2020 Woodwind Catalogue
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Arnolds & Sons Holzblasinstrumente Katalog 20173
The history of the saxophone can be traced back over 150 years. It was invented by Antoine-Joseph (Adolphe) Sax. He was an expert instrument maker and talented musi- cian. The saxophone was patented on March 20, 1846. It has since become a necessity in every band due to its tonal beauty and versatility.
The first saxophone, a C bass, was displayed for the first time, in 1841, to the famous composer, Hector Berlioz. He was amazed at its versatility, unique tone, and control of dynamics. In 1842, Sax moved to Paris to introduce his new instrument to the rest of the world. Soon to follow was the creation of an entire saxophone family: 13 different saxophones in all. Each differed by size and pitch. They were the: E flat sopranino, F sopranino, B flat soprano, C soprano, E flat alto, F alto, B flat tenor, C tenor, E flat baritone, B flat bass, C bass, E flat contrabass, and F contrabass. Many of these variations, however, are seldom used or have become obsolete.
The saxophone finally became an integral part of all bands in 1845. This is the year of the famous “battle of the bands”. The French Army band was still using “traditional” instru- mentation. Sax saw this as an opportunity to show the world how the saxophone could improve the tonal quality in all bands. He suggested a contest between an army band composed of the original orchestral instrumentation against a band with an instrumentation that included saxophones. Sax’s band of twenty-eight men, compared to the French Army band of thirty-five, overwhelmed the crowd. That day, the saxophone was officially introduced into the French Army Band and soon to all other bands.
Today, many people enjoy the wonderful music produced by the saxophone. The beautiful sound of a sax quintet or a blaring jazz soloist can be heard all around the world. The saxophone has become a part of almost every style of music. It is being played everywhere from night clubs to football fields. The saxophone is truly one of the great musical instruments in our existence.
Saxophone
Saxophone
4
Reiner Witzel, lecturer at the music academies in Frankfurt and Dusseldorf
“Th e AAS-110YG is my fi rst choice for students. It convinces with a balanced sound, good handling and good intonation for a very reasonable price.”
ASS - 101C Bb-Soprano, curved
ASS - 100 Bb-Soprano, Japanese Model, 2 necks, curved and straight
Arnolds & Sons
5
AAS - 110 Eb-Alto, H/Bb rocker, C#/H rocker, detachable bell, reinforced neck, ergonomic thumb rest, mother of pearl inlays, comfort case with back- pack straps and outside pocket for sheet music, gold lacquered
AAS - 110YG Eb-Alto, detachable bell
AAS - 100G Eb-Alto, detachable bell
AAS - 100 Eb-Alto, detachable bell
Characteristics Th e fundamental characteristics of the Arnolds & Sons® saxophones are solid workmanship, long lasting materials, as well as intonation and response characteristics that ideally support the beginner saxophone player.
Unless otherwise stated, all saxophones have a high F# key, Pisoni pads, a Ernst Schreiber mouthpiece, a comfort case with back-pack straps and a complete set of accessories.
Saxophone
AAS-100K – Small hands Eb-Alto, Double-arms to stabi- lize the low-C/-H and- Bb key, suitable for children through modified neck, yellow brass body and keys, gold laquered, adjustable metal-thumbrest, PISONI pads, ESM mouthpie- ce with ligature and cap
Arnolds & Sons
ATS - 100 Bb-Tenor, detachable bell
ABS - 120 Bb-Bass, low Bb, comfort case
1) Low A 2) Low Bb 3) Reinforced Subject to change without notice.
Model Tuning Register Body type Mouth- piece
Pads High F# S-Bow Body Lacquer Button inlays Case
Straight Curved Yellow brass
strap
ASS-101C Bb Soprano ESM Pisoni 1 ASS-100 Bb Soprano ESM Pisoni 2 AAS-100 Eb Alto ESM Pisoni 1 AAS-100G Eb Alto ESM Pisoni 1 AAS-100K Eb Alto ESM Pisoni 1 AAS-110 Eb Alto ESM Pisoni 1 3) AAS-110YG Eb Alto ESM Pisoni 1 ATS-100 Bb Tenor ESM Pisoni 1 ABS-110 Eb Bariton 1) ESM Pisoni 1 ABS-120 Bb Bass 2) ESM Pisoni 1
Arnolds & Sons
7
Saxophone
The concept of the Terra range is where ideas become reality. Introducing profes- sional features in instruments that are absolutely economically manufactured, the Terra range defines a new segment.
