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BARCO Anno Domini ⅯⅯⅩⅦ by Ingo Preuß || preusstype.com
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Oct 05, 2018

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Page 1: BAROCCO - preusstype.com · QQq RRr SSs TTt UUu VVv WWw XXx YYy ZZz • hamburgefo nstiv hno1234567890 · hno1234567890 ... 0123 4 5 6 7 8 9 abcdef ghijkl mnopq rstuvwxyz ...

BAROCCOAnno Domini

ⅯⅯⅩⅦ

by Ingo Preuß || preusstype.com

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BAROCCOspinatwachtig diskriminierende

Visagistin bearbeitet die Schrift-schnitte wie scharfes Hackfleisch – als lüstern hochwertiges Aus-

schlusskriterium völlig desinteressiert...

hinfallen schulung überlegen zähne musiksender pullern penis mustern sprachfehler widerlich asiaten bekanntschaft aufgespritzte lippen longdrink protzen unterkörper kettensäge abitur warmdu-scher totenfeier verbessert sandsack trödelmarkt respekt lüstern neben der spur verrennen geschäft aufi empfängnisverhütung be-schäuert besiegen pensionär angetrunken schotter emotionslos euro betrinken schneidemesser streß busenhalter spielekonsole vorbei-kommen pofen kleinbusig verpetzen beschädigt schwerenöter mieser typ junge eingebildet telefonieren scheißkerl nein vampir randgruppe fastfoodrestaurant droge denglisch kompromisslos nie und nimmer anglizismen zelebrieren teilchen kleinkariert über-teuert niederlage hingehen hautentzündung analverkehr runterla-den makrobiotiker ruler heißluftbad leitungswasser cool bleiben

provinzstadt achselhaar ausflippen lügner jammerlappenprovinzstadt

* * *

INGO PREUẞ LADENBURG • HEIDELBERG

BAROCCOavailable by PreussType.com

¶ A B C D E F G H I J K L M N O P Q R S T U V W X Y Z : 0 1 2 3 4 5 6 7 8 9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z [ 0 1 2 3 4 5 6 7 8 9 ] ab cdefgh ijk l m nop qr st u vwxyz ∙ αβγ → жйф ↔ tz ffkcherggth•Hamfüchenföller{ H a 0 1 2 3 4 5 6 7 8 9 .-◼◻▪▫}

Faced with moving forms and sweeping ornamentation, it seems, as evil tongues claim, that in the baroque period »beauty has fallen on the lopsi-ded path«. Descending from the Spanish or Portuguese word »barocco« for an irregularly shaped pearl, the term refers to a twisted, bizarre and irrational style. In the 18th century, the rococo with its asymmetrical forms borrowed from nature, such as the rocaille, which deliberately resisted classical lines, brought about a further increase. On the other hand, strict principles of order apply particularly to architecture and the construction of cities such as Karlsruhe and Mannheim, which are reflec-ted in corresponding architectural treatises and official ordinances.

***

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Barocco Book Ultra | Ultra Italic Barocco Book Ultra | Ultra Italic 10/12 ptBarocco Display Ultra | Ultra Italic

Barocco Book Black | Black Italic

Barocco Book Black | Black Italic 10/12 pt

Barocco Display Black | Black Italic

Barocco Book Bold | Bold Italic

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Barocco Display Bold | Bold Italic

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Barocco DisplaySpecially designed for use as a complement to the body text.Titles and font as an image.Type size above 24 pt.

Faced with moving forms and sweeping ornamentation, it seems, as evil tongues claim, that in the baroque period »beauty has fallen on the lopsided path«. Descending from the Spanish or Portuguese word »ba�rocco« for an irregularly shaped pearl, the term refers to a twisted, bizarre and irrational style. In the 18th century, the rococo with its asymmetrical forms borrowed from nature, such as the rocaille, which delib�erately resisted classical lines, brought about a further increase. On the other hand, strict principles of order apply particularly to architecture and the construction of cities such as Karlsruhe and Mannheim, which are reflected in corresponding architectural treatises and official ordinances.

Faced with moving forms and sweeping ornamentation, it seems, as evil tongues claim, that in the baroque period »beauty has fallen on the lopsided path«. Descending from the Spanish or Portuguese word »barocco« for an irregularly shaped pearl, the term refers to a twisted, bi-zarre and irrational style. In the 18th century, the rococo with its asymmetrical forms borrowed from nature, such as the rocaille, which deliberately resisted classical lines, brought about a further increase. On the other hand, strict principles of order apply particularly to architecture and the construction of cities such as Karlsruhe and Mannheim, which are reflected in corresponding architectural treatises and official ordinances.

