' s Iron C urtain S peech
Read by Jacco Zwetsloot
Ladies and gentlemen, this is no time for generalities and I
will venture to be precise. From Stettin in the Baltic to Trieste
in the Adriatic, an iron curtain has descended across the
continent. Behind that line lie all the capitals of the ancient
states of Central and Eastern Europe. All these famous cities and
the populations around them lie in what I must call the Soviet
sphere, and all are subject in one form or another, not only to
Soviet influence but to a very high and in some cases increasing
measure of control from Moscow. This is certainly not the
liberated- 33 -
Europe we fought to build up, nor is it one which contains the
essentials of permanent peace. , . . . , . .
--Sir Winston Churchill, March 5, 1946 , 1946 , 3 5
tracks 33, 34
Gandh i Speaks A bo ut H is Bel iefs Mohandas "Mahatma" Gandhi
in his own words, recorded in 1935.1935
I do dimly perceive that while everything around me is ever
changing, ever dying, there is underlying all that change a living
power that is changeless, that holds all together; that creates,
dissolves, and recreates. . , . , .
For I can see that in the midst of death life persists, in the
midst of untruth truth persists, in the midst of darkness light
persists., . , .
--Mohandas Mahatma Gandhi, 1935
track 35
Wi ns ton Ch urch ill' s Parl iament Sp eech
Read by Robert Harvey *** I say to the House as I said to
ministers who have joined this government, I have
nothing to offer but blood, toil, tears, and sweat. We have
before us an ordeal of the most grievous kind. We have before us
many, many months of struggle and suffering. . , , , . . .
- 34 -
You ask, what is our policy? I say it is to wage war by land,
sea, and air. War with all our might and with all the strength God
has given us, and to wage war against a monstrous tyranny never
surpassed in the dark and lamentable catalog of human crime. That
is our policy. . ? . . , , .
You ask, what is our aim? I can answer in one word. It is
victory. Victory at all costs -- victory in spite of all terrors --
victory, however long and hard the road may be, for without victory
there is no survival. . ? . . , , , , .
*** I feel entitled at this juncture, at this time, to claim the
aid of all and to say, "Come then, let us go forward together with
our united strength." , . , .
-- Prime Minister Winston Churchill, May 13, 1940
track 36
Richard N ix on' s Eul ogy for Senator Everet t Dirks en Read by
Douglas Gress
*** Everett Dirksen was a politician in the finest sense of that
much abused word. If he were here, I think he might put it this
way: , . .
A politician knows that more important than the bill that is
proposed is the law that is passed. .
A politician knows that his friends are not always his allies,
and that his adversaries are not his enemies. , .
A politician knows how to make the process of democracy work,
and loves the intricate workings of the democratic system.
- 35 , .
A politician knows not only how to count votes, but how to make
his vote count. .
A politician knows that his words are his weapons, but that his
word is his bond. .
A politician knows that only if he leaves room for discussion
and room for concession can he gain room for maneuver. .
A politician knows that the best way to be a winner is to make
the other side feel it does not have to be a loser. .
And a politician--in the Dirksen tradition--knows both the name
of the game and the rules of the game, and he seeks his ends
through the time-honored democratic means. , .
***
***As he could persuade he could be persuaded. His respect for
other points of view lent weight to his own point of view. He was
not afraid to change his position if he were persuaded that he had
been wrong. That tolerance and sympathy were elements of his
character, and that character gained him the affection and esteem
of millions of his fellow Americans. , . . . , .
***
-- President Richard M. Nixon, September 9, 1969
- 36 track 37 An excerpt from
Queen El izabe th I' s Spe ech to H er T roo ps at T ilbury ,
May 1588
1588 5 1 Read by Cynthia Stanton Kim
Let tyrants fear; I have always so behaved myself that, under
God, I have placed my chiefest strength and safeguard in the loyal
hearts and goodwill of my subjects. And therefore I am come amongst
you as you see at this time, not for my recreation and disport, but
being resolved, in the midst and heat of battle, to live or die
amongst you all - to lay down for my God, and for my kingdoms, and
for my people, my honour and my blood, even in the dust. , , . , .
. , .
