ASP Magazine - Summer 2012

1 American Society of Photographers • www.ASofP.com • Summer 2012 American Society of Photographers • www.ASofP.com • Summer 2012 1



The ASP Magazine is the official publication of the American Society of Photographers, Inc., published four times a year for mem-bers and others for information of industry matters, personal achievements and news of this and other associations. Acceptance of advertising, or publishing of press releases does not imply endorsement of any product or service by this association, publisher or editor. Permission is granted to similar publications of the photographic industry to reprint contents of this publication, provided that the author and the ASP Magazine are credited as the source.

Articles, with or without photographs, are welcome for review for inclusion in this publication; however, the editor reserves the right to refuse publication, or if accepted, the right to edit and use on a space available basis. Send all communications, articles and advertising to: Editor, ASP Magazine, 224 West Corry Court, Mt. Pleasant, IA 52641 (319) 671-1771 or email: [email protected]

ON THE INSIDE • ASP Fellow Dennis Hammon - page 6 • Wingler exhibition at U.N. - page 14 • Dulles Exhibit Update - page 16 • Updating your website info - page 17 • ASP White Pages - page 18 NEXT TIME: The thesis and portfolio of ASP Fellow Dave Huntsman.

I got another one of “those” emails today. A person who just bought a camera and wants me to look at it. After all, it is the same camera I use, but it must be broken because the pictures just aren’t as good as the ones I took.

So I tried not to be sarcastic, but just because I own a car does not make me Jeff Gordon. So then the person asks if they can just “tag along” and watch me shoot in order to learn. So I figured that maybe I’d call up old Jeff and see if he’d let me ride along so I can learn how to drive two inches off somebody else’s bumper at 200 mph and not break a sweat or puke all over the dashboard. You know, just “tag along.”

This trying not to be sarcastic just isn’t working, is it?

In reality, though, we should love to teach and people should love to learn. They just can’t expect to learn it all in one day because that really devalues what I’ve been learning to do for 25 years. For somebody to think they can learn it by tagging along in one afternoon is the problem. It isn’t a problem that they’re asking to learn, it is how they are asking.

I admire Paul Wingler (read about him in this issue) for taking what he knows and does and giving it unselfishly to a culture that has nothing. He is bringing them back to life one photograph at a time and allowing them to document - for themselves - their culture. We need more Paul Wingler’s in the world and we - as ASP members - need to get behind his efforts and make his cause our cause. These people aren’t asking us to to help them take better pictures so they can enhance their Facebook experience, they aren’t asking for anything. But they are grateful for everything.

Sign me up for this. Anyone else?

--Kalen

From the Editor.americansocietyofphotographers

PRESIDENT - JAMES CHURCHILLM.PHOTOG., CR., CPP

7773 SHANNON FAYE LANE, GRANT, MI 49327(231) 206 4117

[email protected]

PRESIDENT ELECT- DORAN WILSONM.PHOTOG., MEI, CR., CPP, F-ASP

400LN 470A LAKE JAMES ANGOLA, IN 46703 • (260) 705-1703

[email protected]

VICE PRESIDENT - RANDY MCNEILLYM.PHOTOG., MEI., CR., F-ASP

1241 FALLSTON ROAD, SHELBY, NC 28150(704) 482-0011

[email protected]

SEC/TREASURER - KALEN HENDERSONM.PHOTOG., MEI, CR., CEI., CPP, API, EA-ASP224 W. CORRY CT., MT. PLEASANT, IA 52641

(319) 986-5324 [email protected]

CHM OF BOARD - KATHY MEEKM.PHOTOG., CR., CPP, API

125 ALBERT PIKE, HOT SPRINGS, AR 71913(501) 624-3195 [email protected]

GOVERNOR - GABRIEL ALONSOM.PHOTOG., CR.

