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SFS, Gurukul Marg, Mansarover, Jaipur
BACHELOR OF VISUAL ARTS (BVA)
SPECIALIZATION IN
PAINTING
SCULPTURE
APPLIED ARTS
Session 2007-08
Semester I Examination November 2007
Semester II Examination April 2008
Semester III Examination November 2008
Semester IV Examination April 2009
Semester V Examination November 2009
Semester VI Examination April 2010
Semester VII Examination November 2010
Semester VIII Examination April 2011
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(Common for Applied Arts/Painting/Sculpture)
Semester I-APPLIED ARTS
B.V.A. (Foundation) APPLIED ARTS (Theory)
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Credits – 2
Contact Hour/week – 2
Contact Hour/semester – 30
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Credits : 2
Unit 1 Präsens der Verben
Imperativ (Sie, du)
Wo, woher, wohin ?
W__ Frage, Ja,Nein__ Frage
Unit 2 sein, heiβen, werden
Unbestimmter Artikel (ein,kein)
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FOUNDATION COURSE IN FRENCH (Grammar,Comprehension & Paragraph writing)
Paper Code : FFR 100
Credits: 2
UNIT NO. NO. OF
LECTURES TOPICS TO BE COVERED
1
6
Grammar: Verb << to be, to call oneself, >>,
personal pronouns (subject), interrogation (
intonation), definite and indefinite articles, gender of
the nouns, adjectives depicting qualities,1st group –er
ending verbs in the indicative mood,.
Comprehension and paragraph writing: Reading of
the lessons 1--2 + comprehension passages from the
lessons
Listening and speaking skills: to make acquaintances
with someone, to welcome someone, to wish, to say
good bye.
UNIT NO NO. OF
LECTURES TOPICS TO BE COVERED
2
6
Grammar: preposition before the name of the
countries and the cities, interrogative adjectives,
possessive adjectives, irregular adjectives.
Comprehension and paragraph writing: Reading of
the lesson 3 + comprehension passages from the
lessons + paragraph: my family
Listening and speaking skills: to express
appreciation, to take or give information about
someone.
UNIT NO NO. OF
LECTURES TOPICS TO BE COVERED
3
6
Grammar : indefinite pronouns, demonstrative
adjectives, special negations, special interrogation,
present tense of the verbs: faire= to make/do, voir= to
see, aller = to go, sortir = to go out,connaitre = to
know, venir= to come, pouvoir = can, vouloir= to want,
verbs of 1st group – er ending,
Comprehension and paragraph writing: Reading of
the lesson 4 + comprehension passages from the lesson
4 + paragraph : my college
Listening and speaking skills: to accept and refuse
invitation
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UNIT NO NO. OF
LECTURES TOPICS TO BE COVERED
4
6
Grammar : interrogative adverbs, venir= to come,
pouvoir = can, vouloir= to want, verbs of 1st group – er
ending, articles contractes (two forms), usage of
chez, future.
Comprehension and paragraph writing: Reading of
the lesson 5 + comprehension passages from the lesson
5 + paragraph : my friend
Listening and speaking skills : to speak on the
telephone
UNIT NO. NO. OF
LECTURES TOPICS TO BE COVERED
5
6
Grammar: remaining part of the possessive adjectives,
exclamative adjectives, accordance of the adjectives,
use of très (very) and trop (too), present tense of the
indicative: acheter ( to buy), regarder ( to look),
imperative form of 1st group verbs
Comprehension and paragraph writing: Reading of
the lesson 6 + comprehension passages on the lesson 6
+ paragraph on the topics : the festivals in India, my
professor etc.
Listening and speaking skills: To ask the price of the
things while shopping and bargaining.
Books Recommended:
Essential reading material : 1)Synchronie-1(methode de francais)
2)CD accompanying the textbook
Reference books/dictionary/further reading : 1)Collins mini gem bilingual
dictionary
2) Robert &Nathan :conjugation
of verbs
3)<<Le nouvel entrainez-vous>>
niveau debutant
4)Grammaire Larousse
5)Larousse compact dictionary
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FOUNDATION COURSE (GENERAL ENGLISH)
Paper-II : Essential & Applied Language Skills
Paper Code: VEN 100
No. of Contact hrs. per week: 02 No. of Credits: 02
Objectives :
• Reinforcing selected components of grammar and usage.
• Strengthening compositional skills
• Facilitating comprehension of short-stories
• Introducing students to phonetics and enabling them to consult dictionaries for
correct pronunciation (sounds & word-stress)
Unit 1 (Vocabulary and Phonetics) (6 hrs.)
• Synonyms & Antonyms
• Word Formation : Prefix & Suffix
• Word-stress (marking stress in words written in normal orthography)
Unit 2 (Grammar and Usage) (8 hrs.)
• Transformation of Sentences:
(i) Direct & Indirect Narration
(ii) Interchange of Degrees of Comparison
• Modals
• Sequence of Tenses
Unit 3 ( Comprehension) (4 hrs.)
• Comprehension of an unseen passage (including interpreting visual material,
eg. graphics, etc.)
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Paper-III : Fundamentals of Visual Art
Paper Code : VAH 101
Unit I : 6 Hrs
A detailed discussion on Art according to the Oriental and Occidental Critics and
scholars.
Unit II: 6 Hrs Classification of Art, Interrelationship of various Fine and Performing Arts
Unit III: 6 Hrs
Art and Nature, Art and Society, Art and Religion
Unit IV: 6 Hrs
Elements of Art: Line, Form, Tone, Texture, Colour and Space.
Unit V: 6 Hrs Principles of Composition: Unity, Balance, Harmony, Rhythm and Proportion,
Emphasis and Dominance.
Practical: Examination will be conducted in all the practical subjects except photography.
Scheme of semester end examination for subjects having examination. (External
evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External
evaluation)
Paper-IV : Still Life Study [exam-5 hrs ]
Paper Code : VAF 102
Learn to indicate simple form with a single light source using shadow and cast
shadow. Emphasis is placed on refining composition with cropping, overlapping and
placement in the picture plane. Study of 2 or 3 Objects
Submission :
3 Works in B/W, 2 home assignment (10 sketches of Still Life)
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Paper-V : Composition (Tempera ) [exam-5 hrs]
Paper Code : VAF 103
Compositional Exercise based on various type of objects ( Still Life) with a view to
transform them in to a flat pictorial images on Vasli (8” x10”) in size..
Developing and awareness of the pictorial space, division of space and form.
Submission : 2 works in class 2 works in home assignment
15 Layouts and design
Paper-VI : Graphics and Printmaking [exam 10 hrs ]
Paper Code : VAF 104
Introduction to Print Making in Relief
Submission : 3works B/W on lino (8”x10” to 10”18”)
20 Layouts and design
Paper-VII : Basic Design [exam-5 hrs ]
Paper Code : VAF 105
To develop an understanding of the elements and principles of design through various
practical assignments. Study of two-dimensional space and its organizational
possibilities; behaviour of force and energy contained in line, form, colour and
texture; knowledge of primary, secondary, tertiary and complementary colours and
their relationships. Introduction to the technical terms related to colour theory.
Submission :
2 assignments (Exercises with basic shapes and texture in relation
to space)
2 assignments (Compositions based on studies from nature)
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Paper-VIII: 3D (Clay Modeling) [exam-10 hrs]
Paper Code : VAF 106
Introduction to 3 Dimensional forms, observation of natural and manmade objects. To
develop sense of structure the study of the principles of composition that holds the
structure.
Submission :
2 Works in Clay (not less than 10” in size)
20 Layouts and design
Paper-IX : Photography
Paper Code : VAF 107
Introduction to Photographic techniques (black and white),exposures, developing,
printing and enlarging, indoor and outdoor photography.
Submission : 5 Prints in B/W
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Semester II- APPLIED ARTS
PAPER-I : COMPUTER APPLICATIONS (Theory)
Paper Code: FCA-300
TToottaall HHrrss:: 1155
Unit I: Introduction to Computers [No. of Hrs: 05] Introduction to Computers (definition, characteristics & uses), Evolution of computers,
System unit (memory, ALU & control unit), Input / Output devices, Storage devices(
Memory- primary & secondary).
Introduction to Software, its type (system, application & utility); Programming
languages (machine, assembly & high-level), Language processors (assembler,
compiler & interpreter).
Introduction to Data Processing: Elements of Data Processing, Data Processing
Activities.
UUnniitt IIII:: CCoommmmaanndd LLiinnee IInntteerrffaaccee [No. of Hrs: 0044]]
Introduction to DOS: Concept of Operating System, Introduction to DOS, Important
terms in DOS (program, file, directory, names, volume label, disk drive & its name
(DOS prompt) DOS file system, path & path names, Internal Commands (DIR, CD, MD, RD, COPY, COPY CON, DEL, REN,
DATE, TIME, VER, CLS, TYPE, PROMPT, PATH)
External Commands (TREE, DELTREE, EDIT)
UUnniitt IIIIII:: WWiinnddoowwss [No. of Hrs: 0022]] Introduction, features (Desktop & its components, the window, the application window(various bars), the
document window, the dialog window, the icons).
Windows explorer; Control panel, Setting wallpaper, screen saver, background.
Creating a folder, Compressing/ Zipping files (WinZip), Virus & Antivirus.
UUnniitt IIVV:: WWoorrddpprroocceessssoorrss [No. of Hrs: 0033]]
Introduction to word processing, Features of Word processors, Working with formatted
documents, Shortcut keys. Finding & replacing text, Go To (5) command.
Formatting documents, Selecting text, Formatting characters, Changing cases,
Paragraph formatting, Indents, Using format painter, Page formatting, Header & footer,
Bullets & numbering, Tabs,
UUnniitt VV:: AAddvvaanncceedd WWoorrdd pprroocceessssiinngg TToooollss [[NNoo.. ooff HHrrss:: 0011]]
Forming tables. Proofing text (Spell check, Auto correct), Inserting pictures, Mail
merging, Printing, Getting Help.
BOOKS RECOMMENDED
ESSENTIAL READINGS: 1. Peter Norton, “ Introduction to Computers”, TMH,2001
REFERENCES: 1. Mahapatra & Sinha, “Essentials of Information Technology”, Dhanpat Rai Publishing
2. Bott and Leonhard, “Using Office 2000”, Prentice Hall of India
Credits: 01
Periods/Week: 01
Max. Marks:100
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CCOOMMPPUUTTEERR AAPPPPLLIICCAATTIIOONNSS LLAABB
Paper Code: FCA-300 (Practical)
Total Hrs: 15
PPrraaccttiiccaall EExxeerrcciisseess bbaasseedd oonn tthhee ccoonncceeppttss ttaauugghhtt iinn tthhee tthheeoorryy ppaappeerr ooff CCoommppuutteerr
AApppplliiccaattiioonnss.. IItt wwiillll ccoovveerr::
• CLI
• WINDOWS & its features
• Word processing software
Credits: 01
Periods/Week: 01
Max. Marks:100
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Paper-II : OUR ENVIRONMENT
PAPER CODE : FES 300
Credits: 2 M.M: 100
Contact Hours/Semester: 30 (SEE-70 , CA-30)
Contact Hours/Week: 2
Objective of the paper: Inspite of the deteriorating status of the environment, study
of environment has so far not received adequate attention in our academic
programmes. This programme aims at giving students a clear understanding of
environmental concerns and to follow sustainable development practices. This will
definitely help students develop an interdisciplinary global understanding of
ecological and environmental problems.
UNIT–I Definition, Scope and Importance of Environment 5 hrs - Scope of Environmental Studies and its applications
- Importance with respect to the society
- Relationship of Environmental Studies with other subjects (Multidisciplinary
nature of Environment)
UNIT–II Ecosystem: Structure and Function 6 hrs
- Concept of Ecosystem
- Biotic and abiotic components of ecosystem
- Food Chain and Food Web
- Ecological Pyramids
- Energy Flow
UNIT–III Environmental Pollution 7 hrs
- Water Pollution: Definition, sources and effects
- Air Pollution-Definition, sources and effects
- Noise Pollution-Definition, sources and effects
UNIT-IV Energy and Environment 7 hrs - Solar Energy and its uses
- Wind Energy
- Tidal Energy
- Hydro Power
UNIT-V Environment and Human Health 5 hrs
- Water and airborne Diseases; Potential and widespread effects, water and
airborne bacteria and viruses,
-public awareness of sanitation and hygiene issues and role of NGOs
-WHO and other bodies and their role in public health projects development,
BOOKS RECOMMENDED
Essential Readings
a) Bharucha Erach, The Biodiversity of India, Mapin Publishing Pvt. Ltd.,Ahmedabad 380 013,
India, Email:[email protected]
b) Agarwal, K.C. 2001 Environmental Biology, Nidi Publ. Ltd. Bikaner.
c) Jha Latika and Shailendra, Environmental Studies ,CBH publications, Jaipur
d) Singh, R.B., Thakur, D.K. and Chauhan, J.P.S., RBD publications, Jaipur
e) Townsend C., Harper J, and Michael Begon, Essentials of Ecology, Blackwell Science
f) Odum, E.P. 1971. Fundamentals of Ecology. W.B. Saunders Co. USA.
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Reference Books: a) Brunner R.C., 1989, Hazardous Waste Incineration, McGraw Hill Inc. 480p
b) Clark R.S., Marine Pollution, Clanderson Press Oxford
c) Cunningham, W.P. Cooper, T.H. Gorhani, E & Hepworth, M.T. 2001,
Environmental Encyclopedia, Jaico Publ. House, Mumbai
d) De A.K. Environmental,Chemistry, Wiley Eastern Ltd.
a. Gleick, H.P. 1993. Water in Crisis, Pacific Institute for Studies in Dev.,
Environment & Security. Stockholm Env. Institute Oxford Univ. Press.
e) Heywood, V.H & Waston, R.T. 1995. Global Biodiversity Assessment.
CambridgeUniv. Press
f) Jadhav, H & Bhosale, V.M. 1995. Environmental Protection and Laws.
Himalaya Pub. House, Delhi
g) Mckinney, M.L. & School, R.M. 1996. Environmental Science Systems &
Solutions, Web enhanced edition.
h) Mhaskar A.K., Matter Hazardous, Techno-Science Publication
i) Miller T.G. Jr Environmental Science , Wadsworth Publishing Co.
j) Rao M N. & Datta, A.K. 1987. Waste Water treatment. Oxford & IBH Publ.
Co. Pvt. Ltd.
k) Sharma B.K., 2001. Environmental Chemistry. Geol Publ. House, Meerut
l) Trivedi R.K., Handbook of Environmental Laws, Rules Guidelines,
Compliances
and Standards, Vol I and II, Enviro Media
n) Trivedi R. K. and P.K. Goel, Introduction to air pollution, Techno- Science
Publication
o) Wanger K.D., 1998 Environmental Management. W.B. Saunders Co.