Response and intonation characteristics are based on the heightened expectations of experienced musicians. The choice of materials and workmanship complement an attractive offer for the demanding instrumentalist.
Concept
Terra case Tenor Terra case Alto
ASS-301 – Terra – Bb-Soprano, curved, High F# key, detachable bell, Pisoni pads, ESM mouthpiece, Rovner ligature, comfort case with back-pack straps, engraved bell, gold laquered
ASS-320 – Terra – Bb-Soprano, curved, High F# key, detachable bell, Pisoni Pro pads, ESM mouthpiece, Rovner ligature, comfort case with back-pack straps, engraved bell, ribbed construction, metal- thumbrest, Aircell strap, gold laquered
Arnolds & Sons
8
AAS-301 – Terra – Eb-Alto, curved, High F# key, detachable bell, Pisoni pads, ESM mouthpiece, Rovner ligature, comfort case with back-pack straps, engraved bell, gold laquered
AAS-320 – Terra – Eb-Alto, High F# key, detachable bell, Pisoni Pro pads, ESM mouthpiece, Rovner ligature, comfort case with back-pack straps, engraved bell, ribbed construction, metal- thumbrest, Aircell strap, gold laquered
ATS-301 – Terra – Bb-Tenor, curved, High F# key, detachable bell, Pisoni pads, ESM mouthpiece, Rovner ligature, comfort case with back-pack straps, engraved bell, gold laquered
1) Low A 2) Low Bb 3) Reinforced Subject to change without notice.
Model Tuning Register Body type Mouth- piece
Pads High F# S-Bow Body Lacquer Button inlays Case
Straight Curved Yellow brass
Arnolds & Sons
11
The flute is one of the oldest instruments in history. Because the flute has evolved over the last 8000 years, there are many controversies regarding its origin and flute history in general. However, in 1986 and 1987, a number of wind instruments, those resembling the flute, made of animal bones were unearthed in central China. Dating tests indicated that these bone flutes were about 8,000 years old. Because of this latest discovery, it is believed that the origin of the flute derives from eastern influence, making the Chinese flute the oldest known flute.
Western civilization, in regard to flute history, can be dated back as early as 200 B.C.; Greco/Roman artifacts include the drawings of wooden flutes. After the fall of Rome, the flute seemed to disappear from history. In 1000 A.D., however, the flute was re-introduced to western europe, most likely by way of German influence.
However, when discussing modern day concert flutes, one may attribute this invention to the well known Theobald Boehm, a German born flute maker and flautist. In 1847, Boehm invented the cylindrical body, a foot joint and a parabolic head joint, larger tone holes and padded cups for each hole. The flute that most children and professional flautists use today was truly invented by Boehm; there have been only minor modifications since 1847 regarding the components of the flute.
Flute/Piccolo
Flute
Piccolo 110 – Terra – Grenadilla wood body, Grena- dilla wood head, thin wall reform head
Piccolo 107 S ABS composite body, Nickel silver plated head, thin wall reform head
Standard for all piccolos: Unless otherwise stated, all pic- colos have nickel silver plated keys, an E-Mechanic, accesso- ries and a case with case cover.
Arnolds & Sons
13
AFL - 210E/310E C-Flute, closed hole keys. Optional model: 310E, Sterling silver head
Standard for all flutes: Unless otherwise stated, all flutes have a nickel silver plated headjoint, body and keys, an E-Mechanic, offset G, Pisoni pads, drawn toneholes, accesso- ries and a case with case cover.
AFL - 220ER/320ER C-Flute, open hole keys. Optional model: 320ER, Sterling silver head
AFL - 210CE C-Flute, staight and curved head joint, closed hole keys
Subject to change without notice.
