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architecture portfolio of monus mimi

Mar 03, 2016

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Page 1: architecture portfolio of monus mimi

portfolionoémi mónus

Page 2: architecture portfolio of monus mimi

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Page 3: architecture portfolio of monus mimi

cvGENERAL INFORMATIONS:

Name: Mónus NoémiAdress: Budapest, Hungary, 1238. Grassalkovich út 110aMobile: 0036 30 6044240E-mail: [email protected]/place of birth: 1983. 09. 27, Debrecen, HungaryNationality: hungarianPortfolio: http://issuu.com/monusmimi/docs/monusmimi2011

STUDIES:

1990-1998 Elementary school 1998-2000 Pogány Frigyes Billingual School of Architecture - in german language - architectural technician2000-2005 Schuleck Frigyes Billingual School of Architecture - architectural technician2005-2006 Corvin Drawingschool - drawing,painting, architectural design, modelling, sculpturing2010 feb. University for Foreigners/Universita per Stanieri di Perugia - Perugia, Italy - italian language2010 march-july Politechnico di Milano - Milan, Italy - Interior design 2006-2011 Moholy-Nagy University of Art and Design - MOME - architectural designer

JOBS:

2004-2006 Profit and Loss Kft - administrative works - Budapest2009 masterplan for a floating city in Siófok, Balaton, Hungary - for Egedesign2008 summer Galleria San Giorgio - Portofino, Italy - painting2009 july.-2010 jan. Sporaarchitects - modelling, organizer work2009- interior design for a plastic surgery in Érd, Hungary - under construction2011 apr.-2012 jan. Sziget-com Zrt - designing and making technical drawings about radiotechnical stations2012 feb - may A4 Architecture Studio - architecture designer2012 may Sporaarchitects - architecture designer

COMPETITIONS, WORKSHOPS, AWARDS, EXHIBITIONS:

2006 Freud installation in Budapest - Andrássy street - competition for the Austrian Cultural Forum - 1. prize 2006 I love Budapest, city colouring competition - 3. prize - exhibited in Dorottya Gallery, Budapest 2006 2007 Souvenir Design Workshop - MOME - exhibited in Ponton Gallery - co-operation of British Council 2009 Fabric 2.0 Parametric Design Workshop and Exhibition - MOME, N&N Gallery 2010 OPEN NEIGHBORHOOD, Via Padova - Quartiere aperto, group exhibition, ASSAB ONE Gallery, Milan, Italy 2011 thesis exhibition - Ponton Gallery - Rehabilitation of the Southern Station of Budapest2011 Moholy-Nagy University of Art and Design rector’s award - for the thesis project2011 Árkay award - the thesis award of the 12th. district of Budapest2011 Media Prize for Architetcure - nomination2011 Junior Prima award in architectural design chategory - for the ‘morass research lab’ design2011 1% artistique Médiatheque de DINARD competition, contemporary fineart installation - Dinard, France together with László Taubert and Barbara Sipos sculptors2012 Shelters for all competition - shelter design for homelesses - participant together with Zsuzska Mészáros architect2012 Helsinki Central Library competition - in A4 Studio - lead architecture designer

LANGUAGES:

English: fluent in writing reading and understanding German: intermediate certificate, good understanding, but hard to speak and to write Italian: beginner

COMPUTER SKILLS:

Microsoft office programe package, Photoshop, InDesign, Autocad, Sketchup, Corell Draw, recently learning 3D programs

PUBLICATIONS:

2005 OCTOGON - Architecture and design magazine, 2005/6, Kukucskáló, stég, bábgödör2011 Építészfórum - Déli pályaudvar, átalakítás és rehabilitáció - http://epiteszforum.hu/node/19246 daily hungarian architecture magazine

OTHER INTERESTS:

book binding, travelling, riding the bike in the city, good music, good concerts, good films, painting, drawing

Page 4: architecture portfolio of monus mimi
Page 5: architecture portfolio of monus mimi

architecture

Page 6: architecture portfolio of monus mimi

YOUTH ACCO-MODATION

CsórompusztaValley of Arts FestivalHungary2008

This farm is a very bellowed accommodation for the youth during the art festival of Kapolcs, but there is not enough sleeping place, shower and toilet.This accommodation building built for maximum 30 people, with one big public space, with an opened kitchen, with a sleeping place for boys and girls together and with bathrooms. It was very important for me to save the values and the characteristics of the neighbourhood, but also I wanted to create something fresh and youthfull building.My building connect with the ruin wall of the farm and with a little back gate of the farm, and this connection create a nice garden in the middle of my building.In Csórompuszta live some permanent inhabitants also, and i wanted to save their peace. For this reason is opened every door to out of the farm, and all the out front-ages are full of inside coloured doors, what try to break the building’s monotonity.