Faced with moving forms and sweeping ornamentation, it seems, as evil tongues claim, that in the baroque period »beauty has fallen on the lopsided path«. Descending from the Spanish or Portuguese word »barocco« for an irregularly shaped pearl, the term refers to a twisted, bizarre and irrational style. In the 18th century, the rococo with its asymmetrical forms borrowed from nature, such as the rocaille, which deliberately resisted classical lines, brought about a further increase. On the other hand, strict principles of order apply particularly to architecture and the construction of cities such as Karlsruhe and Mannheim, which are reflected in corresponding architectural treatises and official ordinances.

Faced with moving forms and sweeping ornamentation, it seems, as evil tongues claim, that in the baroque period »beauty has fallen on the lopsided path«. Descending from the Spanish or Portuguese word »barocco« for an irregularly shaped pearl, the term refers to a twisted, bizarre and irrational style. In the 18th century, the rococo with its asymmetrical forms bor-rowed from nature, such as the rocaille, which deliberately resisted classical lines, brought about a further increase. On the other hand, strict principles of order apply particularly to architec-ture and the construction of cities such as Karlsruhe and Mannheim, which are reflected in corresponding architectural treatises and official ordinances.

Faced with moving forms and sweeping ornamentation, it seems, as evil tongues claim, that in the baroque period »beauty has fallen on the lopsided path«. Descending from the Spanish or Portu-guese word »barocco« for an irregularly shaped pearl, the term refers to a twisted, bizarre and irrational style. In the 18th century, the rococo with its asymmetrical forms borrowed from nature, such as the rocaille, which deliberately resisted classical lines, brought about a further increase. On the other hand, strict principles of order apply particularly to architecture and the construction of cities such as Karlsruhe and Mannheim, which are reflected in corresponding architectural treatises and official ordinances.

Faced with moving forms and sweeping ornamentation, it seems, as evil tongues claim, that in the baroque period »beauty has fallen on the lopsided path«. Descending from the Spanish or Portuguese word »barocco« for an irregularly shaped pearl, the term refers to a twisted, bizarre and irrational style. In the 18th century, the rococo with its asymmetri-cal forms borrowed from nature, such as the rocaille, which deliberately resisted classi-cal lines, brought about a further increase. On the other hand, strict principles of order apply particularly to architecture and the construction of cities such as Karlsruhe and Mannheim, which are reflected in corresponding architectural treatises and official ordinances.

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SittenstrolchTurnbeutelvergesser Suppenhuhn Influenza

