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Balance and Proportion Vitruvian Man (1492) Leonardo da Vinci
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Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

Dec 27, 2015

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Page 1: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

Balance and Proportion

Vitruvian Man (1492) Leonardo da Vinci

Page 2: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

Rhythm and MovementPrinciples of design that indicate movement by

the repetition of elements that guide the viewer’s eye through a work of art; creating a look and feeling of action.

Regular rhythm: has identical motifs and the exact same amount of space between them.

Alternating Rhythm: Vary motifs, change spacing, shift motif placement.

Principles of design Review

Page 3: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

Principles of design

Balance

Page 4: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

Formal/symmetrical Formal balance occurs when equal, or very similar,

elements are placed on opposite sides of a central axis. Your outstretched arms create formal balance.

Principles of design

Balance

Bronwyn McIvorCrystal Ward 2005

Page 5: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

Informal/asymmetrical Informal balance involves a balance of unlike

objects. The weight added to your hand required you to use

informal balance to maintain your balance.

Principles of design

Balance

NMilare Lois Knight

Page 6: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

Proportion Proportion is the principle of art concerned

with the size relationship of one part to another.

Principles of design

Proportion

Page 7: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

Principles of design

Proportion Scale refers to

size measured against a standard reference. Human proportion

The head is the standard reference that defines human proportion. The average adult

is 7 1/2 heads tall.

Page 8: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

Principles of design

Proportion

Foreshortening To shorten an

object to make it look as if it extends backward in space.

Page 9: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

Principles of design

Proportion

Exaggeration & distortion Deviations from

expected, normal proportions. A technique use in caricature drawing.

Page 10: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

How artist use design principles of

balance Size: Large forms appear heavier than small

forms. Several small forms can balance one large

form.

Page 11: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

How artist use design principles of

balance Contour: Complex contour lines appear heavier

than simple contour lines. A small complex object can balance a

large simple object.

Page 12: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

How artist use design principles of

balance Value: The stronger the

contrast in value between an object and the background, the more visual weight the object has.

Page 13: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

How artist use design principles

Texture: A ruff texture has

an uneven pattern of light highlights and dark, uneven shadows. For this reason a ruff surface attracts a viewers eye more easily than smooth, even surface

Page 14: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

How artist use design principles of

balance Position: Like balancing an object, the weight needs

to be the same on each side of the central axis. A large object close to the central axis of a work

can be balanced with a smaller object placed far from the central axis.

Page 15: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

How artist use design principles of

proportion

Artists use correct proportions to create illusions of reality.

1623 "David"--Bernini, Gianlorenzo (1598-1680)

Page 16: Balance and Proportion Vitruvian Man (1492) Leonardo da VinciVitruvian Man.

How artist use design principles of

proportion

Exaggeration and distortion is use to express feelings and moods that can be easily understood be viewers.