Philadelphia, USA
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Paper-III: Fundamentals of Visual Art
Paper Code : VAH 201
Unit I : 6 Hrs Prehistoric Art:-The Technique and material use
Unit II : 4 Hrs
Harappan culture : Beginning of the Indus valley civilization
Two Centers-Mohanjodaro, Harappa
Architecture, Sculptures
Unit III : 8 Hrs The Ancient World: The Art of pre historic man
• -Caves of France
• -Caves of Spain and other centers
Unit IV : 8 Hrs Egyptian Art :Study of the Three Kingdoms (Old, Middle And New )
Relief, Sculptures, Portraitures
Unit V : 4 Hrs Greek Art: Archaic Period : Vas Painting, Sculptures
Practical:
Examination will be conducted in all the practical subjects except photography.
Scheme of semester end examination for subjects having examination. (External
evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-IV: Nature Study [exam-5 hrs]
Paper Code : VAF 202
Learn to indicate simple form with a single light source using shadow and cast
shadow. Emphasis is placed on refining composition with cropping, overlapping and
placement in the picture plane. Study of Plant and Flowers using pencil, Charcoal.
Submission : 3 works in B/W
15 sketches of Nature Study
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Paper-V : Composition (Tempera) [exam-5 hrs]
Paper Code : VAF 203
Compositional Exercise based on various types of objects and nature with a view to
transform them in to a flat pictorial images on Vasli.(8”x10”) in size. Developing and
awareness of the pictorial space, division of space and form.
Submission : 2 Works in class ,2 Home Assignments
15 Layouts and design
Paper-VI : Graphics and Printmaking [exam-10 hrs]
Paper Code : VAF 204
Introduction to Print Making in Relief
Submission : 2 in Colour on lino 8”x10” to 12”x18”) in size
20 Layouts and design
Paper-VII: Basic Design [exam-5hrs]
Paper Code : VAF 205
Introduction to the art of beautiful handwriting i.e. Calligraphy (Italic)
Study of letterforms, basic types, study of their formal aspects, proportion, weight and
inter relationship of positive and negative space.
Study of Gothic and Roman and Devnagri.
(A visit to letterpress printing unit)
Submission : 6 assignments
Paper-VIII : 3D (Clay Modeling) [exam- 10 hrs]
Paper Code : VAF 206
Introduction to 3 Dimensional forms, observation of natural and manmade objects. To
develop sense of structure principles of composition and the study of the principles
that holds the structure.
Submission : 2 Works in Clay (not less than 10”) in size
20 Layouts and design
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Paper-IX : Photography
Paper Code : VAF 207
The aim is to prepare the students to take up live assignments as per present day
Industry Benchmarks and find satisfactory job opportunities upon graduation.
The objective of the photography course is to instill a sense of confidence and
generate enough interest in the subject to enable the students to explore further on
their own, and with the help of the concerned faculty. They should be able to apply
photography skills effectively as a means of visual communication and also use it to
document their outputs related to various other subjects. Topics to be covered within
the time frame allotted for the purpose.
1. An understanding of light and it's properties.
2. Developing visual perception skills.
3. A basic understanding and familiarity with photography terminology &
principles.
4. Salient features of digital imaging.
5. A comparative and analytical study of the Analog and Digital Media.
6. Understanding various modes and controls available on different camera
models and applying these to achieve optimum performance.
7. The role of optics in image capture. A study of various lens options and their
use for specific applications.
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Semester III- APPLIED ARTS
B.V.A (Applied Arts)
Theory
Paper-I : Advertising Art and Ideas
Paper Code : VAA 301
Unit I : Introduction to advertising (6 Hrs)
General discussion on advertising
Definition of advertising
Advertising as a powerful tool of communication.
Advertising as a marketing tool.
Unit II : Origin and growth of advertising. (6 Hrs)
Evolution of advertising from the days of street criers till present.
Unit III : General role of advertising. (6 Hrs)
Communication, Persuasion, Education, Expansion of market, Employment,
Economic growth, Stimulation of competition, Raises standard of living, freedom to
press etc.
Unit IV : Advertising, Publicity and Propaganda (6 Hrs)
To study the differences and similarities of the above three and their role as a
promotional tool.
Unit V : Active participants in advertising (6 Hrs)
A brief introduction of the important components of the advertising world.
The advertiser, the advertising agency, audience, media and vendor.
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Paper-II : History of Western Art (Ancient-early medieval)
Paper Code : VAH 302
Unit I : 6 Hrs Greek Art: Classical Period
Painting, Sculptures
Unit II : 7 Hrs Greek Art: IV Cent. Sculptures and Sculptors
Hellenistic Sculptures
Unit III : 7 Hrs Roman Art: Sculpture, Painting
Unit IV : 5 Hrs Early Christian Art: Painting and Mosaic, Illustration
Unit V : 5 Hrs Byzantine Art: Early, Middle and Late
Paintings
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Paper-III : Aesthetics & History (Far Eastern Art-China)
Paper Code : VAH 303
Unit I : 4 Hrs
The Bronze Age and the Shang & Chou Dynasty (c.1700-1050 B.C.E.)
Unit II : 6 Hrs
Tang and five dynasties.
Unit III : 8 Hrs The Advent of Buddhism in China
The Northern (960-1127) and The Southern (1127-1279) Song Dynasty
Unit IV : 4 Hrs
Six Principles of Chinese Art
Unit V : 8 Hrs Calligraphy in China and its Masters
Practical:
Examination will be conducted in the following subjects :
1. Communication Design (exam 10 hrs)
2. Head Study (exam 10 hrs)
3. Illustration (exam 10 hrs)
Scheme of semester end examination for subjects having exam. (External evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper –IV : Communication Design
Paper Code : VAA 304 Students are expected to use creative thinking to solve communication problems.
Introduction to the concepts of logos, monograms & symbols.
Terminology of Typography. Different typographical exercises.
• Logo design : 2
• Tag design : 2
• Stationery design : 1
Submission : min. 5 assignments
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Paper-V : Head Study
Paper Code : VAA 305
Sustained study of portrait from life, delineation of the structure, character of head,
study of features, study of light and shade, in monochrome (pencil/ pen/charcoal)
Submission : 3 Plates (1/2 imperial)
15 sketches of head study
Paper-VI : Illustration
Paper Code : VAA 306
The focus is placed on developing drawing and design skills through image making
with an emphasis on construction of form, light and shadow, space interpretation,
texture and observation. (Indoor and Outdoor subjects)
• Photo Evaluation : conversion by dots, lines and colours.
• Different colour techniques : opaque, transparent, translucent.
Submission : min. 3 assignments
Paper-VII : Screen Printing
Paper Code : VAA 307
Introduction to the process, materials and equipments.
Exercises in monochrome
Submission : Min. 2 assignments
Paper-VIII : Photography
Paper Code : VAA 308
1. The importance of accessories like external flash units, reflective media,
corrective and creative filters and camera supports like tripods.
2. An aesthetic approach - dynamic and color composition theories and new
theories practiced in the present context.
3. Familiarity with common errors and way to avoid or correct them.
4. Understanding common features like film speeds, color temperatures etc.
5. Dynamics of exposure latitude and control using various camera modes.
Exposure compensation and uses.
6. Spot and matrix metering and exposure locking.
7. File formats and sizing.
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Semester –IV- APPLIED ARTS
BVA (Applied Art)
Theory
Paper-I : Advertising Art and Ideas
Paper Code : VAA 401
Unit I : The social and ethical aspects of advertising. (7 Hrs) Advertising as untruthful or deceptive. Advertising and children. Advertising
encourages materialism. Advertisement and women etc.
Unit II : The economic aspects of advertising. (6 Hrs) Effects on consumer choices. Effects on competition. Effects on product cost and
prices.
Unit III : Typography (6 Hrs) Introduction to Typography. Movable type. Basic principles of typography and its
importance in design.
Unit IV : Indian Advertising (5 Hrs)
Historical background of Indian advertising. Marketing in rural areas.
Unit V : The value of Planning, Designing and Layout (6 Hrs)
Prelayout planning.
Layout procedure : Thumbnail sketches, Rough layout, Comprehensive layout.
Page layout and Dummy layout
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Paper-II : History of Western art (Medieval)
Paper Code : VAH 402
Unit I : 5 Hrs
Romanesque Art: Sculpture, Painting
Unit II : 7 Hrs
Gothic Art:
Architecture, Sculpture, Painting Artists-Cimabue, Dociccio, Giotto, The Lorenzetti
Brothers,
Unit III : 7 Hrs The Early Renaissance:
Unit IV : 7 Hrs The High Renaissance: Sculpture and Painting
Unit V : 4 Hrs
Mannerism (16Th
Cent.) :Corregiio, Tinttoretto, El Greco
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Paper-III : Aesthetics & History (Far Eastern Art-Japan)
Paper Code : VAH 403
Unit I : 5 Hrs
Early Japanese works and the rise of Buddhism-Kamakura, Nara and Asuka
Unit II : 7 Hrs
Kano school and Tosa
Unit III : 7 Hrs
Edo and Ukoiy-e
Unit IV : 7 Hrs Edo paintings and external (foreign) influences
Unit V : 4 Hrs Zen
Practical: Examination will be conducted in the following subjects :
1. Communication design (exam10 hrs)
2. Head Study (exam 10 hrs)
3. Illustration exam 10 hrs)
Scheme of semester end examination for subjects having exam. (External evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-IV : Communication Design
Paper Code : VAA 404
Students are expected to use creative thinking to solve communication problems
Study of the fundamentals of layouts and their practical application.
Redesigning of existing press and magazine ads to understand the elements of an ad
and experiment with layout.
Submission : min. five advertisements. ( 2 purely typographical ads and 3
others)
Paper-V : Head Study
Paper Code : VAA 405
Sustained study of portrait from life, delineation of the structure, character of head,
study of features, study of light and shade, in Colour (pencil/ water /crayons)
Submission : 3 Plates (1/2 imperial
15 sketches of head study
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Paper-VI : Illustration
Paper Code : VAA 406
The focus is placed on developing drawing and design skills through image making
with an emphasis on construction of form, light and shadow, space interpretation,
texture and observation.
•••• Book Cover : 2
•••• Typographical illustrations : 2
Submission : min. four assignments
Paper-VII : Screen Printing
Paper Code : VAA 407
Introduction to the process, materials and equipments.
Exercises in colour
Submission : Min. 2 assignments
Paper-VIII: Photography
Paper Code : VAA 408
1. Understanding calibrations and color space.
2. In-depth knowledge of Depth of Field - its relative factors and applications.
3. Digital workflow.
4. Being conversant with photoshop CS 2 or CS 3 tools and applying them for
purposes of image enhancement.
5. Developing skills for constructive criticism of images, using aesthetic
guidelines and evaluating the images for constant improvement on the basis of
Metadata ( exif information).
6. Identifying possible subjects of interest and shooting them with a purpose of
building up a body of work comprising consistent outstanding images.
7. Learning to edit bracketed images to prepare a portfolio for submission.
8. Applying the skills learnt so far:
Common to all, specially for students opting for painting in the future:
a ) To be able to capture two dimensional objects like paintings in the
proper perspective, reproduce true color tones and highlight textural
and other effects which are the special characteristics of the particular
work of art.
b) Use of photographic skills as part of a multimedia experiment in
creating paintings and similar works of art.
9. Common to all, specially for students opting for sculpture in the future:
a ) To be able to capture three dimensional objects, like clay models and
sculptures in various materials, bringing out the material characteristics
and form as well as texture in the subject.
b) Be able to photograph a subject in the proper perspective, to use it
further to create a sculpture using the visual information.
Page 25
Unit I : Types of advertising. ( 7 Hrs)
To study the various kinds of advertising depending upon
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26
Paper-II : History of Western Art (modern)
Paper Code : VAA 502
Unit I : 7 Hrs Baroque (17
th Cent.):, Carvaggio, Frans Hals, Rembrant, Vermeer, Rubens, Poussin,
Bernini.
Unit II: 5 Hrs
Rococo(18th
Cent.): The Art movement And Artists-
Unit III : 6 Hrs
Neo Classicism: David, Ingres and Others
Unit IV : 6 Hrs Romanticism: Gerrico, Goya, Delacroix, Constable and Turner
Unit V : 6 Hrs
Realism:Domier,Courbet
Barbizon Artists : Theodore Roussou, Dobino, Millet, Corot
Paper-III : Aesthetics (Indian)
Paper Code : VAH 503
Unit I : 5 Hrs
An introduction to Indian Aesthetics
Its brief historical background
Unit II : 6 Hrs
Concept of Beauty based on ancient Scriptures and their relevance to art (acc. To the
classical Sanskrit Literature)
Unit III : 6 Hrs
Elements of Art – Schools Of Indian Aesthetics
Unit IV : 7 Hrs
Rasa Theory of Bharat Muni in his Natya Shastra
Unit V : 6 Hrs
Development of Ras Theory:
Dhvani, Bhav, Alankar, Auchitya, Riti, Gun-Dosh,Vyanjana etc
Practical:
Examination will be conducted in the following subjects :
1. Communication design (exam 10 hrs
2. Head Study (exam 10 hrs)
3. Illustration exam 10 hrs)
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Scheme of semester end examination for subjects having exam. (External evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-IV : Communication Design
Paper Code : VAA 504
The emphasis is to be placed on visual image development and execution, creativity
and generation of ideas. Students will learn to communicate messages through print
media.
• Press ads : 2
• Magazine ads : 2
Submission : Min. 4 assignments
Paper-V : Head Study
Paper Code : VAA 505
Advance study complete with the foreground and the background, character of the
portrait and the expression, composition in different setting, development of personal
style.
Submission : 2 in oil Pastel, Dry Pastel (colour)
30 sketches of portrait study
Paper-VI : Illustration
Paper Code : VAA 506
Students will explore illustration as a means of communication. Emphasis will be laid
on composition and design, colour and conceptualization.
• To illustrate for an article that should successfully provoke the readers’
interest, provide visual impact and should communicate successfully.
• Story Book - 1
Submission : Min. 3 assignments
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Paper-VII: Computer Graphics
Paper Code : VAA 507
Introduction to Corel Draw. Preparation of graphic design like Press Layout,
Magazine ad, Illustration, Logo, Poster etc.
Submission : Min. 3 assignments
Paper- VIII : Photography
Paper Code : VAA 508
1. Capturing conceptual creative images using a contrived approach.
2. Learning to document relevant social customs and traditions and also
contemporary issues like social evils, unemployment, flood, famine,
lack of basic amenities for the masses, illiteracy etc.
3. Understanding digital corrections like sharpening, histograms, saturation,
white balance and contrast control.
4. Understanding available light and learning to capture images effectively in
ambient light.