I know I have the body of a weak, feeble woman; but I have the
heart and stomach of a king, and of a king of England, too; and
think foul scorn that Parma or Spain, or any prince of Europe,
should dare to invade the borders of my realm; to which, rather
than any dishonour should grow by me, I myself will take up arms; I
myself will be your general, judge, and rewarder of every one of
your virtues in the field. , . . . , , .
--Queen Elizabeth I, on the eve of the invasion of the Spanish
Armada, May, 1588 1 , , 1588 5
track 38
Booker T. Wa sh ing ton 's Speech at th e At lanta Ex po si ti
on
Read by Roger Counce In 1895 Washington was the only African
American invited to address the Cotton States and International
Exposition in Atlanta. He was already a popular educator and
speaker when he gave this speech, which catapulted him into
national prominence. Here is an abridgment of that speech. 1895 . ,
. .
- 37 -
A ship lost at sea for many days suddenly sighted a friendly
vessel. From the mast of the unfortunate vessel was seen a signal,
"Water, water; we die of thirst!" The answer from the friendly
vessel at once came back, "Cast down your bucket where you are." A
second time the signal, "Water, water; send us water!" ran up from
the distressed vessel, and was answered, "Cast down your bucket
where you are." And a third and fourth signal for water was
answered, "Cast down your bucket where you are." The captain of the
distressed vessel, at last heeding the injunction, cast down his
bucket, and it came up full of fresh, sparkling water from the
mouth of the Amazon River. To those of my race who depend on
bettering their condition in a foreign land or who underestimate
the importance of cultivating friendly relations with the Southern
white man, who is their next-door neighbor, I would say: "Cast down
your bucket where you are" -- cast it down in making friends in
every manly way of the people of all races by whom we are
surrounded. . . , , . . . , , . , . . , . . . . . . - , . .
Cast it down in agriculture, mechanics, in commerce, in domestic
service, and in the professions. And in this connection it is well
to bear in mind that whatever other sins the South may be called to
bear, when it comes to business, pure and simple, it is in the
South that the Negro is given a man's chance in the commercial
world. , , , . , , .
We shall prosper in proportion as we learn to dignify and
glorify common labor, and put brains and skill into the common
occupations of life. No race can prosper till it learns that there
is as much dignity in tilling a field as in writing a poem. It is
at the bottom of life we must begin, and not at the top. Nor should
we permit our grievances to overshadow our opportunities.
, . . . .
In all things that are purely social we can be as separate as
the fingers, yet one as the hand in all things essential to mutual
progress. . .
- 38 -
There is no escape from the inevitable: we shall constitute
one-third and more of the ignorance and crime of the South, or
one-third its intelligence and progress. . .
---Booker T. Washington (1856-1915)source: From Booker
Taliaferro Washington, "Atlanta Exposition Address, September 18,
1895," The Booker T. Washington Papers, ed. Louis R. Harlan et al.,
vol. 3 (Urbana: University of Illinois Press, 1974), pp. 584-87. :
1895 9 18 (1974). 3 . : , pp. 584-87.
tracks 39, 40
Th e Fi rs t Wor ds by a Man
on t he Mo on
--Neil Armstrong speaks in this original sound recording upon
stepping on the Moon's surface, July 20, 1969.-- 1969 7 20
"That's one small step for [a] man, one giant leap for mankind."
.
track 41
Excerpt from
Th e Declaration of Inde
pend ence,
by Thomas Jefferson,
with the collaboration of Benjamin Franklin and John Adams, July
4, 1776.1776 4 .
Read by Danton Ford
We hold these truths to be self-evident, that all men are
created equal, that they are endowed by their Creator with certain
unalienable Rights, that among these are Life, Liberty, and the
pursuit of Happiness. That to secure these rights, Governments
are instituted among Men, deriving their just powers from the
consent of the governed. That whenever any Form of Government
becomes destructive of these ends, it is the Right of the People to
alter or to abolish it, and to institute new Government, laying its
foundation on such principles and organizing its powers in such
form, as to them shall seem most likely to effect their Safety and
Happiness.
- 39 . , , . , . , .
