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- For the head out,return to themelody during the {B} sectionof the form, then play two last
{A} sections to end the tune.
&TAB
# 44 ....
Guitar
Guitar
.Ï JÏ8 7
JÏ .Ï Î Ï Ï
7 7
8 7
Gmaj
amin7(G maj7
Ï Ï Ï Ï Ï Ï
7
8 7
7
7 5
bmin7 gmaj7
w4
f#min7(� 5)
F#min7 î Î Ï Ï5
8
B7b7(�13))
& #Gtr.
Gtr.
JÏ .Ï Î Ï Ï
54 4
5 3
Emin
(Emin7(9) b7(� 13)
Emin(maj7) Ï Ï Ï Ï Ï Ï
4
5 3
4
5 3
emin7(9))
Emin7 Emin6 Ï Ï# .ú7 6 7
(C#min7(11)
C#min7(� 5) î Î Ï Ï5 7
F#7c7(#11))
& #Gtr.
Gtr.
1.
ú Î Ï Ï
9
8 7 8
Amin7(Cmaj7
Ï Î ä Ï Ï Ï5 5
85
F7b7(�13))
Ï Ï Ï î7
7 7
Gmaj7(Amin7
î Î Ï Ï7
10
B7F#min7
bmin7 b7(�13))
La Belle VieS. Distel
J. Broussolle
Django in June 2020
(The Good Life)
- The top line of chords, (in parantheses), on this chart, is inspired by Django in June guest artistPaulus Schäfer's arrangement of this tune. Consult with your fellow musicians before employingthese changes in the jam, or on the gig.
* if you do choose to play the alternate D maj7(9) in measure 15, make sure to playan Eb in the melody, and not the original D natural!!!
& # ....
Gtr.
Gtr.
ú Î Ï Ï
13
87
10
(Emin7 b7(�13))
Emin Emin(maj7) ú Î Ï Ï Ï3
8 8 107
(A7(13)
Emin7 Emin6* .Ï JÏ ú
8
7 7
D�maj7(9)
Amin7 î .Ï JÏ8 7
D7amin7)
& #Gtr.
Gtr.
2.
ú Î Ï Ï
17
8 7 8
Amin7
(Cmaj7
Ï Ï Ï Î Ï Ï10 8 10 8 10
F7b7(�13))
ú Î Ï Ï# Ï3
7 7 6 7
Gmaj .ú Ï Ï10 8 7
E7Bmin7(� 5)
& #Gtr.
Gtr.
JÏ .Ï Î Ï Ï
21
78
8 7
Amin7(Bmin7)
JÏ .Ï ú7
8 10
D7sus4 D7 w8
Gmaj
·
La Belle Vie2
&TAB
43 ....
Guitar
Guitar
JÏ
5
Ï Ï Ï Ï Ï Ï
7 5 7 5 7 5
Cmaj Ï Î Ï Ï
7 4 5
.ú
7
Dmin7
î ä JÏ3
G7
&Gtr.
Gtr.
Ï Ï Ï Ï Ï Ï
5
5 3 5 3 5 3
Dmin7 ú Ï Ï5
53
G7 .ú
5
Cmaj
·
&Gtr.
Gtr.
.ú
9
5
Cmaj ú Ï Ï
8 8
C 7 .ú
8
Fmaj .ú
6
&Gtr.
Gtr.
Ï Ï# Ï
13
5 75
Bmin7 ú# Ï Ï4
57
E7 .ú
7
Amin ú ä jÏ
57
La JavanaiseS. Gainsborough
Django in June 2020
&Gtr.
Gtr.
.ú
177
Fmaj úb Ï Ï
8 8
F#dim7 úN ä jÏ5
7
Cmaj Ï Ï Ï
5 6 5
A7
& ....
Gtr.
Gtr.
Þ .ú
21
5
D7 Ï Ï Ï
5 7
.úG7
Take Coda last time
·
&Gtr.
Gtr.
Þ .ú
25
5
D7 .ú
7
G7.ú
5
Cmaj
.ú
La Javanaise2
&TAB
## 44 ....
Guitar
Guitar
jÏ# Ï6 7
{A} w5
Dmaj .Ï JÏ Ï Ïn Ï7
7 5 4
wb8
Bbmaj
ú Ïn Ïb5
8
& ##Gtr.
Gtr.
.Ï JÏ ú
5
7 5
Dmaj .Ï JÏn Ï Ïn Ï6
7 5 4
wb8
Bbmaj
ú ä Ï Ï# Ï7 6 7
& ##Gtr.
Gtr.
1.
Ï Ï Ï ú
9
5 5 7 5
Dmaj ú Î ä JÏ7
B7 Ï Ï Ï Ï Ï Ï Ï5
77 6 4 6
Emin7 Ï Ï Ï ú4
74
A7
Lyola BossaT. Schmitt
Django in June 2020
- This tune has been recorded twice. Once as a ballad, with a double time bridge, and as a Bossa.
Large parts of the melody on both recordings, are embellished or improvised. Below, is a simple
version of the melody that is informed by both recordings. I strongly recommend listening to
Tchavolo Schmitt's recordings 'Lyola' and 'Lyola Bossa' to better understand this wonderful tune.
(To play this melody as a ballad, play the chords in 'half time'.) As an added guide, at the end of
this chart, I have written out the way Costel Nitescu plays the first {A} section of the tune, and hisfirst 4 bars of the {B} section on Tchavolo's album '7 Gypsy Nights' so you can gather more insightand inspiration for improvising your own variations on this melody.
Lyola Bossa4- Below is how violinist Costel Nitescu interpreted the first {A} section, and the first4 bars of the {B} section on Tchavolo Schmitt's album '7 Gypsy Nights'.
&TAB
bbb 44Guitar
Guitar
ú ú8
8
Cmin
(Cmin7
{A}
JÏ Ï JÏ Ï Ï
6 8 6 8 6
Dmin7(� 5) G7bmin7
ú ú8
8
Cmin
bbmin7
JÏ Ï JÏ Ï Ï
7 8 7 8 7
Dmin7(� 5) G7eb7(9))
& bbb ....
Gtr.
Gtr.
ú ú
5
85
Cmin
(A�maj7)
JÏ Ï JÏ Ï Ï8 9 8
8 7
Dmin7(� 5) G7 w
5
Cmin
1.
·Dmin7(� 5) G7
2.
Î Ï Ï Ï Ï Ï Ï
7 86 8 9
6
Fmin7 Bb7
& bbbGtr.
Gtr.
ú ú
108
Ebmaj{B}
ä Ï Ï Ï Ï Ï
6 8 6 8 6
ú ún6
5
Edim7 Ï Ïn Ï Ï Ï Ï
5 6 8 96
Softly as in a Morning SunriseS. Romberg, O. Hammerstein
Django in June 2020
- The top line of chords, (in parantheses), on the first five measures of the {A} sections,is inspired by Django in June guest artist Paulus Schäfer's arrangement of this tune.Consult with your fellow musicians before employing these changes in the jam, or on the gig.