Aula - Minimalismo

ANDRE, CarlCopper-Aluminum Plain1969Copper and aluminum, 3/8 x 72 x 72 in

ANDRE, CarlPyre (Element Series) Conceived in 1960 and executed in 1971Each: 30.5 x 30.5 x 91.4 cm. Overall: 121.9 x 91.4 x 91.4 cm

ANDRE, CarlEquivalent I-VIII 1966Sand-lime bricks, 2 x 2 x 9 inInstallation: Tibor di Naagy Gallery, NY

ANDRE, CarlHerm1976Western red cedar, 36 x 11 x 11 in

ANDRE, CarlStile (Element Series), New York 1960 (proposed) / New York 1975 (made)Private collection, Installation Museum Kurhaus Kleve.Photo: Achim Kukulies, Düsseldorf

JUDD, DonaldUntitled (box with trough)1963Light cadmium red oil on wood, 19 x 45 x 30 in© Donald Judd

JUDD, DonaldUntitled (box with trough), detail1963 Light cadmium red oil on wood© Donald Judd

JUDD, DonaldUntitled (91-8 Ballantine)1991Cadmium red oil on plywood and aluminum, 49.5 x 114.3 x 76.2 cm

JUDD, DonaldUntitled1964Madera y metal, 86,5 x 122 x 49,5 cm

JUDD, DonaldUntitled 1967 (refabricated 1973-75)Lacquer on galvanized iron, 65.1 x 194.6 x 37.2 cmMoMA Gift of Philip Johnson (by exchange)

JUDD, DonaldUntitled1967Blue lacquer on galvanized iron, 14 1/2 x 76 1/2 x 25 1/2 inThe Museum of Contemporary Art, Los Angeles, The Barry Lowen Collection

JUDD, DonaldUntitled1966Galvanized iron; 7 units, 9 x 40 x 31 inPrivate collection

JUDD, DonaldUntitled1969Copper, ten units with 9-inch intervals, 22.9 x 101.6 x 78.7 cm each; 457.2 x 101.6 x 78.7 cm Solomon R. Guggenheim Museum, New York, Panza Collection 91.3713 Art © Judd Foundation. Licensed by VAGA, New York, NY

JUDD, DonaldUntitled1966

MORRIS, AlbertUntitled (L-beams)1965 (installation view, Art in Place: Fifteen Years of Acquisitions, Whitney Museum of American Art, 1989)

FLAVIN, DanPuerto Rican Light (to Jeanie Blake) 2, 1965Red, pink, and yellow fluorescent lights.Height 96 in. (243.8 cm)

FLAVIN, DanUntitled (to a man, George McGovern)1972Warm-while fluorescent light

LeWitt, SolNine-part Modular Cube1977Baked enamel on aluminum,219.7 x 219.7 x 219.7 cmAda Turnbull Hertle Fund© 2008 The Estate of Sol LeWitt

LeWitt, Sol(Hartford, 1928 – New York, 2007)Costruzione cubica, 1971

LeWitt, SolCorner Piece No. 2 (from Cube structures based on nine modules) 1976Painted wood, 109.9 x 109.9 x 109.9 cm

LeWitt, SolTwo Open Modular Cubes/Half-Off1972Enamel on aluminium, 1600 x 3054 x 2330 mmTate, Purchased 1974

LeWitt, SolIncomplete Open Cube1974Painted aluminum, 42 x 42 x 42 in

JOHNS, JasperFlag1954-55 (dated on reverse 1954) Encaustic, oil, and collage on fabric mounted on plywood, three panels, 107.3 x 153.8 cmGift of Philip Johnson in honor of Alfred H. Barr, Jr.MoMA © 2014 Jasper Johns / Licensed by VAGA, New York, NY

WARHOL, AndyMarilyn Monroe1967

Frank Stella, installation at Leo Castelli Gallery, NY1960

STELLA, FrankAvicenna1960Aluminum paint on canvas, 6’ x 6’

STELLA, FrankMarquis de Portago1970Screenprint in light gray and lithograph in metallic silver with varnish on Special Arjomaripaper