1323 CLOVER LANE, FT. WORTH, TX 76107(817) 735-7555

[email protected]

GOVERNOR - NANCY EMMERICHM.PHOTOG., CR., CPP1324 SW 89TH STREET,

OKLAHOMA CITY, OK 73159(405) 735-3881 [email protected]

GOVERNOR - SAM GARDNERM.PHOTOG., CR., CPP, FPP-W

P.O. BOX 5772BELLINGHAM, WA 98227

(360) [email protected]

GOVERNOR - DENNIS HAMMONM.PHOTOG., CR., CPP, F-ASP

631 1st STREET, IDAHO FALLS, ID 83401(208) 351-2843

[email protected]

GOVERNOR - CINDY ROMANOM.PHOTOG., CR., CPP

17706 GARDEN VALLEY RD.WOODSTOCK, IL • (815) 338-1181

[email protected]

GOVERNOR - JESSICA VOGELM.PHOTOG., CR., CPP

330 CLEAR CREEK ROADSHELBYVILLE, KY 40065 • (502) 633-9618

[email protected]

EXECUTIVE DIRECTOR - JON ALLYNM.PHOTOG.,M.ARTIST,CR.,CEI,F-WPPA

3120 N. ARGONNE DRIVE, MILWAUKEE, WI 53222(800)638-9609 [email protected]

ASP BOARDOF DIRECTORS


I just want to say I hope everyone is having a great summer as I am just back from a two week va-cation in Alaska and it was amazing, thanks for asking.

Arriving at the Anchorage airport, I connected to the Internet after weeks of being out of touch and I was flooded with hundreds of Facebook mes-sages and posts. It probably doesn’t surprise anyone that I do not hold much value in Facebook as I I find it a huge waste of time. However, as I I read through many of the posts I saw people complaining about one organization or the other and how they have lowered their standards. As I started to think about this, it re-ally did put a huge smile on my face.

The reason for the smile was that it was clear to me that our ASP has not followed down that path. I am so glad that in 76 years ASP has not lowered its standard for membership or its values as a professional orga-nization. It has not relinquished its quest for the high-est quality photography in our great profession.

Some say it’s a good old boys’ club but I beg to differ. We have many great photographers that are ladies so that alone dispels that myth. Yes you have to have your Masters or Craftsman degree from PPA to become a member and that is why our standards are held so high. Others believe that those qualifications make it hard to become a part of the ASP family.

I personally am very proud to be a part of an associa-tion that has not lowered its standards in this digital age and that has held tight to the high standards that were set forth when it was all started. When someone questions what we do or what we stand for, I simply point them in the direc-tion of the PPA Print Exhibit, or show them the Best of the Best Slide Show, or ask them to read an Educational Associ-ate thesis. Better yet, I show them the effort, standards and pride poured into working towards the Fellow of ASP mark.

Yes , every one of these is difficult, howev-er this is what sets the foundation for a strong profes-sional association with the highest values as well as the highest quality photographers in the world. You know, “The Best of The Best,“ which is exactly what we havebeen since we were founded and will continue to be, at least on my watch.

--Jim

Call us toll free800•638•9609

President’s MessageOn my watch.

Jim Churchill, M. Photog., Cr., CPP


President’s MessageOn my watch.



Throughout my photographic career, there has been one constant in my life: photography. Photography allows me to see life differently and with a fresh perspective. As I watch the last rays of the sun make its final descent over the Grand Tetons, I realize this scene will never be viewed again. I realize it’s my deci-sion whether to record this scene or not. I ask myself, why do I have such a passion for photography? It is my humble way of communicating the beauty of life and wonders of the world around me and recording my own personal visual journey.

Just like when I was growing up, playing childhood games and picking the players for our teams, I now know that photog-raphy has chosen me to be on its team. As I reflect over the last thirty years in this profession, with my shingle hanging out showing that I am a, “professional photographer,” I reflect on the friends I’ve made, the clients I have had and places that I’ve been. I ask myself the age old questions: Why am I here? What can I contribute to others? What am I doing with my life? Living and growing up in rural Idaho wasn’t easy. I grew up on a small farm, the eldest of eight children – a lot by today’s standards. But we were unaware that all families didn’t have that many kids. We all had daily chores starting from the time we could carry water and feed buckets to take care of the animals. We all worked in the huge garden, and we were taught the value of hard work and putting in long hours. I was raised to put in an honest day’s work and get paid for the same. My Father used to always tell us kids, “To succeed in life you only have to work part time. It doesn’t matter if you work the first twelve hours or the last twelve.”