5. Getting to understand artificial light sources and light shaping tools to
highlight object characteristics like form and texture.
6. The human factors to consider while shooting formal and informal portraits.
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Semester VI- APPLIED ARTS
BVA (Applied Art)
Theory
Paper-I : Advertising Art and Ideas
Paper Code : VAA 601
Unit I : Advertising Plans and Strategy ( 7 Hrs)
• Situation analysis
• Key planning decisions : Advertising Objectives, Target Audience,
Competitive Product
Advertising, Product Image And Personality, Product Positioning
Unit II : Creative Strategy (7 Hrs)
• Selling Premises
• Sales Logic
• Creativity
• USP
• Role of psychology in advertising
• The Big Idea
• Message strategy : Copy, essentials of good copy, functions of copy and types
of copy
Unit III : Media Planning and Strategy (6 Hrs)
• The Target audience
• Media Objectives (Reach, frequency, continuity etc.)
• Media categories and vehicles
• Budgeting
• Media scheduling
Unit IV : Advertising Effectiveness (5 Hrs) Reasons for measuring advertising effectiveness. What to test, When to test and where
to test.
Unit V : History of Writing (5 Hrs)
Pictograms, Ideograms, Phonograms, cuneiform, Rebus writing system, calligraphy,
alphabets and Indian writing system.
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Paper
Unit I : 7 Hrs Impressionism: Manet, Monet, Renoir, Degas, Pissaro, Sisley
Unit II : 7 Hrs Neo Impressionism George Seurat. Signac, Tolous Lautrec
Post Impressionism: Van Gogh, Paul Gaugin, Cezanne,
Unit III : 4 Hrs Fauvism: Henri Matisse, Andre Derain, Murice Valminc.
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Paper-IV : Communication Design
Paper Code : VAA 604
The emphasis is to be placed on visual image development and execution, creativity
and generation of ideas. Students will learn to communicate messages through
outdoor media.
Submission : Min. 4 assignments
Paper-V : Head Study
Paper Code : VAA 605
Advance study complete with the foreground and the background, character of the
portrait and the expression, composition in different setting, development of personal
style.
Submission : 2 in oil (colour)
30 sketches of portrait study
Paper-VI : Illustration
Paper Code : VAA 606
Students will explore illustration as a means of communication. Emphasis will be laid
on composition and design, colour and conceptualization.
• Illustrate a story book.
or
• TV Story board
Submission : 1 Project
Paper-VII : Computer Graphics
Paper Code : VAA 607
Introduction to Photoshop. Preparation of graphic design like Press Layout, Magazine
ad, Illustration, Logo, Poster etc.
Submission : Min. 3 assignments
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Paper-VIII : Photography
Paper Code : VAA 608
1. Exploring possibilities of applying digital image capture to various fields of
interest ranging from Portraits to the Abstract, Wide angle scenic to the
stunning details of Macro shots.
2. Understanding product characteristics to plan a perfect shoot. Developing the
skills to translate a client's brief into an acceptable set of images.
3. Understanding technical limitations of photography in certain situations and
find alternate viable solutions to improve efficiency and final quality of
output.
4. Creative seeing and visualization.
5. Knowledge of present day industry standards and expectations and the day-to-
day changes in benchmarks. Learning, discovering and identifying one's own
inclination towards a specialization in one of the many avenues open in the
imaging industry.
6. Developing skill sets to be able to prepare a meticulous presentation of one's
work, both in the form of a soft copy and prints.
7. Mastering color management and color profile to be able to make consistently
high quality prints of exhibition standards.
8. Learning to calculate light balance and lighting ratios with the aid of an
ambient light meter and a flash meter.
9. Organizing and managing visual inputs in a system with the help of Adobe
Light room software.
10. Understanding tonal qualities and tonal range.
11. Applying high dynamic range to achieve dramatic effects.
12. Learning to frame a subject in an interesting perspective.
Page 33
Paper
Unit I : The Communication Process ( 5 Hrs)
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34
Paper-II : Western Art (Modern)
Paper Code : VAH 702
Unit I : 5 Hrs
Futurism: Boccioni, Balla, Severini, L.Russolo, CaloCarra
Unit II : 6 Hrs
Dadasism: Duchamp, Picabia, Chirico
Post Dadaism
Unit III : 6 Hrs
Surrelism: Andre Breton, Dali, Marx Ernst, Tanguay, Miro, Masson,Arp
Unit IV : 6 Hrs
Marc Chagall, Henri Rousseau
Super Maticism: Malevich
Unit V : 7 Hrs De Stijl: Piet Mondrain, Theo Van Doesburg
Costructivism: Tatlin, Rodchenko, Rl Lissitzky
Paper-III : Aesthetics (Western)
Paper Code : VAH 703
Unit I An Introduction to the Western Aesthetics:Meaning, Purpose and Scope of Aesthetics.
Imitative Theories of Art: Utility and Morality as standard for evolution. Art objects
with reference to the Greek Philosophers: Plato and Aristotle.
Unit II
Interpretation of Imitation and Utility by Aristotle with the theory of Katharsis and
pleasure of Tragedy.
Intellectual Beauty as Art: Plotinus
Unit III Middle Ages : General Tendencies and the Characteristics in the field of Art :
Augustin
Renaissance: General Trends and characteristics with reference to the developments
in Literature, Sculpture, Painting, Music
Unit IV
Theories of Music, Painting and Poetry proceeding towards unified Aesthetics
Leonardo De Vinci,Alberti, Albert Durer
General trends and developments of Painting and Music during 17th
Cent.:
Kant and Hegel
Unit V
Sigmund Freud ,Croce
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Practical:
Examination will be conducted in the following subjects :
1. Communication design (exam 15 hrs)
2. Life Study (exam 10 hrs)
3. Illustration exam 10hrs)
Scheme of semester end examination for subjects having exam. (External evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-IV : Communication Design
Paper Code : VAA 704
The emphasis will be laid on creativity, execution and resourcefulness. Students will
learn how to select, plan, schedule, produce and budget for services required to create
successful advertising campaign.
Submission : One Product Campaign incorporating traditional as well as
modern media.
Paper-V : Life Study
Paper Code : VAA 705
Study from full figure with emphasis on delineation of the character, distortion,
dramatization and various expression, composition of figure in different settings,
emphasis on development of personal style.
Submission : 2 in Dry medium
30 Sketches of human figure
Paper-VI : Illustration
Paper Code : VAA 706
Emphasis is to be placed on the student’s clarity of concepts, self-expression,
creativity and visual communication skills.
• Redefine an existing story and create appropriate illustrations for it.
Submission : One story book
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Paper-VII : Computer Graphics
Paper Code : VAA 707
The students will do assignments using Corel Draw and Photoshop both.
Submission : Min. 3 assignments
Paper-VIII : Photography
Paper Code : VAA 708
1. Interpreting light and its complex effects.
2. Identifying the graphic elements in an image and capturing them to create a
strong visual output.
3. The importance of shadows, highlights and mid tones. High key and low-key
situations and ways to build them.
4. Perspective control.
5. Distortions and spherical aberrations and corrective measures.
6. Conceptual still life - defining tabletop arrangements.
7. Applying perspective in capturing two-dimensional objects.
Page 37
Paper
Unit I : The Promotional Mix (6 Hrs)
• Introduction to promotional mix. A comparative study of Advertising,
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38
Paper-II : Western Art (Modern)
Paper Code : VAH 802
Unit I : 6 Hrs Abstract Expressionism: Newman, De Kooning, Clayfford Still
Unit II: 6 Hrs
Abstract Expressionism cont.- Rothko, Robert Motherwel, Arshile Gorkay, Hans
Halfman
Unit III : 6 Hrs Pop Art: Hemlinton, Odenberg, David Hockney, Allen Jones and Op Art
Unit IV : 6 Hrs
Important individual Sculptors: Rodin, Henry Moore
Unit V: 6 Hrs
Some more sculptors- Brancuci, Giacometti, Marino Marini
Paper-III : Aesthetics (Western)
Paper Code : VAH 803
Unit I : 6 Hrs Romanticism in Painting and Literature.
Art as the expression of the lings and emotions: Schopenhaur
Unit II : 5 Hrs Art for Art Sake, Aesthetic value of art in Society
Unit III : 6 Hrs Social responsibilities : Croce, Tolstoy and Ruskin
Unit IV : 6 Hrs Subjective Theories of George Santayana, Theodore Lipps
Unit V : 7 Hrs Subjective Theories of Vernon Lee, Edward Bullough
Practical: Examination will be conducted in the following subjects :
1. Communication design (exam 15 hrs)
2. Life Study (exam 15 hrs)
3. Illustration (exam 10 hrs) Scheme of semester end examination for subjects having exam. (External evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
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39
Paper-IV : Communication Design
Paper Code : VAA 804
The emphasis will be laid on creativity, execution and resourcefulness. Students will
learn how to select, plan, schedule, produce and budget for services required to create
successful advertising campaign. Social and Service ad campaigns incorporating
traditional as well as modern media.
Submission : 2 Ad Campaigns
Paper-V : Life Study
Paper Code : VAA 805
Study from full figure with emphasis on delineation of the character, distortion,
dramatization and various expression, composition of figure in different settings,
emphasis on development of personal style.
Submission : 2 in Water/Oil medium
30 Sketches of human figure
Paper-VI : llustration
Paper Code : VAA 806
Emphasis is to be placed on the student’s clarity of concepts, self-expression,
creativity and visual communication skills
•••• Students are expected to write a story talking about themselves. The story has
to be compiled in a storybook form having appropriate illustrations with
creative applications.
Submission: One Project
Paper-VII : Computer Graphics
Paper Code : VAA 807
The students will do assignments using Corel Draw and Photoshop both.
Submission : Min. 3 assignments
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40
Paper-VIII : Photography
Paper Code : VAA 808
1. Creative lighting techniques - mastering continuous light and strobes.
2. Identifying problems like noise in a digital image. Ways to avoid noise and
reduce noise in pre and post production workflow.
3. Dedicated flash and flash synchronization.
4. Red Eye and red eye reduction.
5. The advantages of a full frame digital SLR System over other systems.
6. Applying corrections to RAW file formats without interfering with original
captured data.
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41
Semester I- PAINTING
B.V.A. (Foundation) Painting (Theory)
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Credits – 2
Contact Hour/week – 2
Contact Hour/semester – 30
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Page 42
Credits : 2
Unit 1 Präsens der Verben
Imperativ (Sie, du)
Wo, woher, wohin ?
W__ Frage, Ja,Nein__ Frage
Unit 2 Lesein, heiβen, werden
Unbestimmter Artikel (ein,kein)
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43
FOUNDATION COURSE IN FRENCH (Grammar,Comprehension &Paragraph writing)
Paper Code : FFR 100
Credits: 2
UNIT NO. NO. OF
LECTURES TOPICS TO BE COVERED
1
6
Grammar: Verb << to be, to call oneself, >>,
personal pronouns (subject), interrogation (
intonation), definite and indefinite articles, gender of
the nouns, adjectives depicting qualities,1st group –er
ending verbs in the indicative mood,.
Comprehension and paragraph writing: Reading of
the lessons 1--2 + comprehension passages from the
lessons
Listening and speaking skills: to make acquaintances
with someone, to welcome someone, to wish, to say
good bye.
UNIT NO NO. OF
LECTURES TOPICS TO BE COVERED
2
6
Grammar: preposition before the name of the
countries and the cities, interrogative adjectives,
possessive adjectives, irregular adjectives.
Comprehension and paragraph writing: Reading of
the lesson 3 + comprehension passages from the
lessons + paragraph: my family
Listening and speaking skills: to express
appreciation, to take or give information about
someone.
UNIT NO NO. OF
LECTURES TOPICS TO BE COVERED
3
6
Grammar : indefinite pronouns, demonstrative
adjectives, special negations, special interrogation,
present tense of the verbs: faire= to make/do, voir= to
see, aller = to go, sortir = to go out,connaitre = to
know, venir= to come, pouvoir = can, vouloir= to want,
verbs of 1st group – er ending,
Comprehension and paragraph writing: Reading of
the lesson 4 + comprehension passages from the lesson
4 + paragraph : my college
Listening and speaking skills: to accept and refuse
invitation
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44
UNIT NO NO. OF
LECTURES TOPICS TO BE COVERED
4
6
Grammar : interrogative adverbs, venir= to come,
pouvoir = can, vouloir= to want, verbs of 1st group – er
ending, articles contractes (two forms), usage of
chez, future.
Comprehension and paragraph writing: Reading of
the lesson 5 + comprehension passages from the lesson
5 + paragraph : my friend
Listening and speaking skills : to speak on the
telephone
UNIT NO. NO. OF
LECTURES TOPICS TO BE COVERED
5
6
Grammar: remaining part of the possessive adjectives,
exclamative adjectives, accordance of the adjectives,
use of très (very) and trop (too), present tense of the
indicative: acheter ( to buy), regarder ( to look),
imperative form of 1st group verbs
Comprehension and paragraph writing: Reading of
the lesson 6 + comprehension passages on the lesson 6
+ paragraph on the topics : the festivals in India, my
professor etc.
Listening and speaking skills: To ask the price of the
things while shopping and bargaining.
Books Recommended:
Essential reading material : 1)Synchronie-1(methode de francais)
2)CD accompanying the textbook
Reference books/dictionary/further reading : 1)Collins mini gem bilingual
dictionary
2) Robert &Nathan :conjugation
of verbs
3)<<Le nouvel entrainez-vous>>
niveau debutant
4)Grammaire Larousse
5)Larousse compact dictionary
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45
FOUNDATION COURSE (GENERAL ENGLISH)
Paper-II : Essential & Applied Language Skills
Paper Code: VEN 100
No. of Contact hrs. per week: 02 No. of Credits: 02
Objectives :
• Reinforcing selected components of grammar and usage.
• Strengthening compositional skills
• Facilitating comprehension of short-stories
• Introducing students to phonetics and enabling them to consult dictionaries for
correct pronunciation (sounds & word-stress)
Unit 1 (Vocabulary and Phonetics) (6 hrs.)
• Synonyms & Antonyms
• Word Formation : Prefix & Suffix
• Word-stress (marking stress in words written in normal orthography)
Unit 2 (Grammar and Usage) (8 hrs.)
• Transformation of Sentences:
(i) Direct & Indirect Narration
(ii) Interchange of Degrees of Comparison
• Modals
• Sequence of Tenses
Unit 3 ( Comprehension) (4 hrs.)
• Comprehension of an unseen passage (including interpreting visual material,
eg. graphics, etc.)
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46
Paper-III : Fundamentals of Visual Art
Paper Code : VAH 101
Unit I : 6 Hrs
A detailed discussion on Art according to the Oriental and Occidental Critics and
scholars.