STELLA, FrankOuray1960-61Cooper paint on canvas

STELLA, FrankTelluride (1960-61) , Creede I (1961), Creede II (1961)

STELLA, FrankLake City 1962

Frank Stella, 1964, photo by Ugo Mulas

STELLA, FrankOphir1960-61Copper oil paint on canvas 250.2 x 210.2 cm

STELLA, FrankTelluride1960-61Copper paint on canvas, 87 x 84 in

STELLA, Frank1ª versão "Luis Miguel Dominguín“1960Aluminum paint on canvas

STELLA, Frank

STELLA, FrankNewstead Abbey1960 Aluminium paint on canvas, 300 x 182 cmStedelijk Museum, Amsterdam, Netherlands

STELLA, FrankLeo Castelli Gallery, 1964

STELLA, FrankEmpress of India1965Metallic powder in polymer emulsion paint on canvas, 195.6 x 548.6 cmGift of S. I. Newhouse, Jr.MoMA © 2014 Frank Stella / Artists Rights Society (ARS), New York

STELLA, FrankEmpress of India1965Metallic powder in polymer emulsion paint on canvas, 195.6 x 548.6 cmGift of S. I. Newhouse, Jr.MoMA © 2014 Frank Stella / Artists Rights Society (ARS), New York

STELLA, FrankDe la nada vida a la nada muerte1965Emulsion with metallic paint on canvas, 205.7 x 744.2 cm Ada S. Garrett Prize Fund © 2014 Frank Stella / Artists Rights Society (ARS), New York

ANDRE, CarlFirst ladder1958

ANDRE, CarlLast Ladder1959Pine, 2140 x 156 x 156 mmTate, Purchased 1972

ANDRE, CarlPyramid 1959Wood, 2" x 4" fir Destroyed 74-unit stack © Carl Andre/Licensed by VAGA, New York, NY. Courtesy Paula Cooper Gallery, New York

ANDRE, CarlPyramid (Square Plan) 1959 (destroyed), 1970 (remade)Wood (Fir), 1 m 74.96 cm x 78.74 cm x 78.74 cmDallas Museum of Art, General Acquisitions Fund and matching funds from The 500, Inc. © Carl Andre / Licensed by VAGA, New York, NY

ANDRE, CarlConvex Pyramide1959-2000African Walnuteach: 4.4 x 10.1 x 57.8 cmoverall: 192 x 57.8 x 57.8 cm

ANDRE, CarlThe way north, south and west (uncarved blocks) Western red cedar, 4 units: each 30.5 x 30.5 x 91.5 cm; 91.5 x 122.0 x 152.5 cm installedJohn Kaldor Family Collection at the Art Gallery of New South Wales

MORRIS, RobertUntitled (Corner Piece)1964Painted plywood, 198.1 x 274.3 cmSolomon R. Guggenheim Museum, New York, Panza Collection © 2014 Robert Morris / Artists Rights Society (ARS), New York. Photo: David Heald © SRGF

MORRIS, RobertUntitled 1965, reconstructed 1971 Mirror Glass and wood, 914 x 914 x 914 mmTate, Purchased 1972

MORRIS, RobertUntitled (Ring with Light)1965-66Plywood, acrylics, plexi, fluorescent light, 60 x 35,6 x 246 cm

MORRIS, RobertSlab (cloud)1973Painted aluminium painted aluminium, 30.0 x 243.8 x 243.8 cm Purchased 1979 National Gallery of Australia© Robert Morris/ ARS. Licensed by Viscopy

Robert Morris Installation at the Green Gallery, 1963

MORRIS, RobertUntitled (L Beams), originally plywood, later versions made in fiberglass and stainless steel, 8 x 8 x 2 feet, 1965

MORRIS, RobertUntitled1969Felt, 459.2 x 184.1 x 2.5 cmThe Gilman Foundation FundMoMA © 2014 Robert Morris / Artists Rights Society (ARS), New York

