Avant Craft Collection 2007

8/7/2019 Avant Craft Collection 2007

1/35

Theforce ofpersistence

DESIGNAND MARKETTRENDS IN

CRAFTS

AvantCraftCollection


2/35

DESIGNAND MARKETTRENDS IN

CRAFTS

AvantCraftCollectionTheforce ofpersistence

G cearte


3/35

The forceof persistence:the sea right

under our skinJoao Maria AndreUniversity Lecturer

Fourcountries come together to express their own identity,in objectsthat arise fromthefruitfulness ofthe memory through the creativecapacity ofdesigners and craftspeople.However, ifasking about identity means asking that something orsomeone bedefinedin historical and cultural terms, trying to materialise the Atlantic identity offourpeoples that border the same ocean through artseems an impossible task, a challengethat has no anchor, quay or destination.

Butthis is only untilyou discover that identity is not static or monolithic; itisdynamic and plural, composite and of mixedorigin.Withtime itis formedand transformed into the threads, the knots, and ties inwhichencounters anddivergences, affections and silences, paths and projects are woven. Wearewhat wetouch and what touches us. And we are the marks, what remainswith usof this touch and contact with others, withthe world and, why not,withthe sea aswell. With its force in allits metamorphoses.Andwhile Irelandisinebriatedby t he f o rc e o f t h e l yr ic ,while France is attractedby t h e f o rc e o f s e d u c ti o n, while Spain is involved and iscreated in t he f o rc e o fmovemen t , we,in this corner of Europe, mould and are moulded, sculpt andare sculpted and letourselves besculpted by t h e f o rc e o f p e r s is t en c e that thesea, ina union ofwind,water, sun and sand, teaches uson the paths ofthepast and the clearings ofthe future.

I t is the force of persistence that with sweat carves the lines oftime deepinto skin hardened bythe salt ofthe sea air. Itis the force ofpersistence thatinvents lacylimestone patterns on the stones adorned with seaweed and lostshells. Itisthe force ofpersistence that slowlytears the threads ofits secretsonthe erosion ofthe rocks and inthe whelks gives us soothing music andthe comfort oflight.And itis also the forceof persistence that multiplies thefoam on the water and on the sand inan affirmation ofthe ephemeral thatwanders through the banks of life.

2 3


4/35

It is the forceofpersistence that withsweat carves the linesof t ime deep into skinhardened by the salt

of the sea air

Stating our Atlanticidentity,which is permanently changing and weaving permanently,materials that wetouch and are moulded to our touch likeclay, porcelain orwood,to our breath and to our breathing likeglass, to our touch likecloth orpaper, tothesolidity and brill iance ofwhat dazzles us likesteel or iron, isto say it in its erosion,in itsfiligree work, in its compositions, in itspasted and overlaid fragmentations infractures and oscillatingvariations of incomplete symmetries, inthe traces that remainafter the wave has gone, after the sun has gone, after the wind has gone.

Stating our Atlantic identity, composite and of mixed origin, isto tell itin adialogue ofcolours, ofyellowand ochre, ofwhite and blue, of blackand green,ofpink and brown, andof allthe other colours inalltheir varieties. ButstatingourAtlanticidentitythrough the forceof persistence indialogue withthose whohave been partnersin ouradventure, ofthisadventure andof allother adventureswhichwe are told ofin myths, legends and stories, isalsoto allowthe forceofpersistence to becontaminated through the force ofthe lyric,to charm throughthe force ofseduction and to get across through the force of movement.Wearewhat wetouch andwhat touches us. OurAtlanticidentity inthe forceo fper si st ence i sa s s imple and as complex as the ocean inwhich wea reborn, whichawakes us, whichtore us asunder as wetore itasunder to inventthe future and inwhich one day wewillcome to rest. Our Atlantic identityisthe sea right under our skin.CoimbraJune 2007

45


5/35

An innovativecrafts project

AvantCraft(EARlE

() cearte

More than a need, relat ions between the craftsperson and innovat ion, t raining andcreat ivity are an imperat ive and, in the end, something that is absolutely natural .

With aview to strengthening this interaction, CEARTEhasdeveloped the Avantcraf tP ro ject , whi ch i s i nvol ved in t he innovat ion and t rends o f t he cra ft marke t, and i ssupported bythe INTERREG Programme.

A l ia n tC r af t - Y o un g d e si gn e rs , n e w f o r ms , n e w w a y s, n e w t im e s f o r t he A t la n ti cCulture, which is a project supported bythe Interreg 111-8(priority D - Culture,Heritage and Tourism), has been developed over two-and-a-hal fyears andhas been achieved through ini tiat ives in four dif ferent countries: Portugal,I reland, Franceand Spain. Ineach ofthese countries, an insti tute has beenworking asa partner - in Portugal, CEARTE-Centro de Formacao Profissionaldo Artesanato, in Ireland,the Crafts Council oflreland, in France,theAssociationPole Regional des Metiers d'Art and in Spain the Centro deArtesanfa y DiseFiode Lugo (Project Coordinator).

A project with the characteristics and ambit ion of Avantcraf t benef its f romthe cri ti ca l, j oi nt supervi si on o f i ns ti tu ti ons t ha t a re concerned wit h t hechallenges that the future brings to Arts and Crafts.

This iswhyPPART- Programaparaa PrornocaodosOficlose dasMicro EmpresasArtesanais (Programme forthe Promotion ofCraftsand CraftMicro Companies),CRAT- Centro Regional deArtes Tradicionais (Regional Centrefor TraditionalArts), FPAO- FederacaoPortuguesa deArtes eOffcios (Portuguese FederationofArts andCrafts)andalso,informally,theCentro Portugussde Design(PortugueseDesign Centre), were associated Portuguese partners, forming acritical bodywhose funct ion isto constantly assessthe project , both interms of the issuesi t raises and interms of i ts resul ts.

Through this project , which is based on the innovat ion of the craftsperson//designer partnership, on internationalisation and on market trends, CEARTEseeks to contr ibute towards the necessary quali fied innovat ion, in a largepart of craft production. Using appropriate technologies, the aim isto producetop quali ty art icles with high added value,wi th a strong image for the nat ionaland international market.


