Top Banner
45

Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Dec 16, 2015

Download

Documents

Clifton Charles
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.
Page 2: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Art and PatronageArt and Patronage Italians were willing to spend a lot of

money on art./ Art communicated social, political, and

spiritual values./ Italian banking & international trade

interests had the money.

Public art in Florence was organized and supported by guilds.

Therefore, the consumption of art was used as a form of competition for social & political status!

Page 3: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

PerspectivePerspective

Perspective!Perspective!Perspective!Perspective!Perspective!Perspective!

Perspective!Perspective!Perspective!Perspective!

First use First use of linear of linear

perspective!perspective!

Perspective!Perspective!Perspective!Perspective!

The The TrinityTrinity

MasaccioMasaccio

14271427

What you What you are, I once are, I once was; what I was; what I am, you will am, you will

become.become.

Page 4: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Emphasis on IndividualismEmphasis on Individualism Batista Sforza & Federico de Montefeltre: Batista Sforza & Federico de Montefeltre:

The Duke & Dutchess of UrbinoThe Duke & Dutchess of Urbino

Piero della Francesca, 1465-1466.Piero della Francesca, 1465-1466.

Page 5: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Artists as Artists as Personalities/CelebritiesPersonalities/Celebrities

Lives of the Lives of the Most Most Excellent Excellent Painters, Painters, Sculptors, andSculptors, andArchitectsArchitects

Giorgio VasariGiorgio Vasari

15501550

Page 6: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.
Page 7: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Renaissance Renaissance FlorenceFlorence

The Wool FactoryThe Wool Factoryby Mirabello Cavalori, 1570by Mirabello Cavalori, 1570 1252 – first gold 1252 – first gold

florinsflorins minted minted

Florentine lion:Florentine lion:symbol of St. symbol of St.

MarkMark

Page 8: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Lorenzo Lorenzo the Magnificentthe Magnificent

1478 - 15211478 - 1521

Cosimo de Cosimo de MediciMedici

1517 - 15741517 - 1574

Page 9: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Florence Under the Florence Under the MediciMedici

Medici ChapelMedici Chapel

The Medici PalaceThe Medici Palace

Page 10: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Filippo BrunelleschiFilippo Brunelleschi

Commissioned to build the cathedral dome./ Used unique

architectural concepts. He studied

the ancient Pantheon in Rome.

Used ribs for support.

Page 11: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Brunelleschi’s Brunelleschi’s DomeDome

Page 12: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Dome Dome ComparisonsComparisons

Il Duomo St. Peter’s St. Paul’s US capital (Florence) (Rome) (London) (Washington)

Page 13: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

The Ideal CityThe Ideal City Piero della Piero della

Francesca, 1470Francesca, 1470

Page 14: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Ghiberti – Ghiberti – Gates of ParadiseGates of ParadiseBaptistry Door, Florence – 1425 - Baptistry Door, Florence – 1425 -

14521452The Winner!The Winner!

Page 15: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.
Page 16: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Vitruvian Vitruvian Man Man

Leonardo daLeonardo daVinciVinci

14921492

TheTheL’uomoL’uomo

universauniversalele

Page 17: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

The Renaissance “Man”The Renaissance “Man” Broad knowledge about many things in

different fields.

Deep knowledge/skill in one area.

Able to link information from different areas/disciplines and create new knowledge.

The Greek ideal of the “well-rounded man” was at the heart of Renaissance education.

Page 18: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Self-Portrait Self-Portrait -- da Vinci, -- da Vinci, 15121512

1452 - 15191452 - 1519

Artist

Sculptor

Architect

Scientist

Engineer

Inventor

Page 19: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Mona LisaMona Lisa – da Vinci, – da Vinci, 1503-41503-4

Page 20: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Mona LisaMona Lisa OROR da da Vinci??Vinci??

Page 21: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

The Last Supper The Last Supper - da - da Vinci, 1498Vinci, 1498

Page 22: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

A Da Vinci “Code”:A Da Vinci “Code”:St. John St. John oror Mary Magdalene? Mary Magdalene?

Page 23: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Leonardo, the Scientist Leonardo, the Scientist (Biology):(Biology):Pages from his Pages from his NotebookNotebook

An example of An example of the humanist the humanist desire to desire to unlock the unlock the secrets of secrets of nature.nature.