Flute
Model Key Head joint C-Foot Mechanic Nickel silver Silver plated
Keys Tone hole Drawn
silver plated Sterling
AFL-210E C
AFL-210CE C
AFL-220ER C
AFL-310E C
AFL-320ER C
15
Clarinet
Clarinet
During the late 1600s, before the clarinet existed, the chalumeau, considered the first true reed instrument, was used by musicians. Johann Christoph Denner and his son Jacob improved the chalumeau by inventing the speaker key. This gave the instrument a greater register and because of this Johann Christoph Denner is recognized as the inventor of the clarinet, a predecessor of the chalumeau. Unlike other woodwind instruments, the clarinet has a cylindrical bore giving it its distinct sound.
During the late 1700’s, the clarinet underwent many improvements and innovations. The cut or shape of the tone holes was experimented on to see how it affected the sound of the clarinet. The keys were also altered, the man responsible for these innovations was, Iwan Muller who developed the 13 keyed model, known today as the German system.
In the mid-1800’s, the Boehm fingering system which was developed by Theobald Boehm for the flute, was adapted to the clarinet by Hyacinthe Klose and Auguste Buffet. This is the fingering system that has remained popular to this day, but there are also other fingering systems used in Germany and Austria.
ACL - 617 Bb-Clarinet, Boehm system, 17 silver plated keys, 6 rings, ABS body, 2 barrels, mouthpiece and accessories, comfort case
ACL-206/226 – Terra – Bb-Clarinet, German system, 21 silver plated keys, 6 rings, Grenadilla wood body, 4 trill keys, forked Bb/F-mechanism, B-C# trill, F-lever, ESM mouthpiece, Rovner ligature, Vandoren reed, Light case. Optional model: ACL- 226, 22 silver plated keys
ACL-720 Bass-Clarinet in Bb, Boehm system, low Eb, ABS body, 20 keys, 7 closed tone holes, leather pads, keywork, neck and bell silver plated, ESM mouthpiece, Rovner ligature and cap
Arnolds & Sons
17
Bassoon
Bassoon
The modern bassoon has a colourful and complex past. It evolved from a 16th century instrument known by a variety of names – curtal or curtail (English), basson or fagot (French), dulcian or fagott (German), fagotto (Italian), and bajon (Spanish). These ancestors of the bassoon, which were also played with a double reed, were fashioned out of a single piece of wood, rather than the four separate sections common to todays bassoon.
In the early 17th century, the curtal came in six sizes rang- ing in length from as short as 15 to as long as 4 9. It was the French who later in that same century transformed the one-piece bass curtal into the four-piece instrument.
During the 18th and 19th centuries the bassoon was gradually improved and refined. It evolved from the 1713 three-key model played during the time of Mozart to six keys during Haydn’s time to the present 17 to 24 key versions of today. Two schools of bassoon-making arose in the 1880’s: the French school under Buffet and the German school under Heckel. Each had it own solutions to tone production, fingering and intonation.
Today the bassoon is used extensively in the symphony orchestra, opera, and most recently in the contemporary musicals of the 20th century, television, and movie soundtracks. Innumerable composers have written for the bassoon, particularly during the 18th century, and the repertoire includes impressive parts in orchestral scores, woodwind ensemble music and many bassoon solo concertos.