Growing up in the country wasn’t all bad. We got to go hunting and fishing frequently, and the extra food for the table was nice. But when we would go out in the woods, dad would teach us how to survive, hunt for food, and appreciate the beauty that was all around. We didn’t have a lot of money; thus we never went on ex-pensive vacations. As a family, we went on fishing trips, hikes and family drives. We learned about nature, the ways of the animals, how to tell what the weather was going to do, but most of all we learned to respect and love those things that God had set out for us to enjoy.

At an early age we were taught to respect people’s property, to give up our chairs to the lady folk and the elderly. We would let others go ahead of us in the dinner line and pray over our food. Most of all, we were taught to love God, our family, and appreciate what we had.

While I learned from my father the ways of the out of doors, it was my mother who taught me about life at home and how to en-joy some of the finer things. Reading, art appreciation and a love of music were some of these things. Sitting and learning from my Mother taught me the softer side of life and helped to round out my informal education at home.

It’s theJourney,notthe Destination.

Dennis D. HammonM.Photog., Cr.,CPP, F-PPI, F-ASP


School was always easy for me, and I enjoyed going. I found joy in reading and learning. It was in junior high that a cousin brought over a box of old National Geographic and Life magazines. The images and stories from those magazines filled a country boy with dreams of travel and grandeur. I fell in love with them, reading every magazine from cover to cover. I poured over the amazing photographs of places and things that I could only dream of ever seeing or

experiencing. I was being exposed to the finest pho-tography anywhere in the world. Never in my wild-est dreams did I ever expect a farm boy from Idaho would ever have the opportunity to visit the other side of the world.

About the time I was starting junior high, I was able to start music classes and became quite profi-cient with several instruments, traveling with bands frequently. I was exposed to many types of music and learned to appreciate all of them. It was the middle of my junior year when a friend who worked for the yearbook asked if I could take a camera on several of the band trips and get some pictures. Besides my parent’s old Brownie box camera, I had never taken a photograph with anything as cool as the rangefinder camera he was asking me to use.

When I held that camera, it was easy to visualize myself as a photographer in those magazines that I so loved to read. I remember dreaming about being in those exotic locations, shooting for a magazine. In reality, I received a quick ten minute lesson on how to focus and expose and was told what they wanted for the yearbook. When I returned, I was called to the yearbook adviser’s office and I remember thinking that perhaps they should have trained me better, I was sure I was in trouble.

What happened next served as a boost to my confidence. I wasn’t prepared to hear that he was happy and excited with my pictures and thanked me for doing such a great job. He asked me if I would continue to help out even though I wasn’t in the class.

I attended college after graduating from high school. I had to work throughout the summer just to pay for the tuition. I had decided to pursue a degree in something else that I enjoyed, biology. I decided that I was going to be a forest ranger and nothing was going to stop me. I had to take an elective Art class, thinking it would be an easy class, so I signed up for “Introduction to Photography.” The first day of class, I met Professor Harold Nielson, and we devel-oped an immediate friendship. We had similar back-grounds, and I found myself immersed in his class.


Combining the science of photography with the art seemed to be just what I was looking for. Mr. Niel-son gave me personalized attention and allowed me to come into the black and white lab anytime I want-ed. He would loan me his precious books on photog-raphy to read. I studied them and wanted more. I felt like a thirsty soul, and I was parched. I wanted more and more knowledge and information. I received ad-ditional assignments and worked on them daily. He critiqued my work, giving me help and advice. Taking

me on photo safaris with him, and working with me in the darkroom, he showed me how light and shadows played an essential part of producing the photograph.

