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Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception by Place Coding by Rate coding Sound Localization by phase difference by intensity difference
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Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Jan 01, 2016

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Sabina Hall
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Page 1: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Audition Outline

•  Perceptual dimensions

•  Ear Anatomy •  Auditory transduction•  Pitch Perception

– by Place Coding– by Rate coding

•  Sound Localization– by phase difference– by intensity difference

Page 2: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Perceptual Dimensions

Stimulus Vision Audition

Frequency Hue (nm)

(‘color’)

Pitch (Hz)(e.g. 440Hz)

Amplitude Brightness Loudness (dB)

Purity (vs. complexity)

Saturation

Timbre

Page 3: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

complexity

Page 4: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Sound: Variation of pressure over time

Page 5: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Ear Anatomy• Peripheral Structures

– Outer ear– Middle ear– Inner ear– Auditory nerve

• Central Structures– Brainstem– Midbrain– Cerebral

Page 6: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Air Bones Liquid

Eardrum >> oval window

Ear Anatomy

Page 7: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Tympanic Membrane (ear drum)

semi-transparent cone shaped

Page 8: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

http://www.qub.ac.uk/cskills/Ears.htmHow to use an otoscope

http://medweb.uwcm.ac.uk/otoscopy/Default.htm

Pearly gray1=Attic (pars flaccida) 2= Lateral process of malleus 3=Handle of malleus 4=End of the malleus 5=Light reflex

http://medweb.uwcm.ac.uk/otoscopy/common.htmVirtual otoscope & common conditions

http://icarus.med.utoronto.ca/NeuroExam/

Page 9: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

normalAcute otitis media with effusion. There is: - distortion of the drum, - prominent blood vessels in the upper half - dullness of the lower half. - bulging of the upper half of the drum - the outline of the malleus is obscured.

Page 10: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

                  

               Normal

Membrane

                                 

Opaque with Inflammation

                               

  Bulging Membrane

                  

               Chronic

Inflammation

                                 

Resolving Infection

                              

Page 11: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Middle Ear

• Eustachian Tube: connects to pharynx

• Ossicles: 3 bones, which transmit acoustic energy from tympanic membrane to inner ear

Page 12: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Ossicles’ functions• To amplify sound waves, by a

reduction in the area of force distribution (Pressure = Force/Area)

• To protect the inner ear from excessively loud noise. Muscles attached to the ossicles control their movements, and dampen their vibration to extreme noise.

• to give better frequency resolution at higher frequencies by reducing the transmission of low frequencies (again, the muscles play a role here)

Page 13: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Middle ear

Inner ear

Page 14: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

www.iurc.montp.inserm.fr/cric/audition/english/cochlea/fcochlea.htm

Page 15: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.
Page 16: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Transduction of sound

- Basilar membrane oscillates- Outer Hair cell cilia bends - Cations inflow- Depolarization- Increased firing rate

• Bend on opposite direction• Reduced firing rate

Page 17: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

020

500

2000

4000

20,000

30,000

HUMANRANGE

Volley Code

Place Code

Hz

language

Pitch Perception: Place vs. Rate Coding

Page 18: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Place Coding: Tonotopic representation

• Base• High Freq

– Apex– Low Freq.

Page 19: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Traveling wave

• High frequencies have peak influence near base and stapes

• Low frequencies travel further, have peak near apex• A short movie:

– www.neurophys.wisc.edu/~ychen/auditory/animation/animationmain.html

– Green line shows 'envelope' of travelling wave: at this frequency most oscillation occurs 28mm from stapes.

Page 20: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Pitch perception: Place coding

• The cochlea has a tonotopic organization

• For high frequencies

Page 21: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Pitch Perception: Rate code • Used for low frequency sounds ( <1500 Hz ) • Mechanism: The rate of neural firing matches

the sound's frequency. For example,– 50 Hz tone (50 cycles per sec) -> 50 spikes/sec, – 100 hz -> 100 spikes/sec

• Problem: even at the low frequency range, some frequencies exceed neurons’ highest firing rate (200 times per sec)

• Solution: large numbers of neurons that are phased locked (volley principle).

Page 22: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Sound Localization

Interaural Intensity Difference (high frequency)

Interaural Time Difference (low frequency)

Page 23: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Delay Lines – Interaural Time Difference (ITD)

Page 24: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Deafness

• Conduction deafness– outer or middle ear deficit– E.g. fused ossicles. No nerve damage

• Sensori-neural– Genetic, infections, loud noises (guns & roses),

toxins (e.g. streptomicin)– Potential Solution: Cochlear implants

• Central– E.g. strokes

Page 25: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

• Bilateral projection to auditory cortex (stronger contralateral).

• Also, efferent fibers from inferior colliculus back to ears: •they attenuate motion of the middle ear bones (dampen loud sounds)

Central Auditory Mechanism

Page 26: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Anatomy and function• Many sound features are encoded before

the signal reaches the cortex

- Cochlear nucleus segregates sound information

- Signals from each ear converge on the superior olivary complex - important for sound localization

- Inferior colliculus is sensitive to location, absolute intensity, rates of intensity change, frequency - important for pattern categorization

- Descending cortical influences modify the input from the medial geniculate nucleus - important as an adaptive ‘filter’

inferior colliculus

medial geniculate body

cortex

superior olivary complex

cochlea

cochlear nucleuscomplex

Page 27: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

• Primary Auditory cortex:– Tonotopic Organization– Columnar Organization– Cells with preferred

frequency, and – cells with preferred inter-

aural time difference

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Anatomy (part 3) source : Palmer & Hall, 2002

• Primary & non-primary auditory cortex

Sylvian Fissure

Superior Temporal Gyrus

Superior Temporal Sulcus

Medial Temporal Gyrus

Right hemisphere

Heschl’s gyrus (primary AC)

planum temporale (nonprimary AC)

planum polare (nonprimary AC)

Page 29: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.
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Spare slides

Page 32: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Steps to Hearing: A summary• Sound waves enter the external ear

• Air molecules cause the tympanic membrane to vibrate, which in

turn makes vibrate the ossicles on the other side • The vibrating ossicles make the oval window vibrate. Due to small

size of oval window relative to the tympanic membrane, the force per unit area is increased 15-20 times

• The sound waves that reach the inner ear through the oval window set up pressure changes that vibrate the perilymph in the scala vestibuli

• Vibrations in the perilymph are transmitted across Reissner’s membrane to the endolymph of the cochlear duct

• The vibrations are transmitted to the basilar membrane which in turn vibrates at a particular frequency, depending upon the position along its length (High frequencies vibrate the window end and low frequencies vibrate the apical end where the membrane is wide)

• The cilia of the hair cells, which contact the overlying tectorial membrane, bend as the basilar membrane vibrates Displacement of the stereocilia in the direction of the tallest stereocilia is excitatory and in the opposite direction is inhibitory

• The actions are transmitted along the cochlear branch of the vestibulocochlear nerve, activating auditory pathways in the central nervous system, eventually terminating in the auditory area of the temporal lobe of the cerebral cortex

Page 33: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Auditory Nerve Tuning Curves (receptive fields)

Page 34: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Inner Ear - Labyrinth

Page 35: Audition Outline Perceptual dimensions Ear Anatomy Auditory transduction Pitch Perception –by Place Coding –by Rate coding Sound Localization –by phase.

Inner Ear – Organ of Corti