AFG - 2006R like AFG-2006 7 rollers (thumb: Bb, F#, Ab, little finger: F, G#, C#, D#)
AFG - 2006 Well chosen, long standing, seasoned sycamore maple, hand lacquered, silver-plated, 26 keys incl. high D-Key and high E Key on wing, double C-Key, whisper key lock, 2 bocals, 4 rollers (little finger F, G#, C#, D#), soft-Case and accessories
Arnolds & Sons
Arnolds & Sons® - Mouthpiece Cases - Alto/ Tenorsax Wooden, plush lined, handmade. 492860 imitation crocod. 492870 genuine leather
Arnolds & Sons® - Clarinet Pull throughs 493350 Fine leather, with rod 493353 Microfibre
Arnolds & Sons® - Saxophone Pull trough swab for Alto/Tenor/Baritone 493405
Arnolds & Sons® - Pull throughs - Special- Extra absorbent special fabric, weighted cord, Anti-Bacterial, washable, remains soft even after drying. 493351 Clarinet 493381 Alto Saxophon -Butterfly- 493382 Tenor Sax. -Butterfly- 493384 Alto Saxophon, w. Brush 493406 Saxophon neck 493407 Sax. Neck, with Brush
Arnolds & Sons® - Reed Cases for Clarinet and Saxophon Wood, glass plate. (for 6 reeds) natural-varnish, mahogany- brown, black
Arnolds & Sons® - Reed Cases for Clarinet -Eco line- Wooden, plush lined, handmade, magnetic latch, glass plate. 493030 mahogany-brown 493031 natural-varnish
Arnolds & Sons® - Mouthpiece cushions Self-adhesive, suitable for all clarinet and saxophone mouth- pieces. (4 pieces) 493810 transparent (0,35 mm) 493813 black (0,80 mm)
Arnolds & Sons® - Thumb rests Prevents unwanted pressure and assists relaxed playing. 493850 Clarinet 493855 Saxophone
Arnolds & Sons® - Palm Key Risers Fits on palm keys and raises them to a more comfortable playing position. (3 pieces) 493860
Get more Arnolds & Sons® accessoiries in specialized shops .
Arnolds & Sons® - Microfibre Cloth Microfibre, 35 x 35 cm 590227
Arnolds & Sons® - Silver Polishing clothes Highly efficient 590225
Fo to
: B lu
e Sk
y at
M at
te rh
or n
Pe ak
A lp
Fine Care products for Woodwind and Brasswind instruments.
Swiss Innovation for Woodwind and Brasswind Instrumente. La Tromba® is a „registered trademark“ of the La Tromba AG.
www.arnolds-sons.de
Distribution: Arnold Stölzel GmbH · PO box 55 23 · 65045 Wiesbaden, Germany · info @ stoelzel-music.de · Phone: +49 611 95089-0 · Fax: +49 611 95089-100
597
The history of the saxophone can be traced back over 150 years. It was invented by Antoine-Joseph (Adolphe) Sax. He was an expert instrument maker and talented musi- cian. The saxophone was patented on March 20, 1846. It has since become a necessity in every band due to its tonal beauty and versatility.
The first saxophone, a C bass, was displayed for the first time, in 1841, to the famous composer, Hector Berlioz. He was amazed at its versatility, unique tone, and control of dynamics. In 1842, Sax moved to Paris to introduce his new instrument to the rest of the world. Soon to follow was the creation of an entire saxophone family: 13 different saxophones in all. Each differed by size and pitch. They were the: E flat sopranino, F sopranino, B flat soprano, C soprano, E flat alto, F alto, B flat tenor, C tenor, E flat baritone, B flat bass, C bass, E flat contrabass, and F contrabass. Many of these variations, however, are seldom used or have become obsolete.
The saxophone finally became an integral part of all bands in 1845. This is the year of the famous “battle of the bands”. The French Army band was still using “traditional” instru- mentation. Sax saw this as an opportunity to show the world how the saxophone could improve the tonal quality in all bands. He suggested a contest between an army band composed of the original orchestral instrumentation against a band with an instrumentation that included saxophones. Sax’s band of twenty-eight men, compared to the French Army band of thirty-five, overwhelmed the crowd. That day, the saxophone was officially introduced into the French Army Band and soon to all other bands.
Today, many people enjoy the wonderful music produced by the saxophone. The beautiful sound of a sax quintet or a blaring jazz soloist can be heard all around the world. The saxophone has become a part of almost every style of music. It is being played everywhere from night clubs to football fields. The saxophone is truly one of the great musical instruments in our existence.
Saxophone
Saxophone
4
Reiner Witzel, lecturer at the music academies in Frankfurt and Dusseldorf
“Th e AAS-110YG is my fi rst choice for students. It convinces with a balanced sound, good handling and good intonation for a very reasonable price.”