I had never really paid attention to these things before. I was taught to look for colors and light and how the patterns played into a design or shadow. It was like a new world unfolded before me. Advanced black and white, color photography, and color slide classes followed. I couldn’t get enough. Mr. Nielson offered me a position as a teaching assistant. I ac-cepted even though I was finishing up my biology de-gree. He counseled me with some very sage advice, “Dennis, choose a job you love, and you’ll never work a day in your life.” I live by that saying to this day.

I still had to support myself to attend college, so I found a job at a local ski resort, working part time. One of the benefits was I could ski for free. After

classes I could ski and photograph ski instructors, employees and anyone that wanted me to. I began to follow the “hot dog” circuit.I was living the dream-or so I thought-photographing skiing and getting paid for doing something I love and probably would have done for free.What more could a guy ask for?

My roommate introduced me to Renee. After a brief courtship we were married. Now I had to provide

for more than just myself. A year later we started our family: first Denee, then Melisa and Amanda, Justin, Brenton and Braeden followed. My children were and still are a big part of my life.

Sometimes, we get caught up with life, enjoying what we are doing and ignoring the signals that are set in motion for us. When we are not on the path that God had intended for us and not paying atten-tion, He sometimes has to hit us with a two by four. I continued to work for the ski resort until I was injured on the job. I had five fractured vertebrae in my back.

The doctors told me I needed months of recovery and couldn’t do the physical kind of work I was doing at the ski resort. While recovering, I went and visited Mr. Nielson. He had been born with physical handi-

Journey - continued on page 10


when will you have time to do it over?” I have fol-lowed that advice my entire life and career, by striv-ing to complete my sessions correctly the first time I worked with anyone.

Life was good and the business was growing. I was humbled that others wanted to learn from me, so I began to share my knowledge with state and national or-ganizations. I became a frequent visitor to the speaker’s podium and judged often. I was able to ex-pand and move into a new 6,000 square foot dream studio that I designed. I was busy, photographing dozens of schools and seventy-plus weddings a year, and had sessions every week. More and more time was working away from home and traveling to speak and judge. I was determined to make the new location and my busi-ness a success. I was so intent on succeeding, that I neglected the very reason I was working so hard. Yes, I was providing a home, cars and trips for my family, but I wasn’t providing what they really needed, my time and attention.

My marriage failed. At the same time, tragedy struck. My mother passed away. I fell into a mental fog. I was only going through the motions. I was just making pictures and not creating the art that I knew I was capable of. We are all actors in this profession, and no one knew of my challenges, yet I knew there was something missing from my life.

My saving grace, besides believing that there was something more important to live for, became my frequent trips to Yellowstone and the Tetons. I found my peace there. It became my place of soli-tude, a place I could relax, and my source of inspiration. Imagine a place so quiet that your heart beat sounded like the percussion set at a sym-phony. I found my inner peace.

I learned to become one with my feel-ings and to experience the depth of emotions in the mountains. To this day I encourage everyone to find their own place to go to recharge and think through things in their lives. It was necessary for me to rekin-dle the creative spirit that I knew was lying dormant in

Journey - continued from page 9

caps and had no sympathy for my ailments. He told me to quit feeling sorry for myself and do something with my time off that reflected what I knew and loved. He told me about a school in Winona Lake, Indiana, that he had just attended. It was owned by Profes-sional Photographers of America. I had no idea anything like that existed. I called them and found out what classes were coming up. Having no idea of where I was go-ing or what I would do, I registered for a couple of classes, and I drove across the country to at-tend Winona School.

I signed up for the first classes available, and I had no idea who the instructors were. I met Frank Kristen and Ger-hard Bakker and spent two weeks with them. I will never forget the principles of composition, design, lighting, that those two great mentors taught me. What amazed me most was their passion for this craft we call photography. They

showed me I could find and create images from ordinary, everyday ob-jects that often we just walk past; I firmly believe that this began my pho-

tographic journey. I thank God daily for those experi-ences as they opened my eyes to see that there was beauty everywhere.

