Mar 29, 2015
Background on Amy Tan
Born in Oakland, California, 1952Grew up in Fresno, Oakland, Berkeley, San Francisco, Montreux, and SwitzerlandCurrently lives in San Francisco
Story Content
Each story gives a wonderful glimpse into Chinese culture and
heritage including festivals, marriage ceremonies, food dishes, clothing, and raising children. The
reader is also introduced to the social rules and expectations for the traditional Chinese woman.
The most moving part about The Joy Luck Club is that in spite of this upbringing, each woman or girl has a true nature and spirit that enables her to find unique ways to cope with life. These individual spirits are the basis of survival through hard times
both emotional and physical.
The stories, while separate, are woven together as we learn of subsequent
deaths, divorces, and family reunions in later chapters. Certain details in later
vignettes relate back to events earlier in the book. The feelings that mothers
have concerning their daughters, how daughters feel about their mothers, and the competition, love and resentment
that takes place among various members of the group are skillfully
revealed.
One of the major conflicts between the mothers and their daughters is the desire of the young generation to
become more Americanized. But as the second generation ages, they become
more interested in retaining their unique Chinese heritage. Consequently, as the book ends it becomes evident that the
Joy Luck Club will continue and that there is a renewed appreciation for what it means to be Chinese among the newer generation who must now pass this bond
on to their own children.
Feathers from a Thousand Li
Away
Section One
The Joy Luck ClubStory of Suyuan (told by Jing-Mei)Explains the Joy Luck ClubSets up the narrator’s purpose for the search for her sistersEstablishes the significance of Mah Jong and the “balance of the table”
Mah-Jong
Mah JongA traditional Chinese tile game with many variations Often associated with gambling and serious competition The literal translation of "Mah Jong" is "flax/hemp" "sparrow clattering." The sound of the tiles as they are mixed together prior to the start of each hand.Listening carefully, players hear the sound of the flax blowing in the wind and the sparrows clattering.
The Tiles
The TilesA complete set contains 144 tiles. The tiles fall into four categories:
Suits Honor FlowersSeasons
The SuitsThere are three suits:
the dots (also called circles or balls) the bamboos (also called bams or sticks)the characters (also called characks, cracks, or wan).
The suit tiles are numbered 1 through 9, and in any given suit, there are four of each number Suit tiles may be either simple or terminal.
Suit Tiles: Characters
Suit Tiles: Bamboo
Suit Tiles: Dots
Honor TilesThere are two types of honor tiles:
the winds (East, South, West, and North)the dragons (Red, Green, and White)
There are four of each wind and four of each dragon The dragons appear in red, green and white. On more traditional sets, the red has the Chinese character (in red) for Cheung -- meaning center of the four directionsThe green dragon is not really a dragon, but a green imprinted Chinese character, Fa (or Fa Choy), meaning "commence" or "begin good luck" The white dragon (also known as white board, soap, bak board, or pak board) may have a rectangle on the tile
Dragon Tiles
Wind Tiles
Flower & Season TilesDiffer in nature from the suit and honor tiles There are only 4 flowers (1, 2, 3, and 4) and only 4 season tiles (1, 2, 3, and 4 Their use is somewhat like that of the joker in card games When drawn, they are declared and a substitute tile is drawn They are not collected for scoring, but the flower(s) or season(s) corresponding with the winning player's wind may double the winning score one or more times
Season Tiles
Flower Tiles
B a m b oo
C h rysa n the m um
O rch id /L ily
P lum
F lo w e r
W in te r/S ch o la r
A u tu m n /F arm er
S u m m e r/W o o dcu tte r
S p rin g /F ishe rm an
S e aso n/O ccu pa tion
4
3
2
1
N u m b er
N o rth
S ou th
W e st
E a st
C o rresp o nd in g W ind
M a h Jo n g C h a rt
The Game
Mah Jong is played by four people A full game consists of 16 hands of play, falling within 4 rounds The rounds are named after the four directions: East, South, West, and North The first 4 hands are the East round; the South round follows (second 4 hands); the West round is next (third round of 4 hands); last is the North round (last four hands)
Each Hand…Each of four players is assigned a wind or direction The first player (the dealer) is always East To her right is South; to the right of South is West (across from East), and to the right of West is North (to the left of East)The order of play, beginning with East, therefore, is counter clockwise Note that the Chinese compass (placement of the directions) is not the same as the English compass
Placement of PlayersW/3
E/1
S/2N/4
S/2
W/3
N/4
W/3
S/2 N/4
E/1
E/1W/3
S/2
N/4
E/1
North Round
West Round
South Round
East Round
Scar
ScarStory of An-MeiLives with her Grandmother Popo until Popo’s deathLeaves to live with her mother and her extensive familyTradition of soupTraditions centered around deathLoyalty to family
Red CandleStory of Lindo as a young womanArranged marriage that failsTradition of lighting marriage candleLeaves marriage to make her own lifeLoyalty to familyImportance of keeping promise to parents
Moon LadyStory of Ying-Ying when she is a young child from a wealthy familyFalls off of boat and nearly drownsRescued by another boat and encounters the Moon Lady at the festivalLoses her innocence when she finds out the Moon Lady’s secretExperiences at the festivalTradition of fishing/water
The Moon FestivalLegend says that during King Yao's rule, ten suns appeared in the sky. Because the heat from these suns endangered crops, wildlife and the very existence of people, King Yao asked a famous archer to shoot down nine of the ten suns. After shooting the extra suns down, archer Houyi asked for the hand of the Emperor's beautiful daughter,Chang E, as a reward. Houyi took good care of Chang E but she remained indifferent to him, always considering herself the most beautiful woman in the world.