11

Page 7: architecture portfolio of monus mimi
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On the workshop we were acquaninted to the digitaly and manualy appliable basics of parametric design. The primary unit used by us was plastic glass. The glasses were manipulated and organized into physical systems via folding, cutting, glueing and pinning. The secondary paper, respectively digital units evolve via observation and mapping of behaviours and performative qualities of the systems evolved and the initial units. The secondary units then reorganize into struc-ture with a basis of the enviroment of the new laws of physics and the new material. The evolving structures are not only effected by the laws of physics and the qualities of the building units. We worked with processes of searching forms and generating forms, looking for systems and being more as a system than a more totality of its parts. The solution is not exclusively of the initial design problem but a forward pointing design with new possibilities inside.

FABRIC 2.0parametric design workshop

MOMEN&N Gallery2009

2

Page 9: architecture portfolio of monus mimi

ROOFTOP HOUSE Hollósi Simon steet, Budapest2008

Our project was to plan a family house on a rooftop of a two-storey house. The neighbourhood is quiet, there is a park in front of the house and a garden behind the house. Standing on the house the trees seems to be knee-high and there is a new perspective from above. On one side we can only see the trees, on the other side we can see rooftops, chimneys, antennas. The whole neighbourhood was built in the ’30-s.My aim was to keep the flair of the neighbourhood and to make the best of this rooftop-situation. The new rooftop-shelter has to be a territory of great value with a real life in it.

3

Page 10: architecture portfolio of monus mimi

The residents of the house is a young couple with a 10 year old child.The inside of the house is structured by rooms on different floors and a bathroom. The bathromm dives deep into the space, the room only for the child is beside it and under it. There is space for studying and playing too. The bedroom of the child is one floor higher. The kitchen is beside the chimney. The upper room wich dives not into the roof is the bedroom of the parents. The three room is bounded with the staircase. These boxes structure the space on the rooftop too, for example you can sit on the lowest box.The facade continues homogenically the old house’s facade. In front of the windows there are convertible perforated sheets, this is the material of the boxes also.

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Page 12: architecture portfolio of monus mimi

4

DORMITORY FOR MEDICAL STUDENTS Markusovszky squareBudapest2009.

Our project is a dormitory for medical students in the heart of Budapest, in a park in front of the University. The site is bounded by the back of the next house, a busy road and the park. My goal was the optimal connection to the neighbour house, and the optimal sunlight and making good conditions for community life.

Page 13: architecture portfolio of monus mimi

The rooms:

Every room is two-storey, each store is 2,5 meters high. The sleeping rooms for one person are connected with a study-room for 2,3 or 4 person, and a bathroom. There are 2 meters distance between the blocks so the sunlight can penetrate to the inside of the building, but it is protected from the neighbours (see next page). Every rooms is connected to public or private terraces.

The kitchens:

The kitchen-dinnig room is between the blocks, connected to the public terraces (on the modells: blue blobs). Dining plays the main role because it is the main community activity. While the bedrooms are two-storey and only 2,5 m high, the kitchen is 5 m high. The contact with the terrace makes the networking of the students more easier. The sunlight gets into the kitchens trough the openings between the rooms.

Page 14: architecture portfolio of monus mimi

The building:

The building stands on colums, the street level can take place shops or restaurants open for everyone. The stairs and the lift begin from this level. The building is detached from the neighbour house with an outside staircase and a mechanical room. As the house is getting taller it secedes more and more from the neighbour house. On the upper floors the staircase is within the building. The dormitory is orientated to the sunlight, fresh air and view with terraces. So the dorm society can communicate too. The kitchens and much of the rooms attach to the public terraces. The private terraces are between the rooms looking at the main street and the rooms looking at the neighbour house. The inside of the house is for community, it’s function is not predetermined. The only specified function is the kitchen. The house has its own plasticity the community cab personalize it. The sunlight gets into this inside area trough the spaces between the rooms. This area is 5 meters high because of the two-storey private rooms.