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~
- 40 -
4: Po ems4:
~~~~~~track 44
"Flan de rs Field s"
John McCrae, 1915 Read by Jacco Zwetsloot
In Flanders Fields the poppies blow
Between the crosses row on row ,
That mark our place; and in the sky .
The larks, still bravely singing, fly
Scarce heard amid the guns below. .
We are the dead, short days ago ,
We lived, felt dawn, saw sunset glow, , ,
Loved and were loved and now we lie
In Flanders Fields. .
Take up our quarrel with the foe. .
To you, from failing hands, we throw
The torch, be yours to hold it high. . .
If ye break faith with us, who die ,
We shall not sleep, though poppies grow
In Flanders Fields. .
--Col. John McCrae (1872-1918)This is a fam ous p oem f rom Worl
d War , written by a soldier of that war .
1 .
- 41 track 45
"Sl ow Danc e"
anonymous
Read by Zora Riley
Have you ever watched kids On a merry-go-round? ?
Or listened to the rain Slapping on the ground? ?
Ever followed a butterfly's erratic flight? ?
Or gazed at the sun into the fading night? ?
You better slow down. .
Don't dance so fast. .
Time is short. .
The music won't last. .
Do you run through each day On the fly? ?
When you ask, "How are you?"" ?"
Do you hear the reply? ?
When the day is done
Do you lie in your bed
With the next hundred chores
Running through your head? ?
You'd better slow down. .
Don't dance so fast. .
Time is short. .
The music won't last. .
- 42 -
Ever told your child, We'll do it tomorrow ?
And in your haste,
Not see his sorrow? ?
Ever lost touch,
Let a good friendship die ?
Cause you never had time To call and say, "Hi"? ? .
You better slow down. .
Don't dance so fast. .
Time is short. .
The music won't last. .
When you run so fast to get somewhere
You miss half the fun of getting there. .
When you worry and hurry through your day,
It is like an unopened gift.... Thrown away. .
Life is not a race. .
Do take it slower.
.
Hear the music Before the song is over. .
This poem was w ritten b y a te rmi nally ill young gir l in a
Ne w York h ospit al . .
- 43 tracks 46, 47
"Th e Star S pangled Banner" Francis Scott Key, 1814 Read by
Vanessa Rodriguez
Oh, say, can you see, by the dawn's early light,, .
what so proudly we hailed at the twilight's last gleaming? .
Whose broad stripes and bright stars, thro' the perilous fight,
,
o'er the ramparts we watched, were so gallantly streaming. .
And the rockets' red glare, the bombs bursting in air,
gave proof thro' the night that our flag was till there. .
Oh, say, does that star spangled banner yet wave, .
o'er the land of the free and the home of the brave? .
--Francis Scott Key (1780-1843) The fir st sta nz a of the nati
on al ant hem of The United States of Americ a. .
tracks 48, 49
"Tr ees" Alfred Joyce Kilmer, 1913 Read by Zora Riley
I think that I shall never see
A poem lovely as a tree. .
A tree whose hungry mouth is pressed Against the sweet earth's
flowing breast; .
A tree that looks at God all day, And lifts her leafy arms to
pray; , .
A tree that may in summer wear A nest of robins in her hair;
- 44 .
Upon whose bosom snow has lain; Who intimately lives with rain.
.
Poems are made by fools like me, But only God can make a tree. ,
.
-- Alfred Joyce Kilmer (1886-1918)
track 50
Th e Ro ad Not Taken and Stopp in g By W oo ds On a S no wy Eve
ni ng , read by the poet himself.Robert Frost's
track 51
"T he Road No t Taken" Robert Frost, 1916
Two roads diverged in a yellow wood, And sorry I could not
travel both And be one traveler, long I stood And looked down one
as far as I could To where it bent in the undergrowth; .
Then took the other, as just as fair, And having perhaps the
better claim Because it was grassy and wanted wear; Though as for
that, the passing there Had worn them really about the same, . .
.
- 45 -
And both that morning equally lay In leaves no step had trodden
black. Oh, I kept the first for another day! Yet knowing how way
leads on to way I doubted if I should ever come back. , ! .
I shall be telling this with a sigh Somewhere ages and ages
hence: Two roads diverged in a wood, and I, I took the one less
traveled by, And that has made all the difference. . , - .