JUDD, DonaldUntitled1966

JUDD, DonaldUntitled1968Brass, 55.9 x 122.6 x 91.4 cmGift of Philip Johnson, MoMA

JUDD, DonaldUntitled1968Brass, 55.9 x 122.6 x 91.4 cmGift of Philip Johnson, MoMA

JUDD, DonaldUntitled1978Douglas Fir plywood, 49.5 cm x 114.3 cm x 77.5 cmPace Gallery, NY, US

JUDD, DonaldUntitled1978Stainless steel and green anodized aluminium 10 Units, Each: 23 x 101.6 x 78.7 cmSaatchi Gallery, UK

JUDD, DonaldUntitled1966/68Stainless steel and Plexiglas in six parts, 86.36 × 86.36 × 86.36 cmMilwaukee Art Museum, Layton Art Collection, Michael Tropea © Judd Foundation/Licensed by VAGA, NY

JUDD, DonaldUntitled1966Stainless steel and yellow Plexiglas. Six 34 inch cubes

JUDD, DonaldUntitled1966/68Stainless steel and Plexiglas in six parts, 86.36 × 86.36 × 86.36 cmMilwaukee Art Museum, Layton Art Collection, Michael Tropea © Judd Foundation/Licensed by VAGA, NY

JUDD, DonaldUntitled (Bernstein 81-83) (in 4 parts) 1981Stainless steel and Plexiglas, 50 x 100 x 50 cm

JUDD, DonaldUntitled 1982 Aluminum and violet Plexiglas, 100 x 100 x 37 cm

15 untitled works in concrete, 1980-1984The fifteen concrete works by Donald Judd that run along the border of Chinati's property (Chinati Foundation, Marfa, TX) were the first works to be installed at the museum and were cast and assembled on the site over a four-year period, from 1980 through 1984. The individual units that comprise each work have the same measurements of 2.5 x 2.5 x 5 meters, and are made from concrete slabs that are each 25 centimeters thick. Funding for the project was provided by the DiaArt Foundation

JUDD, Donald15 untitled works in concrete1980-1984, detailChinati Foundation, Marfa, Texas

JUDD, Donald15 untitled works in concrete1980-1984, detailChinati Foundation, Marfa, Texas

JUDD, Donald15 untitled works in concrete1980-1984, detailChinati Foundation, Marfa, Texas

JUDD, DonaldUntitled (Menziken 89-6)1989 Anodized aluminum clear and blue with blue Plexiglas, 100 × 200 × 200 cm

JUDD, DonaldUntitled1991 Painted aluminum, 150 x 750 x 165 cmBequest of Richard S. Zeisler and gift of Abby Aldrich Rockefeller (both by exchange) and gift of Kathy Fuld, Agnes Gund, Patricia Cisneros, Doris Fisher, Mimi Haas, Marie-Josée and Henry R. Kravis, and Emily Spiegel, MoMA

JUDD, DonaldUntitled, 100 works in mill aluminum1982-1986, detailChinati Foundation, Marfa, Texas

JUDD, DonaldUntitled, 100 works in mill aluminum1982-1986, detailChinati Foundation, Marfa, Texas

JUDD, DonaldUntitled1976Plywood, 3 x 5 x 5 ft

FLAVIN, DanUrsula one and two picture 1/31964

FLAVIN, DanUntitled (to Jan and Ron Greenberg)1972-73Yellow and green fluorescent light 244 cm high, in a corridor measuring 244 cm high and 244 cm wide; length variable, edition 1/3Solomon R. Guggenheim Museum, New York, PanzaCollection © 2014 Stephen Flavin/Artists Rights Society (ARS). Installation view: drawings and diagrams from Dan Flavin 1963-1972; corners, barriers, and corridors in flourescent light from Dan Flavin, St. Louis Art Museum, Missouri, January 26–March 11, 1973

FLAVIN, DanUntitled (to Jan and Ron Greenberg) 1972-73Installation view: Arte Minimal: ColeccionPanza, Museo nacional centro de arte Reina Sofia, Madrid, March 24–December 31, 1988Photo: Raphael Lobato