Unit II: 6 Hrs Classification of Art, Interrelationship of various Fine and Performing Arts
Unit III: 6 Hrs
Art and Nature, Art and Society, Art and Religion
Unit IV: 6 Hrs
Elements of Art: Line, Form, Tone, Texture, Colour and Space.
Unit V: 6 Hrs Principles of Composition: Unity, Balance, Harmony, Rhythm and Proportion,
Emphasis and Dominance.
Practical
Examination will be conducted in all the practical subjects except photography.
Scheme of semester end examination for subjects having examination. (External
evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External
evaluation)
Paper-IV : Still Life Study [exam-5 hrs ]
Paper Code : VAF 102
Learn to indicate simple form with a single light source using shadow and cast
shadow. Emphasis is placed on refining composition with cropping, overlapping and
placement in the picture plane. Study of 2 or 3 Objects
Submission :
3 Works in B/W, 2 home assignment (10 sketches of Still Life)
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47
Paper-V : Composition (Tempera ) [exam-5 hrs]
Paper Code : VAF 103
Compositional Exercise based on various type of objects ( Still Life) with a view to
transform them in to a flat pictorial images on Vasli (8” x10”) in size..
Developing and awareness of the pictorial space, division of space and form.
Submission : 2 works in class 2 works in home assignment
15 Layouts and design
Paper-VI : Graphics and Printmaking [exam 10 hrs ]
Paper Code : VAF 104
Introduction to Print Making in Relief
Submission : 3works B/W on lino (8”x10” to 10”18”)
20 Layouts and design
Paper-VII : Basic Design [exam-5 hrs ]
Paper Code : VAF 105
To develop an understanding of the elements and principles of design through various
practical assignments. Study of two-dimensional space and its organizational
possibilities; behaviour of force and energy contained in line, form, colour and
texture; knowledge of primary, secondary, tertiary and complementary colours and
their relationships. Introduction to the technical terms related to colour theory.
Submission :
2 assignments (Exercises with basic shapes and texture in relation
to space)
2 assignments (Compositions based on studies from nature)
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Paper-VIII: 3D (Clay Modeling) [exam-10 hrs]
Paper Code : VAF 106
Introduction to 3 Dimensional forms, observation of natural and manmade objects. To
develop sense of structure the study of the principles of composition that holds the
structure.
Submission :
2 Works in Clay (not less than 10” in size)
20 Layouts and design
Paper-IX : Photography
Paper Code : VAF 107
Introduction to Photographic techniques (black and white),exposures, developing,
printing and enlarging, indoor and outdoor photography.
Submission : 5 Prints in B/W
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Semester II- PAINTING
PAPER-I : COMPUTER APPLICATIONS (Theory)
Paper Code: FCA-300
TToottaall HHrrss:: 1155
Unit I: Introduction to Computers [No. of Hrs: 05] Introduction to Computers (definition, characteristics & uses), Evolution of computers,
System unit (memory, ALU & control unit), Input / Output devices, Storage devices(
Memory- primary & secondary).
Introduction to Software, its type (system, application & utility); Programming
languages (machine, assembly & high-level), Language processors (assembler,
compiler & interpreter).
Introduction to Data Processing: Elements of Data Processing, Data Processing
Activities.
UUnniitt IIII:: CCoommmmaanndd LLiinnee IInntteerrffaaccee [No. of Hrs: 0044]]
Introduction to DOS: Concept of Operating System, Introduction to DOS, Important
terms in DOS (program, file, directory, names, volume label, disk drive & its name
(DOS prompt) DOS file system, path & path names, Internal Commands (DIR, CD, MD, RD, COPY, COPY CON, DEL, REN,
DATE, TIME, VER, CLS, TYPE, PROMPT, PATH)
External Commands (TREE, DELTREE, EDIT)
UUnniitt IIIIII:: WWiinnddoowwss [No. of Hrs: 0022]] Introduction, features (Desktop & its components, the window, the application window(various bars), the
document window, the dialog window, the icons).
Windows explorer; Control panel, Setting wallpaper, screen saver, background.
Creating a folder, Compressing/ Zipping files (WinZip), Virus & Antivirus.
UUnniitt IIVV:: WWoorrddpprroocceessssoorrss [No. of Hrs: 0033]]
Introduction to word processing, Features of Word processors, Working with formatted
documents, Shortcut keys. Finding & replacing text, Go To (5) command.
Formatting documents, Selecting text, Formatting characters, Changing cases,
Paragraph formatting, Indents, Using format painter, Page formatting, Header & footer,
Bullets & numbering, Tabs,
UUnniitt VV:: AAddvvaanncceedd WWoorrdd pprroocceessssiinngg TToooollss [[NNoo.. ooff HHrrss:: 0011]]
Forming tables. Proofing text (Spell check, Auto correct), Inserting pictures, Mail
merging, Printing, Getting Help.
BOOKS RECOMMENDED
ESSENTIAL READINGS: 1. Peter Norton, “ Introduction to Computers”, TMH,2001
REFERENCES: 3. Mahapatra & Sinha, “Essentials of Information Technology”, Dhanpat Rai Publishing
4. Bott and Leonhard, “Using Office 2000”, Prentice Hall of India
Credits: 01
Periods/Week: 01
Max. Marks:100
Page 50
50
CCOOMMPPUUTTEERR AAPPPPLLIICCAATTIIOONNSS LLAABB
Paper Code: FCA-300 (Practical)
Total Hrs: 15
PPrraaccttiiccaall EExxeerrcciisseess bbaasseedd oonn tthhee ccoonncceeppttss ttaauugghhtt iinn tthhee tthheeoorryy ppaappeerr ooff CCoommppuutteerr
AApppplliiccaattiioonnss.. IItt wwiillll ccoovveerr::
• CLI
• WINDOWS & its features
• Word processing software
Credits: 01
Periods/Week: 01
Max. Marks:100
Page 51
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Paper-II : OUR ENVIRONMENT
PAPER CODE : FES 300
Credits: 2 M.M: 100
Contact Hours/Semester: 30 (SEE-70 , CA-30)
Contact Hours/Week: 2
Objective of the paper: Inspite of the deteriorating status of the environment, study
of environment has so far not received adequate attention in our academic
programmes. This programme aims at giving students a clear understanding of
environmental concerns and to follow sustainable development practices. This will
definitely help students develop an interdisciplinary global understanding of
ecological and environmental problems.
UNIT–I Definition, Scope and Importance of Environment 5 hrs - Scope of Environmental Studies and its applications
- Importance with respect to the society
- Relationship of Environmental Studies with other subjects (Multidisciplinary
nature of Environment)
UNIT–II Ecosystem: Structure and Function 6 hrs
- Concept of Ecosystem
- Biotic and abiotic components of ecosystem
- Food Chain and Food Web
- Ecological Pyramids
- Energy Flow
UNIT–III Environmental Pollution 7 hrs
- Water Pollution: Definition, sources and effects
- Air Pollution-Definition, sources and effects
- Noise Pollution-Definition, sources and effects
UNIT-IV Energy and Environment 7 hrs - Solar Energy and its uses
- Wind Energy
- Tidal Energy
- Hydro Power
UNIT-V Environment and Human Health 5 hrs
- Water and airborne Diseases; Potential and widespread effects, water and
airborne bacteria and viruses,
-public awareness of sanitation and hygiene issues and role of NGOs
-WHO and other bodies and their role in public health projects development,
BOOKS RECOMMENDED
Essential Readings
a) Bharucha Erach, The Biodiversity of India, Mapin Publishing Pvt. Ltd.,Ahmedabad 380 013,
India, Email:[email protected]
b) Agarwal, K.C. 2001 Environmental Biology, Nidi Publ. Ltd. Bikaner.
c) Jha Latika and Shailendra, Environmental Studies ,CBH publications, Jaipur
d) Singh, R.B., Thakur, D.K. and Chauhan, J.P.S., RBD publications, Jaipur
e) Townsend C., Harper J, and Michael Begon, Essentials of Ecology, Blackwell Science
f) Odum, E.P. 1971. Fundamentals of Ecology. W.B. Saunders Co. USA.
Page 52
52
Reference Books: m) Brunner R.C., 1989, Hazardous Waste Incineration, McGraw Hill Inc. 480p
n) Clark R.S., Marine Pollution, Clanderson Press Oxford
o) Cunningham, W.P. Cooper, T.H. Gorhani, E & Hepworth, M.T. 2001,
Environmental Encyclopedia, Jaico Publ. House, Mumbai
p) De A.K. Environmental,Chemistry, Wiley Eastern Ltd.
b. Gleick, H.P. 1993. Water in Crisis, Pacific Institute for Studies in Dev.,
Environment & Security. Stockholm Env. Institute Oxford Univ. Press.
q) Heywood, V.H & Waston, R.T. 1995. Global Biodiversity Assessment.
CambridgeUniv. Press
r) Jadhav, H & Bhosale, V.M. 1995. Environmental Protection and Laws.
Himalaya Pub. House, Delhi
s) Mckinney, M.L. & School, R.M. 1996. Environmental Science Systems &
Solutions, Web enhanced edition.
t) Mhaskar A.K., Matter Hazardous, Techno-Science Publication
u) Miller T.G. Jr Environmental Science , Wadsworth Publishing Co.
v) Rao M N. & Datta, A.K. 1987. Waste Water treatment. Oxford & IBH Publ.
Co. Pvt. Ltd.
w) Sharma B.K., 2001. Environmental Chemistry. Geol Publ. House, Meerut
x) Trivedi R.K., Handbook of Environmental Laws, Rules Guidelines,
Compliances
and Standards, Vol I and II, Enviro Media
n) Trivedi R. K. and P.K. Goel, Introduction to air pollution, Techno- Science
Publication
p) Wanger K.D., 1998 Environmental Management. W.B. Saunders Co.
Philadelphia, USA
Page 53
53
Paper-III: Fundamentals of Visual Art
Paper Code : VAH 201
Unit I : 6 Hrs Prehistoric Art:-The Technique and material use
Unit II : 4 Hrs
Harappan culture : Beginning of the Indus valley civilization
Two Centers-Mohanjodaro, Harappa
Architecture, Sculptures
Unit III : 8 Hrs The Ancient World: The Art of pre historic man
• -Caves of France
• -Caves of Spain and other centers
Unit IV : 8 Hrs Egyptian Art :Study of the Three Kingdoms (Old, Middle And New )
Relief, Sculptures, Portraitures
Unit V : 4 Hrs Greek Art: Archaic Period : Vas Painting, Sculptures
Practical
Examination will be conducted in all the practical subjects except photography.
Scheme of semester end examination for subjects having examination. (External
evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-IV: Nature Study [exam-5 hrs]
Paper Code : VAF 202
Learn to indicate simple form with a single light source using shadow and cast
shadow. Emphasis is placed on refining composition with cropping, overlapping and
placement in the picture plane. Study of Plant and Flowers using pencil, Charcoal.
Submission : 3 works in B/W
15 sketches of Nature Study
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Paper-V : Composition (Tempera) [exam-5 hrs]
Paper Code : VAF 203
Compositional Exercise based on various types of objects and nature with a view to
transform them in to a flat pictorial images on Vasli.(8”x10”) in size. Developing and
awareness of the pictorial space, division of space and form.
Submission : 2 Works in class ,2 Home Assignments
15 Layouts and design
Paper-VI : Graphics and Printmaking [exam-10 hrs]
Paper Code : VAF 204
Introduction to Print Making in Relief
Submission : 2 in Colour on lino 8”x10” to 12”x18”) in size
20 Layouts and design
Paper-VII: Basic Design [exam-5hrs]
Paper Code : VAF 205
Introduction to the art of beautiful handwriting i.e. Calligraphy (Italic)
Study of letterforms, basic types, study of their formal aspects, proportion, weight and
inter relationship of positive and negative space.
Study of Gothic and Roman and Devnagri.
(A visit to letterpress printing unit)
Submission : 6 assignments
Paper-VIII : 3D (Clay Modeling) [exam- 10 hrs]
Paper Code : VAF 206
Introduction to 3 Dimensional forms, observation of natural and manmade objects. To
develop sense of structure principles of composition and the study of the principles
that holds the structure.
Submission : 2 Works in Clay (not less than 10”) in size
20 Layouts and design
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Paper-IX : Photography
Paper Code : VAF 207
The aim is to prepare the students to take up live assignments as per present day
Industry Benchmarks and find satisfactory job opportunities upon graduation.
The objective of the photography course is to instill a sense of confidence and
generate enough interest in the subject to enable the students to explore further on
their own, and with the help of the concerned faculty. They should be able to apply
photography skills effectively as a means of visual communication and also use it to
document their outputs related to various other subjects. Topics to be covered within
the time frame allotted for the purpose.
1. An understanding of light and it's properties.
2. Developing visual perception skills.
3. A basic understanding and familiarity with photography terminology &
principles.
4. Salient features of digital imaging.
5. A comparative and analytical study of the Analog and Digital Media.
6. Understanding various modes and controls available on different camera
models and applying these to achieve optimum performance.
7. The role of optics in image capture. A study of various lens options and their
use for specific applications.
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Semester- III= PAINTING
BVA (Painting)
Theory
Paper-I : History of Indian Art (Ancient)
Paper Code : VAH 301
Unit I : 6 Hrs
Mauryan Period : The First Imperial Art
Architecture , Sculpture
Unit II : 6 Hrs Sunga Dynasty: Chaityas, Viharas, Stupas (Sculpture, Architecture)
Unit III : 6 Hrs Kushan Period:Gandhara , Mathura
Unit IV : 7 Hrs
Gupta Period And Post Gupta Period:
Ajanta: Sculptures and Paintings
Ellora :Architecture and Sculptures
Elephanta: Architecture and Sculptures
Unit V : 5 Hrs
South India:Pallavas, Cholas,Hoysalas
Paper-II : History of Western Art (Ancient-early medieval)
Paper Code : VAH 302
Unit I : 6 Hrs Greek Art: Classical Period
Painting, Sculptures
Unit II : 7 Hrs Greek Art: IV Cent. Sculptures and Sculptors
Hellenistic Sculptures
Unit III : 7 Hrs
Roman Art: Sculpture, Painting
Unit IV : 5 Hrs
Early Christian Art: Painting and Mosaic, Illustration
Unit V : 5 Hrs Byzantine Art: Early, Middle and Late Paintings
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Paper-III : History & Aesthetics (Far Eastern Art-China)
Paper Code : VAH 303
Unit I : 4 Hrs
The Bronze Age and the Shang & Chou Dynasty (c.1700-1050 B.C.E.)
Unit II : 6 Hrs
Tang and five dynasties.