--Robert Frost (1874-1963)
track 52
"Sto pp ing by Wo od s on a Sno wy Even ing" Robert Frost,
1923
Whose woods these are I think I know. His house is in the
village, though; He will not see me stopping here To watch his
woods fill up with snow. . . .
.
My little horse must think it queer To stop without a farmhouse
near Between the woods and frozen lake The darkest evening of the
year. . .
He gives his harness bells a shake To ask if there is some
mistake. The only other sound's the sweep Of easy wind and downy
flake.
- 46 . , .
The woods are lovely, dark, and deep, But I have promises to
keep, And miles to go before I sleep, And miles to go before I
sleep. , , . , . .
--Robert Frost (1874-1963)
track 53
"Afterno on on a H il l" Edna St. Vincent Millay, 1917 Read by
Vanessa Rodriguez
I will be the gladdest thing Under the sun! I will touch a
hundred flowers And not pick one. ! .
I will look at cliffs and clouds With quiet eyes, Watch the wind
bow down the grass, And the grass rise.
.
And when lights begin to show Up from the town, I will mark
which must be mine, And then start down! !
--Edna St. Vincent Millay (1892-1950)
- 47 tracks 54-56
"Th e Charge of th e Li gh t Bri gade" Alfred, Lord Tennyson,
1854
Read by the poet himself, Alfred, Lord Tennyson in one of Thomas
Edison's earliest sound recordings from the year 1888. 1888 .
For clarity, Tennyson's own recitation is followed by this
modern studio recording, read by Tim Bennett. , Tennyson . Tim
Bennett .
Here are the first three stanzas, as read by the author in the
accompanying sound recording in 1888. 3 1888 .
Half a league, half a league, Half a league onward, All in the
valley of Death Rode the six hundred. , , , 600 .
"Forward, the Light Brigade! Charge for the guns!" he said. Into
the valley of Death Rode the six hundred.", ! ! " . 600 .
"Forward, the Light Brigade!" Was there a man dismayed?
Not though the soldier knew Some one had blundered.", !" ? .
Theirs not to make reply, Theirs not to reason why, Theirs but
to do and die. Into the valley of Death Rode the six hundred.
- 48 , , . 600 .
Cannon to right of them, Cannon to left of them, Cannon in front
of them Volleyed and thundered; , , .
Stormed at with shot and shell, Boldly they rode and well, Into
the jaws of Death, Into the mouth of hell Rode the six hundred.() ,
600 .
--Alfred, Lord Tennyson (1809-1892)
tracks 57-59
"Amer ic a" Walt Whitman, 1888
Another of Thomas Edison's recordings from perhaps a bit later
was this, of Walt Whitman reciting his own recent poem,
America.
This is the portion of the poem recited by the author in the
accompanying sound recording in the year 1888 or later. 1888 .
Once again, for clarity, we follow the poet's own recitation
with this modern studio recording, read by Yun Hye-yeong. , , .
.
Center of equal daughters, equal sons, ,
All, all alike endeared, grown, ungrown, young or old, , ,
- 49 -
Strong, ample, fair, enduring, capable, rich,, , , , , ,
Perennial with the Earth, with Freedom, Law, and Love, . . . , ,
, ......
--Walt Whitman (1819-1892)
track 60
"T hi s Sceptr ed Isl e" Read by Tim Bennett
This royal throne of kings, this sceptred isle, This earth of
majesty, this seat of Mars, This other Eden, demi-paradise, This
fortress built by Nature for herself Against infection and the hand
of war, This happy breed of men, this little world, This precious
stone set in the silver sea, Which serves it in the office of a
wall Or as a moat defensive to a house, Against the envy of less
happier lands, This blessed plot, this earth, this realm, this
England. , , , , 2 , , , , ,
, , , , .
--William Shakespeare, King Richard II. Act ii. Sc. 1. 2 2 1 (
12 , , , 1991)
- 50 track 61
"I Never Saw A Moor" Emily Dickinson Read by Yun Hye-yeong
I never saw a moor, I never saw the sea; Yet know I how the
heather looks, And what a wave must be. . . . .
I never spoke with God, Nor visited in heaven; Yet certain am I
of the spot As if the chart were given. . . . .