Page 15: architecture portfolio of monus mimi

FARMERS MARKET Nagymező street 5. Budapest2009

The site is near “Budapest Broadway”, the theater area of Budapest. It was part of the project that everybody could choose the function of their site. I chose to build a farmers’ market. The aim is the creation of a place where, unlike in ever more popular hyper- and supermarkets, food and other products can be bought directly from the growers. Although there are several market halls and places in the downtown of Budapest, most of these sell imported goods. Besides making the most of the conditions of the place, the point of the project is to develop a kind of shopping culture which is gradually disappearing while hyper- and supermarkets are rapidly taking its place. Also giving space to theatres, musicians, and even jurisdiction, markets have been the heart of the European culture for centuries.

Andrássy street

Paulay Ede street

embracing houses

the site: Nagymező street 5.

Nagymező street

Király street

5

Commerce is a space-demanding human need occupying the two basic architectural types of space: open and closed spaces.

Page 16: architecture portfolio of monus mimi

first ideacubes = shops

spread upwards - a vertical market space

realization of the first idea with a pedestrian system

aquiring space for a market hall

variation of the first idea:

markethall duplication

new philosophy:

the underground spreading of the market, fol-lowing the course of the street and occupying the space of the underground garage

The market can grow and spread under the ground, following the shape of the building site instead of the course of the street, grow-ing up until the first floor, thus allowing of more greenspace and walkways in the street and enough space for parking and the trans-portation of goods under it.

1 2 3 4 5 6

The site’s character contradicts the function of a market. It only has one end open to the street and it is really narrow but long, which are the very reasons for the market’s need for vertical spreading. But, observing the main characteristics of a healthy market, it is easy to realize that vertical spreading is in sharp contrast to the original function of a market. Considering a roofed market hall, the market is an integral part of the street, streaming freely as a space filling public function. The number of vendors is continuously pulsating with a need for double or triple the space at weekends or holidays. Under Nagymező street there is a large but long-forgotten garage lying unused, which could also be made use of when expanding the market hall. It would also be possible to open a new entrance from the direction of Paulay street as the rear neighboring house is a community office building. Thus the site could work as a three-storey passage with an open air market hall at the underground level, a passage and some stores on the ground floor, and small buffets and restaurants on the first. The plan is based on the plan of making of Nagymező street into a pedestrian street.

Page 17: architecture portfolio of monus mimi

section 1. section 2. facade

-1. market level

0. passage, street

1. floor

street

-1. market hall

0. passage, street

1. restaurants

roofopened canvas roof

entrance from Paulay street

closed canvas roof

street

-1. market

0. passage, street

1. restaurants , wood cover

utca

-1. market

0. passage, wood cover

-1. market, brick cover

shops, metal cover

shops, metal cover

shops, metal cover

The new construction is trying to adjust to its environment. The underground marketplace, stuck between two brick fire-walls, continues the lining of the two brick firewalls, lending the market a nice homogeneous look. The floating walkways have a wooden paneling, and the shops are made of metal. All the market hall is built onto a steel framework of columns pro-viding a mobile roof. This means that in case of good weather the market is open to the sky, but when it is raining or the sun-shine in dangerously strong, the canvas roof is closed. Since the street is going to function as a walking street in the future, green surfaces will be designed to correspond to the market’s openings, and one lane will remain for the trolley bus.

Andrássy street

entrance from Paulay street

market

Nagymező street

greenplant surfaces

Paulay Ede street

Page 18: architecture portfolio of monus mimi

the cultural transport system of Via Padova Via PadovaMilan, Italy2010

co-designer:Fenyvesi Borbála

ASSAB ONE GalleryMilanOPEN NEIGHBOUR-HOOD exhibition

Most of the immigrants in Europe live in Milan. From its 1,7 million inhabitants 180 000 are immigrant. The site is Via Padova in the second district of Milan, where 29 000 imigrants live. Italians only come here when they really need to. The closed community is divided into even more closed ethnical communities with this groups don’t have any connection with eachother. For this reason the delinquency is really high, because of the clash of the different ethnical groups. The essence of the project is to help for the communities to be closer to eachother. The Via Padova is 4km long street, where aren’t cultural places, there is just a park, what is closed from the street with a wall. Every community has his own shops and cafes in this area. The plan try to activate this neighbourhood all street long, where the only one transportation is the bus line 56. The bus, and the bus stops are the only places on the street where the different nationalities can meet. Therefore we built a cultural transport system, where every pair of bus stops get new cultural functions. These are for ex-ample: exhibition stop, game stop, library stop, or the spice stop. The bus stops get permanent functions, and the empty shops are temporary. The empty shops connected to the system too. In a kind of society like this, the system can’t work without an organizer group (see below).