antifaschistischer Schutzwall

Rhein-Main-Donau-Großschifffahrtsweg

Frikassé

ROẞTÄUSCHER

Brettsegeln

Nachrichtensprecher Jahresendflügelfigur Einspänner Sättigungsbeilage Lümmeltüte

Sozialstaat 872

216 MischkassetteAlhambra and Sud-Spain are Neufünfländer

Aluminiumminimumimmunität

ErdapfelBackfischaquariumEinkommenssteuerrückerstattung Kreiswehrersatzamt

Flickschusterei Messingisch Nachrichtensprecher

Vierwaldstätterseeschifffahrtsgesellschaftskapitänsmützenverwalter

124 Kratzfüße

Latüchte

MOSCOW

ArgentiniaPhiladelphia and Tucson

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В седьмой день седьмого дня, восемьдесят пять, два года. Дол-ларовые креветки Да, сочувствие Феняма спроектировано. Четыре сестры на первом. Irire daedemdh menhtiam fi nm. (→ Dolorombehrenssam, особенно примечание 536). Особенно в двух породах премиальных пород, в Южной Синовии, в прошлом году мы получили новый памятник, два ответа на последний год. Не пытайтесь остановить или вылечить расширенную дендритную кислоту или минимальную дипептидазу. Новые конденсирован-ные нейтроны, а также двунаправленные антибиотики. Но мы это получим. Минимальная масса в воздухе, обычно утром, вече-ром. Нет предпочтений, нет. В случае важности, если таковая имеется, это происходит в случае предварительного брожения. Синтетический синтетический синтетический синтетический шприц Вы здесь. Двадцать четыре единицы были использованы для лечения менингита и симвастатина. Добрый день. Можно заключить соглашения между двумя сторонами, особенно, не стесняйтесь обращаться к нам. Pythenth sonsekyyntyr on Sith, iystho omnes offendith каждого штепселя. Сначала полдня, полдня, полдня. Остановите Intersperser До последних дней, сделайте перерыв! Et serpentine nosthryd provatys ca.Iavemys pathriokye sonsekyath only Esth, NAM disath singylis ascommare in. Это первый раз, когда у вас хороший день. Хорошая идея - произвести хорошее впечатление. Она не презирала ее, но она была непреодолимой. Есть ли у вас какие-нибудь художествен-ные работы, фрейлина? Пограничные пожертвования - лишь некоторые из них. Уникальное восхождение, лазание и полет! Извините, если можете, посмотрите! Что касается зла греха, то никаких неудобств, инвалидности, гидроксида натрия, циано-боргидрида кальция, хлорида магния. Сиддхисавет субтитров. Livri sitidiyekes, с именем сына сына. Для незаконных жидкостей новые закалочные материалы Sith Partisanencyalismus. Как шарф, это был шлем. Около нескольких человек. Иммунная система, исправленная синхронизация. Я родился бедным человеком, я был невиновен! Примите это как можно скорее. Любые nyskyam подростки RDI, пока eligendi offisiis вы deserynt co repydiandae

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* * *ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨ

αβγδεζηθικλμνξοπρστυφχψω* * *

АБВГДЕЖЗИКЛМНОРСТУФХЦЧШЩЪЫЬЭЮЯ абвгдежзиклмнопрстуфхцчшщъыьэюя

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz

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ΑΒΓΔΕΖΗΘΙΚΛΜΝΞΟΠΡΣΤΥΦΧΨ αβγδεζηθικλμνξοπρστυφχψω

* * *

АБВГДЕЖЗИКЛМНОРСТУФХЦЧШЩЪЫЬЭЮЯ абвгдежзиклмнопрстуфхцчшщъыьэюя

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АБВГДЕЖЗИКЛМНОРСТУФХЦЧШЩЪЫЬЭЮЯ абвгдежзиклмнопрстуфхцчшщъыьэюя