6/35

Design andmarket trends

in craftsAvantCraft

CEARTE

Atraining experience: qualifyingcraftspeople in A practical experience: improving thecompetitiveness ofa group ofcraftspeople Afuture experience:the bases basis for cooperation:design and trend analysis:business management: production organisation: marketing: promotion: cooperation

development ofvarious product collectionsinspired bythe Atlantic culture and identity:: market study: analysis oftraditional culture relatedto the Atlantic Ocean: implementation ofdesign techniques operative model of cooperation::occasional or permanent cooperation:cooperation invarious areas:trend analysis:product development, marketingand promotion

practical experience of cooperationduring workshops, favouring thecreation ofsynergies between small like-minded groups

launch ofcollections, establishing newcommercial links,which enable a betterinformed publicto beaccessed, through::developing a regional, national andinternational promotion plan implementing newbusinesstechniques adapted to the newconceptof a cu l tu ra l mi c ro -company :: business management, productionorganisation and marketing promotion of cooperation betweensmall groups ofcraftspeople, industriesand designers

AimsTopromote the image o f the ident ity o fan Atlantic Space, through the design,development and promotion ofvarious collections of products inspired bytheAtlantic heritage, culture and landscape.To improve the competitiveness of small craft companies, through partnershipsbetween craftspeople and designers, trend analysis, incorporation of newtechnologies,lnter-regional productive cooperation and joint promotion.Tocreate a cooperation network between centres that promote design and craftsinthe participating countries, forthe development ofjoint activities involving design,cultural creation and promotion of micro companies.InitiativesThefirst stage ofthe project, in2005, consisted oHorming ateam Of16 craftspeopleand designers who, byparticipating in6 weekend workshops, gained specifictechnicalskills atthe level ofcraft markets . Atthe same time, a team of4 resident CEARTEdesigners worked on developing the whole identity concept ofthe Atlantic Space.This was based on research ofelements ofa patrimonial and artis tic nature andsymbolic ofPortugal, with afocus on the sea, resulting ina strong finalconcept. Thisstage ended with a briefing on howto develop product collections.

The second stage ran throughout 2006, when 7 more craftspeople, 7 designersand 3 companies joined the ini ti al g roup . Thi s was based on the image o f theAtlantic identity and inspired inthe concept of Force -the Force of Persistence .Start ing with traditional technologies, integrating Innovation and Design, theydesigned and developed product collections aimed at a specific clienttype.The thi rd and f inal s tage o f thi s p ro ject was reserved for 2007 and consi st ed o fdeveloping exhibitions to promote the Atlantic identity and the concept of Force ofPersistence. Italso involved organising allthe questions of production and marketingofthese new products, with new design and better quality,with a strong local identitybetter adapted to present global trends, on the part ofthe craftspeople and smallcompanies, in partnership with designers.

89


7/35

ThepersistenceconceptAvantCraf t

TheAvantcraft collection aims to promote and market the Atlantic Identity,which issomething common to all the project partners. This isdone bydeveloping various collections of products inspired bythe Atlanticheritage,culture and landscape.The Atlantic Ocean, as an element that iscommon tothe four countries,differs from other seas inits unique properties. TheAtlantic isan Oceanthat isgrey,violent, tempestuous and strong ...Force is the start ing point for the concept developed byeach country,and each has a specific way ofexpressing and identifying itself with theforce element. Itis this difference between cultures that brings us closerand makes us convey these same feelings insuch different ways.Portugal has always had a verystrong bond with the sea. TheAtlantic hasbeen the rou te used to g ive new wor ld s to the wor ld , i twas a p lace o fgreat feats , where, as a people, we have perpetuated tenacity, culture,our way of being, persistence. The force of persistence istherefore theconcept explored by Portugal..


8/35

Eachclient isan individual,who, inan increasinglyglobalised world needsto assert him/herself on others, to stand out insociety, to feel unique.The client type that served as the basis for the design and conceptionprocess of the Avantcraft collection is an individual with an informalstyle, aged between 30and 50, who isdynamic and authentic . He likessimple, modern products, but with some aesthetically appealing details.

Client /Type

This mature, informal client enjoys spontaneity and teasing, theylikeamusement, modern products, but with a touch ofbaroque.Theywant useful objects with a symbolicvalue that havea story.

AvantCraft: Minimalism! Baroque: Natural! Artificial: Rural ! Urban

virtualsol idary simple minimabaroque I artificial

b ru ra naturalur an

'ice modernfreshspontaneous humanprovokerauthentic

12 13


9/35

P -ed ro Amara l

anamart ins@moinhodacarvalhagordaRt


10/35

-, . . .


11/35

Filigree_olBRACELETDESIGN

Sylvie CastroPRODUCTIONCesar Silva

RAWMATERIALSilver

TECHNIQUES ilve r jewe l le ry

SIZEsmmx6x6 em

Cesar Silva w as b or n in 1976 a n d l iv e sa nd w or ks i n S o br ad e lo d a G om a , P or tu ga l.H e h as w o rk ed i n t he J ew e ll er y S e ct or s in ce1991, a nd i s t he m an ag in g p ar tn er o f A be lA rman d o S i lv a . F o u n de d i n 1958, a s a m a nu -f a ct ur e r o f T r a d it io n al P o rt ug u es e J e w el le r y,t od ay it i s o ne o f t he o ld es t f ir ms in P 6v oad e L an ho so a nd i n P or tu ga l, a nd o ne o f th ef ew i n t he s ec to r to h ol d th e T ra di tio na lJ e w el le r y C e rt if ic a te , f o r i ts f il ig r ee p ie c e s.T he se ha ve a lw ay s b ee n p art o f i ts m ainp ro du ct io n, b ut o ve r th e y ea rs , n ew p ro -cesses and its ow n design have beeni mpl e me n te d . C r ow n s , r e li qu a ri e s, m e d al s ,b r ooc he s , n e c k la c e s , g r a n it e - ba se d p roduc t s ,b ea ds o f v a rio us ty pe s a nd s iz es , a s w el la s e xc lu siv e j ew el s a re i ts m ain a rt ic le s o fp ro du ct io n. N um er ou s m od els h av e b ee nc re a te d t ha t h av e a lw a ys b ee n t ra di ti on al i nn at ur e b ut w it ho ut f or ge tt in g t he t re nd s o ft h e l a s t f i f tyye a rs a nd t h e a nc i en t a r t e xp r e sse di n e a c h p ie c e . C r e at in g a n d ma k in g t ru e w o rk s -- o f- a rt , w i t h ma s te r y a n d g o od t a st e , i t b r in g st he a rt o Ho rm e r t im e s t o t o d ay . ..

A b e l A rman d o S i lv a , L d aP en as . S o br ad elo d a G om a4830 - 721 P 6v oa d e L a nh os oPortugalT 00351 253 941 304F 0 03 51 2 53 9 42 8 80M00351 967 678 824E [email protected]_portuguesegold_com
mailto:[email protected]:[email protected]


12/35

FiligreeozNECKLACESBROOCHDESIGN

Sylvie CastroPRODUCTIONCesarSilva

R AW MATER IA LSilver

TECHN IQUESilver jewellery

SIZENecklace 1 s mmxs X 4, S e m

Necklace 2 s mmX4 ,s x6 ,s e mBrooch l ,s x S, s x6 , S em

2021


13/35

FiligreeoaBROOCHESDESIGN

Sylvie CastroPRODUCTIONCesar Silva

RAWMATERIALSilver

TECHNIQUESilver jewellery

SIZEBrooch, 2x6,5x9 em

Brooch 2 lX5,5CX7,5 emBrooch 3 2x6x7,5 em

22 23


14/35

Water.wind, time, energy,force and permanence, modificationand shaping ofthe material.