6

Page 19: architecture portfolio of monus mimi

temporary design for the empty shops

The system has 3 elements: studio box, chairs and fences. Every element is movable, you can move it from shop to shop. The system get space, where a shop become empty, and it stays till somebody rent it again. The elements can move also to the street, when there is a bigger event or a festival. From chairs you vócan build a stage or a wall, it depends from the claim. In the studio box are all the things what you need for the show, comput-er, sound technic, projector, etc. The fence protect the people from the traf-fic and from the walkers.

temporary elements - permanent elements

the chairs and the stage

the fence

facade of a shop

floor plan - shop and street

studio box

system of temporary events

when there are no events

when there is a theater, music, or cinema in the shop

when the event need bigger space

in bigger fests on the street

theater, concert or closed cinema, projection

Page 20: architecture portfolio of monus mimi

temporary elements - permanent elements

permanent design - bus stop elements - SPICE STOP

From the 3 elements the message wall and the video booth are in ev-ery bus stop, and the spice walls give the characteristic of this stop. The spice is different in every na-tion’s life, everywhere have a dif-ferent character. In this bus stop we use this idea to make better connection between the ethnical groups.

üzenőfal spice wall

video booth

In the spice walls you can find spice from the nationalities who live in the street, and naturally are take away. The free surfaces are to share information, about the spices, or how was the food with it, or for recipes. Every bus stop works like a “live Facebook” system. The video booth and the message wall are both have online and offline surfaces to share infor-mation, here you can write, draw or advertise.

Page 21: architecture portfolio of monus mimi

permanent and temporary - THE FINAL PLAN

floor plan

facade - when the shop is closed

facade - when the shop is open

temporary

permanent

the bus stop the empty shop

when there is a concert or theater

when there is a projection

Page 22: architecture portfolio of monus mimi

MORASS RESEARCH LAB SzőceŐrség, Hungary2010

prima junior award2011

Szőce is a village in Őrség, in west Hungary. Near the village is the morass what survived the ice age. The unique microclimate of the area could save this special enviroment. This special climate due to the animal husbandry, what is a thousand years old tradition of the territory. The soil isn’t good enough to grow plants, therefore the animal husbandry was the main activity in the Őrség area. The regular mowing, and the grazing animals destroyed most of the forests, and for this reason could develop a special climate for the morasses. Sometimes in august after a hot day, the temperature goes under 0 degree. Some plants and animals live just in this area in the world.50-60 years ago this climate began to be in danger. The nationalization of the agriculture stoped the animal husbandry in the area. The mowing stoped also, and forests began to grow again, therefore the morasses were in danger, and the landscape totally changed. The morass of Szőce is the last intact survived morass of the Őrség, the maintence of the place now is artificial, in every year 2 times mow a special youth organization. The research lab is near the morass, but the tiny little house is in a really bad condition, and also can’t serve the function perfectly. The researchers need a new house, what give new opportuni-ties not just for the research, but also for the youth camps, lectures, and exhibitions.

7

endless quantity

nearly endless quantity

Page 23: architecture portfolio of monus mimi

The machines can’t go to the morass, and to the area, for this reason the usual building system are not allowed here. I needed to develop a new site specific system. The forest near the morass is full of with acacia tree, what is unhealthy for this special environment. The root of the acacia produce nitrate, what dries the soil, therefore is dan-gerous for the morass. The plan of the forestry is to destroy the acacia, and 10 meters from the forest. In this way the morass has space and conditions to grow. The acacia can be a good building material, and also can solve the problem of the transportation. Near the wood I can use the materials of the old house, and the straw too, therefore I don’t need any transportable materials.