After returning, I set up a studio to work out of my home. We worked out of this tiny basement studio for three years. With small children in the home, Renee and I decided to separate home life from the busi-ness. A space opened up in downtown Rigby, Idaho, so we remodeled the location, and I stayed for over fifteen years. I photographed anything and every-thing, trying my hand at every type of photography available.

Along with wedding and portrait work, I added school photography to my workload. I appreciated the opportunity as it taught me to work quickly and effectively with each client. Many photographers don’t like that type of photography, but I did. I had very low retakes with each school, as I would take the time to pose and converse with each student. I would call them by name and chat with them for the thirty seconds I had them in front of me. I remem-bered another saying that my father would quote, “If you don’t have time to do a job right the first time,


me. I needed to rediscover me and reach out and find new levels of success with new ideas.

I would frequent the hills as often as possible and on the weekends when I wasn’t working. I realize that the art and passion I had started this journey with had somehow become elu-sive. The hunger in my soul was not getting fed. I reached out. Thank God for good friends who stood by me in this dark time of my life. I consider my two friends from Colorado, Don and Steve Emmerich to be my brothers. They were there for me, to talk to and give me advice. Besides our passion for photography, we talked frequently about love and life. They didn’t judge or condemn but inspired me to be the best I could be and this is the example I try to follow to this day, giving back in some small way to those who need help.

During my many trips to the mountains, I found what had been missing. I rediscovered my lost pas-sion, my love of photography, and the thrill of com-posing an image and seeing the results of my labor in front of me. To capture nature is to capture life in all

its magnificence. Finding those small nuances of na-ture was what I was look-ing for. I love photograph-ing individual objects and looking at the light around them. I am amazed at the depth of vision this pro-vides. Light gives images life and sparks the soul. Through this expression of art, I again found my light and therefore my life.

My confidence and ability returned, and once again I begin entering my work into competition-not

just to compete against my peers, but to judge how my personal work was maturing. Up to this time, my competition images had only been paid client work and photographs that I had printed myself. Enter-ing my fine art work became rewarding as they were being accepted into the PPA merit and loan collection more frequently. I had come from a place that had become successful from a business point of view. I realized that my artistic soul was finally being nour-ished. My heart was lifted and so did my ability to capture those elusive images that touch the very soul of the viewer.

Henry David Thoreau stated, “It is not what you look at that matters, it’s what you see.” So often I would compose an object in front of my camera and

found that what I was seeing in my lens was not what I was feeling. The challenge became to capture the magnifi-cence of any scene or object and encourage the viewer to wonder what it is and take the time to think about it. I want them to experi-ence a visual treat in every sense of the word. I want them to interact with and enjoy the image as much as I enjoyed creating it. Too often, many of us forget the most important thing in photography: to enjoy pho-tography and have fun.

Traveling became a way to open myself to new experiences and perspectives. I ventured beyond my normal areas of travel, visiting Europe, Mexico and Canada. There was a whole world out there, and I realized that those magazines from my youth instilled in me a love of life, travel and beauty throughout the world. I sought them out through the viewfinder of my camera. My natural curiosity to find something new has led me to many discoveries in the world and

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about myself. My commitment to photography has dictated my artistic success, as I realize I have the gift of creation. The gift to find a vista or scene and create something others might love and enjoy. This knowledge drives me, knowing that others want to view my images and feel what I was feeling, seeing through my eyes and experience what I was feeling in my heart.

The gift of creation was given to me, I truly be-lieve, with the condition that it was used, exercised, and shared. My feelings transcend into emotion as I became more confident in my abilities at creating an image. I find myself drawn to intimate landscape photographs that depict less grandiose things people often overlook. Going out to photograph images in all kinds of weather, showing nature has different moods, or getting up predawn to get that one image, has shown me the splendor of the world. I found my-self looking for that shot that shows the light, tones, and texture that Mr. Nielsen taught me.