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Συμ εξ δεβετ εφερτι, πριμα αππετερε γλοριαθυρ ατ πρι? Ευ μει ομνες χεν-δρεριτ, ιν ελιγενδι εξπεθενδις δυο. Δολορ πρωπριαε σεα θε, συμ ευ σινθ φενιαμ σωνσεκυαθ. Διστα σονσυλατυ υθ πρω. Ιριυρε δωσενδι μενθιτυμ φιμ αν. (→ Δολορεμ σομπρεχενσαμ υθ πρι, ευ λεγενδως ομιθταντυρ ιυς 536.) Συ πρω πυρθο λεγερε αδιπισι. Πρω νο ποπυλω φαστιδιι, ιν δυο πριμα ρεστεκυε, αυδιαμ σοντεντιωνες σιθ αδ? Σιθ ιδ φελιτ νωμιναφι, ωμιτθαμ πρινσιπες νες υθ, δυο ρεπυδιανδαε σονσεσθεθυερ ετ. Μελ μυνδι γραεσω ελεστραμ αν, εα δεσερυισε ελωκυενθιαμ δετερρυισεθ ηας, ιν ορναθυς μινιμυμ δισπυτατιονι εως. Νε συμ φαβυλας πχαεδρυμ νεγλεγενθυρ, ευμ συ αμετ δισεντιυνθ, ηας νε δισαντ αδωλεσενς. Υσυ δολωρυμ φιθυπεραθα θε. Μινιμ μαζιμ ινθερπρε-ταρις ατ εως, συ κυωτ ειυς πρω, δισιθ λιβρις εα υσυ! Νο φερθερεμ δετερ-ρυισεθ συμ, κυεμ μοδυς νο συμ. Ιν κυι συμο μελιυς ιμπερδιετ, μελ οπθιων νομινατι ρεστεκυε ιν, αν φιδιτ ωμνιυμ πρινσιπες φελ. Φιμ οπθιων συσι-πιαντυρ νο, δισθας αυδιαμ νε συμ. Υθ εσθ ερρωρ αφφερθ. Δισυντ μολε-στιε σαλυταθυς εξ υσυ, σομμυνε μενανδρι σιγνιφερυμκυε νο σεδ. Ευ μεα φιδε δελεσθυς. Ιυδισαβιτ σονσεσθεθυερ κυο ετ, αδ ειυς σωνσυλ πωσιθ ιυς, εως υλλυμ αθωμωρυμ ει. Πρω ευ γραεσε πεθενθιυμ, υσυ ατ ιυσθο θιμεαμ αντιωπαμ? Κυις ινθελλεγαμ αδ νες, ιδ σπλενδιδε ποσιδονιυμ σιθ. Πυθενθ σονσεκυυντυρ εξ σιθ, ιυσθο ομνες ωφφενδιθ φις θε. Πρω ασυμ πλαθονεμ νο, ετ πρι μυτατ ορναθυς, εξ υσυ παρτεμ ινσωρρυπτε ηωνεσθαθις. Κυι εξερσι ινθερπρεταρις συ. Διαμ πρινσιπες αβχορρεανθ υσυ ετ, λαβωρε θαμκυαμ ετ υσυ! Ετ φιδισε νοσθρυδ πρωβατυς περ. Ηαβεμυς παθριοκυε σωνσεκυαθ νο εσθ, ναμ δισαθ σινγυλις ασομμοδαρε ιν. Ει οδιο φασιλισι φελ, θε πρω-βατυς φολυτπατ μει. Συας ενιμ νοσθρω ευμ ιν, νες ζριλ ρεπριμικυε ευ, ατ εως φιδισε περτιναξ σωνσεπθαμ. Κυι ευ δενικυε αππετερε, δωσενδι τινσι-δυνθ ινσωρρυπτε ευμ ευ. Κυο υθ λαβωρε δενικυε εξπλισαρι, αγαμ σιβω εα φις? Βωνορυμ ιρασυνδια ποσιδονιυμ κυο συ, ει ομνις φυισετ διγνισιμ κυο. Ιυδισο νεσεσιταθιβυς περ ατ, ταντας εξπλισαρι φελ ευ! Ιυσθο λυπταθυμ πρω αν, μελ ει χαρυμ αυδιρε! Αδ θαλε νομινατι μαλυισετ ναμ, συας ιδκυε πλαθονεμ νες συ. Νε συμ αδμοδυμ περισυλα, δυις συσιπιθ ιν μελ? Φις εξ ινανι σριβενθυρ, κυαεστιο παρτιενδω ετ φελ, νεμωρε γλοριαθυρ εσθ ιδ. Σιθ ιυδισαβιτ δεμωσριθυμ ευ. Λιβρις σοτιδιεκυε υσυ ευ, νο αφφερθ σενσεριτ σονσυλατυ μελ. Ιν θωτα ιλλυδ υσυ, νε ποσθυλανθ ιυδισαβιτ φορενσιβυς ναμ? Σιθ παρτιενδω κυαλισκυε νε. Αδ σεδ εξπλισαρι υρβανιθας, μυνερε μελιορε κυι ιν. Περ σεθερος ινθελλεγατ θε, ηις ετ δισο ιυδισο. Αμετ μωλε-στιαε συ υσυ, φιξ ιδκυε σονστιθυαμ ει. Νε νοσθρω νωμιναφι αππαρεατ περ, μελ νοσθρω ινσωρρυπτε ευ! Συ συμ δεσωρε δοσθυς, εριπυιτ φυλπυτατε ιν μει. Θε νυσκυαμ αδωλεσενς κυι, εως ελιγενδι οφφισιις συ, δεσερυντ ρεπυ-διανδαε αδ συμ! Εξ περπετυα ελαβοραρετ δυο, ζριλ σανστυς ετ φελ.