Unit III : 8 Hrs
The Advent of Buddhism in China
The Northern (960-1127) and The Southern (1127-1279) Song Dynasty
Unit IV : 4 Hrs
Six Principles of Chinese Art
Unit V : 8 Hrs
Calligraphy in China and its Masters
Practical:
Examination will be conducted in the following subjects :
1. Still life study (exam 10 hrs )
2. Composition (Tempera) (exam 10 hrs )
3. Graphics & Printmaking (exam 15 hrs )
Scheme of semester end examination for subjects having exam. (External
evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External
evaluation)
Paper-IV : Still Life Study
Paper Code : VAP 304
Study and draw the Composition of the arranged objects against drapery at the eye
level, Study of Source of light and its effects, Tone and Texture
Submission : 3 Works in Water Colour (1/2 Imperial) in size,2 Home
Assignments
30 sketches of Still life
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Paper-V : Composition (Tempera)
Paper Code : VAP 305
Compositional exercise based on
• study of objects and object group in space
• development of sketches in the pictorial composition
Submission : 2 Works in Class on Vasli (10’’X12’’) in size,2 Home Assignments
30 Layouts and design (indoor and outdoor)
Paper-VI : Graphics & Printmaking
Paper Code : VAP 306
Composition in Graphic Techniques ( relief and intaglio) based on visual world
Submission : 1 woodcut in colour ( 12”X18” min size)
1 Lino in colour ( 10” X 12” min size)
30 Layouts and design
Paper-VII: Head Study
Paper Code : VAP 307
Study of portrait from life, delineation of the structure and the character of head, study
of features, study of light and shade, in monochrome (pencil/ pen/charcoal)
Submission : 3 Works(1/2 imperial) in size
15 sketches of head study
Paper-VIII : Photography
Paper Code : VAP 308
1. The importance of accessories like external flash units, reflective media,
corrective and creative filters and camera supports like tripods.
2. An aesthetic approach - dynamic and color composition theories and new
theories practiced in the present context.
3. Familiarity with common errors and way to avoid or correct them.
4. Understanding common features like film speeds, color temperatures etc.
5. Dynamics of exposure latitude and control using various camera modes.
Exposure compensation and uses.
6. Spot and matrix metering and exposure locking.
7. File formats and sizing.
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Semester IV-PAINTING
BVA (Painting) Theory
Paper-I : History of Indian Art (medieval)
Paper Code : VAH 401
Unit I : 4 Hrs
Pre-Mughal Paintings: Jain and Apabhransha Style.
Unit:II 6 Hrs Mughal Painting: Development of Mughal Art during the reign of Babar to
Aurangzeb.
Unit III : 9 Hrs
Rajasthani Schools:
Mewar, Marwar,Hadoti,Dhundar
Unit IV : 7 Hrs
Pahari Painting:, Kangra ,Basohli, Kullu, Guler
Unit V: 4 Hrs
Stylistic changes of miniature paintings
Paper-II : History of Western art (medieval)
Paper Code : VAH 402
Unit I : 5 Hrs Romanesque Art: Sculpture, Painting
Unit II : 7 Hrs Gothic Art:
Architecture, Sculpture, Painting Artists-Cimabue, Dociccio, Giotto, The Lorenzetti
Brothers,
Unit III : 7 Hrs
The Early Renaissance:
Unit IV : 7 Hrs
The High Renaissance: Sculpture and Painting
Unit V : 4 Hrs Mannerism (16
Th Cent.) :Corregiio, Tinttoretto, El Greco
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60
Paper-III : Aesthetics(Far Eastern Art-Japan)
Paper Code : VAH 403
Unit I : 5 Hrs
Early Japanese works and the rise of Buddhism-Kamakura, Nara and Asuka
Unit II : 7 Hrs
Kano school and Tosa
Unit III : 7 Hrs
Edo and Ukoiy-e
Unit IV : 7 Hrs Edo paintings and external (foreign) influences
Unit V : 4 Hrs Zen
Practical: Examination will be conducted in the following subjects :
1. Still life Study (exam 15 hrs)
2. Composition (Oil) ( exam 15 hrs)
3. Graphics & Printmaking (exam 20 hrs)
Scheme of semester end examination for subjects having exam. (External
evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External
evaluation)
Paper-IV : Still Life Study
Paper Code : VAP 404
Study and draw the Composition of the arranged objects against drapery at the eye
lavel, Source of light and its effects, study of Tone and Texture in Oil Colour
Submission : 2 works in class(1/2 Imperial) in size,2 Home Assignments
30 studies of Still life in any portable medium
Paper-V : Composition (Oil)
Paper Code : VAP 405
Compositional exercise based on
• study of objects and object group in space
• development of sketches in the pictorial composition
Submission : 3 Plates (1/2 imperial) in size
30 Layouts and design (indoor and outdoor)
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Paper-VI : Graphics & Printmaking
Paper Code : VAP 406
Composition in Graphic and Print Making Techniques ( Serigraphy / Etching) based
on visual world
Submission : 2 in colour ( 12”X18” maximum ) in size
1 in Black/white (10”X12” minimum ) in size
30 Layouts and design
Paper-VII : Head Study
Paper Code : VAP 407
Study of portrait from life, delineation of the structure, character of head, study of
features, study of light and shade, in Colour (pencil/ water /crayons)
Submission : 3 Works (1/2 imperial ) in size
15 sketches of head study
Paper-VIII : Photography
Paper Code : VAP 408
1. Understanding calibrations and color space.
2. In-depth knowledge of Depth of Field - it's relative factors and applications.
3. Digital workflow.
4. Being conversant with photoshop CS 2 or CS 3 tools and applying them for
purposes of image enhancement.
5. Developing skills for constructive criticism of images, using aesthetic
guidelines and evaluating the images for constant improvement on the basis of
Metadata ( exif information).
6. Identifying possible subjects of interest and shooting them with a purpose of
building up a body of work comprising consistent outstanding images.
7. Learning to edit bracketed images to prepare a portfolio for submission.
8. Applying the skills learnt so far: Common to all, specially for students opting
for painting in the future:
a ) To be able to capture two dimensional objects like paintings in the
proper perspective, reproduce true color tones and highlight textural
and
other effects which are the special characteristics of the particular
work of art.
b) Use of photographic skills as part of a multimedia experiment in
creating paintings
and similar works of art.
9. Common to all, specially for students opting for sculpture in the future:
a ) To be able to capture three dimensional objects, like clay models and
sculptures in various materials, bringing out the material characteristics
and form as well as texture in the subject.
b) Be able to photograph a subject in the proper perspective, to use it
further to create a sculpture using the visual information.
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Semester V -PAINTING
BVA (Painting)
Theory .
Paper-I : History of Indian Art (modern)
Paper Code : VAH 501
Unit I : 5 Hrs Company School (Patna School), Kalighat Patas
Raja Ravi Verma
Unit II : 8 Hrs
Amrita Shergil,Jamini Roy
Unit III:
Bengal School: Abanindra Nath Tagore
Gaganendra Nath Tagore, Nandalal Bose
Unit IV : 8 Hrs
Rabindra Nath Tagore
Unit V:
Binod Bihari Mukherjee, Ram Kinker Baij
Paper-II : History of Western Art (modern)
Paper Code : VAH 502
Unit I : 7 Hrs Baroque (17
th Cent.):, Carvaggio, Frans Hals, Rembrant, Vermeer, Rubens, Poussin,
Bernini.
Unit II: 5 Hrs Rococo(18
th Cent.): The Art movement And Artists-
Unit III : 6 Hrs Neo Classicism: David, Ingres and Others
Unit IV : 6 Hrs Romanticism: Gerrico, Goya, Delacroix, Constable and Turner
Unit II : 6 Hrs Realism:Domier,Courbet
Barbizon Artists : Theodore Roussou, Dobino, Millet, Corot
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63
Paper-III : Aesthetics (Indian)
Paper Code : VAH 503
Unit I : 5 Hrs
An introduction to Indian Aesthetics
Its brief historical background
Unit II : 6 Hrs
Concept of Beauty based on ancient Scriptures and their relevance to art (acc. To the
classical Sanskrit Literature)
Unit III : 6 Hrs
Elements of Art – Schools Of Indian Aesthetics
Unit IV : 7 Hrs
Rasa Theory of Bharat Muni in his Natya Shastra
Unit V : 6 Hrs
Development of Rasa Theory:
Dhvani, Bhava, Alankara, Auchitya, Riti, Guna-Dosha ,Vyanjana etc
Practical: Examination will be conducted in the following subjects :
1. Head Study (exam 10 hrs)
2. Composition (Tempera) (exam 10 hrs)
3. Composition (Oil) (exam 15 hrs)
Scheme of semester end examination for subjects having exam. (External
evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External
evaluation)
Paper-IV : Head Study
Paper Code : VAP 504
Advance study complete with the foreground and the background, character of the
portrait and the expression, composition in different setting, development of personal
style.
Submission : 2 Works in oil Pastel/Dry Pastel (colour) (Half Imperial in size)
30 sketches of portrait study
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64
Paper-V : Composition (Tempera)
Paper Code : VAP 505
Composition in miniature format in Indian traditional tempera technique on cloth
(silk/cotton) with flat background. In no case the work should be reproduced /copies
from miniature painting.
Submission : 2 Works(12”x18”) in size
30 Layouts according to your Composition
Paper-VI : Composition (Oil )
Paper Code : VAP 506
Composition based on the organization of space and the use of horizontal and vertical
lines arranged in 2D and 3D,advancement of previous experience towards complete
pictorial interpretation, theme and expression of mood .Exploration of various
possibilities of expression like distortion, dramatization, simplification.
Submission : 3 Works in Oil
50 Layouts according to your Composition
Paper-VII : Computer Graphics and Printmaking
Paper Code : VAP 507
Introduction to Computer graphics and to understand the importance of
Computer as a communication and self expression tool in present time.
Submission : 3 composition in Corel Draw
20 Layouts and Design
Paper-VIII : Mural Design
Paper Code : VAP 508
Mural Plan on Hard Board
Submission : 2Works (16”x20”) in size
30 Layout and Design
Page 65
Unit I : 4 Hrs Delhi Shilpi Chakra: Bhavesh Sanyal, Shailoj Mukherjee, Ram Kumar
Unit II : 5 Hrs
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66
Paper-III : Aesthetics (Indian)
Paper Code : VAH 603
Unit I : 7 Hrs
Aesthetic experience of the commentators of Rasa Theory-
Bhatta Lollatta, Bhatta Nayaka, Bhatta Shankuka
Unit II : 6 Hrs
Theory of :Abhinava Gupta, Ananda Vardhana
Unit III : 5 Hrs
Abinava Bharti’s Dvanayaloka
Vishnu Dharmottar Purana
Unit IV : 7 Hrs Aesthetic Theories of Ananda Coomaraswamy and Rabindra Nath Tagore
Unit V : 5 Hrs
Interrelationship of Visual and Performing Art taking examples from illustrative
Geetgovinda, Sursagar, Rasika Priya etc.
Practical: Examination will be conducted in the following subjects :
1. Head Study (exam 15 hrs)
2. Composition (Tempera) (exam 10 hrs)
3. Composition (Acrylic) (exam 15 hrs)
Scheme of semester end examination for subjects having exam. (External
evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-IV : Head Study
Paper Code : VAP 604
Advance study complete with the foreground and the background, character of the
portrait and the expression, composition in different setting, development of personal
style.
Submission : 2 Works in oil (colour)
30 sketches of portrait study
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67
Paper-V : Composition (Tempera)
Paper Code : VAP 605
Composition in miniature format in Indian tempera technique on cloth (silk/cotton)
with background. In no case the work should be reproduced /copies from miniature
painting.
Submission : 2 Works (12”x18”) in size
30 Layout and Design
Paper-VI: Composition (Acrylic)
Paper Code : VAP 606
Composition based on the organization of space and the use of horizontal and vertical
lines arranged in 2D and 3D, advancement of previous experience towards complete
pictorial interpretation, theme and expression of mood .Exploration of various
possibilities of expression like distortion, dramatization, simplification.
Submission : 3 in Acrylic
50 Layouts according to your Composition
Paper-VII: Computer Graphic and Printmaking
Paper Code : VAP 607
The composition created in Corel Draw in Semester V are here to be expressed in two
different mediums :Etching and Lithography
Submission : 2 Works in Etching (B/W and Colour)
1Work in Lithograph (B/W)
30 Layout and Design
Paper-VIII : Mural Design
Paper Code : VAP 608
Mural in Mosaic Tiles /Relief
Submission : 1 Work (16”x20”) in size
0 Layout and Design
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68
Semester –VII- PAINTING
BVA (Painting) Theory
Paper-I: Indian Art (modern)
Paper Code : VAH 701
Unit I
Independent Development in contemporary Indian Sculptor: Latika Katt, Dhruv
Mistry
Unit II : 6 Hrs
Jogen Chaudhury, Bikash Bhattacharya, Ganesh Pyne
Bhupen Kakkar,
Unit III : 5 Hrs
Satish Gujral, Vivan Sundaram Karmarkar,Moitra
Unit IV ; 5 Hrs
Pradosh Das Gupta, Dhan Raj Bhagat, Shankho Chaudhary
Unit V : 6 Hrs
Mahendra Pandya, P.V. Jankiram
Paper-II : Western Art (Modern)
Paper Code : VAH 702
Unit I : 5 Hrs Futurism: Boccioni, Balla, Severini, L.Russolo, CaloCarra
Unit II : 6 Hrs Dadasism: Duchamp, Picabia, Chirico
Post Dadaism
Unit III : 6 Hrs Surrelism: Andre Breton, Dali, Marx Ernst, Tanguay, Miro, Masson,Arp
Unit IV : 6 Hrs Marc Chagall, Henri Rousseau
Super Maticism: Malevich
Unit V : 7 Hrs De Stijl: Piet Mondrain, Theo Van Doesburg
Costructivism: Tatlin, Rodchenko, Rl Lissitzky
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Paper-III : Aesthetics (Western)
Paper Code : VAH 703
Unit I
An Introduction to the Western Aesthetics:Meaning, Purpose and Scope of Aesthetics.
Imitative Theories of Art: Utility and Morality as standard for evolution. Art objects
with reference to the Greek Philosophers: Plato and Aristotle.
Unit II Interpretation of Imitation and Utility by Aristotle with the theory of Katharsis and
pleasure of Tragedy.
Intellectual Beauty as Art: Plotinus
Unit III
Middle Ages : General Tendencies and the Characteristics in the field of Art :
Augustin
Renaissance: General Trends and characteristics with reference to the developments
in Literature, Sculpture, Painting, Music
Unit IV Theories of Music, Painting and Poetry proceeding towards unified Aesthetics
Leonardo De Vinci,Alberti, Albert Durer
General trends and developments of Painting and Music during 17th
Cent.:
Kant and Hegel
Unit V Sigmund Freud ,Croce
Practical: Examination will be conducted in the following subjects :
1 Life Study (exam 10 hrs)
2 Composition (Mixed Media) (exam 15 hrs)
3 Graphics & Printmaking (exam 20 hrs)
Scheme of semester end examination for subjects having exam. (External
evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-IV : Life Study
Paper Code : VAP 704
Study from full figure with emphasis on delineation of the Structure and the character.