ASS - 101C Bb-Soprano, curved
ASS - 100 Bb-Soprano, Japanese Model, 2 necks, curved and straight
Arnolds & Sons
5
AAS - 110 Eb-Alto, H/Bb rocker, C#/H rocker, detachable bell, reinforced neck, ergonomic thumb rest, mother of pearl inlays, comfort case with back- pack straps and outside pocket for sheet music, gold lacquered
AAS - 110YG Eb-Alto, detachable bell
AAS - 100G Eb-Alto, detachable bell
AAS - 100 Eb-Alto, detachable bell
Characteristics Th e fundamental characteristics of the Arnolds & Sons® saxophones are solid workmanship, long lasting materials, as well as intonation and response characteristics that ideally support the beginner saxophone player.
Unless otherwise stated, all saxophones have a high F# key, Pisoni pads, a Ernst Schreiber mouthpiece, a comfort case with back-pack straps and a complete set of accessories.
Saxophone
AAS-100K – Small hands Eb-Alto, Double-arms to stabi- lize the low-C/-H and- Bb key, suitable for children through modified neck, yellow brass body and keys, gold laquered, adjustable metal-thumbrest, PISONI pads, ESM mouthpie- ce with ligature and cap
Arnolds & Sons
ATS - 100 Bb-Tenor, detachable bell
ABS - 120 Bb-Bass, low Bb, comfort case
1) Low A 2) Low Bb 3) Reinforced Subject to change without notice.
Model Tuning Register Body type Mouth- piece
Pads High F# S-Bow Body Lacquer Button inlays Case
Straight Curved Yellow brass
strap
ASS-101C Bb Soprano ESM Pisoni 1 ASS-100 Bb Soprano ESM Pisoni 2 AAS-100 Eb Alto ESM Pisoni 1 AAS-100G Eb Alto ESM Pisoni 1 AAS-100K Eb Alto ESM Pisoni 1 AAS-110 Eb Alto ESM Pisoni 1 3) AAS-110YG Eb Alto ESM Pisoni 1 ATS-100 Bb Tenor ESM Pisoni 1 ABS-110 Eb Bariton 1) ESM Pisoni 1 ABS-120 Bb Bass 2) ESM Pisoni 1
Arnolds & Sons
7
Saxophone
The concept of the Terra range is where ideas become reality. Introducing profes- sional features in instruments that are absolutely economically manufactured, the Terra range defines a new segment.
Response and intonation characteristics are based on the heightened expectations of experienced musicians. The choice of materials and workmanship complement an attractive offer for the demanding instrumentalist.
Concept
Terra case Tenor Terra case Alto
ASS-301 – Terra – Bb-Soprano, curved, High F# key, detachable bell, Pisoni pads, ESM mouthpiece, Rovner ligature, comfort case with back-pack straps, engraved bell, gold laquered
ASS-320 – Terra – Bb-Soprano, curved, High F# key, detachable bell, Pisoni Pro pads, ESM mouthpiece, Rovner ligature, comfort case with back-pack straps, engraved bell, ribbed construction, metal- thumbrest, Aircell strap, gold laquered
Arnolds & Sons
8
AAS-301 – Terra – Eb-Alto, curved, High F# key, detachable bell, Pisoni pads, ESM mouthpiece, Rovner ligature, comfort case with back-pack straps, engraved bell, gold laquered
AAS-320 – Terra – Eb-Alto, High F# key, detachable bell, Pisoni Pro pads, ESM mouthpiece, Rovner ligature, comfort case with back-pack straps, engraved bell, ribbed construction, metal- thumbrest, Aircell strap, gold laquered
ATS-301 – Terra – Bb-Tenor, curved, High F# key, detachable bell, Pisoni pads, ESM mouthpiece, Rovner ligature, comfort case with back-pack straps, engraved bell, gold laquered
1) Low A 2) Low Bb 3) Reinforced Subject to change without notice.