FLAVIN, DanNine works197-1983Installation view at The Dan Flavin Art Institute

SMITH, TonyThrone1956-57Steel, painted black, 71 x 99 x 81 cm

SMITH, TonyMarriage1961Steel, painted black, 305 x 305 x 366 cm

SMITH, TonyCigarette1961 (fabricated 1971) Painted steel, 459.2 x 777.2 x 566.3 cmMrs. Simon Guggenheim FundMoMA © 2014 Estate of Tony Smith / Artists Rights Society (ARS), New York

SMITH, TonySpitball 1961Painted steel, 350.5 x 426.7 x 426.7 cmPurchased as the gift of Ryda and Robert H. Levi, Baltimore Museum

SMITH, TonyGracehoper (at the DIA) 1961

Welded steel and paint, 6.91 m × 7.3 m × 14 m

SMITH, TonyDuck1962-63Painted steel, 345.4 x 421.6 x 281.9 cmThe Donald M. Kendall Sculpture Garden at PepsiCo (Purchase, New York),April 28, 2009

SMITH, TonyAmaryllis1965Painted steel, 342.9 x 325.1 x 228.6 cmThe Metropolitan Museum of Art, NY Anonymous Gift, 1986 © 2011 Artists Rights Society (ARS), New York

KAPOOR, AnishCloud Gate (2004, Stainless Steel)Photo credit: Natasha Mikitas

KAPOOR, AnishCloud Gate 2004Stainless steel, 33 ft × 66 ft × 42 ftMillennium Park, Chicago. Courtesy of the City of Chicago and Gladstone Gallery, New YorkPhoto: Peter J. Schulz, City of Chicago

KAPOOR, AnishSky Mirror2006 Stainless steel, 35 ft diameterpresented by Tumi at Rockefeller CenterOrganized by Public Art Fund, hosted by Tishman Speyer, on view Sep19 – Oct 27, 2006Photo: Seong Kwon PhotographyCourtesy: Public Art Fund

KAPOOR, Anish

KAPOOR, Anish

NETO, ErnestoCélula Nave2004

NETO, Ernesto

NETO, ErnestoIt Happens in the Horizon of Events, Garden2001-07Lycra tulle, polyamide, stockings, stones and gravel, 8 × 98 × 98‘Tokyo Opera City Art Gallery, 2007Photo: Keizo Kioku. Courtesy of the artist

NETO, ErnestoOur Mist into the Mith2008Wood, nylon tulle, cotton, spices and sobakawa, 650 x 760 x 930 cm

Stonehenge, Condado de Wiltshire, Inglaterra, 2014-08-12

SMITHSON, RobertSpiral Jetty1970Mud, Precipitated salt crystals, Rocks, Water, 4.572 m × 457.2 mRozel Point, Great Salt Lake, Utah, US

SMITHSON, RobertSpiral Jetty1970

SMITHSON, RobertAmarillo RampTecovas Lake, Amarillo, Texas1973

SMITHSON, RobertAsphalt Rundown, Rome, October 1969

HEIZER, MichaelDouble Negative1969-7050 miles NE of Las Vegas, Five miles E of Overton, Nevada Coordinates:36.614391, -114.344513

HEIZER, MichaelDouble Negative1969-70

HEIZER, MichaelDouble Negative1969-70

HEIZER, MichaelRift # 1 of Nine Nevada Depressions (deteriorated)19681.5 ton displacement on the bottom of a dry lake bed Width: (cm) 4500, Height (cm): 15800, Depth (cm): 300 Massacre Dry Lake, NevadaImageworks, Art, Architecture and Engineering Library, University of Michigan

De MARIA, WalterThe Lightning Field, 1977Long-term installation inWestern New MexicoCourtesy Dia Art Foundation, New York. Photo: John Cliett

De MARIA, Walter The Lightning Field, Nuevo México1977

De MARIA, Walter The Lightning Field Catron Country1977 Western New MexicoPhoto: Dia Art Foundation

De MARIA, Walter The Broken Kilometer

1979Long-term installation at 393 West Broadway, New York City. Photo: Jon Abbott Copyright Dia Art Foundation

