Top Banner
BALLET HISTORY AND VOCABULARY GOAL: 1. 1. TO BE ABLE TO WRITE OUT THE STEPS OF BALLET AND THE MEANING. 2. 2. TO UNDERSTAND THE ALIGNMENT RULES IN RELATION TO BASIC ANATOMY. 3. 3. TO DEEPEN YOUR KNOWLEDGE OF BALLET HISTORY AND GEORGE BALANCHINE.
14

Ballet History and Vocabulary

Feb 24, 2016

Download

Documents

tuyet

Ballet History and Vocabulary. GOAL: 1. TO BE ABLE TO WRITE OUT THE STEPS OF BALLET AND THE MEANING. 2. TO UNDERSTAND THE ALIGNMENT RULES IN RELATION TO BASIC ANATOMY. 3. TO DEEPEN YOUR KNOWLEDGE OF BALLET HISTORY AND GEORGE BALANCHINE. BALLET. Where did Ballet begin?. - PowerPoint PPT Presentation
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Ballet History and Vocabulary

BALLET HISTORY AND VOCABULARY

GOAL: 1. 1. TO BE ABLE TO WRITE OUT THE

STEPS OF BALLET AND THE MEANING.

2. 2. TO UNDERSTAND THE ALIGNMENT RULES IN RELATION TO BASIC ANATOMY.

3. 3. TO DEEPEN YOUR KNOWLEDGE OF BALLET HISTORY AND GEORGE BALANCHINE.

Page 2: Ballet History and Vocabulary

BALLET

Page 3: Ballet History and Vocabulary

Where did Ballet begin?*Ballet originated as court dances (mainly Pas de Bourees and balances/waltzes) in Italy, but quickly migrated to France where they further developed steps and gave them names (which is why all the ballet terms are French). The dances were for royalty, and only for men.

*King Louis XIV, who ruled France during the late 1600s, and his nobles, took part in the ballets given at his court.

*In 1661, the Sun King, a name he acquired from a role he danced in high-heeled shoes with large guilt buckles complete with shining sun rays, founded the Royal Academy of Dance, which later became the Paris Opera Ballet, the first professional instruction for ballet.

Page 4: Ballet History and Vocabulary

*It was his outward pointing of toes to show off his shiny shoe buckles laid the foundation for the five basic ballet positions set down by ballet master Pierre Beachamps. It should be noted that up until 1681 all female roles performed at RAD were danced by young men. This was supposedly a strength issue. Enormous headdresses, full heavy skirts and weighty corsets were thought incapable of being carried by the frame of a woman.

* It was not until the performance of Le Triomphe de l'Amour in 1681 that the first female dancers performed professionally.

Page 5: Ballet History and Vocabulary

Around 1830 the ballerina arose as the central part of a ballet, which was previously dominated by men.

Pointe??

Marie Taglioni, the first ballerina to dance La Sylphide in Paris 1832, was also rumored to be the first ballerina to dance on her toes in ballet slippers, creating the first pointe shoe.

Page 6: Ballet History and Vocabulary

Early Ballet

Page 7: Ballet History and Vocabulary

How did Ballet get to America?

*Russian influence of choreographer George Balanchinethat brought ballet to America. The now world-famous New York City Ballet was cofounded by Balanchine, whoworked for Diaghilev's Ballets Russes as a young man,and who was invited to work in the United States by a wealthy patron of the arts, Lincoln Kirstein.

*Kirstein knew little about ballet and Balanchine knew justas little about America. Balanchine moved towards thecreation of plotless ballets where the motivation was movement in response to music rather than to a storyline. His ballet Jewels, which he choreographed in 1967 was the first evening-length ballet of this type.

Page 8: Ballet History and Vocabulary

George Balanchine1904-1983 St. Petersburg, Russia

Balanchine created over 400 works including dances for Broadway, Hollywood movies, operas, the circus and the ballet. His range of choreography spanned the neoclassical (Agon, The Four Temperments, Symphony in Three Movements) to the story ballet (The Nutcracker, Swan Lake, Coppelia) to the romantic (Vienna Waltzes, Jewels, Symphony in C). In 1933 at the invitation of Lincoln Kirstein, he came to America and co-founded The School of American Ballet in 1934 and the New York City Ballet in 1948.

Page 9: Ballet History and Vocabulary

George Balanchine Rehearsing

Page 10: Ballet History and Vocabulary

Jewels by Balanchine

http://www.youtube.com/watch?v=qMTir4YZFMA

Page 11: Ballet History and Vocabulary

Ballet VocabularyDemi Plie: small/half bend of the kneesGrand Plie: Deep bend of the kneesCambre: to Bend at the waist, archTendue: to stretch the footDegage: to brushRond de jambe: round with legFondu: to meltFrappe: to strikeGrand Battement: In which one leg is extended and returnedPasse: to pass through

Retire: isolatedDeveloppe: to developPas de Bourreé: a passing stepBalancé: A waltz, to swingSauté: to jumpChangement: changeéchappe: slip out; escapeéchappé sautteé: jumping /escapesissone: to springSous-Sus: Tight fifth positionSoutenu: A turn in fifth positionGrand Jete-A long horizontal jump, starting from one leg and landing on the other.

Page 12: Ballet History and Vocabulary

Ballet VocabularyGlissade: slide, to glideChassé: To chase the footPiqué: prick/sting (will be using with passé)Jeté: to throwArabesque: ornament1st arabesque2nd arabesque 3rd arabesque

Page 13: Ballet History and Vocabulary

12 Body Placement Rules for Ballet Technique

1. Head erect straight on top of spine, ears over shoulders chin up2. Diaphragm lifted (breathing muscles in rib cage)3. Spine held straight up and lengthened4. Shoulders squarely over hip5. Eyes forward and focused6. Pelvis centered with the hips placed directly over the feet

Page 14: Ballet History and Vocabulary

7. Abdomen (lower abdominal muscles) tightened and lifted8.Gluteal muscles contracted to pull down tailbone9. Thighs (quadriceps and hamstrings) pulled up with knees straight10. Feet must bear weight primarily over the metatarsals (long thin bones in the foot).11. Turn out from hip joints (ball and socket joint)12. SMILE