--Emily Dickinson (1830-1886)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~
- 51 -
More Informat
Appendix ion Ab ou t th e Select ion s in T hi s Book:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Part 1, Praye rs and Bles
sings1:
5. P sa lm 23 23 The Psalms, part of the Old Testament, are
often included in New Testament Bibles, and are one of the most
familiar parts of the Old Testament. Psalm 23 is probably the most
familiar and beloved of the Psalms. , . 23 .
6. S hema Yisr ael The "Shema" is the single most well-known and
important prayer in Judaism, first spoken by Moses in his final
address to the nation of Israel. It is said every morning and
evening during the week, and recited on every Sabbath and festival.
, . , .
7. T he Lo rd's P raye r "Te ac h us ho w to pr ay," the
disciples said to Jesus. (Luke 11:1) He answered by teaching them
the prayer we call the Our Father or The Lord's Prayer. The Lord's
Prayer is a basic Christian prayer. As a model of prayer, every
Christian learns it by heart. It appears everywhere in the church's
life: in its liturgy and sacraments, in public and private prayer.
It's a prayer Christians treasure. Through this prayer Jesus
invites us to approach God as Father. The Lord's Prayer has been
called a summary of the gospel. . . . 1) . . , ,
. . . .
8. T he Jesus Prayer () The history of the Jesus Prayer goes
back, as far as we know, to the early sixth century. The Jesus
Prayer is used in both Orthodox Christianity and Roman Catholicism.
6 . .
9. A Hindu P rayer The most sacred scriptures of Hinduism are
The Vedas, the "Books of Knowledge." Prayers of the Vedas address
God through His attributes and functions, such as here, the wind. .
.
1) , .
- 52 10. Isl amic P ea ce Pr ayer Written by Hazrat Inayat Khan
(1882-1927), a Sufi Islamic teacher. Hazrat Inayat Khan
11. The 4 Noble Truth s of Buddhi sm () The first teaching ever
given by the Buddha was imparted to five student monks in which he
spoke of the Four Noble Truths he had discovered while struggling
for enlightenment. These are the central teachings of Buddhism. It
was the Buddha's first awareness that life brings with it illness,
age, misery and death that lead him to search for a deeper
understanding of how we live, and ways to end suffering. Each of
these lessons explains the key Buddhist steps in understanding the
truth about life, the reasons behind those truths, the possibility
of change and the way of life that can lead to a life free of
suffering. All Buddhists study, meditate, think and act in ways
that are designed to help them come to a full understanding of each
of these Four Noble Truths and to stay on the path the Buddha says
will lead them to peace and happiness. 5 . . , , . , , . .
12. A Bah a' i Pr ayer for Unity Bahullh (1817-1892) is called
by the Baha'i faithful, "the messenger of God for this age." " "
.
13. The Great Spiri t Pr ayer The native peoples across North
America have historically been fragmented, with different religious
traditions. Yet this prayer seems most central to native North
American religious thought in that it is shared by disparate
tribes. . .
14. An Ap ac he Wedding
Blessi ng
The Apache are a large American Indian ethnic group in the
American southwest, particularly New Mexico and Arizona. , .
Part 2, Sho rt S tori es a nd Advice
2:
17. "Toy Story" by Ray Ring An old man writes of his experience
many years ago as a teenager, of his brief, chance encounter with a
famous person whose fame would not diminish with time, even after
his death, but would become enhanced as his significance was
appreciated in retrospect. The letter is taken from American
Heritage magazine, the foremost magazine of American history, in
its regular feature, My Brush with History. Brushes with history
are part of the American experience, even if they are only brief
chance encounters such as this one. .