Model Tuning Register Body type Mouth- piece
Pads High F# S-Bow Body Lacquer Button inlays Case
Straight Curved Yellow brass
Arnolds & Sons
11
The flute is one of the oldest instruments in history. Because the flute has evolved over the last 8000 years, there are many controversies regarding its origin and flute history in general. However, in 1986 and 1987, a number of wind instruments, those resembling the flute, made of animal bones were unearthed in central China. Dating tests indicated that these bone flutes were about 8,000 years old. Because of this latest discovery, it is believed that the origin of the flute derives from eastern influence, making the Chinese flute the oldest known flute.
Western civilization, in regard to flute history, can be dated back as early as 200 B.C.; Greco/Roman artifacts include the drawings of wooden flutes. After the fall of Rome, the flute seemed to disappear from history. In 1000 A.D., however, the flute was re-introduced to western europe, most likely by way of German influence.
However, when discussing modern day concert flutes, one may attribute this invention to the well known Theobald Boehm, a German born flute maker and flautist. In 1847, Boehm invented the cylindrical body, a foot joint and a parabolic head joint, larger tone holes and padded cups for each hole. The flute that most children and professional flautists use today was truly invented by Boehm; there have been only minor modifications since 1847 regarding the components of the flute.
Flute/Piccolo
Flute
Piccolo 110 – Terra – Grenadilla wood body, Grena- dilla wood head, thin wall reform head
Piccolo 107 S ABS composite body, Nickel silver plated head, thin wall reform head
Standard for all piccolos: Unless otherwise stated, all pic- colos have nickel silver plated keys, an E-Mechanic, accesso- ries and a case with case cover.
Arnolds & Sons
13
AFL - 210E/310E C-Flute, closed hole keys. Optional model: 310E, Sterling silver head
Standard for all flutes: Unless otherwise stated, all flutes have a nickel silver plated headjoint, body and keys, an E-Mechanic, offset G, Pisoni pads, drawn toneholes, accesso- ries and a case with case cover.
AFL - 220ER/320ER C-Flute, open hole keys. Optional model: 320ER, Sterling silver head
AFL - 210CE C-Flute, staight and curved head joint, closed hole keys
Subject to change without notice.
Flute
Model Key Head joint C-Foot Mechanic Nickel silver Silver plated
Keys Tone hole Drawn
silver plated Sterling
AFL-210E C
AFL-210CE C
AFL-220ER C
AFL-310E C
AFL-320ER C
15
Clarinet
Clarinet
During the late 1600s, before the clarinet existed, the chalumeau, considered the first true reed instrument, was used by musicians. Johann Christoph Denner and his son Jacob improved the chalumeau by inventing the speaker key. This gave the instrument a greater register and because of this Johann Christoph Denner is recognized as the inventor of the clarinet, a predecessor of the chalumeau. Unlike other woodwind instruments, the clarinet has a cylindrical bore giving it its distinct sound.
During the late 1700’s, the clarinet underwent many improvements and innovations. The cut or shape of the tone holes was experimented on to see how it affected the sound of the clarinet. The keys were also altered, the man responsible for these innovations was, Iwan Muller who developed the 13 keyed model, known today as the German system.
In the mid-1800’s, the Boehm fingering system which was developed by Theobald Boehm for the flute, was adapted to the clarinet by Hyacinthe Klose and Auguste Buffet. This is the fingering system that has remained popular to this day, but there are also other fingering systems used in Germany and Austria.
ACL - 617 Bb-Clarinet, Boehm system, 17 silver plated keys, 6 rings, ABS body, 2 barrels, mouthpiece and accessories, comfort case
ACL-206/226 – Terra – Bb-Clarinet, German system, 21 silver plated keys, 6 rings, Grenadilla wood body, 4 trill keys, forked Bb/F-mechanism, B-C# trill, F-lever, ESM mouthpiece, Rovner ligature, Vandoren reed, Light case. Optional model: ACL- 226, 22 silver plated keys
ACL-720 Bass-Clarinet in Bb, Boehm system, low Eb, ABS body, 20 keys, 7 closed tone holes, leather pads, keywork, neck and bell silver plated, ESM mouthpiece, Rovner ligature and cap
Arnolds & Sons
17
Bassoon
Bassoon
The modern bassoon has a colourful and complex past. It evolved from a 16th century instrument known by a variety of names – curtal or curtail (English), basson or fagot (French), dulcian or fagott (German), fagotto (Italian), and bajon (Spanish). These ancestors of the bassoon, which were also played with a double reed, were fashioned out of a single piece of wood, rather than the four separate sections common to todays bassoon.