Christo and Jeanne-ClaudePROJECT 1: Wrapped Coast – One Million Square Feet, Little Bay, Sydney, Australia, 1968–69Photo: Harry Shunk

Christo and Jeanne-Claude, Running Fence, Sonoma and Marin Counties, California, 1972–76, © Christo, 1976 Photo by Wolfgang Volz

LONG, RichardSilence Circle Big Bend Texas1990 Photograph, black and white, on paper and typescript, 830 x 1121 mmPurchased with assistance from the American Fund for the Tate Gallery, courtesy of Edwin C. Cohen and General Atlantic Partners 1991

LONG, RichardWalking a Line in Peru, 1972

LONG, RichardA Circle in Ireland1975Photograph, colour on paper, 810 x 1115 mmARTIST ROOMS Tate and National Galleries of Scotland. Lent by Anthony d'Offay 2010

LONG, RichardCircle in Africa1978Photograph, black and white, on paper, 820 x 1120 mmTate, UKPurchased 1994

LONG, RichardCircle Tuareg Sahara1988

LONG, RichardSahara line1988

BURRI, Alberto Cretto di Gibellina, 1968

BURRI, Alberto Gibellina, il Cretto di Burri

BURRI, AlbertoCretto di Gibellina, 1968

BURRI, AlbertoBianco Cretto C11973Tecnica mista su cellotex, 150 x 125 cm

HESSE, EvaAccession II1968 (1969)Galvanized steel and vinyl, 78.1 x 78.1 x 78.1 cmDIA-Detroit Institute of Arts - Detroit, MI

HESSE, EvaRepetition Nineteen I1967Paint and papier-mâché on aluminum screening, 19 units (one missing), 23.2 to 26.6 cm x 16.5 to 23.2 cm in diameterGift of Mr. and Mrs. Murray CharashMoMA © 2014 Estate of Eva Hesse. Galerie Hauser & Wirth, Zurich

HESSE, EvaRepetition Nineteen III1968Fiberglass and polyester resin, nineteen units, 48 to 51 cm x 27.8 to 32.2 cm in diameterGift of Charles and Anita BlattMoMA © 2014 Estate of Eva Hesse. Galerie Hauser & Wirth, Zurich

HESSE, EvaArea1968

HESSE, EvaEnclosed from the set: 7 Objects/691969 Tape, liquid rubber, powder, and balloons, 7 1/2 x 3 x 1 5/8 "ArtScience Museum

HESSE, EvaConnection1969Fiberglass, polyester resin on cloth-covered metal wire, 20 units, each 40.6 to 166.4 X 2.5 to 7.6 cm

HESSE, EvaExpanded Expansion1969Fiberglass, polyester resin, latex, and cheesecloth, 309.9 x 762 cmSolomon R. Guggenheim Museum, New York, Gift, Family of Eva Hesse 75.2138 © Eva Hesse. Photo: David Heald (1986, New York)

HESSE, EvaTori1969Polyester, resin, and fiberglass on wire mesh, 119.4 x 43.2 x 38.1 cmPhiladelphia Museum of Art, US

HESSE, EvaTest Piece for “Contingent”1969Latex over cheesecloth, 365.8 x 111.8 cm National Gallery of Art, Washington DCGift of the Collectors Committee

HESSE, EvaContingent1969Cheesecloth, latex, fibreglass installation (variable), 350.0 x 630.0 x 109.0 cm National Gallery of Australia Purchased 1973 Courtesy The Estate of Eva Hesse, Galerie Hauser & Wirth, Zurich

HESSE, Eva

SERRA, RichardPhoto: Gianfranco Gorgoni1969Gelatin silver print, 27.7 x 35.2 cm

Installed Castelli Warehouse Richard Serra, Casting196910 x 765 x 455 cm

SERRA, RichardTo Lift 1967Vulcanized rubber. 36 x 80 x 60 inCourtesy David Zwirner GalleryPhoto: Peter Moore© 2013 Richard Serra/Artists Rights Society (ARS), New York