Reinterpreting nature inviting ittoco-author each of

these artefacts.

Water booksPLAYTHING

DESIGNJ o a o NunesPRODUCTION

M o in ho d a C ar va lh a G o rd a

R ua d e F ez , 1 4 34 15 0. 23 9 P or to

PortugalM 0 0 3 51 9 3 6 1 9 83 1 2

E [email protected] .pt

Joa oN unesw as born in 1 95 1,i n V i la N o va d e G a ia , P or tu ga l.H e g ra du ate d in G ra ph ic D es ig n fr omFBAUP, t he Fa c u l tyo fF i n eArts o f t h e Un i v e rs i tyo f P or to . H e w as a wa rd ed a s ch ola rs hi pf rom t he C a lo u st e G u lb e nk ia n F o un d at io na nd t au gh t i n t he a re as o f P h o to gr ap hy a ndD es ig n. H e w as p ar t o f t he o rg an is at io nof:A PDesigners, Icograda 9 5 , B i e n al Gr a f lc aVN C e rv e ir a 8 8 ,0fox e mensagem P or to 9 5 ,a nd se ve ra l o the rs . H e ha s ta ke n p ar t inse v e ra l I n t er n a ti on al Exh i bi t io n s i n :He l s i nk i,P a ri s, S of ia , B ar ce lo na , I st an bu l, T o ky o,K y ot o, H o ng K o ng , M il an a nd C o lo ra do . H eh a s h a d w o rk p u bl is h ed i n t h e p u bl ic a ti on s :D e s i g n and D e s i g n e r . Who's Who i nGraph i c D e s i g n ,N o vu m G r a ph i k, R e vi s ta G r 6 }i c aand Communi-c at io n A r ts , H o w and Chain. A t p re se nt h isr e se a rc h i s f o c us e d o n d e si g n a s a p r oj e ct ua ltool f or s us ta in ab le d ev el op m en t, o n CraftDesign, on t r a di t io n a l , l ow-t e c h t e c hno l ogi e sa n d t h ei r r e co n fl gu r at io n f o r t h e p r od u ct io no f c o n te mp or a ry o b je c ts . I t i s w i th t hi s f o cu st ha t h e p r es e nt ly t e ac h es o n t h e D e si g n c o u r sea t t h e U n iv e rs it y o f A v e i ro .

Moinho daCarvalha Gorda was crea-t ed i n 1 9 9 3 , i n C a m pi a, V o uz e la , P or tu ga l.I ts a i m w a s t o r e co v er t he Eu ro p ea n t ra d it io no f p a p e r ma n uf a ct u ri ng , lo s t i n P o r tu g al a t t h ee n d o f t h e 1 9 t h c e n tu r y. T h is me th o d r e qu ir e sq u al it y r a w ma te r ia l s, n a tu r al t e xt il e f ib r es( c ot to n , l in e n a n d h e mp) , d iv i de d b y c o l ou ra nd q ua li ty , w h ic h, a ft er m a ce ra ti on o n t heH o ll a nd e r b e at e r a r e t r a ns f or me d i nt o p a pe rp ul p. T he p ap er i s d e sig ne d f or th e A rtsma r ke t , a n d i s k n ow n f o r i t s h i g h r e si s ta n c e,g re at d ur ab il it y a nd c or re c t p h l ev el s. E n vl -r o nme n ta l c o nc e m i s t he c ompa n y p h il os o ph y .w it h t he r ec ov er y o f w a s te f ro m t he t ex ti lei nd us tr y a nd t he r eu se o f w a t er . I ts s oc ia lv o ca t io n i s c e n tr e d a r ou n d t h e v is i ts o f t h ou -s an ds o f s c h oo l a nd u ni ve rs it y s tu de nt s, a sw e ll a s t ra i ni ng c o ur s es a n d w o rk s ho p s. T h ec om p an y h as a lw a ys c ol la bo ra te d w it h t hel a rg e a r t e v e nt s i n P o r tu g al : t h e B i en a l d e A r ted eVN Ce rve ir a ,B i e n a l d eGra vu r a da Amado r a,F es ti va l d e G r av ur a d e E v or a a nd E n co nt rod e A r te J o ve m .

24 25


15/35

Water booksN EW A RT EF AC TS F ORA T LA N TI C C U LTURE

Theforce ofpersistence andtheAtlantic objects.

Object, from theLatin objectu,thrown forward s.m.,

everything that affects ourfeelings;material thing; body;material,

subject; end;purpose;intention; name; agent

DESIGNJ o ao N u ne s

PRODUCTIONM o in ho d a C ar va lh a G o rd aRAWMATERIAL

R e cy c le d c o tt o n a nd n a tu ra l m a te ri al sf ou nd o n t he b ea ch s ha pe d b y th e

p er ma ne nt f or ce o f t h e w at erTECHNIQUE

Ma n ua ll y p ro d uc ed p a pe r,1 00 % r ec yc le d a nd p h n eu tr al

SIZE4 , 5x 1g x1g cm

F

Moinhoda CarvalhaGordaPapel para Artes, Lda3670- 057CampiaPortugalT 0035' 232750 070F 0035' 232750 077E [email protected]
mailto:[email protected]://www.moinhodacarvalhagorda.pt/http://www.moinhodacarvalhagorda.pt/mailto:[email protected]