The other important element of the project is the settling. One part of the ground is flat, here is the old house. The other part is running up, on this part are apple trees. To this running up part I imagined the new research lab, and on the flat part the morass can grow more. The new house is between the 2 part of the forest, and the house and the forest together create a continouos ‘wall’. The settling of the new house conform to the old house, in the time of building the old and the new houses can work together like one entity.The closed, roofed spaces are minimal, I gave enough space for everything, but not more than the minimum. In this way most of the comlex is openair, and there can be enough space to store the straw bales. The bales are temporary building elements, what can create new spaces for the house, for example for the youth camp, These spaces can change from time to time, it depends what are the actual needs.

FACADE WITHOUT STRAW BALES

FASSADE WITH STRAW BALES

BUILDING PROCESS

CONNECTION BETWEEN THE NEW AND THE OLD HOUSE

site plan - at present in the time of construction after demolish

Page 24: architecture portfolio of monus mimi

apple tree

bedrooms

laboratory

researcher’s room

water suplies

presentation space

kitchen

deck

ladder

1

2

1 slate cover

5x5 cm battening

20x20 cm framework

35 cm straw bale

wapour - permeable film

5 cm planks shodown

20x20 cm framework

1 5 cm planks shodown

2x15x20 cm framework

35 cm straw bale

15x15 cm frame

DETAILS - order of layers

openable surface for bale changing

openable surface for bale changing

mixed walldecking

ladder

FLOORPLAN

SECTION

Page 25: architecture portfolio of monus mimi

DÉLI PÁLYAUD-VAR: REHABILITATION OF THE SOUTH-ERN STATION OF BUDAPEST

Magyar Jakobinusok squareBudapest2011

thesis project

MOME rector’s award

Árkay award

Média price of archi-tecture -nomination

The Southern Railway station is the third biggest station in the country. After the 1930’s the MÁV (Hungarian railways) was thinking about, and thinking nowadays too, to move the station to the suburb area of Buda. My opinion is to not move a 150 years old railway infrastructure. The site have a unique panorama to the hills and the castle of Buda, and the station have the deepest contact with the Balaton lake from all the stations of Budapest. I think here is a really good opportunity to save the station and give a new touristic function for it. In this way the Southern Station can be the gate for our most amazing touristic sites. My aim wasn’t to build a station but I wanted to design a public space, where the travel is integral part of the place. In this way can get space new funtcions like a farmers market, commercial functions, or cultural functions of the waiting room. Near the new public functions was really important to save the character of the original station.In 1962 handed over the new building, and in 1977 enlarged the same architect, György Kőváry, with a metro station, underground passage, and a new office building for the MÁV. After the enlargement the station saved the original character. I continue this process in 2011, in this way the evolution of the building will be a visual process of time. From the 3 level high intermodal junction of György Kőváry I make one level, therefore I can loose some disturbing element, like the underground passage, or the lot of dark and depressing spaces.

1861 1945 1962 1977 2011

railroads from Déli station

railroads of the 3 main stations of Budapest

planned railroads

INTRANSZMASheadquaters

‘long house’

cashier block

underground level

8

DEMOLISHING

PRESENT CONDITIONSfrom Alkotás street

DEMOLISHING

CONSTRUCTING

- 2 ‘long house’ ceiling = +1 markethall

- 1 cashier block ceiling = + inner height

+1 ground filling = one level high intermodal junction

- 1 underground passage = open air pedestrian system

+1 roofing = +1 level for the city life

+1 waiting room = + urban and public functions

+ buildings = + commercial functions

Page 26: architecture portfolio of monus mimi

old cashier’sspiral staircase

waiting room,cleawing

inner promenade

Alkotás street

commercial functionsstair

park

INTRANSZMAS headquarters

cleawing

verticaltransport

new roof

the roof of theold waiting room

‘longhouse’ markethall

Krisztina boulevard

VérmezőparkMárvány street

rippingcultural functions

old cashier’sspiral staircase

the roof of theold waiting

market‘long house’