SERRA, Richard (left to right)1. Shovel Plate Prop 1969 - Plate, 99.1cm x 2m x 2.5 cm, Photograph by Peter Moore2. Close Pin Prop 1969 - Pole, 2.5 m; 8.9 cm diam.; tube, 101.9 cm long 15.2 cm diam., Solomon R. Guggenheim Museum, NY, Panza Collection3. Wall Plate Prop 1969 - Two plates: 88.9 x 88.9 cm; 101.6 x101.6 cm, Collection the artist4. Right Angle Prop 1969 - Plate: 182.9 x 182.9 x 1.3 cm, angle: 91.4 x 61 x 86.4 cm, Solomon R. Guggenheim Museum, NY, funds by The Theidoron Foundation

SERRA, RichardShovel Plate Prop1969 Steel, 203 x 213.4 x 81.3 cm; plate: 101.2 x 199.5 x 2.4 cm; tube: 144.9 cm long xv24.2 cm in diameterSolomon R. Guggenheim Museum, New York, Panza Collection © 2014 Richard Serra / Artists Rights Society (ARS), New York

SERRA, RichardRight Angle Prop1969Lead antimony, 182.9 x 182.9 x 86.4 cmSolomon R. Guggenheim Museum, New York, Purchased with funds contributed by The Theodoron Foundation © 2014 Richard Serra/Artists Rights Society (ARS), New YorkPhoto: David Heald

SERRA, RichardCorner prop1969

SERRA, RichardProp1968 (refabricated 2007)Lead antimony, approximately 227.3 × 152.4 × 137.2 cmWhitney Museum of American Art, New York; purchase with funds from the Howard and Jean Lipman Foundation, Inc. © 2009 Richard Serra / Artists Rights Society (ARS), New York

SERRA, RichardCutting Device: Base Plate Measure1969Lead, wood, stone, and steel, 30.5 x 549 x 498Gift of Philip JohnsonMoMA © 2014 Richard Serra / Artists Rights Society (ARS), New York

SERRA, RichardStacked Steels Slabs (Skullcracker Series)1969Hot rolled steel, approx. 20 x 8 x 10‘Installed: Kaiser Steel, Fontana, CA

SERRA, Richard

SERRA, Richard2+2+1 for Dickie & Tina 1969Lead plates 4'x4', half inch thick

SERRA, Richard2-2-1: To Dickie and Tina1969, 1994Lead, 1320 x 3490 x 1320 mmTatePurchased with assistance from the American Fund for the Tate Gallery 1997

SERRA, RichardCircuit II1972-86Hot-rolled steel, four plates, each 304.5 x 609 x 2.6 cmThe Museum of Modern Art, New York. Enid A. Haupt and S. I. Newhouse, Jr. Funds, 1986

SERRA, Richard

SERRA, RichardDelineator1974-75Hot-rolled steel, two plates, each 595 x 300 x 2,5 cmCollection of the artist © 2011, ProLitteris, ZürichPhoto: Serra Studio, New York / © 2011, Gordon Matta-Clark

SERRA, RichardDelineator1974-75Hot-rolled steel, Two plates, each: 2.5 cm x 3.1 m x 7.9 mGift of Edward R. Broida and Gift of Mr. and Mrs. Morton J. Hornick (both by exchange)MoMA © 2014 Richard Serra / Artists Rights Society (ARS), New York

SERRA, RichardSight Point, 1972

SERRA, RichardSight Point, 2012

SERRA, Richard"7“Almost 80-foot high, 7 steel plates - each 78 feet high and 8 feet wide - arranged in a heptagonal or seven-sided shapeIt was unveiled in 2011 and is the tallest artwork ever created by SerraIt celebrates the spiritual and scientific significance of the number 7 in Islamic cultureMuseum of islamic Art, Doha, Qatar

SERRA, RichardBerlin Block (For Charlie Chaplin), 1978

SERRA, RichardBerlin Block (for Charlie Chaplin)1977Stahlblock, 190,5 x 190,5 x 190,5 cmNeue Nationalgalerie, Berlin