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Supported languages

Language AccentLatinEnglish A-Z, a-zGerman ÄÖÜ äöüßFrench ÂÉÈÎÏÔ âéèîïôDutch IJ ijDanish ÅÆØ åæøItalian ÉÒÓ èéòóSpanish Ñ ñPortuguese ÁÀÃÂÉÊÓÔÕ áàãâéêóôõNorwegian ÅÆØ åæøSwedish ÅÄÖ åäöIcelandic ÁÆÐÖÓÚÝÞ áæðöóúýþEstonian ÄÖÜÕŽ äöüõžLatvian ĀČĢĪĶĻŅŠŪŽ āčģīķļņšūžLithuanian ĄČĘĖĮŠŲŽ ąčęėĮšųžFinnish ÄÅÖŐ äåöHungarian ÁÉÍÓÖÚÜŰ áéíóőúüűPolish ĄĆĘŁŃÓŚŹŻ ąćęłńóśźżCzech ÁČĎÉÍŇÓŘŠŤÚŮÝŽ áčďéíňóřšťúůýžSlovak ÁÄČĎÉÍĹĽŇÓÔŔŠŤÚÝŽ áäčďéíĺľňóôŕšťúýžSorbian ČĆĚŁŃÓŘŔŠŚŽŹ čćěłńóřŕšśžźCroatian ČĆĐŠŽ čćđšžSlovenian CŠŽ cšžAlbanian ÇË çëTurkish İĞÖŞÜ ığöşüRomansh ÄÜÖ äüöLuxembourgish ÄËÉ äëéMaltese ĊĠĦŻ ċġħżBasque; Asturian; Galician Ñ ñCatalan Ç çLombardian ÒÓÔ òóôSardinian ÀÈÌÒÙ àèìòùFrisian ÅÄÐÜÖ åäðüöFaroese ÁÆÐØÓÚÝ áæðøóúýSami ÁCЊTŽ ácdštžRomanesque Àà ãàIrish (modern) ÁÉÍÓÚ áéíóúVõro ÄÖÜŠŽ äöüšžVeneto ÇÉÈÒÓ çéèòóWalloon ÂÅÇÉÔÛ âåçéôûWelsh ÂÊÎÔÛŴŶ âêîôûŵŷEsperanto ĈĜĤĴŜŬ ĉĝĥĵŝŭ

Greek [only upright styles] ΑΒΓΔ αβγδ ...

Cyrillic [only upright styles] АБВГ абвг ...Bulgarian, Macedonian, etc. Local specifications are mostly included.

OpenType Features

M Localized Forms İı … Şş Ţţ Șș Țț … śŚ �Polish� śŚ ćĆ ńŃ óÓ źŹG Small Caps Aa Bb Cc Dd → Aa Bb Cc Dd → Aa Bb Cc DdL Case-Sensitive Forms (H) [H] {H} !H¡ ¿H? → (H) [H] {H} !H¡ ¿H?e Capital Spacing AVENSISTUM → AVENSISTUMW Ordinals Ha Hz H1 H2 H3 → Ha Hz H1 H2 H3Q Fractions 1/1 1/2 1/3 156/348 → 1/1 1/2 1/3 156/348D Sinferior H123456 ¢€$ ab…xyz → H123456 ¢€$ ab..yxzE Superior H123456 ¢€$ ab…xyz → H123456 ¢€$ ab..xyzA Numerator H123456 → H123456C Denominators H123456 → H123456R Oldstyle Figures H123456 → H123456n Tabular Oldstyle Figures H123456 → H123456S Lining Figures H123456 → H123456V Tabular Lining Figures H123456 → H123456S Proportional Figures H123456 → H123456U Slashed Zero H000 → H0�0f Standard Ligatures ff fi flb

Discretionary Ligatures Th Ŧh Ťh Țh Ti Wh ch ck ct fi ffi fl ffl fb ffb fh ffh fj ffj fk ffk ft fft fä fö fü gf th tt ↓ ↑ ← → ● □ ◻ ■ ◼ ▲ ▶ ▼ ◀ ◆ ☹ ☺

d Historical Ligatures s ... si ssi ssl ssh → ſ ... ss si ſl ſh stJ Stylistic Set 01 A Á Ă Ǎ Â Ä À Ā Ą Å Ã J Stylistic Set 02 s ... si ssi ssl ssh → ſ ... ss si ſl ſh stJ Stylistic Set 03 ½ ⅓ ⅔ ¼ ¾ ⅕ ⅖ ⅗ ⅘ … ⅚ ⅛ → 1/2 1/3 ⅔ ¼ ¾ ⅕ ⅖ ⅗ ⅘ ⅛J Stylistic Set 04 ß → ßJ Stylistic Set 05 (italic only) s se si sk sl st sp → � � � � � � �

J Stylistic Set 06 (italic only) v w y � � � � → � � � � � � �

J Stylistic Set 07 (italic only) Q → �J Stylistic Set 08 (italic only) h ch fh ffh th Th � � � → � � � � � � � � �

J Stylistic Set 09 (italic only) g � � � � � gg gi → � � � � � � � �Arrows ...

Bullets ...

Smileys ...

+−−> → ↑ … +−−< → ↓ … +-> → → … +-< → ← -< → ◀ … -> → ▶ … --< → ▼ --> → ▲ … <+> → ◆

[==] → ■ … [=] → ◼ … (==) → ● … (=) → (=) {==} → □ … {=} → ◻

:) :-) (: (-: → ☺ :( :-( ): )-: → ☹

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