The business of photography has not always been easy, yet I was making a living creating images of people, and felt I was good at it. Making subjects comfortable was my God-given gift. I was able to discern their needs and felt I had the ability to cap-ture their essence in a portrait. Knowing how to put it all together was my job and passion. Capitalizing on what I was learning on my trips allowed me to put my client work at a different level. I discovered that I could take a beautiful location, place a family cre-atively in it, and make an art piece for them.

Yet my passion was in fine art and scenic photog-raphy. Frequent trips to the mountains, finding old buildings, waterfalls, or anything that would create a great image became a passion. That passion has evolved into a way of life. Once again, I felt alive, and was influenced by the beauty that inspired me in my images.

I felt that my passion was transforming something ordinary into something extraordinary. Photography became an expressive art form for me that relied on skills of observation of how light and shadow played in relationship to each other to form a composition. Design and contrast were my tools. Color became my palette on which to express emotion and feeling. I love the subtleties of light and tones, yet I feel that

the impact of vivid scenes will capture one‘s heart and live in their soul.

We live in a color world, but frequently an image speaks to me, scream-ing to be black and white. We see colors, but with black and white we see the sublimity of tones, with light and shad-ows defining the intensity of dynamics in the image. Determining whether or not an image is to be color or black and white, the eyes see, the mind thinks, and the heart with infinite wisdom knows what the final creation of that final image should be.

I ask myself continually, what is this source of inspiration and passion? Is there a romantic ideal that creativity just appears? To some degree, this may be true, but there is a need to train our minds to work more effectively. I find if I am prepared by studying fine works of art and photographs, my mind is ready. It adds clarity and focus in what I am doing if I am prepared, emotionally and mentally. Passion is the very essence that pushes us to want to improve, to learn more about our craft, and the desire to inspire with our images. Passion is the fuel that makes me get up in the pre-dawn darkness to go to a location that I wouldn’t normally go to. It is my desire to be techni-cally proficient with this craft, and because of this burning de-sire to be creative, and capture that elusive light and shadow that drives me daily, sometimes with reckless abandon.

I guess before now I never really thought about analyzing my drive and passion for photography. It feels like it has always been there, a hungry force within me needing to be fed with a constant need to find and create timeless images. My life has been one of continually seeing beauty and objects. My goal and desire is to capture those objects turning them into an art form.

The art of photography has been an exciting and lifelong process. This thrill we all seek to capture a small part of the world or someone’s lives, knowing


that even after we pass this mortal existence, our images will continue to touch those who remain behind.

Sitting in the mountains, reflecting on my life, I hope that we all can observe and embrace what was given to us by the Creator. I am finally realizing that open-ing my mind, and most of all my heart, was the turn-ing part of my career. I have thought about this journey I’ve been on, and as I look at the landscapes of this beauti-ful world, I remember those magazines I studied so hard in my youth, I realize that I have been to many of those places. There are still many more places I would like to go to and enjoy. I have not reached my goal of creat-ing that perfect image, nor is my photographic journey complete. It has become a journey of sacrifice, love and vision that I feel I have just begun. I am still excited daily to get out of bed and say that today I’m going to create a beautiful image. I’m frequently asked which of all my photographs my favorites are. I simply smile and reply, “It’s my next one.”

I often recall the life-changing advice given to me long ago, and I truly don’t believe I‘ve worked a day in my life.

Dennis Hammon, M. Photog., Cr., CPP, F-PPI, F-ASP, of IdahoFalls, ID, has been awarded numerous honors, including Pho-tographer of the Year from the Intermountain Photographer Association, the Professional Photographers of Idaho and PPA Photographer of the Year. He has received awards from both Kodak and Fuji and has also earned the “Excellence in Imaging” award for over 13 loan prints in PPA competition.

An ASP Governor, Dennis has also served as a PPA Juror, President of the Professional Photographers of Idaho and was honored with the Lifetime Achievement Award from the Profes-sional Photographers of Idaho.