SERRA, RichardTilted Arc1981 Steel, New York City (destroyed)

SERRA, RichardTilted Arc1981Federal Plaza, Manhattan

SERRA, RichardTilted Arc1981Federal Plaza, Manhattan

SERRA, RichardTilted Arc1981Steel, New York City (destroyed)Photo © 1985 David Aschkenas

SERRA, RichardTilled Arc1981

SERRA, RichardClara-Clara1983Acier, 370 x 332 x 5,1 cm et 370 x 328 x 5,1 cmInstallation dans le jardin des Tuileries à Paris (coll. Ville de Paris. © Dirk Reinartz)

SERRA, RichardClara-Clara1983Jardin des Tuileries, Paris

SERRA, RichardClara-Clara1983Jardin des Tuileries, Paris

SERRA, Richard

SERRA, RichardEqual (Corner Prop Piece)1969-70Lead antinomy, Plate 122 x 122 x 2 cm, pole210 cm long x11 cm in diameterGilman Foundation FundMoMA © 2014 Richard Serra / Artists Rights Society (ARS), New York

SERRA, RichardTwo Forged Rounds for Buster Keaton, 1991Forged steel, 2 elements: 162.6 x 226.1 cm

SERRA, RichardIntersection II1992-93Weatherproof steel, four identical conical sections, two sections 400 x 1570 along the chord x 5.4 cm thick; two sections 400 cm x 1550 cm along the chord x 5.4 cm

SERRA, RichardIntersection II1992-93Weatherproof steel, four identical conical sections, two sections 400 x 1570 along the chord x 5.4 cm thick; two sections 400 cm x 1550 cm along the chord x 5.4 cm

SERRA, RichardTorqued Torus Inversion and Sequence, 2006Weatherproof steel, two torqued toruses, each overall: 3.9 x 11 x 17.9 m, plate: 5.1 cm thick Collection the artist

SERRA, RichardBetwixt the Torus and the Sphere (detail), 2001Weatherproof steel, three spherical sections, three torus sections, 360.7 x 1143 x 810.3cmPhoto by Rob McKeever

SERRA, RichardTorqued Ellipse II, 1996, and Double Torqued Ellipse, 1997, DIA

SERRA, RichardTorqued Ellipse I, à esquerda; Torqued Ellipse II, à direita e Double Torqued Ellipse, ao fundoFoto: Dirk Reinartz

SERRA, RichardTorqued ellipses

SERRA, RichardInstallation by the American artist Richard Serra at the Guggenheim. Photograph: Vincent West/Reuters

SERRA, RichardDouble Torqued EllipseWeatherproof steel, Outer ellipse, overall: 4×10.2×8.3 m, inner ellipse, overall: 4×8×2.5 m, plates: 5.1 cm thickDia Foundation, New York. Gift of Louise and Leonard Riggio. Photographed by Dirk Reinartz. Courtesyof the artist and Gagosian Gallery

SERRA, RichardTorqued Ellipse II

SERRA, RichardTorqued Ellipse IV1998Weatherproof steel, 373.4 x 807.7 x 990.6 cmThe Museum of Modern Art, New York. Fractional and promised gift of Leon and Debra Black, 1999. (c) 2007 Richard Serra / Artists Rights Society (ARS), New YorkPhoto: Lorenz Kienzle

SERRA, RichardTorqued Spiral (Closed Open Closed Open Closed) (Espiral bihurritua (itxita zabalik itxitazabalik itxita)), 2003Weathering steel, 14 x 13.1 x 14.1 m; platethickness: 5 cm Guggenheim Bilbao MuseoaGBM2005.1 © 2012 Richard Serra/ArtistsRights Society (ARS), New York

SERRA, Richard58 x 64 x 70, 1996Forged steel blocks, 6 blocks: 147.3 x 162.6 x 177.8 cmInstallation at Gagosian Gallery, SoHo

SERRA, RichardNo Mandatory Patriotism1989Paintstik on two sheets of paper, 236.5 x 510.9 cmPartial and promised gift of UBSMoMA © 2014 Richard Serra / Artists Rights Society (ARS), New York