In the early 17th century, the curtal came in six sizes rang- ing in length from as short as 15 to as long as 4 9. It was the French who later in that same century transformed the one-piece bass curtal into the four-piece instrument.
During the 18th and 19th centuries the bassoon was gradually improved and refined. It evolved from the 1713 three-key model played during the time of Mozart to six keys during Haydn’s time to the present 17 to 24 key versions of today. Two schools of bassoon-making arose in the 1880’s: the French school under Buffet and the German school under Heckel. Each had it own solutions to tone production, fingering and intonation.
Today the bassoon is used extensively in the symphony orchestra, opera, and most recently in the contemporary musicals of the 20th century, television, and movie soundtracks. Innumerable composers have written for the bassoon, particularly during the 18th century, and the repertoire includes impressive parts in orchestral scores, woodwind ensemble music and many bassoon solo concertos.
AFG - 2006R like AFG-2006 7 rollers (thumb: Bb, F#, Ab, little finger: F, G#, C#, D#)
AFG - 2006 Well chosen, long standing, seasoned sycamore maple, hand lacquered, silver-plated, 26 keys incl. high D-Key and high E Key on wing, double C-Key, whisper key lock, 2 bocals, 4 rollers (little finger F, G#, C#, D#), soft-Case and accessories
Arnolds & Sons
Arnolds & Sons® - Mouthpiece Cases - Alto/ Tenorsax Wooden, plush lined, handmade. 492860 imitation crocod. 492870 genuine leather
Arnolds & Sons® - Clarinet Pull throughs 493350 Fine leather, with rod 493353 Microfibre
Arnolds & Sons® - Saxophone Pull trough swab for Alto/Tenor/Baritone 493405
Arnolds & Sons® - Pull throughs - Special- Extra absorbent special fabric, weighted cord, Anti-Bacterial, washable, remains soft even after drying. 493351 Clarinet 493381 Alto Saxophon -Butterfly- 493382 Tenor Sax. -Butterfly- 493384 Alto Saxophon, w. Brush 493406 Saxophon neck 493407 Sax. Neck, with Brush
Arnolds & Sons® - Reed Cases for Clarinet and Saxophon Wood, glass plate. (for 6 reeds) natural-varnish, mahogany- brown, black
Arnolds & Sons® - Reed Cases for Clarinet -Eco line- Wooden, plush lined, handmade, magnetic latch, glass plate. 493030 mahogany-brown 493031 natural-varnish
Arnolds & Sons® - Mouthpiece cushions Self-adhesive, suitable for all clarinet and saxophone mouth- pieces. (4 pieces) 493810 transparent (0,35 mm) 493813 black (0,80 mm)
Arnolds & Sons® - Thumb rests Prevents unwanted pressure and assists relaxed playing. 493850 Clarinet 493855 Saxophone
Arnolds & Sons® - Palm Key Risers Fits on palm keys and raises them to a more comfortable playing position. (3 pieces) 493860
Get more Arnolds & Sons® accessoiries in specialized shops .
Arnolds & Sons® - Microfibre Cloth Microfibre, 35 x 35 cm 590227
Arnolds & Sons® - Silver Polishing clothes Highly efficient 590225
Fo to
: B lu
e Sk
y at
M at
te rh
or n
Pe ak
A lp
Fine Care products for Woodwind and Brasswind instruments.
Swiss Innovation for Woodwind and Brasswind Instrumente. La Tromba® is a „registered trademark“ of the La Tromba AG.
www.arnolds-sons.de
Distribution: Arnold Stölzel GmbH · PO box 55 23 · 65045 Wiesbaden, Germany · info @ stoelzel-music.de · Phone: +49 611 95089-0 · Fax: +49 611 95089-100
597
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