- 53 American Heritage , My Brush with History . .18. Take It
From Me by Michael Levine Michael Levine Take It From Me Advice,
from those who have already achieved success and recognition in
their fields, to young people, who are facing the uncertainties of
the future, show us glimpses of the thought of a culture. What
children learn from their parents, grandparents, and teachers; what
young workers learn from their older co-workers and bosses; the
mentoring that goes on in a society, imparts to us some of the
practical wisdom that is descriptive of a culture. , . , , , ( )()
. Korean students of English can ask themselves how these examples
of advice would be similar or different from that they would likely
receive from their mentors, and how these examples of advice would
apply well, somewhat, or not well in the culture of their own
society. ( ) . 20. The Ma ki ng Of A Cou ntry La wyer by Gerry
Spence
Many young Koreans aspire to become lawyers, as the legal
profession is seen as perhaps the choice dream of Korean parents
for their children. The path to becoming a lawyer is very different
between Korea and the English-speaking countries. In this excerpt
from his book, one of America's most famous and successful trial
lawyers speaks about his thoughts of law school many years before,
and some of the greater lessons he learned. . . . .
Korean students of English can compare their own perceptions
about this popular and prestigious career choice with an American
example. .
21. "How Jo hn ny Ap ple seed Brou gh t Ap ple Blo ssom s to t
he West"
Folklore is part of every culture. It begins in childhood and
helps to shape our perceptions of good and evil. It gives us
examples of virtue, self-sacrifice for the common good,
selfdiscipline, and determination. Often, it is only based on some
thread of truth and has become so embellished over such a long
period of time that the distinction between truth (history) and
fancy (myth) has been lost. Jonathan Chapman really was the man
described here. His accomplishments and his basic character are
fact, though some of the specific talents attributed to him remain
unverified. He remains one of the "quiet heroes" of American
history. . . , , .
- 54 () () . Jonathan Chapman . . " " .Korean students of
English can compare the story of Johnny Appleseed to their own
history and folklore to see if they can draw any comparative
examples. . 22. Instru cti on s for Life in t he New M il lenium
Conventional wisdom seems to blow through societies and cultures
like the breeze -- everpresent, yet with no certain origin. This
set of advice has sometimes been erroneously ascribed to the Dalai
Lama. It's probably been around much longer. . . . Korean students
of English can examine how these thoughts are similar to or
different from Korean conventional wisdom, and if any can be
compared to any traditional Korean proverbs. , . 24. The Te ars of
My Sou l by Kim Hyun-hee The author's name will be familiar to most
Koreans over the age of 30. She was a model student in her native
North Korea who was recruited and trained in terrorism for that
regime. She now lives under the protection of a false identity in
Seoul. This brief part of her story gives an example of life as a
North Korean university student. 30 . .
. . Both South Korean students and native-speaker English
teachers can see the contrast in their own societies and their own
experiences with those of a North Korean student. . 25. "T he Gh
ost s of the Pa ris B oule vard" A surprising true story; a
little-known piece of world history; an example of the kind of true
story with a surprise ending that Paul Harvey is famous for. His
radio broadcasts have become part of the high point of American
popular culture. ; ; . . . 26. "The Rema rk able Miss Neef" Another
true short story from master storyteller Paul Harvey, this one
relies not on history but on the extraordinary circumstances of
ordinary people in everyday life.
- 55 . .27. "The Big ges t Lies" Nationality, culture, religion,
and language tend to separate us, but the human condition is
universal. Koreans will probably agree that the 3 biggest lies in
Korean culture are: 1) When a single woman, past the usual Korean
marrying age, says, "I don't want to get married," 2) When a
salesman or merchant says, "I'm not making any money on this deal,"
and 3) When an old person says, "I want to die." , , . . , . . , .
. , . . Here is a selection of what native English speakers
consider some of the biggest (most common) lies that are
encountered in life; a humorous look at the universal human
condition. . . Korean students of English can compare these
English-language "biggest lies" to what they might hear in their
own society. Which ones are also common in Korea, and which ones
not? Which ones are more or less common to Korea than others? . ? ?
?
Part 3: Historic
Sp eech es a nd Quot es
3:
30. Joa n of Arc 's Test imon y, Joan of Arc: Self-Portrait, p.
19, compiled and translated (from French to English) by Willard
Trask, Collier Books, New York, 1961. , : , p. 19, Willard Trask ,
Collier Books , , 1961.
This is the only selection in the book which does not originate
from the English language. Joan of Arc's own story is so compelling
that it seems to deserve a place in any collection of historic
quotes. Almost everything we know about Joan is recorded in sworn
testimony from various formal hearings and trials conducted during
and after her life time. In this quote, she is in Rouen, after her
capture by the enemy in 1431, facing trial for her life. . . . 1431
.