SERRA, RichardExhibition copy of "Pacific Judson Murphy" (1978)Paintstick on Belgian linen by Richard Serra two parts: 285 x 442 cm and 285 x 272 cm Private collection Photo: Ian Reeves, S. F. Museum Of Modern Art

SERRA, RichardNo Mandatory Patriotism1989Paintstick on two sheets of paper, 237 x 534 cmCollection Museum of Modern Art, New York. Photo: Rob McKeever. © the artist

SERRA, RichardDouble Rift #2, 2011Paintstick on handmade paper, 267 x 505.8 x 9.5 cmGagosian Gallery, NYPhoto by Rob McKeever

SERRA, RichardA new drawing

SERRA, RichardTwo Corner Cut: High Low2012)The Menil CollectionPhoto © Hester + Hardaway Photographers. Fayetteville, Texas

SERRA, RichardConsequence2003 © Richard Serra /Artists Rights Society (ARS), New YorkPhoto: Richard Barnes

SANDBACK, Fred Untitled (from Ten Vertical Constructions)1977Two-part vertical construction, red (variation)Dia Art FoundationPhoto: Nic Tenwiggenhorn

SANDBACK, Fred Untitled (Sculptural Study Seven Part Triangular Construction), 1982/2010

SANDBACK, Fred Untitled (Sculptural Study, broken triangle, lannan foundation, santa fe)1990-2014Black and Orange Acrylic YarnGalería Cayón

SANDBACK, Fred Untitled (Sculptural Study, two-part vertical construction)1976-2013Orange and Yellow Acrylic Yarn, 30.5 x 45.7 cmGalería Cayón

SANDBACK, Fred Untitled (Sculptural Study, Seven-part Right-angled Triangular Construction), 1982/2010

SANDBACK, Fred Untitled (detail), 1976/1981

SANDBACK, Fred Madre e hija (dos construccionestriangulares) (detalle)2003Hilo acrílico negro y griscopyright: cincodearte.wordpress.com

SANDBACK, Fred Untitled (Sculptural Study, Five-part Construction), 1987/2009

SANDBACK, Fred Simultan1974Woolen string, 64 x 6 x 48 cm

WILMARTH, Christopher Tina Turner, 1970-71Etched glass, clear glass, and steel cable, 177.2 x 449.6 x 147.3 cmGift of Edward R. BroidaMoMA Number:811.2005Copyright:© 2014 Estate of Christopher Wilmarth

WILMARTH, Christopher Trace1972Glass, steel, 60 × 60.125 × 35.25 inches Walter Art Center

WILMARTH, Christopher Susan Walked In 1976Etched glass and steel, 152.4 x 152.4 x 76.2 cm Hunter Museum of American Art

WILMARTH, Christopher Is, Was (Chancing)1975-76

Jerry L. Thompson Christopher Wilmarth, Brooklyn, 1985Dye transfer, 43.2 x 35 cm

NAUMAN, Bruce My Name as Though It Were Written on the Surface of the Moon1968

NAUMAN, BruceMean Clown Welcome1985Neon tubing mounted on metal monolith, 72 x 82 x 13 inch

NAUMAN, Bruce "e" 1970Screenprint on paper, 518 x 662 mmTate, Purchased 1994

NAUMAN, Bruce Sex and Death1985

NAUMAN, Bruce Green light corridor1970-71

NAUMAN, Bruce Dance or Exercise on the Perimeter of a Square (Square Dance)1965

NAUMAN, Bruce Model for Animal Pyramid II1989 Cut-and-taped gelatin silver prints (irreg), 229.9 x 152.8 cm Gift of Agnes Gund and Jo Carole and Ronald S. LauderMoMA © 2014 Bruce Nauman / ArtistsRights Society (ARS), New York

NAUMAN, Bruce Untitled (Three Large Animals)1989Aluminium and wire, 1200 x 3000 x 3000 mmTatePresented by the Froehlich Foundation, Stuttgart 2000