old cashier’sspiral staircase

waiting rooms

cachierplatformarea

inner promenade

commercial functions

INTRANSZMAS headquarters

subway entrance

vertical transport

bicycle parking

+2 - siteplan - rooftop +1 - siteplan - cleawings 0 - siteplan - railway area

N

the roof of theold waiting room

old cashier,spiral staircase

subway entrance

long housemarket

waiting rooms

vertical transport

vertical transport

stair commercial buildings

INTRANSZMAS headquarters

facade from Alkotás street

facade from Krisztina boulevard

level of Krisztina boulevardlevel Alkotás street

Márvány street parking entrance

vertical transport

long housemarket

the roof of theold waiting room

parking entrance

vertical transport

Page 27: architecture portfolio of monus mimi

The most characteristic element of the plan is the new roof of the station. It begins from the old ceiling and it ends in the level of Márvány street. The long is 650 meters, and the highest point is 15 meters.The perforation of the roof follows the line of the railway, the view from the station level will be a never ending structure. The new roof’s function isn’t to hide the station,but is more to lifting it up. It gives a new level for the city. The railway following structure has two cleawings with public functions. From the roof tore out the long building, what has a new market function. It is a gigantic long and narrow space. like an aquarium, with a lot of colours and smell of fruits, vegetables and spices. The transformed building is visible from the space of the station and from the rooftop too.

The functioning of the station have to change also. The train service and the public transport of the city works in one space, because the entrance of the metro and the platforms are in the same level.In this way not just the travelers use this space, but the citizens too. The ticket office system is newly organized. In the end of every pair of platforms are a ticket box with four cash desks. There are 5 boxes, and 20 cash desks. In the boxes are also resting room for the workers of the train. It can be so easier to buy the ticket directly near the train.

2

1

3

4

7

13

8

10

5 6

12

14

9

11

1

8

15

16

6 6

16

1010

8

17

18

1 commercial functions

2 inner promenade

3 platforms

4 cashiers

5 bicycle parking

6 vertical transport

7 communicating space with pillars

8 waiting room and cultural functions

9 Alkotás street

10 old cashier, caracole

11 subway entrance

12 Krisztina boulevard

13 Magyar jakobinusok square

14 Vérmező park

15 markethall

16 the roof of the old waiting room

17 roofing

18 light hole

+2 - floorplan - rooftop+1 - floorplan - cleawings0 - floor plan - level of the railway area

15 6 17 4 8 1918

19 INTRANSZMAS

Krisztina blv parkingAlkotás street

Page 28: architecture portfolio of monus mimi

THE WAITING ROOMS AND THEIR CITY FUNCTIONS

The other cleawing is the cultural walking ‘street’ on the west side of the new roof. The cultural functions are cinema, library, exhibition space, internet café, playground, and restaurant. The new construction tear out the roof and boarder the light chimneys of the waitingrooms and the cultural spaces. In these chimneys get space elevators and stairs, they give the vertical connection betwwen the station’s space and the cultural places. Every light chimney have also 20 chairs to wait for the trains, or to meet eachother. Each cultural function get an identity, a specially choosed material, which cover these spaces, and float to the cleawing, and down the waiting rooms. The situation is the same like the market has, everything is visible from the roof and from the station too. The culture and commerce is the part of the travelers and citizens life too, this is a meeting point, cultural center, station, and market together.

ground floor plan - railway area

1. floor plan - cleawing level

roof floor plan - rooftop level

1 1

1 11

13

14

1 1 6

11 1

5

7 8

9 10 11

43

13

12

13

12

2

16

15

1 light chimney, waiting room

2 pillars

3 cleawing, outer promenade

4 main staircase

5 cinema - concrete

6 water suplies

7 library with cinema projection room - wood

8 inner playground for children - poliamyd

9 exhibition space - paintable betonnip

10 restaurant - ceramic tile

11 internet - metal

12 remaining roof of the old cashier

13 old cashier, spiral staircase

14 subway entrance

15 roof joists

16 roof

A A

A A

A A

B B

C C

B B

B B

C C

C C

DD

DD

DD

light chimneys, waiting rooms

Page 29: architecture portfolio of monus mimi

A-A section

B-B section

C-C section

libraryD-D section

cinema

light chimneys, waiting rooms

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furniture design

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REMAKE OF A THONET CHAIR 2007

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MOVABLE STORE FURNITURE

2008

The box designed for people who travel or move a lot. For these people the storing is always a big problem. With this store furniture is never a problem again. This is a textil bag, what you can use for shopping, or traveling. You can stiff with cardboard sheets, and after you can use like a furniture, because of the cheap materials and simple construction, you can build it up very quick. It is perfect for students who live in dormitories and the nice design help them to make unknow living spaces more familiar. As a bag you can take it everywhere with yuo, and you can transform it to furniture where you need, because useless cardboard can be found everywhere.

double side bag removable ear

riverside textile of the bag

cardboard

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drawing

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