16/35

Union of seasCENTREPIECEDESIGN

F i li p e Co imb raPRODUCTION

Ca r lo s S imoe sRAWMATERIAL

WoodTECHNIQUEWoodwork

SIZE8, 5x30 , 5X41 em

Carlos Simoes w as b or n in ' 97 ',i n S a n ti ag o d e B es te ir os , a nd l iv esa nd w o rk s i n C a ra m ul o, P or tu ga l.B or n i nt o a f am il y o f j o in er s, i n w h ic h t heg ra nd fa th er w a s a f ur ni tu re m a ke r a nd h isf at he r a n in no va to r, C ar lo s S im oe s g re wu p s ur ro un de d b y w oo d a nd t oo ls . H e l at erd e c id e d t o i nve s t i n a voc a ti on al qua li f ic a t io ni n t he a r ea o f j o in e ry , g i v in g h i m t h e t ec h ni ca lp e rf e ct io n t o o p e n h i s o w n wo rk s ho p i n , 9 9 7 .T h e B a u d o A rt es ao i s a s pa ce f or e xh ib it in ga nd p ro m ot in g w o rk , f or i nt er ac ti on w it ht he p u bl ic , f o r t h e e x pl o ra ti o n o f t h e d e si g no f p ie ce s a nd c ol ou rs , w h ic h c on si de r t hev a ri e ty o f w o o d s. T h er e i s a l s o a c o nt in u ou sinv es tm en t in th e pro duc tion o f m orec re at iv e p ie ce s a nd i n t h e p ar ti ci pa ti on i nc r af t c ompe ti ti on s . T h es e p a rt ic i pa ti o nsh av e e a rn ed h im a s er ie s o f p r iz es : , s t p ri zea nd h on ou ra bl e m e nt io n a t t he F A RA V Cr af tF ai r o f th e R eg io n o f A v ei ro 2 0 04 a nd , 9 9 9i n c r e at iv e c r af t, h o no u ra b le me n ti on s a t t h eFIA( In tema t ion a l C r a f t Fa ir ) i n 2 002 a nd 2 004 .a s w e ll a s ist p r iz e i n t h e J omar C ompe ti ti on( , 9 9 5 ). I n 2 0 0 5 , t h e p i ec eMad ei ra s e m Ro st o eForma, won tst p r iz e i n t h e c a t e go ryo fCon t em-p or ar y C ra ft sp er so n, a t t h e , 8t h e di ti on o ft h e FIA- In t e r n at i on a l C r a f t Fa i r ,Li sbon 2 005 .

B a ~ d o A r te s aoA v en i da D r . A b e l L a c er d a3 47 5 - 0 3 ' C a ra m ul oPortugalT 0 03 5' 2 32 8 6, 2 45M 00 35 ' 9 62 5 96 5 86E baudoartesao@gmail .com


17/35

PuzzleTABLECLOTHAUTHOR

Filipe FafseaRAW MATERIAL

BurrellTECHNIQUE

Flock printingSIZE

'50X250 em

Filipe Falsca l iv es a nd w o rk s i n L is bo n ,Por tugal.H e g ra du at ed i n F a s hi on D e si gn f ro m I AD E -I n st it u te o f V i s ua l A r ts a n d Ma r ke t in g , L i sb o ni n 1 9 89 , a nd s in ce 2 00 6 h as p re se nt ed t heF i l ipeF a f scabr anda t Moda Usboa (UsbonFash ion ).H e h as d es ig ne d a nd p ro du ce d u ni fo rm s,l i ne s o f a c ce s so r ie s , w a rd r ob e s, s h ow c a se sand f igurine s f o r : Lux F r ag il , E s ta lagem do Sado ,

C al c; :a d a d o C o mb ro , 9 91 2 00 - 1 1 2 L is bo aPor tugalT/F 0 0 3 5 1 2 1 3 42 0 6 9 9M 00351 9 19 5 44 8 07E [email protected]

Bicado S apa to , P ap ' ac ; :o rda ,Cul tu r ges t , Nos s o www.f ilipefaisca.comDes ign ,Ana S a laza r , [o ta F a f sca , [ona ta s, l!xtilC a b ra l , S v er a , F a sh i on C l in i c, H e rm e s L i sb o a ,D . M a r ia N a ti on al T h ea tr e, C a sa d a M u si ca ,S . J oao Na t iona l Thea t re , Be le rn Cul tu ra l Cen t re ,Almada Na t ional Thea tr e , Cu l tu rge s t . T r indadeT h ea tr e, G u lb en k ia n F ou n da ti on , E x po '9 8 ,Tea t ro+ , P r oduc; :oe s Off a n d S . C a r lo s N a ti o na lTheatre, C o rt e d e c a b el o b y J o a q uim S a pi n h o,A v id a n a o e L i te ra t ur a b y S u s an a B o rg e s, Adaoe E va b y J o aq u im L ei ta o. I n 1 9 9 3 h e w a s A n aS al az ar 's a ss is ta n t a nd l at er o p en ed h is o w nA t e li e r. F r om 1 9 9 4 -2 0 0 6 , h e t a u g h t t h e s u bj e cto f f 1 g u ri n es a t C h a pi t 6 a n d d e v el o pe d e x pe r i-m e n ta t io n s a n d s t yl i ng f o r: L u x ,V e s ti r o F u t u roExpo'98, Co-existDncias E x p er ime n ta D e si g n,Barbie f o rMar ie C la i re and Qualquersemelhanf l1e ine-vitdvel, co l l ec t ive exh ib it ion of ready-maded e si g n, i n 1 9 9 7 , a t t h e L o ja d a A t al a ia i n L i s b on .
mailto:[email protected]://www.filipefaisca.com/http://www.filipefaisca.com/mailto:[email protected]


18/35

Skirt ofthe tidesCLOTHING

The marks in the sandthat you found as a kid ondeserted morning beaches

STYLISTFernando Nunes

TEXTILE CRAFTSWOMANEstela Melo

RAWMATERIALLinen, cotton, organza

TECHNIQUEPainting, gatherings,embroidery, naps

SIZE100X100 cm

Fernando Nunes was born in 1963 andl ives and works in Oporto, Por tuga l.

Tra ined atCITEM - Por to , he then had workexperience atthe CIM (Cornite internationaldelamode)in Paris.He returned to Portugalin 1988,andbeganteaching stylingat CITEM- Porto.In 1990 hewentto the GUOI School,the present EMP (Porto Fashion Schoo l) ,where hest i ll teaches and coord inates thesubject of styling andthe courses offashiondesign and model ling . From 1993 to 2004heworked with CEARTEin Coimbra onthecoord inat ion and tra in ing of text ile cra ftscourses. Inthis field, hedesigned contem-porary p ieces, based on the knowledge ofthe country's texti le craftspeople, andthesewere shown atnational exhibitions (Expo 98)andinthe restof Europe.In 2003, heplannedthe concept and design of the col lect ionsof the men 's clo th ing brand, Helvetica. In2006 hedesignedthe Winter 07/08 collectionfor D om C o ll e tt o , and was responsib le fort he image o f th e company and i ts shops .A t p re sent , h e i s c r ea ti ve d ir ec to r o f t hemen's collection L i on o f P o rc h es .

M0035' 9 ' 9 458 376E [email protected]

Estela deMelowas b or n i n , 967,in Aveiro, Portugal.