Meanwhile, the king was worried the extra suns would appear again and cause a new disaster so he gave Houyi a pill that was said to ensure immortality. But Chang E learned of this pill and decided she could make better use of it herself. So she swallowed the pill and immediately started floating into the air. She soon reached the moon, where she remains, transformed into a toad as punishment. Leaving poor Houyi to see only the shadow of his vain wife and only when the moon is full.
Twenty-six Malignant Gates
Section Two
Rules of the GameStory of Waverly Lindo’s daughterDuring her childhood she becomes a child prodigy learning how to play chessDevelopment of the relationship between mom & daughterMother’s push for excellence and the daughter’s struggle for power
Voice from the WallStory of Lena daughter of Ying-YingSee mom/daughter relationship in comparison to the “American” family next doorIntroduced to mother’s problemsSee the daughter’s attitudes/issues which develop from the relationship
Half and HalfStory of Rose daughter of An-MeiDiscusses divorce and beliefs concerning divorceDeath of her brother and her feeling of responsibilityDevelopment of her “complex”Role of religion/balance
Two KindsStory of Jing-Mei daughter of SuyuanUnderstand the mother’s “investment” in the daughtersSee the development of the competition between the mothers through the daughtersFeeling of failure in the relationship between Jing-Mei and her mom
American Translation
Section Three
Rice HusbandStory of Lena daughter of Ying-Ying“Chunwang chihan”SuperstitionValue of marriage/relationshipsRice bowl and her “future husband”Emotional voids
Four DirectionsStory of Waverly daughter of LindoDaughter’s embarrassment because of her momBUT, still concerned about her mom’s opinion concerning marriage/relationshipSignificance of birth sign/year
Without Wood
Without WoodStory of Rose, An-Mei’s daughter“Old Mr. Chou”Death of her brother and her inability to make decisions or bear responsibilityEffects on her marriageSymbolism of the garden
Best QualityStory of Jing-Mei daughter of SuyuanSymbolism of the jade pendant from her motherSignificance of the crab dinnerCompetition of daughters passed on to their relationship
Queen Mother of the Western Skies
Section Four
Magpies
MagpiesStory of An-Mei mother of RoseDaughter’s inability to make a decisionRelationship with her mother and extended familyHer mother’s inability to cope with her situationStory of the turtle and birds
Waiting Between the Trees
Waiting Between the TreesStory of Ying Ying St. Clair, mother of Lena Forced to marry a “bad man”Unwanted pregnancy/death of the childSignificance of birth yearHer daughter’s lack of understandingSignificance of the “spirit”
Double Face
Double FaceStory of Lindo, mother of WaverlyChinese face vs. American faceTwo cultures shared by same familyMeeting An-Mei and her husbandSignificance of the mirror
A Pair of Tickets
A Pair of TicketsStory of Suyuan and Jing-MeiDaughter goes to meet the sisters in China accompanied by her fatherJing-Mei learns about the two sisters
NamesRelationship in family
Jing-Mei comes to appreciate her mother and her heritage
Chinese Immigration to the US
First major wave of around the 1840'sPrompted by the gold rush and westward expansionChinese men came to the country to pursue workAnother influx of in the 1860's to work on the construction of the Transcontinental RailroadChinese created booming businesses by taking care of functions such as laundry and cookingMany were artisans and factory workers.
After the completion of the railroad, the mistreatment of Asian immigrants, particularly in California, escalated A series of immigration quotas limited the number of new immigrants into the country. The end of World War II, and the new communist government in China toward the end of the 1940's prompted another major exodus of Chinese The mothers in The Joy Luck Club all came to the United States during this time period.
Chinese Culture
Performing ArtsLegendsArt
Chinese classical dance traces its origin to celebrations in the emperor’s court in ancient China. The dance is often based on fairy tales and poetry. It is characterized by subtlety, elegance and balance of masculinity and femininity.
In contrast, Chinese folk dance originated in the villages. The dance is often about the lives of the average people and tends to reflect the custom and belief of the time. As the folk dance evolved over the years, it expanded to include the folk dances of the minority people in China, such as Mongolians and Dai people.
Chinese traditional music is rooted in the rich soil of folk customs and feelings. It is characterized by rich tonality and emotion, and very much connected to social environment, language and poetry.The music,played with a variety ofinstruments such as Er-hu and Pi-pa, is often performed with dance and opera. Together they tell history and human dramas.
ArtIn ancient China, people believed that numerous gods inhabited the Three Realms (heaven, earth, and the underworld) and ruled over human affairs and destiny. To fulfill their hopes for a bountiful harvest, healthy male heir, official promotion, and other auspicious wishes, people sought the blessing of these deities by representing them graphically in a medium that has become a unique folk art tradition known as "paper gods" or "paper joss." With the development and proliferation of printing, the Chinese were able to mass produce woodblock prints since the late Ming dynasty (mid-sixteenth century) to satisfy the high demands.