Page 24: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Leonardo, the Leonardo, the Inventor:Inventor:

Pages from his Pages from his NotebookNotebook

Page 25: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.
Page 26: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Michelangelo BuonorratiMichelangelo Buonorrati

1475 – 15641475 – 1564

He He represented represented the body in the body in three three dimensions dimensions of sculpture.of sculpture.

Page 27: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

DavidDavid

MichelangelMichelangelooBuonarottiBuonarotti

15041504

MarbleMarble

Page 28: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

The Sistine The Sistine ChapelChapel

MichelangelMichelangelo Buonarrotio Buonarroti

1508 - 15121508 - 1512

Page 29: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

The Sistine Chapel’s The Sistine Chapel’s CeilingCeiling

Michelangelo BuonarrotiMichelangelo Buonarroti1508 - 15121508 - 1512

Page 30: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

The Sistine Chapel The Sistine Chapel DetailsDetails

Creation of ManCreation of Man

Page 31: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Raffaello Sanzio (1483-Raffaello Sanzio (1483-1520)1520)

Self-PortraitSelf-Portrait, 1506, 1506 Portrait of the Artist Portrait of the Artist with a Friendwith a Friend, 1518, 1518

Page 32: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Raphael’sRaphael’s Madonnas Madonnas

Sistine MadonnaSistine Madonna Cowpepper MadonnaCowpepper Madonna

Page 33: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

The School of Athens The School of Athens – – Raphael, 1510 -11Raphael, 1510 -11 One point perspective.

All of the important Greek philosophers and thinkers are included all of the great personalities of the Seven Liberal Arts!

A great variety of poses. Located in the papal apartments

library. Raphael worked on this commission

simultaneously as Michelangelo was doing the Sistine Chapel.

No Christian themes here.

Page 34: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

The School of Athens The School of Athens – – Raphael, 1510 -11Raphael, 1510 -11

Raphael

Da Vinci

Michelangelo

Page 35: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Pope Leo X with Cardinal Pope Leo X with Cardinal Giulio deMedici and Luigi De Giulio deMedici and Luigi De Rossi Rossi by Raphael, 1518-1519 by Raphael, 1518-1519 A Medici Pope.A Medici Pope.

He went through He went through the Vatican the Vatican treasury in a treasury in a year!year!

His extravagances His extravagances offended even offended even some cardinals some cardinals [[as well as Martin as well as Martin LutherLuther!].!].

Started selling Started selling indulgencesindulgences..

Page 36: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Birth of VenusBirth of Venus – – Botticelli, 1485Botticelli, 1485

An attempt to depict perfect beauty.An attempt to depict perfect beauty.

Page 37: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Botticelli’s Venus Motif.Botticelli’s Venus Motif.

10¢ Italian Euro coin.10¢ Italian Euro coin.

2002 Euro Coin2002 Euro Coin

Page 38: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.
Page 39: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.
Page 40: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Jan van Eyck (1395 – Jan van Eyck (1395 – 1441)1441)

More courtly and aristocratic work./ Court painter to

the Duke of Burgundy, Philip the Good.

The Virgin and Chancellor Rolin, 1435.

Page 41: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Albrecht Dürer (1471-Albrecht Dürer (1471-1528)1528)

The greatest of German artists.

A scholar as well as an artist.

His patron was the Emperor Maximilian I.

Also a scientist/ Wrote books on

geometry, fortifications, and human proportions.

Self-conscious individualism of the Renaissance is seen in his portraits.

Self-Portrait at 26, 1498.

Page 42: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Dürer Dürer

Self-Portrait Self-Portrait in Fur-in Fur-Collared Collared RobeRobe, 1500, 1500

Page 43: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Bruegel’s, Bruegel’s, Niederlandisch Niederlandisch ProverbsProverbs, 1559, 1559

Page 44: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

The English Were More The English Were More Interested in Architecture Interested in Architecture

than Paintingthan Painting

Hardwick Hall, designed by Robert Smythson in the Hardwick Hall, designed by Robert Smythson in the 1590s, for the Duchess of Shrewsbury [more 1590s, for the Duchess of Shrewsbury [more

medieval in style].medieval in style].

Page 45: Art and Patronage Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking.

Artist to the TudorsArtist to the Tudors

Henry VIII (left), 1540 Henry VIII (left), 1540 and the future Edward and the future Edward VI (above), 1543.VI (above), 1543.