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ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies
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ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

Mar 29, 2015

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Jaylin Hendron
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Page 1: ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

ART AND AESTHETICS:The Artistic Enterprise in Pre/Postcolonial African Societies

Page 2: ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

Art and Aesthetics DefinedConcepts of Beauty

Two Manifestations of Beauty:Outer Beauty –Ewa OdeInner Beauty—Ewa Inu

Iwa– Being, Character, site of Personality/Spirituality

Page 3: ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

Artistic Criteria

EphebismYouthfulness

Shinning SmoothnessLuminosity

Emotional ProportionSocial Proportion

CompletenessFunctionalityPolyrhythms

The Head—Ori as a site of spirituality, shrine, and altar

2 manifestations:Outer Head—Ori odeInner Head—Ori inu

Page 4: ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

Head of an Ooni,Ife, Nigeria11th/12th centuryLeaded Brass

Page 5: ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

Fragment of an ExecutionerIfe, Nigeria11th /13th century Terracotta

Page 6: ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

Lajuwa, royal usurperTerra-cotta,Ife, Yoruba, 12/15th cent.(odo) Ephebism: relative youthfulness

Page 7: ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

Ooni,Leaded brass,Appr.18.in.Ife, Yoruba, 14/15th cent.(Pipe) completeness & emotional proportion

Page 8: ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

Sango Shrine Sculptures,Yoruba, NigeriaWood, 20th cent.-aesthetics of social proportion

Page 9: ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

Bronze Plaque,Appr.21.in.Benin, Nigeria, 16/17th cent.Aesthetics of social proportions

Page 10: ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

Sowei Headdress,Sande society, (Gola, Vai Peoples)Liberia Sierra LeoneWood, pigment20th centuryRelative luminosity/shinning smoothness

Page 11: ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

Kente, hand-woven fabric, Ghana, 20th. Cent, aesthetics of polyrhythms

Page 12: ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

Linguist staff,Wood, gold leaf, 20th Cent.Metaphor of leadership

Page 13: ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

Fire spitter mask (kponugu), Senufo, Ivory CoastWood, 20th century art as metaphor

Page 14: ART AND AESTHETICS: The Artistic Enterprise in Pre/Postcolonial African Societies.

Edan Ogboni,Yoruba, NigeriaBronze 19th centuryMetaphor for cooperationAnd coexistence