In '985 shestarted aCivil Engineering courseinCoimbra, where shelater beganthe TextileCraftscourse atCeartein 200'. Sheattendedseveral courses and workshops within thetextile areain Portugal, Holland and England.Since 2004, shehasbeendevoted to Historicrecreation, demonstrating thewool cycle inPortugal, Spainand Italy.Sheparticipated asspeakeratthe Recrias:aoHist6rica e0Desenvol-virnento Comunitario (H i s to r i c R e c re a ti o n an dCommuni t y De v e lo pm e nt ) Conference, on thesubject of C r a f t s and R e c rea t io n in6b idos. In2007 shecreatedthe brand 56 t i io d o s Ba l o ifO s .

M0035' 962822 607F 0035' 239707 ' 3'E [email protected]

32 33
mailto:[email protected]:[email protected]:[email protected]:[email protected]


19/35

MessengerSOLITARYThe idea for the project camefrom the"message in a bottle" concept and the

cooperation between design and crafts.Using advanced technologies, it was

possible todevelopa newproduct concept.The messenger can bea simple support

for a flower ora written message. Itssurface can bepersonalised with text.

DESIGNERJose Pombo

RAW MATERIALComposi te materia l of plaster

bas e c oa te d wit h a res inTECHNIQUERapid prototyping,

3D Printing technologySIZE

23x5,5x7 cm

Jose Pombo was born in1974,inOeiras,Portugal.Post-graduate in Design Materia ls andProduct Management atthe University ofAveiro. Hegraduated in Industrial Designfrom the lADE, Insti tute of Visua l Arts,Design and Marketing in 1999. His firstproject s became recognised through hisparticipation in E x p er i me n t a D e s ig n in1999,a nd s ince t he n heha s devel oped work i ntheareaof product Designand Engineering.He is responsible for the area of modelsand prototypes, atthe CTCV, he supervisesa nd devel ops new product s wit hi n t hedifferent structures, using advanced tools,and combining different technologies. Hecoordinates and develops training coursesand an external consultancy inthe area ofproduct design and development.

RuaCarlos Seixas, 215-2Esq3030 - 177CoimbraPortugalM 00351965473 218E [email protected]

34 35


20/35

Black IVASECENTREPIECESMALL VASES

DESIGNS6nia Silva

Filipe CoimbraPRODUCTION

Olaria ArtAntigaRAWMATERIALMolelos Clay

TECHNIQUEBlaekClay Ceramics

SIZEV a s e 5 6 , 5x 2 0 X 2 0 em

C e n tr e pi e ce 1 ] X 2 7 x2 7 emSmall vasei 2 8 , 5X16 , 5X16 , 5 em

Sma ll v a se z 1 9 X 1 8 ,5 x 1 8, 5 emS m al l v a s e 3 1 5 ,5 x 17 x 1 7 em

O la ria ArtA ntig aw asf ou nde d in 1990,i n Mo le l os , T o n de l a, P o rt u ga l .T he com pany, w hich be longs to a newge ne ra tion of potte ries, is run by theb ro th er s L uis a nd [o se L ou ros a. It w asf or m ed i n 1990 b y L U I s, w h o w a s j oi ne d i n1992 b y h is b ro th er , [ os e, w he n h e b eg anh is a ct iv it y a t t he s am e p ot te ry . O ve r t hey ea rs it h as ta ke n p art in c ra ft fa ir s a nde x hi bi ti on s b ot h i n P o rt ug al a nd a br oa d ,n am el y i n L ux em bo ur g, S wi tz er la nd a ndG e rm a ny . I n a n i nc re a si ng ly c om p et it iv em ar ke t, t he y a im to f in d n ew a pp ro ac he sa nd s ty le s . T h e p er fe c t f in is h, t he s op hi s-tic ate d fo rm s a nd th e e ffo rt p ut in to its ,m a rk e ti ng , m e an t ha t i ts p ro du ct io ns p la ya n i mp or ta nt r ol e i n p ro mo ti ng t ou ri sm i nt he B o ro ug h o f M o le lo s.

O l a r ia Ar tAn ti g aR u a d a s R a p os e ir a s, 139M o le lo s . 1470 -223 TondelaPortugalT 00351 232812 279F 00351 232812 852M00351 965421410E artant iga@hotmai l .com


21/35

Black IICENTREPIECEAUTHOR

Carlos LimaRAWMATERIALMolelos clayTECHNIQUE

Black Clay PotterySIZE

20,5x30,5x56,5 em

CarlosLima eAlexandra Monteirol iv e a n d w o rk i n Mo le lo s , T o nd e la , P o rt u ga l .T he ir w ork sh op is k no wn a s Barraco do sOleiros a nd i s l oc ate d i n M o le lo s, w hi ch i so ne o f t he la st p la ce s i n w hi ch c er am ic s a rep ro ce ss ed b y r ed uc ti ve f ir in g t ha t a ll ow so b je c ts t o b e o b ta i ne d f rom b la c k c l ay . T h e seo bj ec ts a re s hi ny a nd s mo oth t o t he to uc h,w it h a s ta ge o f c ar ef ul f in is hi ng t ha t g iv est he m a p er fe ct , b ea ut if ul a pp ea ra nc e. F ort he m t he f ut ur e i s i n i n no va ti on , w h il e m a in -t ai ni ng t he t ra di ti on al f in is he s o f t h e a rt o fM ole lo s, t he se a rt is ts p re se nt d ar in g a ndu n us u al f o rm s , ma k in g t h e mo s t o f t r ad it io n alt e ch n iq u es , i n a n a c ti vi ty t ha t i nv o lv e s a r ou n dt e n p o tt e rs i n t h is v il la g e. T h e a r ti st ic i n no v a-ti on a ls o i nc lu de s n ew e xp er im en ts in t hec om po si tio n o f t he r aw m ate ria l a nd i n t het e ch n iq u e o f t r a di ti o na l o r ie n ta l f ir in g , R a ku .A wa rd ed s ev er al ti me s, i t h as s uc ce ed ed i nm a ki ng t he t ra ns it io n b et we en t he r eg io n' sc ul tu ra l t ra di ti on a nd i ts a rt .

B a rr a ca d o s O l ei ro sR u a d a s S i lh a s, 56 . Molelos3460 -244 TondelaPortugalT 0035'232822 736M0035' 962 569024E l [email protected]


22/35

Black!!!VASESCENTREPIECE

AUTHORA l e xan d ra Mo n t e ir oRAw MATERIALMO l e lo s c l ayTECHNIQUEB l a ck C l a y Po t t e ry

SIZEV a s e) 4 7 ,5 X 2 7X 2 7 emVa s e 2 7 7 X 4 3 X 4 3 emCen t r e pi e c e 21 , 5 X 29X44, 5 em


23/35

Ceramics orLAMPAUTHOR

Georgina QueirozR AW MATER IA L

ClayTECHNIQUE

Ceramic ModellingSIZE

43X44X38cm

Georgina Queiroz w as b orn in 1 97 0,i n O v a r, P o rt u ga l .