31. The Get tysbur g Address , Abraham Lincoln, November 19,
1863. , , 11 19 , 1863 .
Americans traditionally have known Abraham Lincoln, along with
George Washington, as one of the two greatest Presidents, as the
savior of the union which was and still is the United States, a
wartime President whose own life was taken at the close of the
bloodiest war in American history, and as one of the most
intelligent and well-spoken Presidents; whose
- 56 leadership, had he lived, would have greatly helped to heal
the wounds of post-war reunification. This is his most famous
speech, and one of his shortest, given on the field in the
aftermath of one of the biggest and perhaps the most decisive of
battles in that war. It is a notable irony that the speech was not
much appreciated at the time, but only later, after the war and
after his own death. , , , . . , . .
32. Chur ch il l' s Iro n Curta in Spee ch , Winston Churchill,
1946. , , 1946.
In the aftermath of World War II, the King made Churchill a
knight, and here Sir Winston Churchill warns the West of an
impending danger. The term The Cold War had not yet been coined,
but Churchill was the first to name the political reality the "Iron
Curtain." 2 , , . , " " .
34. Gand hi Spea ks About His Beliefs - Mohandas "Mahatma"
Gandhi in his own words, recorded in 1935, taken from Great Moments
of the 20th Century, David McLees, Gordon Skene, and John Wesley
Johnson, Rhino Word Beat, Los Angeles, California, 2000. - 1935 ,
20 . David McLees, Gordon Skene, John Wesley Johnson, Rhino Word
Beat, Los Angeles, California, 2000.
The great spiritual and political leader of 20th Century India
outlines the core of his beliefs in this brief 1935 sound
recording.1935 20 , .
35.
Chu rc hi ll' s Pa rl iamen t Speec h, Winston Churchill,
1940.
, , 1940.
The Nazis were on the march and Allied countries were falling
like dominoes throughout Europe. Most neutral countries were in
fact friendly to the Axis, the Soviet Union and the United States
had not yet entered the war, and Britain stood almost alone in its
island fortress. In this speech, newly-elected Prime Minister
Winston Churchill vows that Britain will fight on. . , . , .
36. Ric ha rd Nixo n's Eul og y fo r Sena to r Everett 1969.
Dirk sen, President Richard Nixon,
, , 1969.
One of the most experienced, successful, influential, and
respected U.S. Senators died, and as he was one of the president's
own party, it fell to the sitting president to deliver the public
eulogy. Here is an excerpt from what is considered one of the best
among modern American eulogies. , , , .
- 57 .
37. An excerpt from Queen El izabet h I's Speech to Her Tr oo ps
at Ti lbury , 1588.1588 5 1 .
The Spanish Armada, the greatest fleet ever assembled for war,
was approaching England. As her army was assembled at Tilbury to
meet the expected invasion, the Queen rode out on horseback in
armor to address her troops and pledge herself to the cause. What
no one then knew was that the mighty Armada was doomed, not by the
English forces assembled on land, but by a combination of bad
weather and the extraordinary capabilities of England's sea
captains. . . , .
38. Bo oke r T. Was hi ng to n's S peech at t he Atl ant a Exp
os iti on , 1895. , 1895.
A young man born into slavery, who gained an education through
hard work and great perseverance, had become a leader of his people
in the fields of education and economic and social progress. He is
the only black American invited to speak at this, his first address
to a national audience. He has set for himself the difficult task
of formulating, communicating, and convincing both races in America
of a moral and pragmatic course for future race relations in
America. , , . , . , .
40. Fi rst Word s by a Ma n on the Moo n - Neil Armstrong sound
recording taken from Great Moments of the 20th Century, David
McLees, Gordon Skene, and John Wesley Johnson, Rhino Word Beat, Los
Angeles, California, 2000. - 20 . David McLees, Gordon Skene, and
John Wesley Johnson, Rhino Word Beat, Los Angeles, California,
2000.
"That's one small step for [a] man, one giant leap for mankind."
--Astronaut Neil Armstrong, upon stepping on the Moon's surface,
July 20, 1969. . -- 1969 7 20 .