Composition of figure in different settings, emphasis on development of personal
style.
Submission : 2 Works in Dry medium
30 Sketches of human figure
Page 70
70
Paper-V : Composition (Mixed Media)
Paper Code : VAP 705
Advancement of previous experience towards a complete composition, theme and
expression of mood, symbolism, dramatization, distortion for emotional effect.
Project with emphasis on independent creative work.
Submission : 5 Canvass in Mix Media (Oil/Acrylic/Collage/any other)
50 Layout and Design
Paper-VI : Landscape
Paper Code : VAP 706
Landscape painting from site in water colour,oil pastel, dry pastel with proper
handling of Media and Perspective.(Architectural Building, Nature, Study of Light
and Shadow)
Submission : 3 Works(1/2 Imperial ) in size
30 sketches in pastel and colour pencil
Paper-VII : Graphics and Printmaking
Paper Code : VAP 707
Composition of your own Style.Knowledge and Practice of different techniques of
print making: Aqua, intaglio,Dry point in Etching
Submission : 2 Works B/W
2 Works Colour
25 Layout and Design
Paper-VIII : Mural Design
Paper Code : VAP 708
Design based on individual experience and content on Ceramic tile/Relief/Mosaic
tiles
Submission : 1 work in any medium (12”x18”) in size
30 Layout and Design
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71
Semester- VIII
BVA (Painting)
Theory
Paper-I : Indian Art (Modern)
Paper Code : VAH 801
Unit I : 6 Hrs
Balbir Singh Katt, Piloo Puchkanwala, Raghav Kanoria
Unit II : 6 Hrs
Somnath Hore, Mrinalini Mukherji, Sanathkar, Arun Bose
Unit III : 6 Hrs
Krishna Reddy Aparna Kaur, Anupam Sood, Saroj Pal Gogi, Arpita Singh
Unit IV : 6 Hrs Ramgopal Vijayvergiya, Kripal Singh Shekhawat
Unit V: 6 Hrs Recent developments and experimental works.
Paper-II : Western Art (Modern)
Paper Code : VAH 802
Unit I : 6 Hrs Abstract Expressionism: Newman, De Kooning, Clayfford Still
Unit II: 6 Hrs Abstract Expressionism cont.- Rothko, Robert Motherwel, Arshile Gorkay, Hans
Halfman
Unit III : 6 Hrs Pop Art: Hemlinton, Odenberg, David Hockney, Allen Jones and Op Art
Unit V : 6 Hrs Important individual Sculptors: Rodin, Henry Moore
Unit V: 6 Hrs Some more sculptors- Brancuci, Giacometti, Marino Marini
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72
Paper-III : Aesthetics(Western)
Paper Code : VAH 803
Unit I : 6 Hrs
Romanticism in Painting and Literature.
Art as the expression of the lings and emotions: Schopenhaur
Unit II : 5 Hrs
Art for Art Sake, Aesthetic value of art in Society
Unit III : 6 Hrs
Social responsibilities : Croce, Tolstoy and Ruskin
Unit IV : 6 Hrs
Subjective Theories of George Santayana, Theodore Lipps
Unit V : 7 Hrs
Subjective Theories of Vernon Lee, Edward Bullough
Practical: Examination will be conducted in the following subjects :
1. Life Study (exam 15 hrs)
2. Composition (Mixed Media) (exam 15 hrs)
3. Graphics & Printmaking (exam 20 hrs)
Scheme of semester end examination for subjects having exam. (External evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-IV : Life Study
Paper Code : VAP 804
Study from full figure with emphasis on delineation of the structure and the study of
the character, various expression, composition of figure in different settings, emphasis
on development of personal style.
Submission : 2 Works in Water/Oil medium/any other
30 Layout according to your Composition
Paper-V : Composition ( Mixed Media)
Paper Code : VAP 805
Advancement of previous experience towards a complete composition, theme and
expression of mood, symbolism, dramatization, distortion for emotional effect.
Project with emphasis on independent creative work.
Submission : 5 Canvass in Mix Media (oil/Acrylic/Collage)
50 sketches
Page 73
73
Paper-VI : Landscape
Paper Code : VAP 806
Landscape painting from site in water/oil colour with proper handling of Media and
Perspective.(Architectural Building, Nature, Study of Light and Shadow)
Submission : 3 Works (1/2 Imperial ) in size
30 sketches
Paper-VII : Graphics and Printmaking
Paper Code : VAP 807
Composition of your own Style. Knowledge and Practice of different techniques of
print making: in Lithography/ Mixed Media.
Submission : 2 Works B/W
2 Work Colour
25 Layouts and Design
Paper-VIII : Mural Design
Paper Code : VAP 808
Design based on individual experience and content on Fresco.
Submission : 1 work in any medium (12”x18”) in size
30 Layout and Design
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74
SEMESTER-I- SCULPTURE
B.V.A. (Foundation) Sculpture (Theory)
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Credits – 2
Contact Hour/week – 2
Contact Hour/semester – 30
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OR
Page 75
75
GERMAN
Paper Code: FGR 100
Credits : 2
Unit 1 Lectures:5 Präsens der Verben
Imperativ (Sie, du)
Wo, woher, wohin ? __ aus, in, nach
W__ Frage, Ja,Nein__ Frage
Unit 2 Lectures:5 sein, heiβen, werden
Unbestimmter Artikel (ein,kein)
Possessivpronomen
wer- was –wie
Unit 3 Lectures:7 Zahlen
Grundrechnungsarten
Uhrzeiten
Bestimmter Artikel
Unit 4 Lectures:7 Präsens und Präteritum von haben & sein
Akkusativ (unbest. Artikel und unbest. Pronomen)
Ja- nein- doch Das ABC Anrede und Grussformen
Unit 5 Lectures:6 Akkusativ (best. Artikel und Personalpronomen)
kennen und wissen
Fragesätze
Indirekte Fragesätze nach wissen
Trennbare / untrennbare Verben
Books Recommended:
Essential Readings (Prescribed Textbook) :
3) Deutsch als Fremdsprache IA Grundkurs by Korbinian Braun,
Lorenz Nieder und Friedrich Schmoee
Reference Books:
13) Em Neu Bruckenkurs – Published by Hueber Verlag
14) Themen Aktuell 1 15) Unser zweites Deutschbuch by Rajeev Devsthali
16) Deutsch fuer Anfaenger – CD-ROM made by Hueber
17) Deutsche Sprachlehre fuer Auslaender - Dora Schulz & Heinz
Griesbach
18) Lernziel Deutsch –1 . Max Hueber Verlag
OR
Page 76
76
FOUNDATION COURSE IN FRENCH (Grammar,Comprehension & Paragraph writing)
Paper Code : FFR 100
Credits: 2
UNIT NO. NO. OF
LECTURES TOPICS TO BE COVERED
1
6
Grammar: Verb << to be, to call oneself, >>,
personal pronouns (subject), interrogation (
intonation), definite and indefinite articles, gender of
the nouns, adjectives depicting qualities,1st group –er
ending verbs in the indicative mood,.
Comprehension and paragraph writing: Reading of
the lessons 1--2 + comprehension passages from the
lessons
Listening and speaking skills: to make acquaintances
with someone, to welcome someone, to wish, to say
good bye.
UNIT NO NO. OF
LECTURES TOPICS TO BE COVERED
2
6
Grammar: preposition before the name of the
countries and the cities, interrogative adjectives,
possessive adjectives, irregular adjectives.
Comprehension and paragraph writing: Reading of
the lesson 3 + comprehension passages from the
lessons + paragraph: my family
Listening and speaking skills: to express
appreciation, to take or give information about
someone.
UNIT NO NO. OF
LECTURES TOPICS TO BE COVERED
3
6
Grammar : indefinite pronouns, demonstrative
adjectives, special negations, special interrogation,
present tense of the verbs: faire= to make/do, voir= to
see, aller = to go, sortir = to go out,connaitre = to
know, venir= to come, pouvoir = can, vouloir= to want,
verbs of 1st group – er ending,
Comprehension and paragraph writing: Reading of
the lesson 4 + comprehension passages from the lesson
4 + paragraph : my college
Listening and speaking skills: to accept and refuse
invitation
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77
UNIT NO NO. OF
LECTURES TOPICS TO BE COVERED
4
6
Grammar : interrogative adverbs, venir= to come,
pouvoir = can, vouloir= to want, verbs of 1st group – er
ending, articles contractes (two forms), usage of
chez, future.
Comprehension and paragraph writing: Reading of
the lesson 5 + comprehension passages from the lesson
5 + paragraph : my friend
Listening and speaking skills : to speak on the
telephone
UNIT NO. NO. OF
LECTURES TOPICS TO BE COVERED
5
6
Grammar: remaining part of the possessive adjectives,
exclamative adjectives, accordance of the adjectives,
use of très (very) and trop (too), present tense of the
indicative: acheter ( to buy), regarder ( to look),
imperative form of 1st group verbs
Comprehension and paragraph writing: Reading of
the lesson 6 + comprehension passages on the lesson 6
+ paragraph on the topics : the festivals in India, my
professor etc.
Listening and speaking skills: To ask the price of the
things while shopping and bargaining.
Books Recommended:
Essential reading material : 1)Synchronie-1(methode de francais)
2)CD accompanying the textbook
Reference books/dictionary/further reading : 1)Collins mini gem bilingual
dictionary
2) Robert &Nathan :conjugation
of verbs
3)<<Le nouvel entrainez-vous>>
niveau debutant
4)Grammaire Larousse
5)Larousse compact dictionary
Page 78
78
FOUNDATION COURSE (GENERAL ENGLISH)
Paper-II : Essential & Applied Language Skills
Paper Code: VEN 100
No. of Contact hrs. per week: 02 No. of Credits: 02
Objectives :
• Reinforcing selected components of grammar and usage.
• Strengthening compositional skills
• Facilitating comprehension of short-stories
• Introducing students to phonetics and enabling them to consult dictionaries for
correct pronunciation (sounds & word-stress)
Unit 1 (Vocabulary and Phonetics) (6 hrs.)
• Synonyms & Antonyms
• Word Formation : Prefix & Suffix
• Word-stress (marking stress in words written in normal orthography)
Unit 2 (Grammar and Usage) (8 hrs.)
• Transformation of Sentences:
(i) Direct & Indirect Narration
(ii) Interchange of Degrees of Comparison
• Modals
• Sequence of Tenses
Unit 3 ( Comprehension) (4 hrs.)
• Comprehension of an unseen passage (including interpreting visual material,
eg. graphics, etc.)
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79
Paper-III : Fundamentals of Visual Art
Paper Code : VAH 101
Unit I : 6 Hrs
A detailed discussion on Art according to the Oriental and Occidental Critics and
scholars.
Unit II: 6 Hrs Classification of Art, Interrelationship of various Fine and Performing Arts
Unit III: 6 Hrs
Art and Nature, Art and Society, Art and Religion
Unit IV: 6 Hrs
Elements of Art: Line, Form, Tone, Texture, Colour and Space.
Unit V: 6 Hrs Principles of Composition: Unity, Balance, Harmony, Rhythm and Proportion,
Emphasis and Dominance.
Practical: Examination will be conducted in all the practical subjects except photography.
Scheme of semester end examination for subjects having examination. (External
evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External
evaluation)
Paper-IV : Still Life Study [exam-5 hrs ]
Paper Code : VAF 102
Learn to indicate simple form with a single light source using shadow and cast
shadow. Emphasis is placed on refining composition with cropping, overlapping and
placement in the picture plane. Study of 2 or 3 Objects
Submission :
3 Works in B/W, 2 home assignment (10 sketches of Still Life)
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80
Paper-V : Composition (Tempera ) [exam-5 hrs]
Paper Code : VAF 103
Compositional Exercise based on various type of objects ( Still Life) with a view to
transform them in to a flat pictorial images on Vasli (8” x10”) in size..
Developing and awareness of the pictorial space, division of space and form.
Submission : 2 works in class 2 works in home assignment
15 Layouts and design
Paper-VI : Graphics and Printmaking [exam 10 hrs ]
Paper Code : VAF 104
Introduction to Print Making in Relief
Submission : 3works B/W on lino (8”x10” to 10”18”)
20 Layouts and design
Paper-VII : Basic Design [exam-5 hrs ]
Paper Code : VAF 105
To develop an understanding of the elements and principles of design through various
practical assignments. Study of two-dimensional space and its organizational
possibilities; behaviour of force and energy contained in line, form, colour and
texture; knowledge of primary, secondary, tertiary and complementary colours and
their relationships. Introduction to the technical terms related to colour theory.
Submission :
2 assignments (Exercises with basic shapes and texture in relation
to space)
2 assignments (Compositions based on studies from nature)
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81
Paper-VIII: 3D (Clay Modeling) [exam-10 hrs]
Paper Code : VAF 106
Introduction to 3 Dimensional forms, observation of natural and manmade objects. To
develop sense of structure the study of the principles of composition that holds the
structure.
Submission :
2 Works in Clay (not less than 10” in size)
20 Layouts and design
Paper-IX : Photography
Paper Code : VAF 107
Introduction to Photographic techniques (black and white),exposures, developing,
printing and enlarging, indoor and outdoor photography.
Submission : 5 Prints in B/W
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82
Semester II-SCULPTURE
PAPER-I : COMPUTER APPLICATIONS (Theory)
Paper Code: FCA-300
TToottaall HHrrss:: 1155
Unit I: Introduction to Computers [No. of Hrs: 05] Introduction to Computers (definition, characteristics & uses), Evolution of computers,
System unit (memory, ALU & control unit), Input / Output devices, Storage devices(
Memory- primary & secondary).
Introduction to Software, its type (system, application & utility); Programming
languages (machine, assembly & high-level), Language processors (assembler,
compiler & interpreter).
Introduction to Data Processing: Elements of Data Processing, Data Processing
Activities.
UUnniitt IIII:: CCoommmmaanndd LLiinnee IInntteerrffaaccee [No. of Hrs: 0044]]
Introduction to DOS: Concept of Operating System, Introduction to DOS, Important
terms in DOS (program, file, directory, names, volume label, disk drive & its name
(DOS prompt) DOS file system, path & path names, Internal Commands (DIR, CD, MD, RD, COPY, COPY CON, DEL, REN,
DATE, TIME, VER, CLS, TYPE, PROMPT, PATH)
External Commands (TREE, DELTREE, EDIT)
UUnniitt IIIIII:: WWiinnddoowwss [No. of Hrs: 0022]] Introduction, features (Desktop & its components, the window, the application window(various bars), the
document window, the dialog window, the icons).