(Editor’s Note: ASP Member Paul Wingler received word in early August that a display of his work would be unveiled at

I received a text from a representative of the Embassy of Honduras that said, ”Exhibition is going to the U.N.”

Those few words were mind boggling. We talk and dream about a lot of things, but this dream was unfolding in front of me. As I wiped away the tears of joy and excitement and shared this information with a few close friends, it caused me to stop and realize how blessed I have been as a photographer but also caused pause for a reflection of where this journey began, where it is and where things are headed.

In 2000, I had an opportunity to go to Osorno, Chile, to teach some basic photography to a handful of high school students. My son, who had gone there to study Spanish made some very close friends while there. I went and during that same time, I felt this call to do some mission work and had the honor to lead the first team into the prisons of Venezuela and also to document that story of the mission team. As the political climate began to change in Venezuela, an opportunity came about to go to Honduras.

A pastor friend of mine insisted that I go to Honduras and take a team down there. I had absolutely no desire to go there and resisted for some time, but as doors began to close in one area, the doors of Honduras began to open. Four of us went to Honduras on a fact finding trip and I was so overwhelmed with the situation. Everywhere I turned was hurt and poverty and about the time I thought it couldn’t get any worse, it did. The more I traveled throughout the country the more confused and discour-

aged I became. I went home frustrated, not knowing how to help or where to begin, figuring that was my last trip to Honduras.

A couple of weeks later, I received a phone call that one of the men we had met in Yuscaran really wanted us to consider taking a team to work in his church. That was my answer - this is apparently where I am to go, take a team to Yuscaran and conduct a Vacation Bible School in that church. It was on our next trip that I noticed something blatantly missing from the landscape. Photographs. There were none. No snapshots, no school pictures - nothing.

We arranged to take printing equipment with us to allow us to photograph each student and present them with a small package of images. With plans in place, we head back to the city of Tegucigalpa to continue the preparations for the team. During that time a nephew of my pastor friend asked me if I would be interested in talking to some people at the local university regarding lecturing or teaching. And the floodgates swung open.

I have lectured at every university and art design school in Tegucigalpa. I have also been asked and still continue to

ASP Member to Exhibit at United Nations

Wingler invests in Honduras


mentor approximately 60 students each year in two major cities through their photo clubs. From there, opportunities have come about to go into the La Moskitia region where I have been documenting the area and the nine nations of Honduras for the past four years. My work has taken me into areas that most Hondurans have never seen and through my imagery, I have been trying to bring an awareness of these cultures.

I have also been trying to teach the craft of pho-tography based on the 12 Elements we use in print competition. These people want to learn, they want to become the best and they see the necessity to preserve their culture through image making called photography.

I continue to go and teach, to encourage and to help. What I have gotten in return from them has been wonderful and lasting friendships, an unconditional love and support in what I do and opportunities to show my work to a world that knows little or nothing about a wonderful nation called Honduras. My work has been seen by thousands of students from all over the world at the World Hunger Summit in Catac-amas, Honduras, and I was given the honor of being the only photographer to photograph the Presidents of Central America in SICA’s negotiation room.

So now, a collection of 35 images will be exhibited in every Honduran consulate in the US, as well as, an exhibition at the United Nations.

They have asked me, “What is next?” and I have a vision that includes educational opportunities in photography and the opportunity to obtain degrees as we have in this country. I have also been con-tacted by other countries who have heard of our work through the Honduras government and have outlined of a plan to bring this education there also.

My message has always been that it’s the Artist, not the Camera. I would like to be able to set up a pro-gram in these selected countries and put a point and shoot camera in the hands of 300-500 (maybe more) students. This three to five year program would in-clude one week of study/mentoring and then the rest of the year, these students would work on their craft (what they learned in that week of study) and pres-ent their images for critique. Then they would learn another portion of the craft and so on. This would also include my course on The Art of Storytelling. Of course, other items needed for this project would be computers and printers because we want to teach them workflow, calibration and printing techniques. The purpose of this would be to encourage them to tell their story to the world through photographic art.

