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BIBBENLUKE LODGE: LUCYCULLITON’S COUNTRY MENAGERIE
Category PEOPLESPACES Words KAREN COTTON
Photography CONTENT AGENCY
RENOWNED ARTIST LUCY Culliton loves her life in the country and
admits to waking every morning excited about the day ahead.
“Ialways plan a very busy day which starts with a pot of tea,” she
says. “Then I’m greeting and feeding my family of animals.”
After breakfast Lucy paints. “Painting is my job, and I love my
job”, she adds, “and later in the afternoon I cram in all my
otherinterests.” There’s Walter the horse to ride, a garden to
tend, lawns to mow. “By the end of the day I’m exhausted and
usually
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disappointed that I haven’t managed to get everything
done.”
Since 1999 Lucy’s been represented by in Sydney,
she is a regular finalist in the Archibald, Wynne and
SulmanPrizes. Her work is represented in the collections of the
National Gallery of Australia and Parliament House, Canberra.
Ray Hughes Gallery
Lucy and her menagerie took up residence in an old fishing lodge
in the tiny village of Bibbenluke located on the Bombala River in
TheSnowy Mountains region of NSW around six years ago.
“I was living in Sydney at the time but I was looking to move to
the country, I was thinking of building my own house at my
parent’sproperty at Hartley in the Blue Mountains when by chance I
found this place”.
Set on 60 hectares The Bibbenluke Lodge had been built in 1937
after the property’s original farmhouse had been destroyed by fire.
Aknown trout fishing spot the lodge boasted beautiful gardens, with
generous verandahs perfectly sited to take in the magnificent
views.
Most of Lucy’s energy has gone in to the other buildings on the
property while the lodge remains in its original state except for
theremoval of old carpet to reveal the timber floorboards.
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Lucy and her menagerie took up residence in an oldfishing lodge in the tiny village of Bibbenluke, on the
Bombala River, around six years ago.
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An old barn was converted into a painting studio with the end
wall knocked out and replaced with clear plastic sheeting allowing
innatural light and giving the artist views of the paddocks filled
with her collection of horses, pet sheep and chooks. A ramp was
addedto the entrance so that Tristan the pet pig and Lucy’s posse
of dogs and a favourite duck named ‘Cuddles’ can follow her in and
‘hang-out’ while she paints. A greenhouse that was used by the
previous owners to house lavender is now the home to an
impressivesucculent collection. An old tool shed makes a perfect
home for a flock of pigeons.
Inside the main house meanwhile, the walls are hung with a
mixture of Lucy’s paintings – old and new — as well as artworks
byfriends and contemporaries-Maclean Edwards and Guy Brown.
Delicate glass sculptures by fellow Hughes Gallery artist Tom
Mooreare displayed in ‘the good room’. This is the living room that
is designated for humans with the dogs having their main space down
thehall, although it is the beloved dogs that seem to have all the
best ‘spots’ stretched out on huge worn in sofas while Lucy
and herpartner Jamie perch on the less comfortable furniture.
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Dotted around the house are ‘cabinets of curiosities’ – vintage
display cabinets housing quirky collections of knitted animals and
dollscollected by the artist who has used them as subjects for her
work.
All of the home’s furniture has been ‘pre-loved’, foraged from
junk shops or handed down by family, such as the day bed in the
studiothat Lucy remembers from her childhood visits to her
grandmother Biddie’s home in Sydney’s Roseville. A 70’s
kitchen is the perfect‘stage’ for a classic brown laminex table and
vinyl chairs found by Lucy’s sister Anna in an op shop in
Lithgow.
Lucy plans to one day update the kitchen and add a wood burning
stove which will heat the house-but for now there are
otherpriorities.
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A local handyman-‘Tiger Bobbin’ is employed on a regular basis
and his ‘old school’ skills and craftsmanship have seen the
addition ofbeautifully detailed handmade gates, doors and windows
frames which replace the originals lost over the years. Lucy likes
to look onherself as one of the many in a long line of care-takers,
“It’s just my turn”, she says with a smile.
Close friend and neighbour Pam Scott has guided Lucy through the
process of restoring the magnificent garden to its former glory.The
garden along with the old lodge and the surrounding landscape
have been the subjects and inspiration for the artist’s work
andcontinue to be.
It seems that waking up every morning in this place that she
loves so much surrounded by her best friends is really the
onlyinspiration this artist needs.
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