Windows explorer; Control panel, Setting wallpaper, screen saver, background.
Creating a folder, Compressing/ Zipping files (WinZip), Virus & Antivirus.
UUnniitt IIVV:: WWoorrddpprroocceessssoorrss [No. of Hrs: 0033]]
Introduction to word processing, Features of Word processors, Working with formatted
documents, Shortcut keys. Finding & replacing text, Go To (5) command.
Formatting documents, Selecting text, Formatting characters, Changing cases,
Paragraph formatting, Indents, Using format painter, Page formatting, Header & footer,
Bullets & numbering, Tabs,
UUnniitt VV:: AAddvvaanncceedd WWoorrdd pprroocceessssiinngg TToooollss [[NNoo.. ooff HHrrss:: 0011]]
Forming tables. Proofing text (Spell check, Auto correct), Inserting pictures, Mail
merging, Printing, Getting Help.
BOOKS RECOMMENDED
ESSENTIAL READINGS: 1. Peter Norton, “ Introduction to Computers”, TMH,2001
REFERENCES: 5. Mahapatra & Sinha, “Essentials of Information Technology”, Dhanpat Rai Publishing
6. Bott and Leonhard, “Using Office 2000”, Prentice Hall of India
Credits: 01
Periods/Week: 01
Max. Marks:100
Page 83
83
CCOOMMPPUUTTEERR AAPPPPLLIICCAATTIIOONNSS LLAABB
Paper Code: FCA-300 (Practical)
Total Hrs: 15
PPrraaccttiiccaall EExxeerrcciisseess bbaasseedd oonn tthhee ccoonncceeppttss ttaauugghhtt iinn tthhee tthheeoorryy ppaappeerr ooff CCoommppuutteerr
AApppplliiccaattiioonnss.. IItt wwiillll ccoovveerr::
• CLI
• WINDOWS & its features
• Word processing software
Credits: 01
Periods/Week: 01
Max. Marks:100
Page 84
84
Paper-II : OUR ENVIRONMENT
PAPER CODE : FES 300
Credits: 2 M.M: 100
Contact Hours/Semester: 30 (SEE-70 , CA-30)
Contact Hours/Week: 2
Objective of the paper: Inspite of the deteriorating status of the environment, study
of environment has so far not received adequate attention in our academic
programmes. This programme aims at giving students a clear understanding of
environmental concerns and to follow sustainable development practices. This will
definitely help students develop an interdisciplinary global understanding of
ecological and environmental problems.
UNIT–I Definition, Scope and Importance of Environment 5 hrs - Scope of Environmental Studies and its applications
- Importance with respect to the society
- Relationship of Environmental Studies with other subjects (Multidisciplinary
nature of Environment)
UNIT–II Ecosystem: Structure and Function 6 hrs
- Concept of Ecosystem
- Biotic and abiotic components of ecosystem
- Food Chain and Food Web
- Ecological Pyramids
- Energy Flow
UNIT–III Environmental Pollution 7 hrs - Water Pollution: Definition, sources and effects
- Air Pollution-Definition, sources and effects
- Noise Pollution-Definition, sources and effects
UNIT-IV Energy and Environment 7 hrs - Solar Energy and its uses
- Wind Energy
- Tidal Energy
- Hydro Power
UNIT-V Environment and Human Health 5 hrs
- Water and airborne Diseases; Potential and widespread effects, water and
airborne bacteria and viruses,
-public awareness of sanitation and hygiene issues and role of NGOs
-WHO and other bodies and their role in public health projects development,
BOOKS RECOMMENDED
Essential Readings a) Bharucha Erach, The Biodiversity of India, Mapin Publishing Pvt. Ltd.,Ahmedabad 380 013,
India, Email:[email protected]
b) Agarwal, K.C. 2001 Environmental Biology, Nidi Publ. Ltd. Bikaner.
c) Jha Latika and Shailendra, Environmental Studies ,CBH publications, Jaipur
d) Singh, R.B., Thakur, D.K. and Chauhan, J.P.S., RBD publications, Jaipur
e) Townsend C., Harper J, and Michael Begon, Essentials of Ecology, Blackwell Science
f) Odum, E.P. 1971. Fundamentals of Ecology. W.B. Saunders Co. USA.
Page 85
85
Reference Books: y) Brunner R.C., 1989, Hazardous Waste Incineration, McGraw Hill Inc. 480p
z) Clark R.S., Marine Pollution, Clanderson Press Oxford
aa) Cunningham, W.P. Cooper, T.H. Gorhani, E & Hepworth, M.T. 2001,
Environmental Encyclopedia, Jaico Publ. House, Mumbai
bb) De A.K. Environmental,Chemistry, Wiley Eastern Ltd.
c. Gleick, H.P. 1993. Water in Crisis, Pacific Institute for Studies in Dev.,
Environment & Security. Stockholm Env. Institute Oxford Univ. Press.
cc) Heywood, V.H & Waston, R.T. 1995. Global Biodiversity Assessment.
CambridgeUniv. Press
dd) Jadhav, H & Bhosale, V.M. 1995. Environmental Protection and Laws.
Himalaya Pub. House, Delhi
ee) Mckinney, M.L. & School, R.M. 1996. Environmental Science Systems &
Solutions, Web enhanced edition.
ff) Mhaskar A.K., Matter Hazardous, Techno-Science Publication
gg) Miller T.G. Jr Environmental Science , Wadsworth Publishing Co.
hh) Rao M N. & Datta, A.K. 1987. Waste Water treatment. Oxford & IBH Publ.
Co. Pvt. Ltd.
ii) Sharma B.K., 2001. Environmental Chemistry. Geol Publ. House, Meerut
jj) Trivedi R.K., Handbook of Environmental Laws, Rules Guidelines,
Compliances
and Standards, Vol I and II, Enviro Media
n) Trivedi R. K. and P.K. Goel, Introduction to air pollution, Techno- Science
Publication
q) Wanger K.D., 1998 Environmental Management. W.B. Saunders Co.
Philadelphia, USA
Page 86
86
Paper-III: Fundamentals of Visual Art
Paper Code : VAH 201
Unit I : 6 Hrs Prehistoric Art:-The Technique and material use
Unit II : 4 Hrs
Harappan culture : Beginning of the Indus valley civilization
Two Centers-Mohanjodaro, Harappa
Architecture, Sculptures
Unit III : 8 Hrs The Ancient World: The Art of pre historic man
• -Caves of France
• -Caves of Spain and other centers
Unit IV : 8 Hrs Egyptian Art :Study of the Three Kingdoms (Old, Middle And New )
Relief, Sculptures, Portraitures
Unit V : 4 Hrs Greek Art: Archaic Period : Vas Painting, Sculptures
Practical
Examination will be conducted in all the practical subjects except photography.
Scheme of semester end examination for subjects having examination. (External
evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-IV: Nature Study [exam-5 hrs]
Paper Code : VAF 202
Learn to indicate simple form with a single light source using shadow and cast
shadow. Emphasis is placed on refining composition with cropping, overlapping and
placement in the picture plane. Study of Plant and Flowers using pencil, Charcoal.
Submission : 3 works in B/W
15 sketches of Nature Study
Page 87
87
Paper-V : Composition (Tempera) [exam-5 hrs]
Paper Code : VAF 203
Compositional Exercise based on various types of objects and nature with a view to
transform them in to a flat pictorial images on Vasli.(8”x10”) in size. Developing and
awareness of the pictorial space, division of space and form.
Submission : 2 Works in class ,2 Home Assignments
15 Layouts and design
Paper-VI : Graphics and Printmaking [exam-10 hrs]
Paper Code : VAF 204
Introduction to Print Making in Relief
Submission : 2 in Colour on lino 8”x10” to 12”x18”) in size
20 Layouts and design
Paper-VII: Basic Design [exam-5hrs]
Paper Code : VAF 205
Introduction to the art of beautiful handwriting i.e. Calligraphy (Italic)
Study of letterforms, basic types, study of their formal aspects, proportion, weight and
inter relationship of positive and negative space.
Study of Gothic and Roman and Devnagri.
(A visit to letterpress printing unit)
Submission : 6 assignments
Paper-VIII : 3D (Clay Modeling) [exam- 10 hrs]
Paper Code : VAF 206
Introduction to 3 Dimensional forms, observation of natural and manmade objects. To
develop sense of structure principles of composition and the study of the principles
that holds the structure.
Submission : 2 Works in Clay (not less than 10”) in size
20 Layouts and design
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88
Paper-IX : Photography
Paper Code : VAF 207
The aim is to prepare the students to take up live assignments as per present day
Industry Benchmarks and find satisfactory job opportunities upon graduation.
The objective of the photography course is to instill a sense of confidence and
generate enough interest in the subject to enable the students to explore further on
their own, and with the help of the concerned faculty. They should be able to apply
photography skills effectively as a means of visual communication and also use it to
document their outputs related to various other subjects. Topics to be covered within
the time frame allotted for the purpose.
1. An understanding of light and it's properties.
2. Developing visual perception skills.
3. A basic understanding and familiarity with photography terminology &
principles.
4. Salient features of digital imaging.
5. A comparative and analytical study of the Analog and Digital Media.
6. Understanding various modes and controls available on different camera
models and applying these to achieve optimum performance.
7. The role of optics in image capture. A study of various lens options and their
use for specific applications.
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Semester –III- SCULPTURE
BVA (Sculpture)
Theory
Paper-I : History of Indian Art (ancient)
Paper Code : VAH 301
Unit I : 6 Hrs
Mauryan Period : The First Imperial Art
Architecture , Sculpture
Unit II : 6 Hrs Sung Dynasty: Chaityas, Viharas, Stupas (Sculpture, Architecture)
Unit III : 6 Hrs
Kushan Period:Gandhara , Mathura
Unit IV : 7 Hrs
Gupta Period And Post Gupta Period:
Ajanta: Sculptures and Paintings
Ellora :Architecture and Sculptures
Elephanta: Architecture and Sculptures
Unit V : 5 Hrs
South India:Pallavas, Cholas,Hoysalas
Paper-II : History of Western Art (ancient-early medieval)
Paper Code : VAH 302
Unit I : 6 Hrs Greek Art: Classical Period
Painting, Sculptures
Unit II : 7 Hrs Greek Art: IV Cent. Sculptures and Sculptors
Hellenistic Sculptures
Unit III : 7 Hrs
Roman Art: Sculpture, Painting
Unit IV : 5 Hrs Early Christian Art: Painting and Mosaic, Illustration
Unit V : 5 Hrs Byzantine Art: Early, Middle and Late
Paintings
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Paper-III : History & Aesthetics (Far Eastern Art-China)
Paper Code : VAH 303
Unit I : 4 Hrs The Bronze Age and the Shang & Chou Dynasty (c.1700-1050 B.C.E.)
Unit II : 6 Hrs
Tang and five dynasties.
Unit III : 8 Hrs
The Advent of Buddhism in China
The Northern (960-1127) and The Southern (1127-1279) Song Dynasty
Unit IV : 4 Hrs
Six Principles of Chinese Art
Unit V : 8 Hrs
Calligraphy in China and its Masters
Practical: Examination will be conducted in the following subjects :
1. Study from Life (Clay medium) (exam 15 hrs)
2. Composition (Clay medium) (exam 10 hrs)
Scheme of semester end examination for subjects having exam. (External evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-IV : Head Study (Drawing)
Paper Code : VAS 304
Sustained study of portrait from life, delineation of the structure, character of head,
study of features, study of light and shade, in monochrome (pencil/ pen/charcoal)
Submission : 3 Works (1/2 imperial) in size
15 sketches of head study
Paper-V : Study from Life
Paper Code : VAS 305
Head study (male and Female) –building of armature, study in drawing and modeling
in clay from life, understanding of structure and proportion, waste mould and casting
Submission : 2 Head study with mould and casting
20 sketches
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Paper-VI : Composition
Paper Code : VAS 306
Composition in clay of your own choice and the enlargement in relief with two or
more human figures, birds ,animals with molding and casting . Direct building
process in plaster ,cement and terracotta
Submission : 2 Relief Composition in any two processes
20 drawings
Paper-VII : Stone Carving
Paper Code : VAS 307
Simple composition suitable for carving with appropriate emphasis on techniques.
Submission : 1 composition in stone (sand stone)
Paper-VIII : Photography
Paper Code : VAS 308
1. The importance of accessories like external flash units, reflective media,
corrective and creative filters and camera supports like tripods.
2. An aesthetic approach - dynamic and color composition theories and new
theories practiced in the present context.
3. Familiarity with common errors and way to avoid or correct them.
4. Understanding common features like film speeds, color temperatures etc.
5. Dynamics of exposure latitude and control using various camera modes.
Exposure compensation and uses.
6. Spot and matrix metering and exposure locking.
7. File formats and sizing.
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Semester IV- SCULPTURE
BVA (Sculpture)
Theory
Paper-I : History of Indian Art (medieval)
Paper Code : VAH 401
Unit I : 4 Hrs
Pre-Mughal Paintings: Jain and Apabhransha Style.
Unit:II 6 Hrs
Mughal Painting: Development of Mughal Art during the reign of Babar to
Aurangzeb.
Unit III : 9 Hrs
Rajasthani Schools:
Mewar, Marwar,Hadoti,Dhundar
Unit IV : 7 Hrs Pahari Painting:, Kangra ,Basohli, Kullu, Guler
Unit V: 4 Hrs
Stylistic changes of miniature paintings
Paper-II : History of Western art (medieval)
Paper Code : VAH 402
Unit I : 5 Hrs
Romanesque Art: Sculpture, Painting
Unit II : 7 Hrs
Gothic Art:
Architecture, Sculpture, Painting Artists-Cimabue, Dociccio, Giotto, The Lorenzetti
Brothers,
Unit III : 7 Hrs The Early Renaissance:
Unit IV : 7 Hrs The High Renaissance: Sculpture and Painting
Unit V : 4 Hrs
Mannerism (16Th
Cent.) :Corregiio, Tinttoretto, El Greco
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Paper-III : Aesthetics(Far Eastern Art-Japan)
Paper Code : VAH 403
Unit I : 5 Hrs Early Japanese works and the rise of Buddhism-Kamakura, Nara and Asuka
Unit II : 7 Hrs
Kano school and Tosa
Unit III : 7 Hrs
Edo and Ukoiy-e
Unit IV : 7 Hrs
Edo paintings and external (foreign) influences
Unit V : 4 Hrs
Zen
Practical: Examination will be conducted in the following subjects :
1. Study from Life (Clay medium)(exam 15 hrs)
2. Composition (Clay medium) (exam 10 hrs)
Scheme of semester end examination for subjects having exam. (External evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-IV : Head Study (Drawing)
Paper Code : VAS 404
Study of portrait from life, delineation of the structure, character of head, study of
features, study of light and shade, in monochrome (pencil/ pen/charcoal)
Submission : 3 Works (1/2 imperial) in size
15 sketches of head study
Paper-V : Study from Life (Clay Modeling)
Paper Code : VAS 405
Head study (male and Female) –building of armature, study in drawing and modeling
in clay from life, understanding of structure and proportion, waste mould and casting
Submission : 2 Head study with mould and casting and 20 sketches
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Paper-VI : Composition
Paper Code : VAS 406
Composition in clay of your own choice and the enlargement in round with two or
more human figures, birds ,animals with molding and casting . Direct building
process in plaster ,cement and terracotta
Submission : 2 Round Composition in any two processes
20 drawings
Paper-VII : Stone Carving
Paper Code : VAS 407
Simple composition suitable for carving with appropriate emphasis on techniques.