In a later interview, Neil Armstrong said that he intended his
first words on the Moon to include "a man" and end in "mankind,"
and he thought that he had said just that. The tape recorders,
however, detected no "a" before "man." In English, "man" and
"mankind" are synonymous. Thus, the literal meaning of his
statement was rendered different from what he intended, even though
everyone knew what he meant. , a man" "mankind" , . man" a" . man"
mankind" . .
- 58 41. Excerpt from, The D ec lar ati on of Independen ce,
Thomas Jefferson, 1776. , , 1776.
For the first time in modern history, principles of freedom and
equality became the political foundations for a nation. .
Part 4, Poe ms : 4: 44. Fl ande rs Fields , John McCrae, 1915.
This is the most familiar of all poems from the First World War,
and perhaps the most familiar of all war poems in English. John
McCrae was a Scottish surgeon who immigrated to Canada and then
served in World War I in that capacity in Europe. He died in the
war, a casualty of illness. , John McCrae, 1915. 1 , . John McCrae
, 1 . .
45. Slow Da nce , anonymous, about 2001. An unpublished,
anonymous poem written by a terminally ill young girl in a New York
hospital, shared over the internet by her physician. , , 2001 . , .
.
46. The Star Sp an gled Ba nner , Francis Scott Key, 1814. This
is the first stanza of the poem Francis Scott Key wrote while
watching the battle, and subsequent American victory, at
Baltimore harbor during the War of 1812. The poem has since
become the lyrics to the national anthem of the United States of
America., Francis Scott Key, 1814 . Francis Scott Key 1812 1 .
.
47. The Star Sp an gled Ba nner , Francis Scott Key, 1814. Sung
by The Washington Men's Camerata, Thomas Beveridge, conductor, on
CD The Spirit of Freedom, Gothic Records, Anaheim, California,
1999. The first verse of the U.S. national anthem. The words are
from Francis Scott Key's 1814 poem, while the tune is taken from a
popular 18th century English drinking song., Francis Scott Key,
1814 . The Washington Men's Camerata Thomas Beveridge , 1999
Anaheim Gothic ' ' CD . 1 . Francis Scott Key 1814 , 18 () .
48. Trees, Alfred Joyce Kilmer, 1914. English words and Korean
translation taken from, http://poetry4u.net. This American poet was
killed in action in Europe during World War I., Alfred Joyce
Kilmer, 1914. http://poetry4u.net. . 1 .
49. Trees, Alfred Joyce Kilmer, 1914. Sung by Paul Robeson,
1938, on CD The Essential Paul Robeson, Living Era Records, London,
2000.
- 59 Paul Robeson put Alfred Joyce Kilmer's famous poem to music
in this 1938 recording., Alfred Joyce Kilmer, 1914. 1938 Paul
Robeson . 2000 Living Era 'Paul Robeson ' CD . Paul Robeson 1938
Alfred Joyce Kilmer .
51, 52. The Ro ad Not Take n, Robert Frost, 1916. Sto pp in g By
Wood s On A Snowy Eveni ng , Robert Frost, 1923. Poetry Speaks,
Elise Pashen and Rebekah Presson Mosby, ed., Sourcebooks, Inc.,
Naperville, Illinois, 2001. In these recordings the poet reads two
of his most famous poems. , Robert Frost, 1916. , Robert Frost,
1923.Poetry Speaks, Elise Pashen Rebekah Presson Mosby ,
Sourcebooks , Naperville, , 2001. .
53. Aftern oo n on a Hill , Edna St. Vincent Millay, 1882-1950.
English words and Korean translation taken from,
http://poetry4u.net. , Edna St. Vincent Millay, 1882-1950.
http://poetry4u.net. .
55. The Ch arge of the Li gh t Bri gade , Alfred, Lord Tennyson,
1854. Poetry Speaks, Elise Pashen and Rebekah Presson Mosby, ed.,
Sourcebooks, Inc., Naperville, Illinois, 2001, pg. 6. In 1888,
Thomas Edison developed a working sound recording device using a
wax cylinder. Among the first voices he recorded were those of
poets. Here is an elderly Alfred Lord Tennyson himself reciting the
first three verses of his most famous poem in Edison's studio in
that same year. Noti