Finally the result of this class would be to have an exhibition that gives them purpose and a sense of achievement.

I have always been taught to give back, even if it’s a little. You just never know by that “little” how big of an impact it will make on someone else. It was never about me, but about investing in someone else and believing in them and encouraging them. It takes time and it costs money, but isn’t making a difference in the life of another person the best investment of all?

Paul Wingler, M. Photog., Cr., owns and operates Wingler Photography in Hill-sborough, NC. He will be honored with yet another exhibition to open in De-cember 2012 in the Presidential Palace in Honduras.


We’ve been talking about it for months, and the unveiling is just around the corner.

The American Society of Photographers was honored when our members were se-lected to provide the Dulles Airport in Washington, D.C., with a print display repre-senting, “American The Beautiful,” in honor of the airport’s 50th anniversary. Exhibi-tion coordinator, Patricia Mathis, M. Photog., collected images from those submitted by ASP members and, in conjunction with the Dulles Airport Commission, narrowed the selections down.

“It was a tough process,” said Mathis. “ASP members create such amazing work that narrowing it down was extremely difficult. The airport commissioners were amazed at the quality and variety of the work. It made me proud to be a member of this organization.”

The unveiling of the exhibition will take place in November - in the heart of the 2012 Presidential Election traffic.

“We couldn’t have been in a better place at a better time,” Mathis continued. “The number of travelers through that airport during an election year probably doubles and with it being their 50th anniversary, we are helping them celebrate a milestone.”

A list of image makers will be sent through the ASP email as well as additional de-tails as they become available. A press release will also be provided via email when the final details are received from the airport commission.

Should you know of a public building, airport or other facility in your area that has displays, why not make contact with the manager of the facility to see if ASP could provide a display. The time has come to share The Best of the Best with everyone.

Dulles Exhibit UpdateScheduled for November 2012


Scheduled for November 2012


The ASP White PageImportant notices and upcoming events for ASP Members.

Rick Massarini, the new ASP Convention Booth Chairman is looking for ASP members to help staff the ASP membership booth at this year’s Imaging USA Convention in January. Signing up to help staff the convention booth for an hour or two is a great opportunity to touch base with old friends, meet new ones, and help to promote ASP among our members and potential members, plus it gives you an opportunity to earn an ASP Service point towards your ASP Service Degree. Remember that sign up times are on a first-come, first-served basis so contact Rick today to get those prime times in the booth. Don’t be left out. Rick can be reached at his studio phone (504) 341-4240, his cell phone (504) 388-8113 or by email at [email protected].

There is still time to apply for your ASP Educational Associate. Deadline for submitted thesis papers is October 1, 2012. Details for applying are online or can be obtained by contacting Kalen Henderson at [email protected]. Get writing!

Hey, remember when we all made new friends last year with the ASP Buddy System? It is just about that time again. Dues and membership renewals will be coming out soon, so find a “buddy” and save on your dues. By signing up a new (or bringing back a former) ASP member, you can save on your dues even to the point where they are FREE! Watch for information in your dues renewal notice which will be coming in the U.S. Mail. You can also watch your email for additional information as it becomes available.

You won’t want to be left out of this year’s ASP Awards Banquet at Imaging USA in Atlanta. As al-ways, the ASP Banquet is full of glamour, awards and surprises. This year’s banquet will prove to be extremely interesting as we bring back one of the most popular ASP projects in a brand new wrapper. It won’t be on Facebook or Twitter, but only at the ASP Banquet first. Tickets will go on sale with your dues renewal notices.

Congratulations to ASP Governor Sam Gardner and his new bride, Patricia Mathis Gardner, who were wed on the ASP Cruise this September. Patricia has been the coordinator of the ASP Dulles Air-port Exhibit. All the best to you!



American Society of Photographers3120 N. Argonne DriveMilwaukee, WI 53222

ASP Magazine - Summer 2012

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