Submission : 1 composition in stone (marble)
Paper-VIII : Photography
Paper Code : VAS 408
1. Understanding calibrations and color space.
2. In-depth knowledge of Depth of Field - its relative factors and applications.
3. Digital workflow.
4. Being conversant with photoshop CS 2 or CS 3 tools and applying them for
purposes of image enhancement.
5. Developing skills for constructive criticism of images, using aesthetic
guidelines and evaluating the images for constant improvement on the basis of
Metadata ( exif information).
6. Identifying possible subjects of interest and shooting them with a purpose of
building up a body of work comprising consistent outstanding images.
7. Learning to edit bracketed images to prepare a portfolio for submission.
8. Applying the skills learnt so far:
Common to all, specially for students opting for painting in the future:
a ) To be able to capture two dimensional objects like paintings in the
proper perspective, reproduce true color tones and highlight textural
and other effects which are the special characteristics of the particular
work of art.
b) Use of photographic skills as part of a multimedia experiment in
creating paintings and similar works of art.
9. Common to all, specially for students opting for sculpture in the future:
a ) To be able to capture three dimensional objects, like clay models and
sculptures in various materials, bringing out the material characteristics
and form as well as texture in the subject.
b) Be able to photograph a subject in the proper perspective, to use it
further to create a sculpture using the visual information.
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Semester –V- SCULPTURE
BVA (Sculpture)
Theory
Paper-I : History of Indian Art (modern)
Paper Code : VAH 501
Unit I : 5 Hrs
Company School (Patna School), Kalighat Patas
Raja Ravi Verma
Unit II : 8 Hrs
Amrita Shergil,Jamini Roy
Unit III:
Bengal School: Abanindra Nath Tagore
Gaganendra Nath Tagore, Nandalal Bose
Unit IV : 8 Hrs
Rabindra Nath Tagore
Unit V:
Binod Bihari Mukherjee, Ram Kinker Baij
Paper-II : History of Western Art (modern)
Paper Code : VAH 502
Unit I : 7 Hrs Baroque (17
th Cent.):, Carvaggio, Frans Hals, Rembrant, Vermeer, Rubens, Poussin,
Bernini.
Unit II: 5 Hrs Rococo(18
th Cent.): The Art movement And Artists-
Unit III : 6 Hrs Neo Classicism: David, Ingres and Others
Unit IV : 6 Hrs Romanticism: Gerrico, Goya, Delacroix, Constable and Turner
Unit II : 6 Hrs Realism:Domier,Courbet
Barbizon Artists : Theodore Roussou, Dobino, Millet, Corot
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Paper-III : Aesthetics (Indian)
Paper Code : VAH 503
Unit I : 5 Hrs
An introduction to Indian Aesthetics
Its brief historical background
Unit II : 6 Hrs
Concept of Beauty based on ancient Scriptures and their relevance to art (acc. To the
classical Sanskrit Literature)
Unit III : 6 Hrs Elements of Art – Schools Of Indian Aesthetics
Unit IV : 7 Hrs Rasa Theory of Bharat Muni in his Natya Shastra
Unit V : 6 Hrs
Development of Ras Theory:
Dhvani, Bhav, Alankar, Auchitya, Riti, Gun-Dosh,Vyanjana etc
Practical:
Examination will be conducted in the following subjects :
1. Study from Life (Clay medium) (exam 20 hrs)
2. Composition (Clay medium) (exam 15 hrs)
Scheme of semester end examination for subjects having exam. (External evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-IV: Study from Life
Paper Code : VAS 504
Full figure study, drawing and modeling in clay form with emphasis on character
,proportion and human anatomy
Submission : 1 life study (sitting) half size of the actual life
10 life drawing in charcoal and pencil
Paper-V : Composition
Paper Code : VAS 505
Advanced composition-individual or group compositions based on specific subject
suitable for execution in fiber
Submission : One composition
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Paper-VI : Stone carving
Paper Code : VAS 506
Carving in sandstone by direct and indirect method.
Submission : One composition in round.
Paper-VII : Terracotta
Paper Code : VAS 507
Process of terracotta – clay preparation, handling and firing.
Submission : One composition in relief
Paper-VIII: Metal Casting
4. Paper Code : VAS 508
Flexible mould making and lost wax casting of composition suitable for metal casting.
Submission : Two Compositions
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Semester VI- SCULPTURE
BVA (Sculpture) Theory
Paper-I : Contemporary Indian Art
Paper Code : VAH 601
Unit I : 4 Hrs
Delhi Shilpi Chakra: Bhavesh Sanyal, Shailoj Mukherjee, Ram Kumar
Unit II : 5 Hrs
Calcutta Group: Nirodh Majumdar, Rathin Moitra,Gopal Ghosh and Paritosh Sen.
Unit III : 8 hrs
Bombay Progressive Group: Souza, Raza, M.F. Hussain, K.H.Ara, K.K.Habber
Unit IV: Madras School: K.C.S. Panikar, D.P.Rai Choudhury and others, Lahore Group: Art
and Artists
Unit V : 6 Hrs
Independent Development in contemporary Indian Painting: K.G. Subramanyan,
Ghulam Mohd. Shaikh
Paper-II : History of Western Art (Modern)
Paper Code : VAH 602
Unit I : 7 Hrs
Impressionism: Manet, Monet, Renoir, Degas, Pissaro, Sisley
Unit II : 7 Hrs
Neo Impressionism George Seurat. Signac, Tolous Lautrec
Post Impressionism: Van Gogh, Paul Gaugin, Cezanne,
Unit III : 4 Hrs
Fauvism: Henri Matisse, Andre Derain, Murice Valminc.
Unit IV: 8 Hrs
Expressionism: De Brucke -Kirchner, Heckel, Schimidt, Rottluff, Muller
Der Blaue Reiter: Kandinsky, Franz Marc, Auguste Macke, Paul Klee
Oskar Kokoschka, Rauault, Chagell
Unit V : 4 Hrs Cubism: Pablo Picasso, Bracque, Juan Gris, Ferna Leze
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Paper-III : Aesthetics (Indian)
Paper Code : VAH 603
Unit I : 7 Hrs
Aesthetic experience of the commentators of Rasa Theory-
Bhatta Lollatta, Bhatta Nayaka, Bhatta Shankuka
Unit II : 6 Hrs
Theory of :Abhinava Gupta, Ananda Vardhana
Unit III : 5 Hrs
Abinava Bharti’s Dvanayaloka
Vishnu Dharmottar Purana
Unit IV : 7 Hrs Aesthetic Theories of Ananda Coomaraswamy and Rabindra Nath Tagore
Unit V : 5 Hrs
Interrelationship of Visual and Performing Art taking examples from illustrative
Geetgovinda, Sursagar, Rasika Priya etc.
Practical: Examination will be conducted in the following subjects :
1. Study from Life (Clay medium) exam 15 hrs)
2. Composition (Clay medium) (exam 15 hrs)
Scheme of semester end examination for subjects having exam. (External evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-IV : Study from Life
Paper Code : VAS 604
Full figure study, drawing and modeling in clay form with emphasis on character
proportion and human anatomy
Submission : 1 life study (standing) half size of the actual life
10 life drawing in charcoal and pencil
Paper-V : Composition
Paper Code : VAS 605
Advanced composition-individual or group compositions based on specific subject
suitable for execution in cement.
Submission : One composition
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Paper-VI : Stone carving
Paper Code : VAS 606
Carving in marble by direct and indirect method.
Submission : One composition in round.
Paper-VII : Terracotta
Paper Code : VAS 607
Process of terracotta – clay preparation, handling and firing.
Submission : One composition in round.
Paper-VIII : Metal Casting
Paper Code : VAS 608
Flexible mould making and lost wax casting of composition suitable for metal casting.
Submission : Two Compositions
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Semester VII- SCULPTURE
BVA (Sculpture)
Theory
Paper-I : Indian Art (modern)
Paper Code : VAH 701
Unit I
Independent Development in contemporary Indian Sculptor: Latika Katt, Dhruv
Mistry
Unit II : 6 Hrs
Jogen Chaudhury, Bikash Bhattacharya, Ganesh Pyne
Bhupen Kakkar,
Unit III : 5 Hrs Satish Gujral, Vivan Sundaram Karmarkar,Moitra
Unit IV ; 5 Hrs
Pradosh Das Gupta, Dhan Raj Bhagat, Shankho Chaudhary
Unit V : 6 Hrs
Mahendra Pandya, P.V. Jankiram
Paper-II : Western Art (Modern)
Paper Code : VAH 702
Unit I : 5 Hrs Futurism: Boccioni, Balla, Severini, L.Russolo, CaloCarra
Unit II : 6 Hrs Dadasism: Duchamp, Picabia, Chirico
Post Dadaism
Unit III : 6 Hrs Surrelism: Andre Breton, Dali, Marx Ernst, Tanguay, Miro, Masson,Arp
Unit IV : 6 Hrs Marc Chagall, Henri Rousseau
Super Maticism: Malevich
Unit V : 7 Hrs De Stijl: Piet Mondrain, Theo Van Doesburg
Costructivism: Tatlin, Rodchenko, Rl Lissitzky
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Paper-III : Aesthetics (Western)
Paper Code : VAH 703
Unit I
An Introduction to the Western Aesthetics:Meaning, Purpose and Scope of Aesthetics.
Imitative Theories of Art: Utility and Morality as standard for evolution. Art objects
with reference to the Greek Philosophers: Plato and Aristotle.
Unit II Interpretation of Imitation and Utility by Aristotle with the theory of Katharsis and
pleasure of Tragedy.
Intellectual Beauty as Art: Plotinus
Unit III
Middle Ages : General Tendencies and the Characteristics in the field of Art :
Augustin
Renaissance: General Trends and characteristics with reference to the developments
in Literature, Sculpture, Painting, Music
Unit IV Theories of Music, Painting and Poetry proceeding towards unified Aesthetics
Leonardo De Vinci,Alberti, Albert Durer
General trends and developments of Painting and Music during 17th
Cent.:
Kant and Hegel
Unit V Sigmund Freud ,Croce
Practical:
Examination will be conducted in the following subjects :
1. Study from Life (Clay medium) (exam 15 hrs)
2. Composition (Clay medium) (exam 15 hrs)
Scheme of semester end examination for subjects having exam. (External evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-I : Study from Life
Paper Code : VAS 704
Full figure study, drawing and modeling in clay form with emphasis on character
proportion and human anatomy
Submission : 1life study (sitting) half size of the actual life
10 life drawing in charcoal and pencil
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Paper-V : Composition
Paper Code : VAS 705
Individual or group compositions (Figurative) based on specific subject suitable for
execution in fiber.
Submission : One composition
Paper-VI: Stone carving
Paper Code : VAS 706
Carving in various stones.
Submission :One composition in round.
Paper-VII : Terracotta and Ceramics
Paper Code : VAS 707
Advanced work in terracotta. Three dimensional creative form with the help of the
wheel, introduction of glaze, ingredients and firing.
Submission : Two compositions
Paper-VIII : Metal Casting
Paper Code : VAS 708
Composition in Bronze
Submission : One Composition
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Semester VIII
BVA (Sculpture)
Theory
Paper-I : Indian Art (Modern)
Paper Code : VAH 801
Unit I : 6 Hrs
Balbir Singh Katt, Piloo Puchkanwala,Raghav Kanoria
Unit II : 6 Hrs
Somnath Hore,Mrinalini Mukherji,Sanathkar,Arun Bose
Unit III : 6 Hrs Krishna Reddy Aparna Kaur,Anupam Sood, Saroj Pal Gogi, Arpita Singh
Unit IV : 6 Hrs Ramgopal Vijayvergiya, Kripal Singh Shekhawat
Unit V: 6 Hrs Recent developments and experimental works.
Paper-II : Western Art (Modern)
Paper Code : VAH 802
Unit I : 6 Hrs
Abstract Expressionism: Newman, De Kooning, Clayfford Still
Unit II: 6 Hrs
Abstract Expressionism cont.- Rothko, Robert Motherwel, Arshile Gorkay, Hans
Halfman
Unit III : 6 Hrs
Pop Art: Hemlinton, Odenberg, David Hockney,Allen Jones and Op Art
Unit V : 6 Hrs
Important individual Sculptors: Rodin, Henry Moore
Unit V: 6 Hrs
Some more sculptors- Brancuci, Giacometti, Marino Marini
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Paper-III : Aesthetics(Western)
Paper Code : VAH 803
Unit I : 6 Hrs
Romanticism in Painting and Literature.
Art as the expression of the lings and emotions: Schopenhaur
Unit II : 5 Hrs
Art for Art Sake, Aesthetic value of art in Society
Unit III : 6 Hrs
Social responsibilities : Croce, Tolstoy and Ruskin
Unit IV : 6 Hrs Subjective Theories of George Santayana, Theodore Lipps
Unit V : 7 Hrs Subjective Theories of Vernon Lee, Edward Bullough
Practical: Examination will be conducted in the following subjects :
1. Composition (Clay medium)
2. Casting of the same work (exam 35 hrs)
Scheme of semester end examination for subjects having exam. (External evaluation)
Total Marks Submission Marks Examination Marks
70 40 30
Note : Subjects not having examination will be assessed out of 70 (External evaluation)
Paper-IV : Study from Life
Paper Code : VAS 804
Full figure study, drawing and modeling in clay form with emphasis on character
,proportion and human anatomy.
Submission : 1 life study (standing) half size of the actual life
10 life drawing in charcoal and pencil
Paper-V : Composition
Paper Code : VAS 805
Individual or group compositions (Figurative) based on specific subject suitable for
execution in cement.
Submission : One composition
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Paper-VI : Stone carving
Paper Code : VAS 806
Carving in various stones.
Submission : One composition in round.
Paper-VII : Terracotta and Ceramics
Paper Code : VAS 807
Advanced work in terracotta and ceramic.
Submission : Two compositions
Paper-VIII : Metal Casting
Paper Code : VAS 808
Composition in Aluminium
Submission : One Composition