S h e h a s b e en w o rk in g i n t h e a re a o f C e ra m ic ss in ce 1 98 9, i n h er o w n A te lie r, a ft er r ef ur -b is hin g o ne o f t h e o ld es t p ot te rie s in O va r.I n t h e s am e y e a r s h e b e g an h e r s p e c if ic t r ai n in g

Lo j a O l a ri a 0CacoA v en id a d a R ~ gu a , 1 9 7- 19 93 88 0 - 0 0 1 O va rPor tugal

i nva r i ous a r eas :Whee l Po t te ry . C e r am ic Des i gn, T 0 0 35 1 2 56 586 87 2M a n a gem e nt a n d M a r ke t in g , C r ys t al li sa t io n M 0 03 51 9 63 0 18 7 63a n d M e ta ll ic R e fl ec ti on s, R a ku , S cu lp tu rea n d C e ram icWa ll s , P u lp s a n d G l az e s , am o n go t he rs . S h e t e ac h es i n t h e se a re a s i n v a ri ou si ns tit ut io ns s uc h a s: C ea rt e - C o im br a a ndA v e ir o , D e p ar tme n t o f E d u c a t io n , I E FP, C e n c ala n d E P o f A v ei ro . S he h a s t a ke n p a rt i n i n di vi -d u a l a n d c o ll e ct iv e e x h ib i ti o ns i n A v e i ro , V ia n ado Cas te lo , C o imbr a , Usbon , Ba r ce lona , Ba ta l ha ,S . M a rt in h o d o P o rt o, O v ar , P o rt o, B ra g a a n dG u ir n ar a es , a n d i n t h e I b er ia n C r af t S em in a rsi n B a r ce l on a a n d a t t h e F e s ti va l lm a g in a ri u si n F e ir a. ln 1 9 95 s h e w o n t he R e gi on a l A w a rdf or M od er n C ra ft s, a s p a rt o f t h e I ns tit ut e o fEmp l oymen t and P r o r es s i onal T r a in i ng 's Na t i ona lC r a f t C ompe t it i on .

42 43


24/35

CeramiCS_04CENTREPIECEDESIGN

Sonia SilvaFilipe CoimbraPRODUCTION

Georgina QueirozRAWMATERIAL

ClayTECHNIQUE

Ceramic ModellingDIMENSAO

21lC44X44 emCeramics oz/_03

LAMPSSIZE

_02 40X46x64 em_03 7X40X40 em

44 45


25/35

~aturartenaenteTABLE LAMPDOUBLE VASE

The creative/ renovating force of the seashapes the form in its entirety and alsothe cracks oflight. Man intervenes and,at hispleasure, chooses theprojection

oflight on the plane.The natural erosive elements model theforms into their own indelible poetry.From thejoint action (union) ofthese

elements, the vases are articulated anddevelop into a symbiotic relationship.AUTHOR

Diamanatino AbreuMATERIAL

Earthenware and polyesterTECHNIQUE

Treated and glazedSIZE

Lamp 4ox38x25 emVase28x16x16 em

Diamantino Abreu was born in 1960,in Lisbon, Portugal.

He g raduated i n Indus tr ia l Des ig n f romlADE Institute ofVisual Arts andMarketing,in Li sb on 1 998 , a nd t oo k a Mas te rs i nMultimedia Educational Communicationa t t h e Open Uni ve rs it y o f L isbon i n 2003 .He d iv ides h is activi ty between Teach ing,Vocational Training, Product Design, Exhi-b it ion Design and Model -making. The res-ponsibil ity of Design ingenerating the pathsfor requalifying and repositioning the know-ledge andthe practical know-how intrinsicto aculture, regionand country integrated inaglobal economy, havealwaysbeenconcernsthat this participation intheAvantcraft Projectwill attempt to answer.

Rua Migue l Bombarda, 55Outei ro de Pol ima2785- 602 Sao Domingos de RanaPortugalT 00351214445 642M 00351 917818585E [email protected]


26/35

ByssiV A S EThe ideaof thisproject comesfrom theconceptof intervention, with theeffectof overlayingother "art"material, limiting only onesideas an element Ivectorof Forcein creatinga new humanised identity. Thematerial

used istextured glass, silver ortextile,forming a layer that enables eachpieceto bepersonalised and animated. With a formalasymmetric shape, this vaseintentionally

assumes its "solitary"functionDESIGN

Carla RebeloPRODUCTION

[ornazeMATER IAL

Ceramic / EarthenwareTECHN IQUE

Filling processSIZE

61X34X18 cm

R ua M an ue l M af ra , 7 5 4 A2 50 0 - 8 2 5 C ald as d a R ain ha

Por tugalF 0 03 51 2 62 8 4 2 8 84M 0 03 51 9 68 1 42 3 72

E car la.s . rebelo@gmaiLcom

Carla Rebelo w a s b o rn i n 1 9 7 4 . i n C a ld a sd a R a in h a, P o rt u ga L .

S he g ra du at ed in I nd us tr ia l D es ig n f ro mE SA D i n C a ld as d a R ain ha i n 1 9 96 a nd s pe -c ia li se d i n C e ra m ic s f or D e si gn e rs t hr ou g hC e nc a l i n 1 9 97 . H e r a re a s o f w o r k a re c e nt re dr ou n d P ro d uc t D e si gn f or C e ra m ic s , G la s s,C h il dr en 's F u rn it ur e a n d C u tl er y, a n d s h e h a sd o ne p ro je c ts i n I n t er io r D e si gn , i n t h e c o m-m e r ci a l a n d e x h ib i ti o n a r e a a n d i n E n v i ro nm e ntDes i gn , te l evi s ion s cene r y , and co - au tho r s h ip .S h e h a s w o rk e d a t S e ca m -I nt e rn a ti on a lA g en c ie s , d e ve lo p in g p ro d uc ts f or c li en tsa n d c o nc e pt s f or h e r o w n c o ll ec ti on . I n 2 0 0 3s h e b e g an w o rk in g w i th t he c o mp a ny [ornaze-Faiancas A r t is t ic a s e D e c or a ti va s o f Alcobaca,a n d i n 2 0 0 5 c r e at ed h e r o w n b ra n d, Z u mk id s,d e d ic a t ed t o c h il d re n 's f u rn i tu r e. H o n ou r a bl eM en ti on a t t he Y ou ng D es ig ne r 9 6, Cenariode r i fe i fl i o no a l li oo ,F I L - C ER AM EX , s h e t o o kp art in t he F6rurn Tendtncias 2 00 1, i n t hecatalogue Best Of 2 0 03 , f or t h e P o rt ug u es eD es ig n C en tr e, w it h t he M OO D li ne o f c e ra -m ic s a nd a t t h e F6 ru r n d e P r od u to s I N OVA ,a tt he F IL in 2 00 3.

