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What does this garden tell us?
39

Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Jul 15, 2015

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Richard Nelson
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Page 1: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

What does this garden tell us?

Page 2: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

…and this?

Is there evidence

here of human

intervention?

Page 3: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

What do we

SEE?Inhibition?

Stylized?

Natural?

Spiritual?

Humanism?

Corporeal?

Later?

Similarities with

what earlier

periods?

Page 4: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

What do we see?

TRUE OR FALSE?

1. Man dominated society.

2. The significance of reality.

3. Corporeality.

4. Nature dominated society.

5. Appearance of reality.

6. Symbolism.

7. Idealized.

8. Human expression.

9. Inhibition.

10. Man as the measure of all.

11. Law of frontality.

12. Classic contrapposto pose.

13. Literal interpretation.

14. Abstraction.

Page 5: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

What do we see?TRUE OR FALSE?

1. Man dominated society.

2. The significance of reality.

3. Corporeality.

4. Nature dominated society.

5. Appearance of reality.

6. Symbolism.

7. Idealized.

8. Human expression.

9. Inhibition.

10. Man as the measure of all.

11. Law of frontality.

12. Classic contrapposto pose.

13. Literal interpretation.

14. Abstraction.

Page 6: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Which is more interior oriented?

Parthenon: Greek Classic

Pantheon: RomanWhat are the clues?

An engineering marvel?

Page 7: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture
Page 8: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture
Page 9: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture
Page 10: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture
Page 11: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Roman Sculpture

What periods of

Greek art influenced

these Roman portraits?

Page 12: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

ROMAN MURAL

Visual illusions of

a 3D world on a

2D surface.

Mythology

brought to life

through life-like

figures in a 3D

setting.

Page 13: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Depicting the world as it is or as we would like it to be?

Classic or Hellenistic origin?

Page 14: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Compare these portraits

Literal and true to life?

Worldly concerns?

Idealized?

Transcendental stare?

Spiritual?

First Christian emperor?

Earlier?

Page 15: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Emperor Justinian

Transcendental stare

Stylized symbolism

Perceived spirituality through the

luminous mosaic’s reflective color.

Page 16: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

St. Apollinare: Early Christian St. Vitale: Byzantine

Eastern &Western Roman Empire: Ravenna, ItalyContrasting expressions of the Christian Faith

Page 17: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

EARLY CHRISTIAN: A Longitudinal Plan

An adaptation of the Roman BasilicaNave (Ship of God) & side aisles.

St. Apollinare: Interior

Page 18: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

St. Vitale: Byzantine Interior

Central Plan

Dome & Pendentive

Page 19: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Byzantine ArchitectureDome & Pendentive

Central Plan

Page 20: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Justinian Mural:

How does the artist

depict the Emperor?Hint: Concern with his

physical appearance?

What visual elements

support this statement?

With what earlier period

do we find similar world

views? What is the world

view of Byzantine art?

More specifically:

Why a solid gold back-

ground?

Why do they all look alike?

Page 21: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

GOD replaces

MAN as the

measure of

all things.

Page 22: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Hagia Sophia: Istanbul/Constantinople

Byzantine Architecture

Interior motivated

Central orientation

Monumental scale

Dome & Pendentive

Page 23: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Art reflects BELIEFS

GIVENS&

MAN, the measure of all things

GOD, the creator of all things

Man dominates his natural surroundings.

Externally motivated architecture.

God dominates both Man & nature.

Internally motivated architecture.

Page 24: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

ROMANESQUE

A feudal society

Ruled by…

A LORD.

Judged by …

A LORD.

Page 25: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

What do these structures tell us about Medieval Man?

Page 26: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Conques Cathedral, France

Heavy

Massive

Protective

Instructive

Inhibited

Wheel of fortune

Medieval devotion in fear of THE FINAL JUDGMENT

Page 27: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

THE LAST

JUDGMENT

Page 28: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

HELLDepicting

Imaginative

Fearful

Everlasting

consequences

Page 29: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Romanesque limitations

Height

Window size

Refinement

Otherworldly

Page 30: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Interior motivated space

made possible with the

barrel vault composed of a

series of Roman arches.

Limited window area.

Heavy, massive & protective

Page 31: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Gothic ArchitectureAn encyclopedia of Christian belief

Dematerializing

The light of God in an Age of Faith

Page 32: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

GothicFrom JUDGE to…

TEACHER

A changing relationship between Man and his spiritual and secular beliefs.

Page 33: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

A belief that all is the work of God

Page 34: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

A spiritual environment

in which the light of God

and architectural magic

bring new meaning to our

sense of space.

Interior motivated

Page 35: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Spiritual & Secular

Page 36: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Soaring heaven bound…

A balancing act of

opposing forces. The

flying buttress presses

in against walls which

push outward.

A lace-like exterior

designed to make

the interior experience

possible.

Page 37: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Which came first, the architecture

innovations or the Age Of Faith which

sought a tangible expression?

Distributing great weight through

innovative engineering

Pointed arch.

Cross-ribbed vaulting

Flying buttress

Gothic

Innovations

Page 38: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

From feudal

society

to sovereign

nation

ART INVOKES

A RELATIONSHIP

Page 39: Art is Us 3: Roman, Early Christian, Byzantine, Romanesque, and Gothic art and architecture

Anticipating the

Renaissance