Jomaze w a s fo un de d in 1 97 9,i n P 6 vo a -C 6 s, A lc ob a ca , P o rt ug a l.

I n te g ra t e d i n a r e g io n w i t h g r ea t t r a d it io n i n t h ea r ea o f a r ti s ti c a n d d e c or a ti ve c e ram ic s s i nc et he C is te rc ia n m o nk s , i ts a im w a s t o w o rk a n dm a ke t he m o st o f t h e t r ad it io n al t e ch n iq u es o fd e c or a ti v e c e ram ic s . T h e p r od u c t c o n ce p t w a sa lw a ys a t t h e b a si s o f t he c o mp a ny 's c re a ti on ,f oc u si ng o n t h e c o n st a nt d e ve lo p me n t o f n e wp a in t in g t ec h ni qu e s, n e w f in is h es , a n d n e wp ro d uc ti ve m e th o ds , t h us a s su m in g a p h il o-s o p hy o f in n o va t io n . A t p r es e n t, [o r naze export s9 0% o f i t s p r o d uc t io n worldwide, w i th a s t ro n gm a r ke t i n E u r o p e a n d t h e U S A : o n e o f i ts d ie n t si s t h e D e si gn s h op s . F a ce d w i t h t h e p re s en tc om pe t it iv e , g l ob a l m a r ke t , [omaze t a ke s o nD e si gn a n d I n n ov a ti on a s p a r tn e rs hi ps f or t hef u tu r e s u c ce s s o f n e w c o n ce p t s, c o ll a bo r a ti n gwith Mg la s s a n d w i t h o t h er e v e nt s i n t h e r e gi o n.

[ om az e, L el aR ua d as B ar ri as , 6 0 . P 6 vo aA pa rt ad o 1 81 . 2 46 1 - 9 9 7 AlcobacaPor tugalT/F 00351232540120 / 129E [email protected] ww . j omaze_p t
mailto:carla.s.rebelo@gmaiLcommailto:[email protected]://www.jomaze_pt/http://www.jomaze_pt/mailto:[email protected]:carla.s.rebelo@gmaiLcom


27/35

BymiLAMPSThis p r oj e ct c o m es f ro m t h e c o n c ep t o f e r o si o n,t h ro u g h t h e e f f ec t o f w e ar o f t h e p i e c e, c a u s ed

fry t h e e f fe c t o f t h e f o rc e o f t h e s e a , t h e f o a m .The o v e r la y i ng o f o t h e r "arf'material,l im i te d o n Jy t o t h e s e c ti o n o f t h e e r o si o n, is also

an element f o r cr e a ti n g a n ew identity. The ma ter ia lto be u s ed m a y be textured g l as s , s i l v e r o r textile,w i th t h e latter being t h e e l em e n t t h a t personalises

e a ch p i ec e . W i t h a f o r m al o r ga n ic structure,i t i n te n t io na l ly a s sum e s its decora t i ve func t ion.

DESIGNCarla RebeloPRODUCTION

[ornazeMATERIAL

Ceramic / EarthenwareTECHNIQUE

Filling processSIZE

4oX4oX4o cm

50 51


28/35

DeepCU PS MA LL V AS E

Colour as the factor ofthe sea'sintimate relationship with the sand,in a set ofemotions and sensations

ofdepth and erosion.DESIGN

Sara PaivaPRODUCTION

jasmim Glass StudioMATERIAL

jasmim ecological glassTECHNIQUE

Glass blown twice(hand - double)

SIZECup 7,5x25x25 cm

Smallvase 19,5x26x26 cm

Sara Paiva was b or n i n , 978, in Lisbon,Portugal.

Shegraduated in Design Architecture fromthe Facultyof Architecture in Lisbon in 2002andfocused on vocational training, attendingg lass and design courses at Crisform andatVitroricerca in Bolzano, Italy.Sheregularlycol labora tes with Jasmim Glass Studio increating and developing new collections.She has a lso developed col lect ions for thebrand Marinha Grande MGlass. Sheis alsoded icated to the study and development o fwo rk techniques inglasssuch asSand Cas tin g ,Fusing and Pate-de-Verre, areasin which sheis also avocational trainer. Her pieces havebeen exhibited at national and internationalFairsin theSector, such asMaison &Objectin Par is and Hoters inTokyo.

Ruado Emigrante, 282430 -807 Vieira de LeiriaPortugal

M0035' 9'9 683 045E [email protected]

Jasmim Glass Studio was founded in'996, in Marinha Grande, Portugal.I ts main goa l was to take the Por tugueseg lass tradi t ion and bring i t backto l ife, butwith modern technology, GlassArt andSkill.Blown bypipeandwithout moulds, thisglassismodelled by the handsof theGlass Masters,with the help o f manua l instruments. Thismeans tha t n o two p ie ce s a re the same,a lthough they arevery similar . The g lass isshiny and transparent. The predominanceof colour, with mul tiple combina t ions, aswell asthe innovation through the introdu-ction of newmaterials, meansthat exquisitelybeaut iful decorat ive p ieces of rare beautycanbe made. Theclosecontact with artists,universities andclients makeit aunique spacefor exchanging and sharing knowledge.

52 53


29/35

BlackCENTREPIECED EC OR A TI VE P LA TE

VASE

Represents theprocess of erosionthrough the wearing ofa layer ofcolour, leaving the transparency

of theglass uncovered.DESIGN

S a ra P ai vaPRODUCTION

J as m im G la ss S tu di oMATERIAL

J as m im e co lo g ic al g l as sTECHNIQUE

G la ss b lo wn t wi ce ( ha nd - d o u bl e)w i th s an d j et e ng ra v in g

SIZECentrepiece 20x30x30cm

Plate 2 0X43X4 3 cmVase28,SX3X18,S cm

jasmim Glass StudioEstrada de Leiria, 2272430 - 901 Mar inha GrandePortugal

T 0035' 244 575590F 0035' 244 575591E [email protected]

54 55
mailto:[email protected]://www.jasmimglass.com/http://www.jasmimglass.com/mailto:[email protected]


30/35

Look BeyondVASEDECORAT IVE PLATE

The "tearing" of colour, uniqueand unrepeatable like theprogressivewearing ofa fine layer shows us what

there is beyond the obvious.DESIGN

Sara PaivaPRODUCTION

Jasmim Glass StudioMATERIAL

Jasmim ecological glassTECHNIQUEGlass blown twice,

(hand-double) - craccle typeSIZE

Vase 45,5x13x23 cmPlate 13X46,5X46,5 cm

56 57


31/35

/ .

Water bubbleDECORATION

Reproduction ofa water bubblecarried out with the technique

ofglass fusion.DESIGN

S6nia SilvaPRODUCTION

M6nica FaverioMATERIALGlass

TECHNIQUECasting

SIZEDiameter 40 em

Monica Faverio w as b or n in , 963,i n C o m o, I ta ly .S he i s a M ae st ra d 'A rt e - D es ig n C ou rs e,f ro m th e In stituto d 'A rte d i C an tu , a ndc om p le te d h er t ra in in g t hr ou gh d if fe re ntc o ur s es i n g l a ss f u si o n w i th v a ri o us i n te r na -t i o na l a r t is t s . F r om, 980 to , 986 sh e de d i ca t e dh er se lf t o t he c re a ti on o f t ex ti le d es ig n,s pe nd in g t he '990S o n s ev er al p ie ce s o fw o rk i n l e ad -e tc he d g la ss a nd g la ss f us io n.From, 999 to 200', sh e wa s Tr a i ne e Ass i st a n ti n t h e s u bj e ct s o f S t a in e d G l as s a n d Mo s ai c so n t he P a in ti n g C o ur s e o f t h e E s c ol a U n iv e r-s it ar ia d as A rt es d e C oi mb ra . S in ce 2002s he h as t ak en p ar t i n t he g la ss a rt B ie nn ia lo fM ar in h a G r a nd e a n d i n v a ri ou s e x hi bi ti o nsi n I t a ly a n d P o rt ug a l. S h e h a s b e en t e ac h in ga t C e a rt e -C o imb ra s i nc e 2006.

R ua d a F on te , 934480 -480 TouguesV il a d o C on dePortugalM 0035' 968 294 339E monicafaverio@gmail .comhttp: / /monicafaverio.googlepages.com

58 59
mailto:[email protected]://monicafaverio.googlepages.com/http://monicafaverio.googlepages.com/mailto:[email protected]


32/35

AvantCra f tExhibitions

IRELANDCrafts CounciI of Ireland

21a pr il - 20may 2007. Kilkenny

FRANCEPOleRegional des Metiers d'Art

29may - 3june 2007 . Paris

PORTUGALCentro de Formacao

Profissional do Artesanato23j un e - 1july 2007 . Lisbon

SPAINCentro de Artesanla y DiseFio

6 s ep tember - 14october 2007. Lugo

Media

lnlciativa Programme on RTP2,06th of May 2006 (10')Po r tu g al em Deba te Programme on RTPN, ojrd of January 2007 (20')lnlciativa Programme on RTP2,28th June2007Moos Magazine no. 27/28Moos Magazine no. 29Agenc ia Lusa, on lot h o f March 2007Vila do Conde Nat ional Craft FairCatalogue 2006FIACatalogue 2006FIACatalogue 2007Several S h or t N e ws I tems on various radio stationsDi o ri o d e C o imbr a , on 25th September 2005 (project presentation)Di o ri o a s Be i ra s , on 26th September 2005 (project presentation)o Pr imei ro deJanei ro, on 08th March 2006Di o ri o a s Be i ra s , on orth April 2006

6061


33/35

AvantCraftCollection

The force ofpersistence

PUBL ICATIONCEARTECentro de Formacao Proflssional do ArtesanatoCOORDINATIONLuis RochaAna Cristina MendesJoao Pedro AmaralGRAPH IC DES IGNPedro G6is / g6isdesignPHOTOGRAPHYJose MenezesLUIsde Bar ros / photo Fil ipe FalscaAvant Craft / participantsPhotographs taken during the project.TYPEScala SansNew Century SchoolbookPAPERCreator Silk 170/250 grPRINTINGVistas LargasISSUE1500 Copies

2007 CEARTEl' Edition, June 2007.A l l r ig h ts r e se rv e d. R e pr o du c ti on , t ot al o r p ar ti al , i n a n y f or m , o f t h e t ex to r i l lu s tr a t io n s i s f o r b id d e n w i t ho u t p r io r a u th o r is a ti o n f r om t h e p u b li s he r s .


34/35

G cearteCentro de Formacao

Proflssional do ArtesanatoTraining with a future

I NsmUTO DO EMPAEGOE F OR M AC Ao P RO FI SS IO NA L

c AR IT AS D IO CE SA NA DE C OI MB RA

P RO JE CTO F IN AN CIA DO P EL Q F UN DO S OC IA L E UR OP EUE P EL O E ST AD O P OR TU GU ~S

G OV ER NO D A R EP UB L .I CA PORTUGUESAM ln ls te rl o d o T ra ba lh o e d e S oll da rl ed ad e S oc ia l

.:~~[IJ

H EA D O FF IC EZ on a In du strial d a P ed ru lh aA partad o 8 14 63 02 1 - 9 01 C oim braPortugalT 00351 2 39 49 7 2 00F 00351 2 39 49 2 2 9 3E [email protected] EM I D E T RA IN IN G C EN TR ESem ide - M iranda do C orvo3 22 0 - 4 23 Sem idePortugalT 00351 2 39 5 40 140F 00351 2 39 5 42 09 7E [email protected] AB A< ;O S T RA IN IN G C EN TR ERua [ose R i be ir o C a rv a lh oCabacos - Alvaiazere3 25 0 - 3 59 PussosPortugalT 00351 2 36 636 489F 00351 2 36 631 607E [email protected]

Portuguese PartnersPPART Programa para a Prornocao dos Oficios e das Microempresas Artesanais

Programme for the Promotion of Crafts and Craft Micro-enterprises

FPAO Federa~ilo Portuguesa de Artes e OfrciosPortuguese Federation of Arts and Oafts

CRAT Centro Regional de Artes TradicionaisRe gi o na l C e nt re o f Tr ad it io n al A r ts

Elaborated for A v an t Cr a jt P r o je c t - Y o u ng d e si gn e rs , n ew f o rm s,n ew w a ys , n ew t im e sf or th e A tl an ti c C u lt ur e. Reference 158.~1.p.rdc1pat1ondefU"lonE">q>H .... ProJeclco-tI"."a!parIeFEDER

S u p po r te d b y tn e E u r op e a n U n i on ' P r o je c tc o - fi n o nc e d b y the ERDFCom,plrtci~daUniloE"rop.il.PRljedco-tIlllnciodo~oFEDER

can I.p.rti.ipaci6n del. Uni6nEuropea. l ' ra J ee I a . . .. f inan .iad" "",el FEDER
mailto:[email protected]:[email protected]:[email protected]://www.cearte.pt/http://www.cearte.pt/mailto:[email protected]:[email protected]:[email protected]


35/35

Avant Craft Collection 2007

Documents